Does the thought of lending a book fill you with dread or are you happy to share the joy of a book?
What has your experience been with lending books? I have suffered the lost of books but also the happy return of some too. It has enlightened me to whom I should lend to and who not! So what are the ‘rules’ for borrowing?
There are a few rules to lending a book. Please add any you can think of too.
Don’t eat messy foods while reading a book – yours or anyone else’s for that matter.
Is there anything that makes you discard a book? Bad writing, grammar mistakes, poor characterizations, bad punctuation, language use (whether swearing or discrimination), or something else?
I have read several novels that needed quite a lot of editing but persevered as the stories were interesting. I had to switch off my editor hat though. For example, one novel had two characters that interacted but three quarters of the way through the book one main character’s name changed! I think the author/editor changed the name, for whatever reason but didn’t get all the way through the book. (Now that’s just lazy). It was very confusing as I had to go back and determine that is what happened. Unfortunately, this kind of lack of editing reflects badly on the author and readers may not read anything else they write.
Would that make you discard the book?
Another novel had lots of punctuation and grammatical mistakes and the old fashioned ‘double space’ between sentences, which went out of fashion with the typewriter age! Although, it was frustrating to me, I did persevere with the book as the story and its characters were captivating.
Typically, I write my entire first draft without getting feedback, with the “door closed,” a la Stephen King. For me this draft is a flow of words as the story plays like a movie in my head. Yep, madness rules when a story grips me.
However, for the past few months, I did not look at my current manuscript. It was although, I had lost interest. Although, I read, edited and commented on other author’s works, mine was left desolate. As the COVID19 months passed, I became worried that the writing bug had left me. I felt bereft. I didn’t mean to stop writing.
Has that ever happened for you?
There are lots of reasons that our creativity, in whatever form, can be cast aside or forgotten. Illness, a new baby, a new relationship, a new home or job, divorce, financial stress and many more. To find that creative spark again, we can use one or more of the following:
1. Firstly, do not feel guilty – it is counterproductive and harassing your muse is a form of procrastination.
2. Start writing – use a prompt, do a character study, write out a story idea.
3. Keep Writing – give yourself a time limit 20 minutes or an hour, or write a page, or 250 words. Choose one and stick to it.
4. Finish a small project.
5. Talk to fellow authors.
6. Change the location of where you write – it can even be in a different room or somewhere local like your library.
7. Take a writing class.
8. Do another creative activity.
9. Make up book titles – based on well known novels or use a title generator on the internet.
10. Create a character description – including all their back story.
For me the spark came back after a discussion on strong female characters and how to make their role believable. It ignited that interest again and I spent the past weekend editing and polishing my steampunk heroine’s character. This writer is back!
Our creativity can be inspired from the smallest word, an overheard conversation or one we have had, an image, whether real or virtual, or even a globally known news worthy article.
What obscure stimulus has sparked an idea for you?
As many of you know I am a free flow writer so apart from a vague idea where I want the story to go, it is a mystery to me. That is the thrill for me. It is an adventure I willingly travel with my characters. They lead and I follow with frantic typing. ‘Listening’ to my Muse enables me to create freely. It also means the story can change direction quite dramatically at times.
How do you approach new ideas? Frantic notes? Plot arc? Character descriptions?
No matter what system we use, an idea can grow exponentially once it takes hold. This is wonderful, of course, the only downfall being if we already have a bucketful of ideas already. It can be difficult to choose which one to go with first at times. I usually let several ideas ‘brew’ and the one that ‘shouts’ loudest is the one I start. It is not a fail safe method by any means but at least I have a direction.
However, an idea might be a segue to a previous secondary character that you can expand upon or it might be a natural follow up for one you have already written. Then you are in the realms of a series! This can determine your choice of which idea needs to be written first.
When you read through your ideas there might be a correlation between one or two and that could be the start of a new project. Keep your options open, let your Muse guide you.
Have you experienced a story unwilling to stay quiet?
How do you choose?
My novel, Life in Slake Patch was the result of a heated conversation regarding the patriarchal society we live in. I wanted to flip the status quo and have a young man’s perspective living in a matriarchal society.
What attracted you to write Fantasy/Sci-fi? Did you choose it or the other way around?
