Many of us are in the heady first few days of this crazy writing challenge. Time away from our projects is ‘wasted’ time and the pull to immerse ourselves into our new stories is strong. It is our new shiny thing, and we want to spend time with it. We begin to know our characters and their plight, and the tale becomes more real in our minds.
So, my question is, are you brave enough to share your first paragraph? We all know that in the editing process it may not be structured the same, or even part of the novel at all. Let’s see what everyone is writing.
If you regularly read this blog, you know I am creating the last book in a crime trilogy. Killers Match will conclude The Delphic Murders series.
So, I will take a deep breath and expose my unedited, rough first paragraph.
Edmonton was in the grip of winters freezing temperatures, icy roads and sidewalks and snowplowed windrows on every street. Multiple traffic accidents kept the local police patrols busy and ice related falls crowded the hospital waiting rooms. It is in such an emergency room, amid the overpowering aroma of chemicals, vomit, blood and sweat that we find Avril Finn, gritting her teeth as she tries to convince a heavy bodied nurse she is indeed a police detective.
Come on, be brave. Let’s cheer each other on!
Good luck to you all with new projects, whether NaNo related or not.
I am again plunging into NaNoWriMo this year. I should concentrate on book three of my crime trilogy, The Delphic Murders – Killers Match, but as with all things writing it might be secondary to another ‘bright and shiny project’ – a prequel to my Rython series. I am excited to begin Malgraf’s journey in the novella entiitled Malgraf’s Dawning. So once the 25,000 or so words of that story/novella are completed, I will ‘finish’ NanWriMo with the beginning book three.
Who says writer’s can’t be flexible. Truth be told new ideas are always the shiniest prospect, we are essentially magpies.
I would love to hear about your project for NaNoWriMo this year. And you can always add me as a buddy on the website. Look up MandyB
Good luck , happy writing and see you on the other side.
When did you start writing poetry? What was, and is your inspiration? I began in high school, not long after my parents’ divorce. Looking back, I see that I turned to writing to sort out my confusion at the time. My world was upended when my parents sold the family house in 1968. I was 13 years old. My parents moved into separate apartments in different cities. My younger sister and I moved out with our mother, about 20 km away from our father. The change felt like we had moved to a foreign country. In many ways, that was true. My inspiration was initially the lyrics of Joni Mitchell. Her music continues to resonate for me, and millions of other fans. I lean on good literature and music to take me into poetry.
How did writing Stay and Never Mind differ from your usual writing method? I started “Stay” before I began writing “Never Mind” but I got bogged down. I needed more time to study other verse novels. I also needed to collect feedback on an early draft. I turned to middle-grade students at a local school for their opinions and then I set the manuscript aside. It was during this period that my mother died. I felt numb for a long time and was unable to write. One day, I recalled a letter from the Canadian settler Susanna Moodie (1803-1885). She wrote that once she touched the shores of the New World, she never saw, touched, or heard her mother back home in England ever again. It seemed to be something that she had not anticipated when she and her husband set sail for Canada. Or perhaps she hadn’t let herself dwell on the reality of separation from her mother and sisters. She was describing her grief and I understood what Moodie was saying. I also heard the voice that led me to invent the character I named Wife. I placed her in a setting similar to Moodie’s. I funnelled all my private grief and longing into Wife and built a story that was far removed from my mother’s life yet was emotionally similar. My mother was lonely in her marriage and eventually left my father for her own “new world.” I wrote into the emotional truth of loss. “Never Mind” taught me how to write in the tradition of the long poem. The book also showed me that I could hold a story in my head while developing poems in keeping with a narrative arc. I spoke to my mother by phone the night before she died. I didn’t know it would be our final conversation. Her last question was about “Stay”. She wanted to know how the book was going. I had put the manuscript away. About three years later, our final conversation returned to me as I was sitting in my office one day. I opened the file and finished writing “Stay” in about one month.
3. Can you tell us a little about the character Millie in Stay? Is she real, imagined or both? Millie is smart, observant, and passionate about two things: her family and dogs. She wants her family to stay together AND she wants to adopt a puppy. But Millie’s parents have decided to split-up. Her world has turned upside down but since she’s 11 years old, she’s also selfish in the way that every adolescent is self-focused. Millie wants what she wants: Mom and Dad to stay together in the same house so that she can bring home a puppy and not have to live between two homes. But Dad moves into an apartment where a sign on the front door reads NO DOGS ALLOWED. Millie is an imagined character who is informed by my knowledge and experience of family breakdown.
