. You have written several different genres. Do you decide on the genre before writing or decide which one it fits after writing?
Both! For most of my books, I knew the genre going in. The Hidden Springs series – historical western romance. The Celebration series and Seasons of Love – contemporary romance. Tempted – erotic drama. But with Finn-agled, my cozy mystery, I’d intended to write a thriller. However, the moment Finn Bartusiak took shape, I knew her antics were way too humorous for anything other than a cozy.
What draws you to the genres you write?
I wish I had an easy answer to this one. For the historical westerns, it’s because I love that time period. The other stories just came about on their own. When I wrote By Dawn’s Early Light, the first in the Celebration series, I knew it would be contemporary romance for no other reason than I needed a break from historical.
Do you plot your series’ book by book or as a series arc?
To date, book by book. Usually, the storyline in one leads me to the next. The exception to this is the thriller series I’ve planned. I can’t go into details, but as it stands now, it’ll be a trilogy with the main character’s background as the series arc. Of course, that’s what I say today. By the time I get around to writing those books, I’ll have changed my mind a dozen times.
Do you decide on a theme/topic for your series before writing book one?
Only in the most general sense. I know how the story will begin – more specifically, the opening paragraph or two, a vague sense of the plotline, and how I want it to end, although it rarely happens the way I think it will. Once my characters take hold, they author their own destinies. I’m merely their transcriptionist.
How did you come up with the idea of your side stories?
Side Stories came about after a discussion with a guest on my podcast, Word Play with Kristine Raymond. Aside from writing books, he’s also a college professor and told me that he encourages his students to explore the stories that happen off the page. Between the chapters, so to speak. I thought it was an intriguing concept and added it as a feature on my website, though, to date, I’ve only written one.
When and why did you start your The Felonious Scribe podcast?
The Felonious Scribe was a collaboration with author Dawn Hosmer, who writes the most amazing psychological thrillers! We thought it would be fun to answer questions from readers pertaining to murder, mystery, and mayhem – eh em, on the page, of course.
We recorded five episodes of the show, which can be found on YouTube, and then moved on to different projects. Dawn currently hosts a podcast called Unravel the Binding with her daughter, Jesi, while I’m working on my next book.
Who has influenced your writing the most?
This will sound like a copout answer, but every book I’ve ever read has influenced my writing in some way. How an author tells a story – their voice – is the determining factor in whether or not I choose a particular book, and I believe that has a direct bearing on how I tell my stories.
Do you have an author hero?
All those who took the chance to send their stories out into the world for readers to enjoy – and critique. Because one doesn’t happen without the other, and criticism can be soul-crushing. And, that’s what authors’ stories are, including mine. A piece of our souls.
Where is your writing space? Can you describe it?
I have one room in our house that is furbaby-free (I type sardonically while looking at the cat who jumped over the baby gate before falling asleep in my lap). It’s a combo room – part office/part library/part craft room/part whatever else I can stuff in here. Personally, I think the hubs is afraid to step foot in it which is how it became my space. Lol.
My desktop sits atop a messy desk covered with scrawled notes, pens, and notebooks. It’s a wonder I can find my keyboard.
Where can readers find your books?
Links to all of my books can be found on my website – www.kristineraymond.com. They’re available on all major platforms (and a few minor ones, as well).
Do you have a current release? Can you share what it is about?
My most recent release is Finn-agled, the first book in the Finn’s Finds cozy mystery series.
Running an antique store in the fictional seaside town of Port New, Finn Bartusiak is quite happy with how her life is going – until both a coded message and her high school crush figuratively fall into her lap on the same day. With murder, intrigue, and pierogis – what’s not to love?
This was such a fun story to write, and I’m currently working on the second in the series, Finn-icky Eaters.
Is there anything you would like your readers to know?
Thanks to my readers, both new and existing, for taking a chance on my books. I hope you enjoy them. And thanks, Mandy, for hosting me today. This has been fun!
