Today I am highlighting some of the incredible authors published by Dream Write Publishing of Sherwood Park, who are launching new books at this event. It will be the 12th annual Words in the Park and with over 100 titles, this publishing company has continued to maintain their mission to assist authors in realizing their publishing dream. http://www.dreamwritepublishing.ca/
Mike Deregowski: Duffy the Duffle Bag.
Duffy is a large duffle bag. He has a hard time fitting into tight spots and often wishes he could be smaller so he could go more places. Join Duffy and his friends to learn more about acceptance. The trick is to learn to be happy with yourself no matter what size you are.
Leslie Hodgins: The Tale of the Siren Song
“Gather ’round, ye who dare! Gather ’round to hear the story of Captain Dara Finn, the Cursed Pirate! Legend has it that he terrorized these shores for as long as memory serves, living without feeling, serving no one, and going where he wanted!”As always, this story begins with once upon a time…Sirens were considered mythical creatures although more stories were being told about them – some about sailors meeting them, some about where they came from, others about what powers they have over you with just their voice. Dara listened intently to the stories, hoping there was a chance they’d hold a clue to breaking the curse. But no one seemed to know…
Mandy Eve-Barnett: Rython Legacy (the sequel to The Rython Kingdom)
Juliana held her granddaughter in her arms; it was a bittersweet moment. The child was a delight but also her replacement; she was the new sorceress who would protect the kingdom if called upon. At that precise moment, Maralynn opened her golden eyes – there was such intensity in them that her observers were taken aback at the obvious power the new little being held. A thin thread of cyan mist floated and twisted above the happy group… unobserved., a portent of things to come. Maralynn’s reign as Eldenma would be fraught with challenges, but could her exceptional power ultimately overcome.
J.E. McKnight: Unnatural Selection
In a world where the male population outnumbers the female eight to one, the survival of the human race depends on the advent of a breeding program, outlawing marriage and monogamous relationships. This is all anybody knows as there isn’t a generation that hadn’t had to participate in some breeding program or another. Martin 11 od Coddlebury and Eric 23 of Coddlebury grew up together in the same nursery and dreamed of the day they would be old enough to enter the breeding program. Everything changed, for Martin, the day he met Desiree 9 of Peppercoll. Now he is torn between his duty to the program – not to mention the law – and his feeling for a woman he knows he can never have…
Come and meet these authors and over 30 more at Words in the Park, 28th September. Venue: Agora, 401, Festival Lane, Sherwood Park, AB. Time 10.00 am – 4:00 pm
Free admission for books, games, interactive tables, kids Find IT game, prizes, treats, story telling, music, writing prompt workshop, artisan crafts and much more.
Alis the Aviator was initially inspired by my son. Andre was two years old and a very wiggly, spirited kid who loved airplanes – but couldn’t sit through long books. I’d just published my second popular aviation history for adults, and had so many fun facts swirling around in my head. I sat on the back porch of my house one day when he was napping and most of the first draft poured out onto the page in the bouncy, rhyming style I love from growing up with Dr. Seuss.
How did you come up with the title?
Alis is based on the real-life Dr. Alis Kennedy, likely the first Indigenous woman in Canada to get her private and commercial pilot’s licenses. I found out about Dr. Alis after I’d completed the ABCs of the book, and then was able to layer in her inspirational story in the bio. Dr. Alis has flown planes, but also is a veteran with a doctorate in psychology, who now dedicates her life to amazing volunteer causes around the world.
Is there a message in your book that you want readers to grasp?
I hope that little kids – especially girls – read the book and feel like aviation is a dream they can pursue. The illustrator, Kalpna Patel, did such an amazing job getting the people in her cut-paper art to reflect the incredible diversity we have in Canada and the US. The number of girls and people of colour in aviation is tiny, unfortunately – and I recently learned that only about 1% of all picture books feature Indigenous characters. I hope kids of all backgrounds see themselves reflected in this book!
How much of the book is realistic?
This book is 100% fact-based. It’s a nonfiction picture book that incorporates my years of aviation history research, but presents it in a colourful and quirky way to hopefully capture the imaginations of tykes and their grownups.
Do you have plans for your next book? Is it a sequel or a stand alone?
