With a complete read through this weekend of the manuscript for the first book in my detective series, An Elusive Trail, I am fairly happy with the edits and revisions. The new word count is 61,626 – a far cry from the ‘finished’ story of National Novel Writing Month in November last year of 50,156. This shows how a manuscript changes and grows over the course of revisions. Scenes are added or cut, moved or changed and information researched in order to improve the content. Not only for accuracy but also to ensure the characters and story reflect the trope expected by readers of the specific genre.
I recently attended a crime writer’s week long presentation course online. The most interesting and helpful sessions were with a retired detective. His insight and knowledge gave me several pieces of information I have included in the manuscript to enhance the police and forensic procedures. There are a couple more months of revisions to be done, (an author has a hard time relinquishing a manuscript!) but the first book in the series is well on its way to being ready to submit to a publisher for review.
Writers and authors research their specific genre through books but also movies. My choice of movies to watch has been said to be eclectic. I can watch and enjoy action, romance, sci-fi, fantasy and many others, it all depends on my mood at the time. Take several I watched during April for example:
The Father – Anthony Hopkins was spectacular. Hillbilly Elegy – Glenn Close was exceptional. Penguin Bloom – as a natural lover this true story was heartwarming and wonderful in so many ways. Diana – I always feel my heart break a little reading or watching anything to do with her. The Age of Adaline – I have watched this movie several times because I love the premise of it. Elizabeth and Margaret – because we can only glimpse their lives. Coroner – this series was for my book research mainly. Monty Python -In the Beginning – I grew up with Python and still recite sketches to this day. Ladies in Black – life in 1959 Australia a merging of cultures within the structure of society expectations. It shows how a person’s life is affected by the era’s limitations put upon them. Elvis Presley – The Searcher – I learned more about his life, but also that if he had broken away from the Colonel, his fame would have been even greater, such a shame he was so manipulated. As you can see some are factual, some research, while others are pure escapism.
The most unusual and surprising movie I watched was FAMILY, at first look it is a workaholic woman asked to look after her brother’s daughter for a short time. However, what is so unexpected is the unknown (to me anyway) cultural phenomenon of Juggalo. I have never come across this group (and I listen to an even more of an eclectic selection in music). The Juggalo’s are fans of the group Insane Clown Posse. They dress in clown-like makeup and fantastical outfits. Their motto is ‘I shall not judge. I shall love my Family. I am a Ninja.‘ You may not enjoy their music but their inclusiveness to all is inspiring.
Have you discovered something new through a book or movie?What was it?
Today I welcome a joint interview with Daivd and Cendrine, authors who collaborate to publish a variety of books and a magazine. Welcome to you both.
1.What drew you to poetry?
I grew up trying to write spoof lyrics for a lot of different songs, inspiration would come out of all sorts of places. When it turned out that my lyrical structures became too big and unwieldy for songs themselves to contain, I started turning to writing poetry because I was drawn into the musicality of playing with words and phrases. I was fascinated by how you could treat words as if they were musical instruments. I began reading lots of poetry written by my peers and in doing so, I gained the ability to write on an emotional level that connected with many different people. This is what forged my love of poetry, being able to communicate with like-minded souls and give them hope, inspiration, passion, courage and kindness in their lives.
2.You embrace a variety of topics in your poetry. Can you explain your process in choosing a theme?
Theme for me is pretty easy, in that I am most interested in writing things that are inspirational, romantic, funny or all three combined! I’ve always thought that when it comes to choosing a theme or topic, it should be something that you are passionate about. You should actively try to combine multiple elements to give you enough drive and material to visualize a project. For example, you may choose to write about snow but that on its own is not very inspiring. However, if you were to then combine other elements of an emotional nature (a first romance in the snow, playing in the snow as a child/with your own children, etc) then this will give you the means to flesh out your piece. From then on, you can continue to add whatever details you need to give enough colour to your piece of writing to interest others into reading it.