It wasn’t until later in life that Kristine Raymond figured out what she wanted to be when she grew up, an epiphany that occurred in 2013 when she sat down and began writing her first novel. Over a dozen books in multiple genres later, there are a multitude of ideas floating around in her head thus assuring she’ll never be idle.
When a spare moment does present itself, she fills it by navigating the publishing and promotional side of the business. When not doing that, she spends time with her husband and furbabies (not necessarily in that order) at their home in south-central Kentucky, gardens, reads, or binge-watches Netflix.
Why did you make the decision to write about your life?
I decided to share my life journey so far to give hope and inspiration to others and let them know they are not alone.
What do you believe readers gain from your experience?
I believe by reading my story readers gain hope, inspiration, an honest birds eye view of New Zealand, a reminder never to give up, it makes one think and is informative, entertaining, a means to draw strength from and can even save lives.
Did you think The New Zealand Dream idea would grow into a series?
Originally I planned to release The New Zealand Dream as one book, I may still do this later. The idea of releasing the books as a series is a way for me to give my readers something to read while I am still completing the series.
How has your life experience impacted your writing?
Writing has been my therapist and brought me healing. My life experiences made me realize people need to hear my story, so many go through similar experiences isolated and alone, by sharing my story one can know they are not alone and you can heal and come through. I wanted to give readers the bare truth, no sugar coating, keeping it real and honest as this is what people need to hear, by doing my story is relatable.
Do you have a favourite place to write?
Somewhere quite, usually my lounge room or outside in amongst nature.
How do you juggle home life and writing?
When I was working as a nurse full time and bringing up two children, one with special needs. I would write in the evenings and early mornings. My health dictated I change careers, I know write fulltime, my books, short stories and my blog. I also help others to share and write their story and collaborate with other writers and authors. I am very blessed that I now have a loving husband who supports me in this.
What factors made you choose a pen name?
I chose a pen name and to use made up names for the characters and places in my book to protect myself from any law suits and respect the privacy of the characters who are real life people and some are still alive.
When writing fiction and non-fiction what differences in your demeanor occur?
When I write fiction my imagination really shines through and I can take the reader into another world. When I write non fiction I write simply and to the point as though I am sharing a lesson or revelation.
I offer one on one mentoring services where I can coach you through finishing your writing project. Sessions are done by email in hourly slots.
This is for anyone struggling with a writing project fiction or nonfiction or who would like to share their story and discover how writing can help you heal.
My name is Elise Brooke, I grew up in Hawkes Bay NZ. My parents moved to NZ from England and South Africa, to create their New Zealand Dream, this quickly turned into my New Zealand nightmare. Writing is a very powerful healing tool, sharing your story can save lives. I have written and published two autobiographies in my book series “The New Zealand Dream,” by Sheila my pen name, I wrote this book to inspire and give hope to others.
My passion is creative writing, I’ve been writing for 24 years in fiction and poetry and content. I have published many articles and guest post and conduct interviews on my website I built from scratch. I am a writing coach/mentor I mentor people who would like to write and share their own stories.
Today I welcome a joint interview with Daivd and Cendrine, authors who collaborate to publish a variety of books and a magazine. Welcome to you both.
1.What drew you to poetry?
I grew up trying to write spoof lyrics for a lot of different songs, inspiration would come out of all sorts of places. When it turned out that my lyrical structures became too big and unwieldy for songs themselves to contain, I started turning to writing poetry because I was drawn into the musicality of playing with words and phrases. I was fascinated by how you could treat words as if they were musical instruments. I began reading lots of poetry written by my peers and in doing so, I gained the ability to write on an emotional level that connected with many different people. This is what forged my love of poetry, being able to communicate with like-minded souls and give them hope, inspiration, passion, courage and kindness in their lives.
2.You embrace a variety of topics in your poetry. Can you explain your process in choosing a theme?