I have a few manuscripts in the works. The one I see following on from Alis the Aviator is a picture book biography of the pioneering Gwich’in pilot, Freddie Carmichael. We’ve known each other for ten years and it was incredible spending a week with him in Inuvik this past March working on the book. I can’t wait to share his story with the world!
Do you favor one type of genre?
I write across genres and audiences, which can be tricky from a branding perspective! So far I’ve published nonfiction for adults and kids, but I’ve got two novels in the works (a WW2 book and an upmarket contemporary novel). I’ve also been researching and writing a book about the Charles Camsell Indian Hospital that is part memoir and part history.
Do you plan your stories, or are you a seat of the pants style writer?
I’m a plantser – half and half. It really depends on the project. With my picture books, it’s like writing poetry or songs. I do a ton of research and thinking and then the first draft pours out of me in one or two sittings (with multiple rewrites and tweaks). With my adult popular histories it was easier to plan out ahead of time because I had most of the research done and they were chronological. But even then there were surprises! My novels and creative nonfiction are somewhere in the middle because they are largely based on research and real-life events.
What is your best marketing tip?
It’s also my best writing and life tip! Make friends. Join communities. Be a good literary citizen. Remember that high tides raise all ships.
Do you find social media a great tool or a hindrance?
A little of column A and a little of column B. Or a lot of each, actually. Social media has been a great way to connect with people around the world – especially as I move around so much. I learn so much through those channels as well. At the same time, it can have a toxic quality to it full of judgment, comparison and shaming. I find if I think about it too much it can have a silencing effect, because I worry too much about what other people will think of me. And, like the news, it can be devastating and overwhelming, so I have to be careful how much I take in.
What do you enjoy most about writing?
It’s hard to pick just one! While it’s true that sometimes it can make me cry with how challenging it can be, with how exposed I feel, there are those times when I’m in the flow and it’s like all is well. I’m in alignment. My words come out and I feel that maybe I will be understood and seen.
What age did you start writing stories/poems?
My parents saved the clippings from when I was a kid – so there’s (often embarrassing) proof that I was scribbling little stories and poems from a young age. I created a little zine in my neighbourhood with friends when I was in elementary school and then was co-editor of a school newspaper in middle school. I think I published my first letter to the editor in the Ottawa Citizen in Grade 8 – then I was totally hooked on bylines!
Has your genre changed or stayed the same?
I have jumped all over the place – poetry, fiction, nonfiction, kidlit and freelance writing for magazines and newspapers. They all feed into each other in interesting ways, I’ve noticed, and taught me different lessons. Freelancing was excellent discipline for hitting deadlines and pitching ideas, and not taking edits personally.
Do you belong to a writing group? If so which one?
I belong to several writing organizations: the Writers Union of Canada, Creative Nonfiction Collective, and the Society for Children’s Writers and Illustrators. I was a member of the Writers Guild of Alberta for five years and it was excellent – I still miss it! I’ve created two critique groups since moving to Houston. One is online-only and focuses mostly on creative nonfiction. Members span from Canada to California to Texas. The other one is in-person here in Houston. I realized it’s not natural for me to write in a cave all the time!
Do you see writing as a career?
Actually, I see it as more of a compulsion. A job you can quit. This is forever. My son (who is now 7 years old) asked me the other day, “Mama, will you ever stop writing?” And I told him, “As long as the stories and ideas keep coming, I’ll keep writing.”
Where can readers find you on social media and do you have a blog?
If readers would like to connect with me, they can find me at my website (www.daniellemc.com), and on social media: @Danielle_Author on Twitter, @dmchenail on Instagram, and Danielle Metcalfe-Chenail on Facebook. I also have a blog dedicated to my Camsell Hospital research, www.ghostsofcamsell.ca.
Today’s question is: What is your take on the importance of a good cover and title?
Does a cover image play a vital role in attracting a reader? Should it reflect the genre and characters in the story?
Have you changed a cover? If so why? Was the new cover more successful?
Please leave your replies in the comments. Thank you
Comments from last week question:
When your narrative is set in a real location do you research it or do you visit it?
What are the pros & cons of utilizing the internet to find out about a location versus actually staying there?