3.How does writing flash fiction differ from poetry for your writing process?
With Flash Fiction I am usually thinking of a specific scene taking place in my mind. Whilst this can also be true for poetry, stories tend to unfold themselves when I have some characters chatting to each other. Usually my flash fiction pieces consist of dialogue between quirky characters and action unfolding. I would say that a poem can embrace many different angles but a piece of story writing is focused, concise, every word needs to count when it comes to describing the scene/event. With a poem, you can be more vague when it comes to the overall meaning of the lines and still have a deep message that can be conveyed. Whereas with a piece of story writing, it is important to convey to the reader where they are and what is happening (even if the twists, turns and outcomes are a mystery), so that they can quietly imagine being there themselves enjoying the experience.
4.Who are your writer heroes?
I have tons in different genres! My favourite genre is Fantasy, so I will say that my top two literary heroes are Terry Practchett and Neil Gaiman. Stephen King for horror. For poetry, Edgar Allan Poe, Emily Dickinson & Maya Angelou are also but a very small selection. I could literally spend all day and night naming people in the literary, TV and film world who constantly inspire me on a daily basis!
5. How did you come up with the title – “TooFullToWrite – I’ve started so I’ll finish”?
The short answer is that I always thought about the notion how writers and artists start things but struggle to finish them. Maybe they lose their creativity or drive, or some other shiny thing comes along to distract them. My philosophy was born out of wanting to finish things that I start because I am not a fan of loose ends and it is satisfying to complete things (no matter how long they take!) for our own peace of mind.
I actually wrote a humorous origin story about the namesake of my website, so if your readers are interested they can read it here:-
6.You have created workbooks for authors. Can you tell us about them and why you created them?
Cendrine & I created our workbooks series at Auroras & Blossoms because we wanted to inspire artists to create more material, to become more professional and to thrive at what they do best. We focus on a variety of different topics, including writing prompts, inspirational tips/techniques, new poetry and writing forms, social media etiquette, social media marketing, marketing your artwork better and many more. We want to keep expanding and evolving what we offer to be on the cutting edge of what inspires artists to show up and produce the best material of their lives! 🙂
7.How, why and when did you formulate the partnership with Cendrine Marrouat?
Cendrine goes into deeper detail in her interview segment below. We crossed paths years ago when I was interviewing fellow authors and artists. We have an excellent creative partnership that we have built a strong platform on. We complement each other with our skills sets and are both a creative force to be reckoned with. She is an excellent business partner and extremely talented too!
8.You have a wide range of skills, including podcaster, lyricist, humorist – do you feel these are all components of your writer life? How do each of these disciplines aid your writing?
I have never wanted to tie my creativity down to just one single thing. As I learn how to do one creative discipline, I become interested in others by way of association and because of my passion in existing disciplines, this enthusiasm carries over to new things that I try out in the artistic world. I do not feel like they are actually defined by a writer’s life, although to be fair, a writer’s life has led me to all of them and so much more. It’s very true what they say about how being a writer means that you can literally be anything you want to be in life! Being involved in many different artistic outlets gives you a much broader palette to paint from. It is not for everyone, since some people prefer to focus on one thing and get really good at it. I have to focus on many things in my life, otherwise I will get bored doing the same thing over and over – variety is the spice of life!
9.Does living in England enhance your writing – if so how?
This is an interesting question. I definitely have a British sense of humour and it comes out in my jokes, quips, puns and writing style because that is an integral part of who I am. I feel like it gives me a unique perspective on the world, one that is endearing, comical and entertaining to read. I embrace these aspects of my own personal character in that I have manners, am well behaved and professional (plus a bit old fashioned) but at the same time I do have an extroverted side, like to be playful and let my hair down regularly as well!
I want to thank every single one of you for your support and interest in what I do. I hope to inspire you, make you laugh or move you deeply in some kind of profound way that connects with you on an emotional level. We live in tough times right now and I would encourage you to spread as much kindness, help and support that you can. Work hard and bear with your struggles, there will always be better things on the horizon, if you weather the storms.