Theme for me is pretty easy, in that I am most interested in writing things that are inspirational, romantic, funny or all three combined! I’ve always thought that when it comes to choosing a theme or topic, it should be something that you are passionate about. You should actively try to combine multiple elements to give you enough drive and material to visualize a project. For example, you may choose to write about snow but that on its own is not very inspiring. However, if you were to then combine other elements of an emotional nature (a first romance in the snow, playing in the snow as a child/with your own children, etc) then this will give you the means to flesh out your piece. From then on, you can continue to add whatever details you need to give enough colour to your piece of writing to interest others into reading it.
3.How does writing flash fiction differ from poetry for your writing process?
With Flash Fiction I am usually thinking of a specific scene taking place in my mind. Whilst this can also be true for poetry, stories tend to unfold themselves when I have some characters chatting to each other. Usually my flash fiction pieces consist of dialogue between quirky characters and action unfolding. I would say that a poem can embrace many different angles but a piece of story writing is focused, concise, every word needs to count when it comes to describing the scene/event. With a poem, you can be more vague when it comes to the overall meaning of the lines and still have a deep message that can be conveyed. Whereas with a piece of story writing, it is important to convey to the reader where they are and what is happening (even if the twists, turns and outcomes are a mystery), so that they can quietly imagine being there themselves enjoying the experience.
4.Who are your writer heroes?
I have tons in different genres! My favourite genre is Fantasy, so I will say that my top two literary heroes are Terry Practchett and Neil Gaiman. Stephen King for horror. For poetry, Edgar Allan Poe, Emily Dickinson & Maya Angelou are also but a very small selection. I could literally spend all day and night naming people in the literary, TV and film world who constantly inspire me on a daily basis!
5. How did you come up with the title – “TooFullToWrite – I’ve started so I’ll finish”?
The short answer is that I always thought about the notion how writers and artists start things but struggle to finish them. Maybe they lose their creativity or drive, or some other shiny thing comes along to distract them. My philosophy was born out of wanting to finish things that I start because I am not a fan of loose ends and it is satisfying to complete things (no matter how long they take!) for our own peace of mind.
I actually wrote a humorous origin story about the namesake of my website, so if your readers are interested they can read it here:-
6.You have created workbooks for authors. Can you tell us about them and why you created them?
Cendrine & I created our workbooks series at Auroras & Blossoms because we wanted to inspire artists to create more material, to become more professional and to thrive at what they do best. We focus on a variety of different topics, including writing prompts, inspirational tips/techniques, new poetry and writing forms, social media etiquette, social media marketing, marketing your artwork better and many more. We want to keep expanding and evolving what we offer to be on the cutting edge of what inspires artists to show up and produce the best material of their lives! 🙂
7.How, why and when did you formulate the partnership with Cendrine Marrouat?
Cendrine goes into deeper detail in her interview segment below. We crossed paths years ago when I was interviewing fellow authors and artists. We have an excellent creative partnership that we have built a strong platform on. We complement each other with our skills sets and are both a creative force to be reckoned with. She is an excellent business partner and extremely talented too!
8.You have a wide range of skills, including podcaster, lyricist, humorist – do you feel these are all components of your writer life? How do each of these disciplines aid your writing?
I have never wanted to tie my creativity down to just one single thing. As I learn how to do one creative discipline, I become interested in others by way of association and because of my passion in existing disciplines, this enthusiasm carries over to new things that I try out in the artistic world. I do not feel like they are actually defined by a writer’s life, although to be fair, a writer’s life has led me to all of them and so much more. It’s very true what they say about how being a writer means that you can literally be anything you want to be in life! Being involved in many different artistic outlets gives you a much broader palette to paint from. It is not for everyone, since some people prefer to focus on one thing and get really good at it. I have to focus on many things in my life, otherwise I will get bored doing the same thing over and over – variety is the spice of life!
9.Does living in England enhance your writing – if so how?