I once wrote a character who worked in a factory. I didn’t care what kind of factory, it just had to be a factory. My aunt worked in a meat packing plant, so I asked her if I could visit her at work. Not only did they let me visit, I got a tour and got to watch “the line” as they worked. It was fantastic. The story was “Poor David” and it’s in my collection, Things Withered! I’m telling you, visiting that plant was invaluable, and I’ll use the info again in some other piece, I’m certain. It’s always better to see and feel and hear a place.
Does writing energize or exhaust you? Writing is an energy that lives within me and when I cannot do enough of my own creative work, it exhausts me. It sometimes becomes a vicious cycle of building up and letting go. It makes it all worth it in the end – it would just be nice to be in that place that would allow me to go evenly into that good write…
2. What is your writing Kryptonite? Although it’s a strength in my line of work as a publisher, time spent on others’ work is a weakness toward mine – it always comes second if there is a deadline for someone else.
3. Did you ever consider writing under a pseudonym? Nope. I guess I just figure if you are going to make something of your writing life, what good is it if no one knows it’s you? It would go against my belief of being true to who you really are, and, besides, I like my name. If I write something that I consider might be better under a secret identity, well… should I be writing it at all?
4. What other authors are you friends with, and how do they help you become a better writer? I am so fortunate to have close friends who are authors and an encompassing community of acquaintances who are passionate about words. Everyone contributes to your writing journey in their own way and in different ways – we must be open to learning from our associations and relationships; bringing them closer when it works and letting them go when they don’t. Can’t drop big names here that you might have heard of, but you should know the people I do know – they are fantastic.
5. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? I like to be able to try everything and although I do have related books, like a novella series, I am not trying to connect everything by theme or genre. As long as it is a reflection of who I am and true to my creativity, then it is a part of me and what I am trying to say as an author.
6. What was the best money you ever spent as a writer? Any of the retreats I have been on. It is nice to focus on your writing even for a weekend and having others around who respect why you are there is priceless. You don’t have to go far, and it doesn’t have to be 5-star, but I’ve been on some nice trips: Humber College in Toronto for a summer writing week; Jasper or Hinton holed up in a nice hotel with a writing friend; Strawberry Creek with a group of writing friends spoiled by awesome meal service; and so on. All worthy.
7. What was an early experience where you learned that language had power? Early? Can’t think of one… Maybe when I talked back to my parents about going on a vacation with a friend when I was 18? Perhaps, when my daughter said her first words when I was 30? When I was asked to read one of my poems to a group during Volunteer Week when I was 50? When I accepted an award from my community for my contribution to Arts, Culture & Heritage when I was 55? Or when I gave the eulogy at my mother’s funeral that same year? Language has power in all its derivatives. It expresses emotion. It makes a stand. It says a lot about who we are and even who we were.
8. What’s your favorite under-appreciated novel? If it was my favorite, then it was appreciated in some way. We all cannot expect to find appreciation by the masses.
9. As a writer, what would you choose as your mascot/avatar/spirit animal? I go under Wildhorse for many things including email, blog, twitter handle, etc. The wild horse is the epitome of strength and endurance with a wild and free spirit no matter what happens around them. The horse head logo I use is a drawing I did some time ago and, in 2005, I had it tattooed on my left shoulder. Just a little thing, but it means a lot to me.
10. How many unpublished and half-finished books do you have? Not too many unfinished as I managed to clean up a couple I had sitting for a few years. I guess I have about 3 or 4 books of poetry waiting to be put together in some nice way, but that will be ongoing. Definitely unfinished and on the to-do list.
11. What does literary success look like to you? Many equate success with monetary outcome. I equate success with being a leader, a good friend, and a creative mentor. Seeing others succeed along your own journey is not only inspiring – it feels right – and moving forward together is success to me.
12. What kind of research do you do, and how long do you spend researching before beginning a book? I like to make sure details in my work are factual and have some basis in reality. But that really depends on the work. Articles require more research than fictional short stories and poetry; my novels require a ton of research especially if they are set in another time / era, or a foreign country.
13. How many hours a day/week do you write? I cannot put a time on it as I could put in 10 minutes one day and 10 hours another. I write for work for a good portion of my job, so it is possible to write many hours a week although it’s not really creative in the same way we write our fiction. It allows me to stay connected and my pen stays fluid.