I’ve always had a soft spot for Fantasy and Sci-fi, because that’s what I grew up reading, for the most part. I still read a little bit of almost everything, but these two genres captured my heart even more when I started writing in them. I’m not sure which one of us did the choosing, but I’d say we make a pretty great pair when all things are said and done.
My favorite part about writing Fantasy is the fact that I can take what I like from reality, get rid of everything else (within sub-genre tropes, of course), and replace it with something completely new, magical, dark, mysterious, and complicated enough that it provides a rich world yet simple enough that I can keep it all straight in my head. Sci-fi is a bit harder. For me, it requires a lot more research too, which I really just don’t enjoy. But it’s not enough of a pain to keep me from writing it. And that’s the part I like about it—plus the fact that I can change a few things (particularly with Dystopian Sci-Fi) about reality and augment them, so to speak, to create the types of stories that reflect what’s happening in the world while putting my own special spin on it.
What inspires you to write your stories? Where does inspiration come from?
Literally everything. Sometimes I get a spark from a dream or a movie clip, a song, a conversation with my kid. Sometimes I read a book that touches on an idea and then I start thinking about how I could expand upon it and make it my own. Sometimes, when I’m at the crossroads of taking a story down one road or the other, I’ll pick one, and the other one gets turned into a different story. Sometimes I keep writing without any inspiration at all, and the story inspires itself.
Do you prefer to write a series rather than a stand-a-lone novel?
All of my series so far were originally intended to be standalone novels. Until I got to what I thought was the end and realized I just wasn’t finished. The Blue Helix series, though, is the only series where each book can be read on its own without having read the previous books in the series. But I think they’re better if they’re read in order 😉
Right now, I’m almost finished with the first book in an actually planned series of five and a quarter of the way through another planned trilogy. That’s definitely a different process, and I’m excited to see how the results of planning series ahead of time differ from… well, not planning it at all.
Are you a plotter or a panster?
I’m a plantser—I do both. I used to be all pantser all the way until I started ghostwriting fiction in addition to writing my own stories. Then I started writing up beats for contracted novels, and I discovered that there’s definition something to be said for writing a loose “summary” of 5-10k words (depending on books length) before I dive into the writing the actual story. I don’t get stuck with where I’m headed, and that helps me write a lot faster. Somehow, though, I’ve never quite been able to stomach chapter-by-chapter outlines or intense character sketches before writing the book. In my mind, there is such a thing as doing toomuch work before the fun begins. If my plotting gets any more detailed than a few thousand words of beats, I lose interest. 80% of the fun is surprising myself with how to fill in all the blank space after finishing the beats. It’s like a giant puzzle that I get to create and fit together at the same time.
Can you tell us about your newest book? The characters and their journey.
My newest book, Sleepwater Static, is the second book in my LGBTQ Dystopian Sci-Fi Blue Helix series. This was a monster of a book to write and tackle, just like its prequel, because there was so much I wanted to say through the characters’ journey and the continuing storyline in general. And there was much potential for saying the right thing in the wrong way that I really had to pay attention to how I was writing the story and especially how I was representing different minority groups and marginalized communities through this huge cast of characters.
Sleepwater Beat focused on Leo Tieffler as the main character, and Sleepwater Static focuses on Bernadette Manney—a seventy-one-year-old white woman from South Carolina who fits a sort of “tough and uncrackable matriarch” role within the group of people called Sleepwater with the storytelling ability of “spinning a beat”. Bernadette really fascinated me in the first book, and she was the perfect character to dive into for the second in order to approach the other sociopolitical topics I wanted to explore while still making this a fantastic story with characters readers had already come to love and a whole cast of new ones.
Bernadette grew up in the South, found her independence and her freedom through standing up for what she believed in, created a family with the man she loved despite racial tensions and facing discrimination from her own family and so many others within her home state. In this book, we learn about who she was before Sleepwater was formed, how and why Sleepwater was formed, and the ways in which she’s been trying for twenty years to redeem herself after an unforgivable yet inevitable mistake drove her away from her past, her partner, and her child. This book is meant as a sort of “breath of fresh air” on the surface, where the characters stop to go into hiding and regroup (plus one Sleepwater member needs somewhere to give birth to her child that isn’t in the back of a van), and they all end up learning more about the past while trying to fight for the future. I can’t wait to hear what people think of this book, and I’m so excited to start diving into Book 3 when the time comes.
What age did you start writing?
