As we try to occupy ourselves in isolation, has it been productive for your writing or not?
There is an emotional component to this particular imposed isolation that is subduing creativity. Our emotions have always influenced our mood and in turn our writing. Strong emotions, such as anger or depression subdue our creativity while feelings of love and happiness enhance it. Our concentration is in short supply or our focus limited. To pour out these feelings in words can dispel some of them.
You may find it is helpful to journal at this time to help lessen your heightened state of anxiety. It is also a record of our experience for future generations but maybe, also, the genus of an idea for a future work/narrative/story.
As writers we use many influences, experiences, emotions and personal knowledge in our narratives and this extreme situation may give us remarkable ideas. Think positively and use it for inspiration.
I think this particular writing tip is also relevant. With some sort of goal or deadline, even if it is only 20 minute sprints in writing can help us.
Set your writing goals for every writing session
Outline your aims for a writing session in order to keep yourself focused. It may help to write down what you want to achieve in the next chapter or scene. However, remember, to give yourself elbow room. It is okay to depart from your scene summary if you feel the story should go (or wants to go) in a new direction. Personally, I let the story flow but some writers find writing a pre-scene enables them to maintain a clear sense of direction for each scene in relation to their story arc.
Maybe hook up with another writer and set a time to write virtually. Find a writing prompt and time yourself. There are ways to encourage your Muse, find the one that works for you.
You have no doubt seen numerous authors sharing their books all across social media sites and readings from favorite books recorded for children in the last few weeks of social distancing. This sharing is the writing communities way of bringing some comfort to everyone isolated during this time. We have the ability to ‘connect’ remotely, which is a blessing during this time of COVID-19.
As we all know information is the new currency, and reading is the best source of continuous learning, knowledge and acquiring more of that currency. However, reading has many other benefits, you may not realize.
It puts your brain to work as it uses various parts to work together, in essence reading is exercise for your brain. It becomes active allowing growth, change and the making of new connections and different patterns. While reading we can roam the expanse of space, time, history, or discover deeper views of ideas, concepts, emotions, and our body of knowledge. Reading increases ‘fluid intelligence” which is the ability to solve problems, understand things and detect meaningful patterns. Other benefits of reading are an increase in attention span, focus and concentration. reading is in fact a multifaceted exercise.
Fictional narratives, allow us to imagine an event, a situation, numerous characters, and details of an imagined story. It is a total immersion process. It has been proved that reading literary fiction enhances the ability to detect and understand other people’s emotions, a crucial skill in navigating complex social relationships. So the more you read the better you become within your own mind and for those around us. So get reading!
Everyone please take care, stay well and safe.
If you are looking for a new read please take a look at my books. I have narratives for children, young adult and adult so something for all the family. As always if you have any questions about any of the books please comment below and I will answer.
It seems like an easy question until you try to write it. There is always the cover, the blurb and, of course the competition of a favoured best seller author’s new book compared to yours to overcome. However, it can also be those first few lines glanced at as a reader browses the shelves of their local book store or library. These are the most worked on, pondered and despaired lines by authors. They must capture a reader’s attention so completely that they are compelled to continue reading. Sounds easy doesn’t it? It is far from easy it though.
There are some key elements that draw a reader in:
Make them wonder.
Begin with a pivotal moment.
Create an interesting scene.
Intrigue them with a character.
Begin with an unusual instance.
Use a compelling narrative voice.
Begin with a conflict.
Use a life changing moment.
Here are a couple of my first lines:
Celeste watched her daughter, Maralynn; grow over the years while seeing her power increase. She could see her own mother, the previous Eldenma’s movements and expressions reflected in her daughter. Since her own mother, Juliana and her lover, Guillem’s transition to the other realm, Celeste and her lover, Michael, were her daughter’s only protectors in the earthly realm. They knew in time their ability to protect her would end as Maralynn learned how to control and manipulate her powers.
“Come back, here, Bubble – you’ll get stuck up there.”
Lenni called to her pet in vain. Bubble climbed up the bark of the tree in her usual wobble side-to-side manner, getting higher and higher. As she watched her pet, Lenni could see the two moons begin to converge in the magenta evening sky. Once they were one moon, she would need to be safely at home behind the dome wall. Lenni realized there was only one thing she could do, climb up the frackist tree and carry Bubble down.
These are the first lines from a book I re-read quite often. It was the first book I found that centred around reincarnation, a fascination of mine.
Ferney by James Long.