This is an interesting question. I definitely have a British sense of humour and it comes out in my jokes, quips, puns and writing style because that is an integral part of who I am. I feel like it gives me a unique perspective on the world, one that is endearing, comical and entertaining to read. I embrace these aspects of my own personal character in that I have manners, am well behaved and professional (plus a bit old fashioned) but at the same time I do have an extroverted side, like to be playful and let my hair down regularly as well!
I want to thank every single one of you for your support and interest in what I do. I hope to inspire you, make you laugh or move you deeply in some kind of profound way that connects with you on an emotional level. We live in tough times right now and I would encourage you to spread as much kindness, help and support that you can. Work hard and bear with your struggles, there will always be better things on the horizon, if you weather the storms.
1.How long have you been writing?
Like many people, I wrote sappy stuff when I was a teenager. However, I only got serious about writing in 2005. So, I’m just counting the last 16 years. 😉
2.What drew you to combining poetry and photography as artistic expression?
Because both art forms work extremely well together.
Most of us are scared of poetry. In school, we are taught to analyze every word and line of the poems we read to uncover some kind of arcane meaning. The adults we then become cannot pick up a poetry book without over-thinking about the way we should respond to it.
As a former teacher to adults, I know that a majority of people prefer visual cues to written ones. Pairing imagery and poems helps redirect the focus towards enjoyment.
The images I use to complement my poems (all mine) have triggered very positive reactions from people. They realize that poetry can also be very relaxing and fun to read!
3.You are the co-founder of Auroras & Blossoms – how did this partnership begin?
A few years ago, I was looking for interview opportunities to promote a new book. I found David Ellis and we instantly connected. I was impressed with his professionalism and personability.
After the interview, we decided to stay in touch. At the beginning of 2019, one of our chats led to sharing our frustrations about the process of submitting work to magazines and journals. We did not like how many of them factored in “who you know” and your number of publishing credits into their acceptance process.
So, on a whim, I suggested we start working on something that would run counter to that status quo. We decided that we would do things differently and give a chance to everyone. And our focus would be on something we did not see enough: positivity, inspiration and family-friendliness.
Within a few days, we had laid the foundations of Auroras & Blossoms. It took us a few months to set everything up properly, and we launched officially in October 2019.
4.What are the benefits of a collaboration with another artist?
In this day and age of fierce competition for visibility, partnerships are pretty much the only chance for artists to be successful.
Collaborations give you the opportunity to tap into other artists’ platforms, build relationships with like-minded folks, and pool resources together to achieve greater things than you ever could on your own.
The key to a great partnership is to find someone who is on the same wavelength as you and shares your values. David and I get along really well because we are both very hard-working, committed to our craft, and professional. We respect each other’s time. Finally, we understand what it takes to build solid projects.
5.Where do you prefer to write and why?
I always write in my office, with very occasional sessions in my backyard. My office is my private space, nobody bothers me there. So I can fully concentrate.
6.Can you tell us about why you created Reminigram, Sixku, Flashku and the PoArtMo Collective?
I wanted to challenge myself and increase my creativity.
The reminigram is a type of digital image that seeks to capture scenes that could have existed in the past. It’s my way to pay homage to early photography (daguerreotypes, tintypes, collodion processes, etc.).
The Flashku is my latest creation; it borrows from the Sixku, Haiku, and Kindku, another poetry form David and I created (along with the Pareiku). I came up with the idea because I love flash fiction but suck at writing descriptions. The goal of a flashku is to write a whole story in 50-100 words inspired by an image, using 7 words taken from another piece. I like to call that poetic prose!
The PoArtMo Collective was one of my long-time dreams. I wanted to bring a group of artists together to create and release inspirational, positive and uplifting art and artistic projects; the goal being to show that good art goes beyond technical aspects to tell memorable stories.
When it launched in 2019, the collective was called FPoint Collective and focused exclusively on photography. But co-founder Isabel Nolasco and I quickly realized that we needed to be more inclusive. Isabel left us last year to focus on other things and there are now three of us. We have recently released our second project, a book titled Seizing the Bygone Light: A Tribute to Early Photography.
