When I began writing, I used to spend a lot of time using a site called, Espresso Story, where the stories were 25 words or less. It helped me define a story in a few words until I felt able to increase my word count and descriptions.
Here are a few examples.
The stick flew My dog pounced And collided with him That’s how we met My love and I
Trapped but guilty to move on Loving but alone in a crowd Sleeping but horror in her dreams Smiling but crying within
Free of her kidnapper She fled the horrific basement Running along a darkened road Through torrential rain The driver never saw her
Tantrum: But I want it!!!! You’ll get it alright
Karma: We knew each other from before, Have loved in the present, Now to guarantee our future.
Boat Trip: The boat tips, Water seeps in, No land in sight, Help!
Mathematical fiction is a genre of creative fictional work, where mathematics and mathematicians play important roles. It is defined as any work “containing mathematics or mathematicians” but the form and the medium of the work is not important as it can still be treated as mathematical fiction. This genre can be in the form of short stories, novels or plays; comic books; films, videos, or audios.
The oldest extant work of mathematical fiction is The Birds, a comedy by the Ancient Greek playwright Aristophanes, which was performed in 414 BC. One of the earliest, more modern works in this genre is Flatland: A Romance of Many Dimensions by schoolmaster, Edwin Abbott Abbott in 1884.
The genre of mathematical fiction may have existed since ancient times, but was only recently rediscovered as a genre of literature. It has become a growing body of literature attracting a growing body of readers. For example, Abbot’s Flatland spawned a sequel in the 21st century: a novel titled Flatterland by Ian Stewart and published in 2001.
The genre is not seen as a ‘popular’ one, however there are numerous novels, short stories etc. that are under this genre. Take a look at the Goodreads list, I think you will be surprised. https://www.goodreads.com/shelf/show/math-fiction
1. Does writing energize or exhaust you? It depends on the project and on my readiness to tackle the subject. To be open and vulnerable in my poetry and life writing requires risk and that frightens me sometimes. On the other hand, my best work helps me let go of my fears. 2. What is your writing Kryptonite? Family crises, mood swings and poor self-discipline.
3. Did you ever consider writing under a pseudonym? No, but now that you mention it, it might be freeing. 4. What other authors are you friends with, and how do they help you become a better writer? Writers Foundation of Strathcona County are encouraging, accepting and creative. 5. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? All of my writing is focused on writing as a tool for personal growth. 6. How many unpublished and half-finished books do you have? Too many! Poetry (Pipers Dream); Family history and memoir (Home and Away); Novel (Mile Zero); Nonfiction (Writing with Inner Child; Diving the Sea of Emotion; Process of Perspective). 7. What kind of research do you do, and how long do you spend researching before beginning a book? Research is one of my favourite activities because it reflects my love of learning. Non-fiction and fiction – reading on the subject. Google on specific aspects. Symbolism.
8. How many hours a day/week do you write? Not enough. I’m aiming for 2 hours every morning. I am very inconsistent and that is something I am trying to correct. 9. How do you select the names of your characters? Usually some symbolic aspect of their personality. For example, in my novel the main character Claire is becoming more enlightened. 10. Why did you choose to write in your particular field or genre? Personal writing is self-expressive and spiritual. Poetry is symbolic. All my writing is aimed at finding life’s depth, meaning and purpose.
11. How long have you been writing? Poetry since 1974 and life writing for at least 30 years. 12. What inspires you? Nature. People. Mindfulness. Life events. New ideas. New insight. 13. What projects are you working on at the present? Blogs. I’ve neglected my website for the past few months so I want to update and add new ideas. Final edits to my book of fairy tales, which is coming soon! It is called “Life is Not a Fairy Tale” and will be released by Dream Write Publishing before Christmas. 14. Share a link to your author website. http://kathiesutherland.com/
Kathie Sutherland is the author of Things We Keep, a memoir in essay form, and a self-published author of several poetry books: balancing Act; Shadow Girls in the Spotlight;Wind in the Trees; and Seeking Asylum. She is presently completing final edits on a collection of Fairy Tales, and has several large writing projects in the works including a “self-help” book and two life writing workbooks.
Kathie is a well-traveled and observant student of life with 30 years of writing experience. In the past, she has facilitated journal writing workshops. Currently, she acts as a Story Listener for elderly Lodge residents as they share life stories and she facilitates a reminiscence group there.
Today’s post is more personal as I am a multi-genre author. I would welcome your comments on how you brand, promote and market when writing multi-genres.
