Soar, Adam, Soar, by Rick Prashaw with Adam Prashaw, (Dundurn Press, 2019) What inspired Soar, Adam, Soar? I intended to write my own, unusual life story. A Catholic priest married and became Dad to a child identified as a girl, named Rebecca Adam by smart parents (LOL), the kid who took us on a 22-year ride to the “boy in the mirror” he knew he was. His drowning at 22 from a seizure gave the memoir a new twist and urgency.
How did you come up with the title? It’s my final 3 words on a Facebook tribute to him the night he died. The post is Chapter 12 in the book. The phrase popped into my head writing that night about our long ago love of the movie, Lion King. Mufasa telling the small Simba that one day he could look to the sky to find his father. Except here, in a cruel tragedy,the old Mufasa lives. I look for my Simba in the stars.
Is there a message in your book that you want readers to grasp? Love wins! Diversity is good. “Beauty comes in many colours”, Adam posted once.Freedom is what we do to what happens to us (Jean-Paul Sartre). Despite the tragedy, Adam’s infectious joy, positive spirit and wicked humour infuse the story, especially with his 125-plus social media posts. Jan. 20, 2016, two days before the drowning: “Death is not the greatest loss in life. The greatest loss is what dies in us while we live (Norman Cousins)…”
Where can readers find you on social media and do you have a blog? Everywhere, like my son LOL! Web site, http://www.rickprashaw.com with blogs (book tour, transgender, grieving, organ donor, faith). @RickPrashaw on Instagram, Linkedin and Twitter. There’s a FB Author page here https://www.facebook.com/RickPrashaAuthorw/
Do you have plans for your next book? Is it a sequel or a stand alone? 2 books moving forward, simultaneously. Father Rick, Roamin’ Catholic, stories from my faith journey that capture my crooked, straight path to heaven’s gate. Adam will show up here. Private Dick Prashaw, D-Day Dodger, will be my Dad and Mom’s WW2 love story, a creative non-fiction book I throw myself into as a character to finally get Dad’s war story out of him.s
Do you favor one type of genre or do you dabble in more than one? I read and am writing memoirs, biographies. There will be a few more memoirs drawing on my political and newspaper lives. The creative non-fiction book has me in a sweet place of writer’s terror. And I’m loving short stories falling out of my heart to the screen.
What is your best marketing tip? From my NGO and political work, I knew John McKnight’s community assets mapping. Map all the universes you inhabit — work, play, sports, hobbies, neighbour, school, past lives etc. Identify their social media, meet-ups or gathering places to market the book. Parenting, grieving, Pride and organ donor universes are part of why Soar, Adam, Soar is in its 4th printing eight months out.
Do you find social media a great tool or a hindrance?
Both! I love telling Adam’s story but I crave a hermitage right now. Instagram is new and good. Twitter with its trolls and fights is a necessary evil. Facebook works as readers and my friends devour the stories behind the book and from the 32-city (and counting) tour
What do you enjoy most about writing? All my life until now, I wrote for others, e.g. news editors, religious superiors, NGO and political bosses. Now I write to myself. The best book compliments are from people who know me and say your book is exactly as if I am speaking to them. I found my voice.
Do you read for pleasure or research or both? Pleasure, with a heaping side plate of research. I am reading a few war and faith books prepping for my next two memoirs. Waub Rice’s Moon over Crusted Snow is my stepping into fiction writing coming soon!
Who is your best supporter/mentor/encourager? My mutt, Dallas, a 7-year-old flat-coated retriever who Adam adopted, stalks me everywhere. Adam’s my agent.
Where is your favorite writing space? I wrote this memoir at my home office, in Adam’s old bedroom. Cereal bowls of coffee, 6 a.m. to 1 p.m. writing, punctuated by two walks with Dallas
Do you belong to a writing group?If so which one? Ottawa Independent Writers Group that meets once a month. Online, the Canadian Authors Association, National Capital Region.
If you could meet one favorite author, who would it be and why? It’s often the book I have just finished. Hmmm, one. Michelle Obama, to soak up her class and energy and thank her for being my book’s guardian angel in the O Biography section, with Becoming,
a shelf above and over Soar, Adam, Soar.