French-born Canadian Cendrine Marrouat lives in Winnipeg. She is a photographer, poet, multi-genre author, and the co-founder of several artistic projects. She is also the creator of the Sixku, the Reminigram, and the Flashku.
Cendrine started her career in 2003. She has worked in many fields, including education (language instruction), social media coaching and training, content creation and curation, translation, photography, poetry, theatre, art criticism, blogging, and journalism.
David Ellis lives in Tunbridge Wells, Kent in the UK. He is an award-winning poet, author of poetry, humourous fiction and music lyrics.
David’s debut poetry collection (Life, Sex & Death) won an International Award in the Readers’ Favorite Book Awards 2016 for Inspirational Poetry Books.
David is extremely fond of tea, classic and contemporary poetry, cats, and dogs but not snakes. Indiana Jones is his spirit animal.
1. What inspired you to write books for children to aid with reading and writing?
For about 15 years, I worked as a library programmer, so every week I had two or three programs for preschoolers. My favourite group was the 5-6-year-olds, who were just learning to read. They have such active imaginations and often like to see themselves as players in the story. I loved working with them, finding great children’s books, and then reading the stories aloud to them. After a few years, it felt very natural to start writing for this age group. Also, a writer-friend Alison Lohans had an opportunity to give a workshop in writing for children. I took that, and it put me on the path. Eventually, I got my MFA in Creative Writing at the University of British Columbia with a major in writing for children and young adults.
2. Do you think reading is the gateway to learning and life skills?
Yes, absolutely. It’s also a lot of fun!
3. How does the construction of the content aid understanding in children?
I’ve been lucky to work with several top-notch traditional publishers on the books I’ve written for children and middle-grade readers. I don’t self-publish so I am not usually involved in the construction of the book, but a writer can always help by inspiring the editors with punchy writing and ideas. As a journalist, I had always suggested backgrounders and sidebars, or short related articles, so I was on the watch for that. And I’ve noticed that surrounding a non-fiction narrative with fact-boxes and short in-set articles can really grab the attention of readers. When I was writing Dragonflies are Amazing, for instance, the editor asked me for some “fun facts” to create a fact-box. I put together about 20 facts, and worked on them so they had an engaging style to activate a kids’ imagination. The editor ended up putting the facts in a graphic format that looks like dragonflies flying around the page. You actually have to turn the book around to read them. Very cool! She also put the images in puzzle pieces. The overall effect of that book is as amazing as the dragonflies, and it really works to attract reluctant readers.
4. Where can schools access your books?
Schools order the children’s books directly from the publishers, but I also distribute some of them locally to schools and libraries in my home town and area during readings and workshops. My young adult series Last of the Gifted is available everywhere, from Amazon to local independent bookstores, through publisher Wood Dragon Books.
5. Did your Welsh heritage influence your stories?
My Welsh heritage influences my young adult series, Last of the Gifted. My grandfather was had been born in Wales and I knew he was a Welsh speaker. All of my grandparents had died before I was born. When I was a kid, my friends had grandparents but not me, so I guess I became a little obsessed by them. But my dad died young, and it was hard finding out much about my dad’s parents. Since I was a journalist, I wanted to get into travel writing, so I planned a trip to Wales to do double duty and find out more about my own heritage at the same time. I had rented a cottage on a sheep farm in north Wales, so one day I went to see Dolwyddelan, a castle built by the last true Welsh princes. Inside, there were placards showing the history, and how losing a war in 1282 caused them to lose their language and their way of life. I started thinking about what it would be like to actually live through something like that, and that led to writing about it. It’s been my “heart” project ever since.
6. How did your magical characters evolve from idea to story?
I actually started out by free writing the scenes in Spirit Sight. I had covered an article on a falconer and I was very intrigued by his falcon demonstrations. One day, while I was doing research on North Wales, I started wondering what it would be like to see through the eyes of a bird. I started free writing and the opening scene came together. I’ve revised and refined it since, but that’s still the opening of the book. From there, I started reading about Welsh legends and myths, and my magical world evolved from that.