What message do you want to convey with the story? Nothing stays the same, not even our family— our foundational structure. We all must learn to adapt.
What did you learn when you were writer in residence? I loved my residency at the library. I learned that hundreds of people have stories and poems inside them. I learned that most people are looking for a little guidance and a lot of encouragement because writing is a solitary and somewhat mysterious activity. I have always turned to other writers for support and was happy to do the same for others.
When compiling a poetry collection, what is your main objective? I’m driven by narrative. I like my work to tell a story. I’ve just published my fifth book, a poetic memoir titled “Black Umbrella”. Again, it’s about family dysfunction and again it tells a story. I assembled the book by looking for the narrative arc once I’d written about 70 percent of the poems. I later went back and filled in any gaps in the story. I strive to write poetry that is inventive, accessible, and alive.
Which poet(s) inspire you? I read a lot of poetry. I’m currently reading the work of Calgary poet Micheline Maylor, but I often return to Emily Dickinson. I see something new in Dickinson every time I turn to her work.
What are you currently working on? I’m in research mode. I’m curious about the concept of ambivalent motherhood.
How can readers find you? Go to my website and contact me. I promise to respond and I love hearing from readers. Link:
Where and how often do you write? I have a small office on the second floor of my home in Saskatoon, Saskatchewan. I live with my husband. I disappear into my office for several hours most days.
Saskatoon writer Katherine Lawrence has published four poetry collections and the award-winning novel-in-verse, Stay. Her work has been published across the country and has been long listed twice for the CBC Literary Awards. Originally from Hamilton, Katherine has lived on the prairies for over 35 years. She is a former writer-in-residence for the Saskatoon Public Library and holds an MFA in Creative Writing from the University of Saskatchewan. You can find her online at http://www.katherinelawrence.net
As we all know the definition of a trope in literary terms is a plot device or character attribute that is used so commonly in a genre that it is commonplace or conventional. I’ve recently been intrigued by the bad boy-good girl trope of romance books and movies, especially trilogies. It may have something to do with a draft manuscript I have on the back burner, which has a bad girl – good boy (you know me I like to switch things up!) It is interesting to see this specific relationship scenario played out, and the complexities of the plots. (Some better and more believable than others!)
I have researched three such movie trilogies/series and have found the basic characters and their flaws and/or strengths to be the very similar in each. Obviously, the plots and character lives are different, but the basic character structures are easily identifiable.
The Kissing Booth
Each one has a damaged, aloof, unattainable male character and also an innocent, charming, loving female character. The love aspect of the relationships are played out with various obstacles, misunderstandings and heart break scenarios. The characters go through intense, fractured and profound changes. The females become stronger and more capable of ‘controlling’ and understanding their love interest, while the male character’s go through a realization process that this specific woman can, in fact, love them for who they are.
So, why go to these lengths, you may ask? Well, there is that draft manuscript languishing in the pile, but also I am working on a trilogy and it is the character development, I am most interested in. Readers want to ‘see’ a character develop and change, overcome obstacles and have some sort of resolution. With trilogies, or indeed, any series, this is the ‘draw’ for a reader. How will the character overcome, manage and ultimately succeed?
With Christian and Anastasia in Fifty Shades – he is emotionally and physically damaged from childhood trauma and he ‘copes’ with punishing his mother look-a-likes in the playroom. Ana shows him there is another way to love and forgive.
With Elle and Noah in The Kissing Booth she breaks the rule of having a relationship with her best friend, Lee’s brother. It is a forbidden love full of secrets, guilt and at times an unattainable relationship. Elle risks her life long friendship with Lee to pursue Noah. The trilogy follows the characters through high school to college.
With Edward and Bella, again there is the unattainable relationship, this time between a vampire and a human. This is the ultimate taboo. Bella is convinced she is destined to be a vampire, but Edward will do anything to protect her from such an existence. The third player is Jacob, a werewolf, which adds to the complexity of the relationship as he is also in love with Bella. The two male character’s have a instinctive, historical hatred for each other, but both will do anything to protect Bella.
As you can see the similarities are obvious with each story with conflicts between the two main characters and their connection to each other, no matter the obstacles.
Can you name another series with this bad boy – good girl scenario?