If you could live anywhere in the world – where would it be? 2 answers. (Sorry. I’m bad with rules) Right here in my beautiful Ottawa and back “home” in Northern Ontario (North Bay, Sudbury)
Do you see writing as a career? Well, as an emerging writer at 68, till my last breath….
What reward do you give yourself for making a deadline? Wine, chocolate, Peaky Blinders.
Rck Prashaw has had a diverse career as a journalist, Catholic priest, executive director of a national NGO, and political staff to members of Parliament. He is a winner of the National Ron Wiebe Restorative Justice Award. Rick lives in Ottawa.
As writers and authors, we are formidable in our ability to create narratives but we also have to learn how to market the ‘end product’ of those many months or even years of creativity. We become a book business.
The first avenue many authors take is social media, which can be seen as a ‘soft’ option. After all we are not up close and personal with the public but at arm’s length. However, due to the countless sites available just choosing the ‘right’ one or two can be overwhelming. Then there is the matter of maintaining our ‘presence’ on each platform. We need to research which avenues of promotion will work best not just for our genres but also our ability to sustain them. Do your research on similar authors in your genre and see what they use (and of course ‘follow’ them).
2. Following selected authors, genre based bloggers, book reviewers, and writing groups allows you to gain followers but also to learn about your particular genre and gain a reader base. When someone is interested in your genre they ‘search’ for more posts, articles, links and books within that specific field. While you are doing that follow 10 ‘friends’ of friends on Facebook and 100 people on Twitter – this can gain a wider audience. However, in light of these two platforms losing participants also follow people on Instagram. (We have to keep up with the ‘in’ thing!)
3. Improve your author bio on all platforms to entice and inform as many followers as possible on all sales sites, your blog and social media platforms. Ask yourself – does it reflect you as a writer as well as a person.
4. Use hashtags specific to writing, authors, books, genre and associated links – look at what other authors use.
5. Then there is the personal touch, which means organizing or being involved in author readings, attending book events and participating in Q&A panels. Search your local area for book related events, get to know your local bookstores, inquire at your library, join a local writing group, the wider your reach the easier it will be to find avenues of sale for your book.
6. Merchandise is another way of promoting your book. It can be as simple as custom bookmarks to T-shirts with the book cover/main character on the front. Make up a prize basket for a contest to be collected at an event (good photo opportunity to use on social media) or create an online contest for a free autographed copy of your book.
7. An easy promotion is to leave five of your author business cards in local businesses, at the doctor’s or dentist’s office, or anywhere you visit on a regular basis. Many places have community boards too so pin some cards or a poster of an event you are attending there too.
Do you have any promotion tips you would like to share?
My new poetry collection, my fifth, was inspired by my life and my reading, most importantly Anne Carson’s book, The Beautiful Husband and Mary Oliver’s poem Wild Geese. The life events included love, marriage, surgery and complications.
How did you come up with the title?
Music for Men Over Fifty was the earliest version of the title, then Music for Men over Fifty; Songs of Love & Surgery, and finally and more easily on a book cover, Love & Surgery. There are many references to music, from Bach to Oscar Peterson. Many of the love poems have reference to jazz and made their first appearance in an online jazz journal called Jerry Jazz Musician, out of Portland Oregon. Pain has become part of my life and my work. I’ve rehabbed from six surgeries this decade and can still walk, if with a prosthesis, and continuing pain; the complications I’ve mentioned.
Is there a message in your book that you want readers to grasp?
I think the section epigrams lead the way, “Exuberance is beauty” (William Blake), “A wound gives off its own light surgeons say– “ (Anne Carson, The Beauty of the Husband) and “Pain is always new to those who suffer, but looses its originality for those around them (Alphonse Daudet).