7. Is imagination important for children?
It’s important for everyone. There are a lot of ways to use and grow our imaginations, but reading is definitely one of the best ways. And writing helps, too!
8. Are there other subjects/topics you want to write about?
Yes, lots. I have a couple of contemporary fantasy novels on the go as well, as well as short stories. My writing is speculative fiction with some connection to ghosts or the past influencing the present. I still write articles for magazines as well, and that inspires me in different ways.
9. Where is your favorite place to write and why?
I write at my kitchen table, actually. I have a perfectly good office and I fully intend to use it, but the kitchen has better light and a lovely window looking out at the park across the street. I always wrote in the kitchen when my kids were young, and that tends to be where I end up.
10. Do you have upcoming projects? Can you talk about them?
I have a lot of projects on the go. I’m working on one more book now in the Last of the Gifted series, and I have started another related series. Last NaNoWriMo, I wrote a novel from the same time but unrelated to the series, more medieval romance, just for fun. I’d like to do something more with that, too. And there are the contemporary novels as well.
11. How can readers find you?
My website is the best place, and I’m on social media too. Here are some links:
Marie Powell Bio:Marie Powell’s castle-hopping adventures across North Wales to explore her family roots resulted in her award-winning historical fantasy series Last of the Gifted. The series includes two books to date, Spirit Sight and Water Sight (participation made possible through Creative Saskatchewan’s Book Publishing Production Grant Program). Marie is the author of more than 40 children’s books with such publishers as Scholastic Education and Amicus, along with award-winning short stories and poetry appearing in such literary magazines as Room, subTerrain, and Sunlight Press. Among other degrees, she holds a Master of Fine Arts (MFA) in Creative Writing from UBC. Marie lives on Treaty 4 land in Regina, Saskatchewan. Find her at mariepowell.ca
As we Albertan’s look forward to ‘proper’ Spring instead of ‘false Spring’, we look forward to embracing the warm weather to write outside and enjoy nature. It is not a pretty sight, with brown grass and slush but it will get better. Although, COVID still has us under restrictions, there are ways to enjoy the outdoors. We can drive to a lake or forest, even explore the Rocky Mountains. If you are like me and my friend, Linda, take the back roads and discover untouched parts of the province. Get away from the noise of the city or town, immerse yourself in the stillness and quiet. Here is where your writing Muse flourishes. It is a time when a new project or idea may come forth.
Indulge in people watching, notice how your mind and body react to the change of season. Learn to use emotional, social, and climatic insights and feelings to the benefit of your craft. It gives us an idea how weather can effect a character’s situation or show the passing of time.
How do the different seasons affect your writing?
In other news my ghost writing gig will start late April/early May so it gives me more time to complete the first book in my detective trilogy. I worked with my designer on the covers for the trilogy so that they are consistent and will ‘link’ together when all three books are laid down beside each other. It is always difficult not to share the cover of a new book, there is excitement and eagerness to show them off. I will have to curb that and keep them secret until launch days, apart from the normal teasers, of course.
When you are working on your book covers, how do you ensure your vision comes to life?
I have been very lucky to have access to several talented artists for my book covers through my writing group, Writers Foundation of Strathcona County and my publisher, Dream Write Publishing.
I have been taking advantage of our local Writer in Residence at my library with Zoom open mic meetings and special presentations. This is a great way to have an unbiased view of your current work, not only through the readings and subsequent feedback but also because you can send a sample of the manuscript to them for review. Each year the WIR’s are from different backgrounds and literary genre’s, but no matter what your genre (or theirs) this tool is well worth taking advantage of this free service then maybe you should.
What are you currently working on?
I have a presentation on blogging this Saturday. An Easter writing retreat to look forward to. And a ghost writing project lined up for late April/early May.