1.How long have you been writing?
Like many people, I wrote sappy stuff when I was a teenager. However, I only got serious about writing in 2005. So, I’m just counting the last 16 years. 😉
2.What drew you to combining poetry and photography as artistic expression?
Because both art forms work extremely well together.
Most of us are scared of poetry. In school, we are taught to analyze every word and line of the poems we read to uncover some kind of arcane meaning. The adults we then become cannot pick up a poetry book without over-thinking about the way we should respond to it.
As a former teacher to adults, I know that a majority of people prefer visual cues to written ones. Pairing imagery and poems helps redirect the focus towards enjoyment.
The images I use to complement my poems (all mine) have triggered very positive reactions from people. They realize that poetry can also be very relaxing and fun to read!
3.You are the co-founder of Auroras & Blossoms – how did this partnership begin?
A few years ago, I was looking for interview opportunities to promote a new book. I found David Ellis and we instantly connected. I was impressed with his professionalism and personability.
After the interview, we decided to stay in touch. At the beginning of 2019, one of our chats led to sharing our frustrations about the process of submitting work to magazines and journals. We did not like how many of them factored in “who you know” and your number of publishing credits into their acceptance process.
So, on a whim, I suggested we start working on something that would run counter to that status quo. We decided that we would do things differently and give a chance to everyone. And our focus would be on something we did not see enough: positivity, inspiration and family-friendliness.
Within a few days, we had laid the foundations of Auroras & Blossoms. It took us a few months to set everything up properly, and we launched officially in October 2019.
4.What are the benefits of a collaboration with another artist?
In this day and age of fierce competition for visibility, partnerships are pretty much the only chance for artists to be successful.
Collaborations give you the opportunity to tap into other artists’ platforms, build relationships with like-minded folks, and pool resources together to achieve greater things than you ever could on your own.
The key to a great partnership is to find someone who is on the same wavelength as you and shares your values. David and I get along really well because we are both very hard-working, committed to our craft, and professional. We respect each other’s time. Finally, we understand what it takes to build solid projects.
5.Where do you prefer to write and why?
I always write in my office, with very occasional sessions in my backyard. My office is my private space, nobody bothers me there. So I can fully concentrate.
6.Can you tell us about why you created Reminigram, Sixku, Flashku and the PoArtMo Collective?
I wanted to challenge myself and increase my creativity.
The reminigram is a type of digital image that seeks to capture scenes that could have existed in the past. It’s my way to pay homage to early photography (daguerreotypes, tintypes, collodion processes, etc.).
The Flashku is my latest creation; it borrows from the Sixku, Haiku, and Kindku, another poetry form David and I created (along with the Pareiku). I came up with the idea because I love flash fiction but suck at writing descriptions. The goal of a flashku is to write a whole story in 50-100 words inspired by an image, using 7 words taken from another piece. I like to call that poetic prose!
The PoArtMo Collective was one of my long-time dreams. I wanted to bring a group of artists together to create and release inspirational, positive and uplifting art and artistic projects; the goal being to show that good art goes beyond technical aspects to tell memorable stories.
When it launched in 2019, the collective was called FPoint Collective and focused exclusively on photography. But co-founder Isabel Nolasco and I quickly realized that we needed to be more inclusive. Isabel left us last year to focus on other things and there are now three of us. We have recently released our second project, a book titled Seizing the Bygone Light: A Tribute to Early Photography.
French-born Canadian Cendrine Marrouat lives in Winnipeg. She is a photographer, poet, multi-genre author, and the co-founder of several artistic projects. She is also the creator of the Sixku, the Reminigram, and the Flashku.
Cendrine started her career in 2003. She has worked in many fields, including education (language instruction), social media coaching and training, content creation and curation, translation, photography, poetry, theatre, art criticism, blogging, and journalism.
