Nadir – definition: 1) the lowest point; 2) the point of the celestial sphere that is directly opposite the zenith and directly under the observer.
I could relate star gazing experiences or the fantastic moments I have witnessed the aurora borealis here in Alberta but my mind went to the characters and parts of a story we can overlook. When we are engaged in writing about our main characters and their story they are our primary focus. We can neglect what is literally under our noses. The interaction with secondary characters can be an artful way of enhancing our main character. Their reaction to someone else will illustrate their personality more effectively than using endless descriptions. Of course secondary characters can also be important in their own right not only implementing momentum in the story arc but also as individual characters with their own ‘lives’ that are affected by the circumstances they and our main character find themselves in.
Take a look at this post:
Even the smallest detail can eject your reader from a scene. Would a historically set story really have burgers on the menu? Would a character wear a wristwatch? This is where research is vital for accuracy and to ensure your reader totally believes in the world your characters inhabit. The choice of weapons, clothing and social conventions build your world making it all the more believable. A Victorian lady would not go on a girls night out but entertain a few friends in the parlour during the day. A space commander would probably not spend his evenings knitting. Pirates use a cutlass, an alien a laser.
Here’s a great post:
No matter your genre, your world building must have rules, structure and conventions that your hero is fighting to maintain or struggling against. Their methods and actions must reflect what is available to them and most importantly it must be believable.