How much of the book is realistic? The Beatles and Robert Kroetsch would say nothing is real. The words on the page can’t read themselves, readers bring their own experiences and reality to the text and take what they will. My caution to anyone reading my work is I write to make a poem or a story convincing of itself, not of me. I recently read a reviewer complaining about a book because they couldn’t tell what really happened and what the writer made up. It shouldn’t matter. That’s why I try to keep labels off my books. The word “poems” does not appear on any of the five except my chapbook Jimmy Bang Poems (1979, Turnstone Press.) Poems are often confused with non-fiction, sometimes even with truth. “Bleah,” as Snoopy would say.
Are your characters based on someone you know, or events in your own life?
“Based on,” yes. Love & Surgery may be the concluding words of a three book “Life Studies” cycle including boy (2012 Hagios) and Lucky Man (2005 Hagios).
Where can readers find you on social media and do you have a blog?
Facebook: Victor Enns, hiding behind a rhubarb leaf; and Get Poetry. Website www.victorenns.ca
Do you have plans or ideas for your next book? Is it a sequel or a stand alone?
Yes. Several. There’s the Complete Jimmy Bang, which includes the Jimmy Bang Blues Project and Jimmy Bang’s Dispatches from the pain room. A collection of short stories called What Men Do and then another trilogy Boundary Creek, Susann with 2 nns; and Preacher’s Kids.
What do you enjoy most about writing? Reading and working alone with my imagination.
What age did you start writing stories/poems? 11
Has your genre changed or stayed the same? It is changing now.
What genre are you currently reading? Prose & long line poetry.
Do you read for pleasure or research or both? I can hear my biological clock ticking…there is only so much time before my brain clocks out. Research is winning out these days even if it’s to look at examples of how material is handled.
Who is your best supporter/mentor/encourager? Ted Dyck and before that Robert Kroetsch (deceased).
Where is your favorite writing space? My writing studio in Gimli.
The Group of Seven Reimagined: Contemporary Stories Inspired by Historic Canadian Paintings is at once artistic and literary. This anthology is a gorgeous testament to the Group of Seven, through the unique lens of twenty-one acclaimed flash fiction writers. – Each flash fiction story, (a brief, condensed, though fully realized narrative, written in under five hundred words), is paired with a lush full-colour reproduction of the painting that inspired it, showcasing both Canada’s historical artistic oeuvre with its contemporary literary artistic talent.
Where did the idea for this book come from?
The impetus for this book began as a writing prompt. I am always looking for interesting, layered prompts: a phrase, paradox, scenario, image, to inspire and formulate a story around. I happened to be walking my dog along Vancouver’s Jericho Beach early one frigid but bright wintery morning and was struck by the awesome beauty of the snow-peaked North Shore mountains looming across that stretch of ocean. I imagined that Lawren Harris would have wanted to paint that stunning vista, and in that glance, had the inspiration for my story. – It was only later, when conducting background research for my piece that I learned that the one-hundred-year anniversary of the Group of Seven was coming up in 2020. – A light bulb went off! The anniversary presented a wonderful opportunity to celebrate the enduring genius of these painters, in story. I contacted fellow flash fiction writers with the idea of putting an anthology together inspired by the landscape paintings of the Group of Seven and the enthusiasm for this project was immediately infectious. I wanted to put together a book that would both increase the profile and expand the reach of these iconic Canadian painters, while at the same time introduce art lovers to the marvels and delight of flash fiction.
Why flash fiction?
Flash fiction is the hottest rising literary trend in Canada. It is my current obsession. I have been on a maelstrom writing flash for the past three years. Each miniature story (flash fiction) is a delicious morsel, the flavours exploding with each bite. For me, flash fiction (always written in under 1000 words, and usually in under 500) is storytelling at its best. It draws the reader into another world engaging her in an immersive, evocative, and emotionally resonant experience, albeit for a brief moment in time; ‘for a flash’. Each miniature story is meant to delight, surprise and challenge the reader. There is often much hidden in between the lines and white spaces inviting the reader to return again to discover more in the layers of the story. And while each flash fiction takes only a few moments to devour, each story takes much longer to ‘perfect’, requiring a practiced skill in crafting, sculpting, editing, and polishing. I love the challenge writing flash poses, and the sense of satisfaction in completing a layered piece with a beginning, middle, and end, in a relatively short period of time. Relatively short compared to that of the traditional short story of 1500-3000 words, novella, or novel (which can take years to realize). The Flash Fiction community of writers and readers across Canada is exploding. Canadian literary magazines, journals, and anthologies now publish several flash fiction pieces in each issue, and flash fiction workshops and classes, both online and in house, can be found everywhere. I find this so exciting!