As he looked for the bones of his long-dead wife, old Ferney came close to death. Caught in the traffic jam that resulted, Gally Martin’s life changed.
When I am asked about the stories I write, one question arises quite often. Why do you write in multiple genres instead of just one?
To answer this is not as simple as it first appears. It is linked to my process of writing. I allow the story to evolve as I write and do not steer it in any specific direction. Enjoying where the characters take me is, for me, the best part of writing. I may have an idea what the story is going to be about but more often than not, it diverts into another direction – many times to somewhere I have not thought of. There are many writers that need a lot more structure to their writing, such as complete plot notes from start to finish and I admire that but it is not something I can do. It stalls my creativity. Once the first draft is written then I begin refining the narrative and decide on the genre it suits best.
For example, my Edmonton Best Seller, The Twesome Loop began as a light-hearted romance with a few characters finding their soulmate. However, the complexity of writing in two time periods required a significant amount of detail to be incorporated to allow my readers to understand the backgrounds and personality traits of these people from their past lives to the present. Other secondary characters also began to take on a life of their own and the subsequent narrative follows several love stories intertwined with the main characters.
In my YA novella, Clickety-Click, I had what I though was a definite plot arc but young Alice, the central character and the circumstances of her finding out about her true self went in a surprising direction. It still deals with self discovery and self confidence but also has a twist that I hope will delight the reader.
As a reader what captures you about a book?
Do you prefer one genre over another?
Past Presence by Nicole Bross
Absolutely loved this book! Well crafted characters, a sense of place and a great plot, I didn’t guess the culprit! Woven with regression tales, which is an interest of mine it has wonderful elements in the story to propel you onward.
Can’t wait for the next book, Nicole.
5 of 5….Once again the King delivers a story that grips you from the start and pulls you into a situation that could be only too real…secret government establishments and projects, the harnessing of powers from the most vulnerable and the enormity of trying to overcome it.
What are you reading? What was the last book you reviewed?
I’m asked where my inspiration comes from, so I am happy to share this piece, which is the result of my walking to the store along an icy sidewalk. As I walked, it occurred to me how careful I was with my steps as opposed to a couple of young boys, who passed me without a care, in regard to the condition of the surface they walked on. Inspiration comes from a wide variety of sources, and like this piece can emerge seamlessly.
The Fear of Falling
As children, falling is as commonplace as eating and breathing, there is no fear. We transition from crawling on all fours to the tottering and grasping of objects or parental hands to standing upright. The falling is a learning process on how to balance upright, adapting our bodies to counteract the instability of standing. Once standing has been achieved, we learn the motion of walking and eventually running. As we grow older, we engage in other activities that result in falls, such as bike riding, engaging on playground equipment, sports and the inevitable school recess antics. It is an expected result of such endeavours and bruises, cuts and scrapes are a part of everyone’s childhood. Skinned knees are the badge of childhood.
In our teen years and early twenties, our falling can be of a more serious nature as our activities involve more extreme modes of transport and sports. Snowboarding and skiing, for instance, are often accompanied by falls, which hopefully have softer landings but not always. Unfortunately, motor bikes and cars do not have a soft landing to our falling. For example, I suffered severe bruising from coming off a motorbike on an ice covered road and hitting the curb with my rear! I couldn’t sit properly for weeks. Injuries are more severe and falling has more dire consequences. This is the start of a fear of falling for some of us.
As we mature, play recedes into the background as we immerse ourselves into work and other commitments. Some of us continue with sporting activities, of course, but we minimize the risks of falling as much as is possible. Our body weight, as opposed to a baby or toddler is greater and therefore so is the impact of a fall. Falling becomes a distant memory for the most part and is a rare occurrence (hopefully). We may see the fear of falling in our elders and try to understand their way of thinking as we have not reached that stage of our life yet.
Eventually, as our body ages and its ability to bounce back declines, our fear of falling increases as does the impact, literally. A steep hill, an icy pathway, slippery rocks by the ocean and a vast number of other obstacles increase our apprehension. The mere thought of falling is anxiety inducing. We understand the fragility of our aging bodies and the possible outcomes of a fall. We read statistics that give us more anxiety, such as 800,000 patients a year are admitted to hospital due to fall injuries, usually hip or head fractures but also strained muscles, dislocations and open wounds. We understand falls are caused by balance problems, muscle weakness, poor vision, low blood pressure or even dementia. In other words getting old isn’t for the faint hearted and certainly falling isn’t on a ‘to do list’!