The definition of ‘writer’ is 1. a person who has written a particular text. 2. a person who writes books, stories, or articles as a job or regular occupation. 3. a person who writes in a specified way.
As you can see the definition predisposes that a writer will create narratives in a specific way or genre. However, what if a writer wants to write the ‘story’ not the genre?
As many of you know, I am a multi-genre author, where the story is the motivator not the genre. However, there are some obstacles to this due to the ‘business’ side of writing. Mainly, how to promote myself as opposed to the genre I have written?
I have read many ‘book promotion and marketing’ articles, all of which target specific audiences for genre. You can easily target one genre, such as romance, thriller, and mystery but how do you cross genre lines in promotion?
One answer is to link your name to an organic and dynamic brand that’s based on you and arouses a positive, emotional experience for your targeted readership – regardless of genre. So in essence you will need to develop a strategy to create a hybrid solution of your own.
Another option is to write a book that will appeal to the fans of your new genre and not the fans you already have. The plot, cover, and blurb should all be consistent with the genre you want to write in. This can be accomplished by adding your own flourishes to the genre.
You have the ability to create your own style, and unique voice by combining recurrent themes, character types, settings, and ideas that make up the familiar elements characteristic to your writing. You can tie a common thread between all the genres you choose to write.
It is much less about genre, and more about what readers have come to expect in your books/writing. It’s in the way you do it–as well as how it’s perceived and interpreted by your audience. Let’s take a look at how writing in more than one genre is a benefit: • It requires different strengths and allows you to push your limits and abilities–learn, test, experiment, polish. • It lets you explore your wider interests without limitation. • It allows new writers especially to explore various genres before determining the right “fit” for their style, voice and passions. • It is often not a conscious decision–many writers are compelled to follow the Muse.
So what are the Pros and Cons? Pros: 1. Writing what you want It is wonderfully fulfilling to explore new ideas and create something new that challenges you in unique and exciting ways. 2. Wider audience Writing a new genre may attract new readers, who wouldn’t have found your work otherwise. And hopefully they will check out your previous works thus cultivating a broader, wider readership. 3. Versatility Being versatile will sharpen your skills as a writer and may attract a publisher in that genre or other new opportunities. Your ability to handle a variety of genres is always a plus. 4. Broader community While writing in new genres and categories, you will get to know other writers in that genre and extend your writing community in the process. Cons: 1. Losing readers This is obviously the biggest con of switching genres. Your current readership may not pick up your new book at all as they consider you a writer in a particular genre and may be more discerning about picking up a title of yours in the future. 2. More juggling Writing in multiple genres requires more juggling with your marketing and promotion as you need to change from one single cohesive marketing plan into two or more. And if you’re working on multiple projects at once, you’ll have to handle multiple publishing deadlines, contracts, etc. 3. Multiple brands The worst case scenario is having to start a completely new brand for the ‘other’ genre. You may need to write under a pen-name and devote time to building that platform. It could be you start from scratch in your branding, or utilize your platform in a broader form. To do this you need to find the common ‘theme’. (Not an easy task I might add!) 4. Writing confusion The other challenge is juggling multiple genres from a writing perspective and requires a lot of hard work and skill to accomplish successfully. Each genre has its own conventions you need to establish and refine using vastly different voices traits and tones, while meeting readers’ expectations.
More recently, many alternative genres have been created, which combine genres into a sub-genres. For example, romance readers would never go to the horror section first but if the description was something like – romantic suspense – then maybe they would pick up your book. This has enabled authors to promote their books in one or more genres. I have investigated what my ‘brand’ or ‘theme’ is in my writing and after quite some time realized it is a basic theme of love – be it romantic, parental, friendship or some other kind – so in essence I can use that title within the more traditional genre headings. It is a matter of looking at your story and defining the main theme, even if it is an underlining thread throughout the narrative. My novel, Life in Slake Patch is an alternative world order but basically has a young man trying to change the ‘laws’ so he can be with the woman he loves. It can be described as speculative fiction but romantic speculative fiction is better.
My novel, The Twesome Loop is also romance but has an added reincarnation element as well as set in England and Italy, so is it romance alone or do I possibly create a sub-genre: suspense romance? As I am writing, I realized another sub-genre would fit my fantasy, The Rython Kingdom, which is set in medieval England, has a romance and a master plot by a vengeful witch so maybe it is fantasy romance?
Do you write multiple genres?
How do you promote them? Separately or within a broader brand under your name?