14. How do you select the names of your characters? I base it on the story and when it takes place – names are important and have to fit the character, as well as, the time and place of the story. I have researched names and selected them based on what they mean in the country of origin. My novella series is set in Turkey and I used the meaning of names to set them apart. They may be used in other work; they may not be popular; they may sound odd. It is whatever works for my character and my story.
15. What was your hardest scene to write? Not sure any were hard to write. This question could mean hard as in difficult, or hard as in gut-wrenching or tear-jerking or taboo. I guess when it comes to the latter, I don’t write scenes that put me in this dilemma. The former is just based on time and effort; learning how to put something across in the best way possible.
16. Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them? There are certain books or short stories or poetry I have written because of the theme or topic or setting. For example, I love Shakespeare so writing a book with a series of poetry simulating the sonnets just fits and An Elizabethan Affair was a long process of fused research and imagination. I like to try all types of writing – if the idea is there and the time is right, I work on whatever the project involves: fiction, non-fiction, poetry, children’s or young adult stories, blog posts, government or industry papers, or merely content for newsletters and web sites. It depends on what’s needed.
17. How long have you been writing? For many years, but seriously focused on funneling all my efforts in the creative writing direction in 2000. I have collections of poetry from the 1980s. I wrote and designed advertising many years for several employers. It’s always been a goal of mine to write a novel. I wrote short verses when I was in elementary school; I wrote longer descriptive short stories in my teens.
18. What inspires you? A word. A feeling. Nature. Sunshine. My love for creativity. My inner muse. My best friend. My daughter. Memories of my mother and father.
19. How do you find or make time to write? There is always time to do it if you put your mind to it… oh, how poetic :O But, really, you just have to make time if you want to write something. I do make notes and write on scraps of paper or in my notebook. I actually have taken time to sit and write during one of my many solitude-seeking drives to Elk Island Park this summer – I think I have a couple of poems out of that effort. You just make the time.
20. What projects are you working on at the present? At the time this gets posted, I have come off two months of intense concentration on a number of books (12?) being released at a month-end event for authors I publish under my company banner. I am contemplating participating in National Novel Writing Month in November so that will focus at least 50K words on something of my own – I still have to determine what. I have many projects that could be pulled from the archives including several volumes on poetry I have written over the years and a collection of short stories, also written over the past few years.
21. What do your plans for future projects include? I am thinking of writing a sequel to my novella series set in Turkey and changing it from the young adult genre to adult fiction for the follow-up story. The characters age from their teens in the first 3 books, so I can see a definite growth in their story and maturity in the sequel. I would also like to write another story with the old English / Elizabethan / Shakespeare theme – 1590-1600ish.
Linda writes from her heart and shares words on the page in order to connect with others who have similar stories to share. A lifetime of poetry and other writing has culminated in a collection of published works, including: An Elizabethan Affair, Power Struggle, A Journey of Brothers, A Journey of Truth, and A Journey of Desires (3 book novella series), co-writer of Your Lifetime of Stories workbook for the Writers Foundation of Strathcona County, and others. She set up her own publishing company in 2010 to help authors live their dream of seeing their own work published. You can follow her on Twitter @wildhorse33 and find her on Facebook. She blogs – when she has time – at wildhorse33.wordpress.com
A picture book combines visual and verbal narratives aimed at young children with the pictures being prominent rather than the text, which is written with vocabulary a child can understand but not necessarily read. Therefore, picture books have two functions for children: firstly they are read to young children by adults, and then later children read them once they begin learning to read.
Well known children’s books include Beatrix Potter’s The Tale of Peter Rabbit, Dr. Seuss’ The Cat In The Hat, and Maurice Sendak’s Where the Wild Things Are.
Which was your childhood favorite?
From the mid-1960’s several children’s literature awards have included a category for picture books. However, some picture books are published with content aimed at older children or even adults. Tibet: Through the Red Box, by Peter Sis, is one example of a picture book aimed at an adult audience.
My first published book was a picture book, Rumble’s First Scare. Not because it was easier but rather the subject matter appealed as a unique children’s story. The POV of a monster coming from underground on All Hallow’s Eve to ‘scare’ the children. However, Rumble is much too cute to be really scary.
Do you write children’s books? Care to share in the comments?