David Ellis lives in Tunbridge Wells, Kent in the UK. He is an award-winning poet, author of poetry, humourous fiction and music lyrics.
David’s debut poetry collection (Life, Sex & Death) won an International Award in the Readers’ Favorite Book Awards 2016 for Inspirational Poetry Books.
David is extremely fond of tea, classic and contemporary poetry, cats, and dogs but not snakes. Indiana Jones is his spirit animal.
1. How old were you when you wrote your first writing project? What genre was it?
That’s hard to say. I was writing short stories and designing cover art when I was in second grade. I was writing screenplays and making movies in middle school. I published poetry in college. I started writing my first novel, A Year Since the Rain, when I was in my late twenties, I guess. It was a magical realism novel, and it took a few years for me to finish it.
2. Do you have a favorite genre? What draws you to it?
I like contemporary fantasy/ magical realism because I think these genres allow for an interesting exploration of human experience. I appreciate the ways that realistic characters and settings are allowed to bump up against elements of magic.
3. How does your expression differ from your poetry to short stories to novels?
I look for poetic language in everything, so I try to find something poetic in narrative work as well. Obviously, it’s harder to keep this up for 70,000 words than it is in a page of poetry, but I still look for ways to elevate the diction of my prose with poetic language. With poetry, we’re talking about a stricter economy of language—more limitations based on form and so forth. As a rule, though, my poetry plays with narrative and my prose plays with poetry. I like to explore the marriage of different forms.
4. Magic plays a vital part in your stories – is it a fascination for you?
Like I said before, I think the incorporation of magic in otherwise real settings allows for an interesting exploration of human nature and human experience. If most of the setting and characters feel somewhat familiar, I think readers can buy in a little more. Also, I think the world is full of magic, right? We all experience wonderful and terrible things that we can’t explain. These inexplicable moments are a very human kind of magical experience. That’s how I see it, at any rate.
5.How did you create the characters in your World of Muses Universe?
A lot of my characters are just conflations of real-life people. There are no direct translations of real people, but I definitely mine real life experience for characters.
6. Are there messages in your stories for your readers? What are they?
Absolutely. These messages vary, but I think that mostly I want readers to consider their relationship with the world, with other people, with creativity, and with their own experience. I’m not prescriptive in my messaging. I just want a reader to think.
7.You combine music with poetry/stories – how did this idea/collaboration begin?
I wanted to write a story that would explore creativity and the different goals artists might strive toward. I settled on musicians and visual artists (because, again, I don’t want to write things that are too close to home). When I decided to write about musicians, I started teaching myself to play guitar. I wanted to understand what I was writing, and I wanted to be able to describe it in an organic way that would provide the narrative with a realistic texture. In the long run, I fell in love with the guitar and started writing songs. I even wrote some of the songs from that novel. It’s a cool experience to play these songs at live readings. I think it lends an air of legitimacy to the story.
8.Has your teaching influenced your writing?
I’m not sure that teaching has had a direct influence on my writing. I’ve never written about a teacher or even students. I actively try to avoid writing stories that would hit too close to home in that way. So, I guess in my attempts to write stories from outside of my experience as a teacher, teaching has indirectly influenced my writing.
On another level, though, I do teach literature courses. Reading these classics with my students offers me a great refresher in these stories. I think reading and analysis of stories is incredibly important to a writer, so the fact that this is my job gives me ample opportunity to dive back into those stories from time to time.
I think that my writing has probably influenced my teaching, but that feels like a whole other conversation.
9.Has your MFA course in Creative Writing changed how you write?
I think the most important thing I’ve learned from the MFA is how to better discipline my writing. I have a better sense of how planning and outlining can help streamline a project. The MFA program also forced me to read and work in genres I was less comfortable with, and I think all of that experimentation is good for the process. We could all do with a little more of that experience with discomfort.
10.Do you have a message for your readers?