I started writing on my tenth birthday. When I discovered that I could create a story, a situation, a relationship, or an outcome to be absolutely whatever I wanted to be, I just couldn’t stop.
Where do you write? Can you describe your writing space?
I write in my home office. I’ve had four home offices in four different homes since I started my Indie career in 2015. It’s a requirement for every new house we move into (obviously, there have been many), and it will continue to be that way for as long as I’m living in a house with an ability to keep writing.
I have a standing desk and a heavy-duty “sit in my chair all day” cushion for my office chair. Bookshelves stuffed to the brim to the point that they’ve spilled into piles on the floor, my desk, and on and in my cabinets. My office is actually the only room in the house that’s been fully “decorated”, because my husband and I have intersecting tastes, but everything he doesn’t like, I put in my office! It’s also the only room in the house where no one else but the author is allowed to enter. No dogs, no three-year-old, no husband. Okay, fictional characters may make an appearance, but I draw the line with physical bodies. I like bright colors and clashing patterns and hanging art on the wall (my own or created by friends). More often than not, it’s a complete mess, but at least I know where everything is.
What has been the highlight of your writing career so far?
I’d say the highlight so far has been writing the Blue Helix series. Sleepwater Beat got such a phenomenal response, and it really blew me away. It made me an international bestselling author, got me on live television, has been the topic of more radio-show and podcast and blog interviews than I can count, and was both an award-winning Sci-Fi Finalist in the 2019 International Book Awards and a Literary Titan Gold Award Winner this last April.
Sleepwater Static is heading very much in the same direction, and I have really high hopes for the second book in the Blue Helix series too.
Who is your favorite author and why?
It’s not just one (is it ever just one?). My list includes: Stephen King, Jacqueline Carey, George R. R. Martin, Diana Gabaldon, Neil Gaiman, Cormac McCarthy, William Gibson, and John Irving. With these favorites, I get to cover a wide range of brilliance in so many different elements of good storytelling—characterization, world-building, rich plots, expansive landscapes and history, phenomenal relationships, twists and turns, grit, beauty, humor, surreal parallels to reality… this second list goes on and on. Overall, I love these authors because even when I haven’t read them for quite some time, I find myself thinking about their books, characters, and worlds with a nostalgic longing to return. That, to me, is what makes great fiction.
Who is your most loyal supporter?
Hands down that’s my husband. Without this guy, I wouldn’t be doing what I’m with my writing right now—which is writing 60+ hours a week and absolutely loving every minute of it. And there’s the added bonus that my work as a full-time writer of fiction supports our family of three with a single income. It’s pretty much a dream come true.
He hasn’t actually read any of my books all the way through. But he knows how much I love what I do and has facilitated my ability to keep writing since the very beginning, all the way up to the point where he was able to stop working so he could be a stay-at-home dad and do more of what he wants to do during the day. So yes, it’s been a win-win for everyone. And he never misses an opportunity to tell people what I do for a living and give them my card (yes, I have business cards) with a well-timed, “Check out her books. You’ll love them.”
I sure do! I just had my website completely revamped and am in love with what it’s become. This was very recent, and I wasn’t much of a blogger on my author site, but I’ve written a few things on this new site that are more “reflections of life as a writer” and are not, in fact, fiction. But I’ll be building on that. You can find almost everything else about me and my books on my site: http://kathrinhutsonfiction.com
International Bestselling Author Kathrin Hutson has been writing Dark Fantasy, Sci-Fi, and LGBTQ Speculative Fiction since 2000. With her wildly messed-up heroes, excruciating circumstances, impossible decisions, and Happily Never Afters, she’s a firm believer in piling on the intense action, showing a little character skin, and never skimping on violent means to bloody ends.
In addition to writing her own dark and enchanting fiction, Kathrin spends the other half of her time as a fiction ghostwriter of almost every genre, as Fiction Co-Editor for Burlington’s Mud Season Review, and as Director of TopShelf Interviews for TopShelf Magazine. She is a member of both the Science Fiction and Fantasy Writers of America and the Horror Writers Association. Kathrin lives in Vermont with her husband, their young daughter, and their two dogs, Sadie and Brucewillis.
For updates on new releases, exclusive deals, and dark surprises you won’t find anywhere else, sign up to Kathrin’s newsletter at kathrinhutsonfiction.com/subscribe.