Why the Group of Seven?
When I first saw a Group of Seven painting, a Lawren Harris, I was gobsmacked. A stunning mountain carved like folds of butter, light cascading down upon its peak, pure and ethereal. I was immediately transported, somewhere deep, sublime, and otherworldly. My love affair with the Group of Seven began in that moment. As a university student living in Toronto in the 80’s, I had the opportunity to visit the McMichael Gallery in Kleinburg many times. The McMichael Collection even then, was remarkable and awe-inspiring. Over the years as I have discovered more of the Group’s landscape paintings in galleries, museums, books, and on-line. They have captured my imagination and heart for all these many years, transporting me into the story of the canvas and beyond. – I was inspired and driven to realize this book in celebration of their enduring genius.
How did you decide to pair the Group of Seven with Flash Fiction?
For me the match is made in heaven! The paintings are immediately perceived as storied, and the flash pieces are beautifully written, as if a painting. Both image and story invite the reader/viewer into another realm; a place of deep resonance and wonderment. Each read of the narrative, when paired with the layers, shadows, and textures of the landscape painting, becomes an immersive experience.
Each Contributor chose a landscape painting that inspired them, from a selection of Group of Seven paintings. Works by Tom Thomson and Emily Carr, both contemporaries of the Group, are also included in the book.
Who are the Writers/Contributors in The Group of Seven Reimagined and how were they selected?
Most of the Contributors are award-winning short story authors, several times over. They come from all regions of Canada, from coast to coast to coast, and three from the US, the UK, and AU, each with a distinct Canadian connection. I felt it was important to invite writers from across Canada who I thought would present a varied, distinct, and unique voice, and, be expert at crafting a miniature work of fiction. While Canada has so many brilliant short story writers, writing flash fiction presents unique challenges, i.e. excellent editing chops and concision, not every short story writer is comfortable with or interested in exploring.
I am a voracious short fiction reader. I read as many short story collections, journal, magazine, and anthology short fiction pieces as I could find, looking for a range of style, genre, and voice. Above all, I was looking for writing at a level of excellence. And of course, I found brilliant storytellers, and was excited by so many extraordinary works of fiction. It was also important that each person I invited to participate be more than enthusiastic about celebrating the Group of Seven and be inspired by their paintings.
I am thrilled with each of the writers selected. Mike Blouin, Carol Bruneau, Paulo da Costa, Alfred DePew, Tamas Dobozy, Valerie Fox, Travis Good, Mark Jarman, JJ Lee, Brett Loney, Lorette C. Luzajic, Yael Eytan Maree, Michael Mirolla, Isabella Mori, Nina Munteanu, Waubgeshig Rice, Robert Runté, Nina Shoroplova, Mireille Silcoff, Mary Thompson. Each one a consummate professional and joy to work with. Each writer has selected a gorgeous Group of Seven painting to inspire their story and each has contributed a marvellous flash fiction piece. The results and pairing are stunning. In addition to being the editor, I also have a flash fiction piece in the book.
Where did you get your training? How long have you been writing flash fiction? Have you always written, have you always wanted to write?
I think my path to becoming a writer is rather unique. I was sixty-two before I wrote my first story, ever. And I will be sixty-four before this book is published. I have never written fiction before. Never even tried. My writing up until very recently has been academic and analytically focused. I had done some journal writing intermittently as process-writing, but that’s it. Back in high school I wrote my final English exam interpreting a poem about the Tree of Life, referencing photosynthesis/ chlorophyll / life cycle / and the ecosystem. I was clearly off the mark. Words and imagery, conveying personal experience through metaphor or simile was not my forte, comfort level, or inclination.