This is an interesting question. I’m not sure that I’ve ever considered the prospect of speaking directly to the people who read my books. I’ve long considered the writing to be the final word in my part of the conversation. Once a reader has read my book, I’m interested in what that reader has taken from that experience. So, I suppose if I could say anything to the people who read my books it’s this: Thanks! I hope you found something to enjoy.
12. Do you have a blog? Where are you on social media?
I don’t really have a blog that I keep up with consistently at the moment, but people can always catch up with me on social media. I’m @ThatShaneWilson just about anywhere you might care to look.
Shane Wilson is an award-winning author of magical realism and low fantasy. His two novels, A Year Since the Rain and The Smoke in His Eyes are available through all major retailers. He has also published short fiction, creative nonfiction, and poetry. He maintains a blog that focuses on a variety of topics including topics in publication.
Shane has a Master’s degree in English from Valdosta State University and has taught English at community colleges in Georgia and North Carolina. He has been te
Shane Wilson is a storyteller. No matter the medium, the emphasis of his work is on the magical act of the story, and how the stories we tell immortalize us and give voice to the abstractions of human experience. His first two contemporary fantasy novels as well as a stage play, set in his World of Muses universe, are currently available.
Born in Alabama and raised in Georgia, Shane is a child of the southeastern United States where he feels simultaneously at-home and out-of-place. He graduated from Valdosta State University in South Georgia with a Masters in English. He taught college English in Georgia for four years before moving to North Carolina in 2013.
Shane plays guitar and writes songs with his two-man-band, Sequoia Rising. He writes songs as he writes stories–with an emphasis on the magic of human experience. He tends to chase the day with a whiskey (Wild Turkey 101) and a re-run of The Office.
Shane’s novels are A Year Since the Rain (Snow Leopard Publishing, 2016) and The Smoke in His Eyes (GenZ Publishing, 2018). Shane’s short story, “The Boy Who Kissed the Rain” was the 2017 Rilla Askew Short Fiction Prize winner and was nominated for a 2018 Pushcart Prize. An adaptation of that story for the stage was selected for the Independence Theater Reading Series in Fayetteville, NC. More information about Shane can be found at: Shane Wilson Author
1. What inspired you to write books for children to aid with reading and writing?
For about 15 years, I worked as a library programmer, so every week I had two or three programs for preschoolers. My favourite group was the 5-6-year-olds, who were just learning to read. They have such active imaginations and often like to see themselves as players in the story. I loved working with them, finding great children’s books, and then reading the stories aloud to them. After a few years, it felt very natural to start writing for this age group. Also, a writer-friend Alison Lohans had an opportunity to give a workshop in writing for children. I took that, and it put me on the path. Eventually, I got my MFA in Creative Writing at the University of British Columbia with a major in writing for children and young adults.
2. Do you think reading is the gateway to learning and life skills?
Yes, absolutely. It’s also a lot of fun!
3. How does the construction of the content aid understanding in children?
I’ve been lucky to work with several top-notch traditional publishers on the books I’ve written for children and middle-grade readers. I don’t self-publish so I am not usually involved in the construction of the book, but a writer can always help by inspiring the editors with punchy writing and ideas. As a journalist, I had always suggested backgrounders and sidebars, or short related articles, so I was on the watch for that. And I’ve noticed that surrounding a non-fiction narrative with fact-boxes and short in-set articles can really grab the attention of readers. When I was writing Dragonflies are Amazing, for instance, the editor asked me for some “fun facts” to create a fact-box. I put together about 20 facts, and worked on them so they had an engaging style to activate a kids’ imagination. The editor ended up putting the facts in a graphic format that looks like dragonflies flying around the page. You actually have to turn the book around to read them. Very cool! She also put the images in puzzle pieces. The overall effect of that book is as amazing as the dragonflies, and it really works to attract reluctant readers.
4. Where can schools access your books?
Schools order the children’s books directly from the publishers, but I also distribute some of them locally to schools and libraries in my home town and area during readings and workshops. My young adult series Last of the Gifted is available everywhere, from Amazon to local independent bookstores, through publisher Wood Dragon Books.
5. Did your Welsh heritage influence your stories?
My Welsh heritage influences my young adult series, Last of the Gifted. My grandfather was had been born in Wales and I knew he was a Welsh speaker. All of my grandparents had died before I was born. When I was a kid, my friends had grandparents but not me, so I guess I became a little obsessed by them. But my dad died young, and it was hard finding out much about my dad’s parents. Since I was a journalist, I wanted to get into travel writing, so I planned a trip to Wales to do double duty and find out more about my own heritage at the same time. I had rented a cottage on a sheep farm in north Wales, so one day I went to see Dolwyddelan, a castle built by the last true Welsh princes. Inside, there were placards showing the history, and how losing a war in 1282 caused them to lose their language and their way of life. I started thinking about what it would be like to actually live through something like that, and that led to writing about it. It’s been my “heart” project ever since.
6. How did your magical characters evolve from idea to story?
I actually started out by free writing the scenes in Spirit Sight. I had covered an article on a falconer and I was very intrigued by his falcon demonstrations. One day, while I was doing research on North Wales, I started wondering what it would be like to see through the eyes of a bird. I started free writing and the opening scene came together. I’ve revised and refined it since, but that’s still the opening of the book. From there, I started reading about Welsh legends and myths, and my magical world evolved from that.
7. Is imagination important for children?
It’s important for everyone. There are a lot of ways to use and grow our imaginations, but reading is definitely one of the best ways. And writing helps, too!
8. Are there other subjects/topics you want to write about?
Yes, lots. I have a couple of contemporary fantasy novels on the go as well, as well as short stories. My writing is speculative fiction with some connection to ghosts or the past influencing the present. I still write articles for magazines as well, and that inspires me in different ways.
9. Where is your favorite place to write and why?
I write at my kitchen table, actually. I have a perfectly good office and I fully intend to use it, but the kitchen has better light and a lovely window looking out at the park across the street. I always wrote in the kitchen when my kids were young, and that tends to be where I end up.
10. Do you have upcoming projects? Can you talk about them?
I have a lot of projects on the go. I’m working on one more book now in the Last of the Gifted series, and I have started another related series. Last NaNoWriMo, I wrote a novel from the same time but unrelated to the series, more medieval romance, just for fun. I’d like to do something more with that, too. And there are the contemporary novels as well.
11. How can readers find you?
My website is the best place, and I’m on social media too. Here are some links:
Marie Powell Bio:Marie Powell’s castle-hopping adventures across North Wales to explore her family roots resulted in her award-winning historical fantasy series Last of the Gifted. The series includes two books to date, Spirit Sight and Water Sight (participation made possible through Creative Saskatchewan’s Book Publishing Production Grant Program). Marie is the author of more than 40 children’s books with such publishers as Scholastic Education and Amicus, along with award-winning short stories and poetry appearing in such literary magazines as Room, subTerrain, and Sunlight Press. Among other degrees, she holds a Master of Fine Arts (MFA) in Creative Writing from UBC. Marie lives on Treaty 4 land in Regina, Saskatchewan. Find her at mariepowell.ca
I’m putting out a call to all book clubs. Would you like me to join you virtually? I have a wide range of novels that I would be happy to discuss – romance, speculative fiction, steampunk, mystery, fantasy. Ask me how I came up with the concept, where my characters came from, what I am working on now.
I am also happy to attend a virtual school book clubs as I have children’s and YA fiction as well, so let me know if you are interested. I can talk about how to expand on an idea, create a plot arc and make up a character.
You can find all my books on this blog under children’s, YA or adult books. Take your pick(s). I can also offer a gift package for a draw. Let me know if you are interested by commenting below or contacting me via the contact form.
Let’s immerse ourselves in stories. Our imaginations let us escape reality.