Since beginning to write fiction three years ago, I have been published in twenty-five international literary journals, magazines, and anthologies, and have more in the queue.
My training is in Psychology. I am a seasoned Family Therapist. Decades of ‘being fully present’ in the therapy session has made the transition into writing surprisingly seamless for me. As Pulitzer Prize winner Robert Olen Butler describes, ‘writing takes place in the Dreamscape’. Being fully present in this ‘Place of Solitude’ is where writing is best explored and fashioned. I enjoy this space. It is where I am most myself. And it is where I create from.
I discovered flash fiction reading journals and magazines online. There is a dynamic global flash fiction community. I read flash fiction journals regularly and enjoy discovering new writers (new to me) – the talent out there is magic. I quickly found online workshops teaching flash fiction and have participated in many three-day, ten-day, and monthly workshops, and continue to enrol in one every month or two. The workshops are lots of fun, generative, and attended by highly creative, respectful, and generous writers. I’m totally hooked.
What do you enjoy most about editing?
Cultivating a relationship with the writer is a must for the editing process to be successful.
Pulling back to the barest of form and arriving at clarity is what motivates me in editing. I love the process. Finding increasing precision in word choice is my kind of fun. I delight in the concision, word craft, play, and intentional word choice used to create imagery that resonates and evokes an emotional response in the reader. My tool is a thesaurus. I clean up a piece to reveal its essence, letting it take center stage and shine. Presenting a re-configured or revised passage to a writer who chooses to accept it, is the ultimate satisfaction for an editor.
I have a lot of ideas, although only two have reached the planning stage. 1. A flash fiction anthology similarly structured to The Group of Seven Reimagined, ekphrastic writing, – flash fiction inspired by visual art. This time showcasing the surrealist and magic realism artists Leonora Carrington, Remedios Varo and Kati Horna. and 2. A collection of flash fiction, all my own pieces.
I am exploring how to approach this next project differently. It has been enormously expensive to put this book together. The cost of permissions and licenses from Art Galleries, Museums and Estates to use hi-res reproductions of the paintings in the book has been almost prohibitive. This expense comes out of the author’s / editor’s pocket; the publisher does not absorb this cost. Having a sponsor/corporate interest would help move this next project forward. It is something I’m looking into.
The Group of Seven will launch in Vancouver in October, and in Toronto in May – details on Vancouver and Toronto launch coming soon – if you would like to receive an invitation to attend either Launch party, send an email to email@example.com with ‘Vancouver Launch Invitation’ or ‘Toronto Launch Invitation’ in the subject line. We are going to celebrate!
Karen Schauber is a Flash Fiction writer obsessed with the form. She has been on a maelstrom writing since she was first introduced to this brief condensed short story form three years ago. Her work has since appeared in 25 international literary magazines and anthologies, including Brilliant Flash Fiction, Bending Genres, CarpeArte, Ekphrastic Review, and Fiction Southeast. The Group of Seven Reimagined: Contemporary Stories Inspired by Historic Canadian Paintings, celebrating the Canadian modernist landscape painters, is her first editorial/curatorial flash venture. Schauber runs ‘Vancouver Flash Fiction’, a flash fiction Resource Hub and Critique Circle, and in her spare time, is a seasoned Family Therapist. A native of Montreal, she has called Vancouver home for the past three decades.
Today’s question is: What steps do you take for a book launch?
Obviously, there are a multitude of on-line tips and many books & blogs covering this topic but have you found a creative way to get your new book noticed?
My new novella, Rython Legacy will be launched at Words in the Park on 28th September after numerous readers requested a sequel the The Rython Kingdom. It’s a nice problem to have – pressure from readers that’s for sure! I have spent time and effort writing the novella, finding a great illustrator and taking advice from my editing team. So my tips are:
Tease your readers with a cover reveal.
Create blog and social media posts regularly leading up to the launch.
Notify your readers of the new book launch venue with date and time.
Have sign by the author stickers and several pens.
Decorate your table to reflect the book’s theme/topic.
Now it’s your turn, please leave your responses in the comment section below.