When I initially, made the decision to branch out into freelance writing after a couple of paid gigs, I had no idea how it would affect my writing style. Obviously, it was interesting, but also gave it me another avenue to learn my writing skill.
When I write creatively, I am in control of what happens, where the story leads when I write and ultimately when I finish. However, with freelance projects I quickly learned to accommodate another person’s viewpoint, requirements and adhere to a deadline. Fulfilling another person’s vision for their project is about asking questions – lots of questions and then reiterating them to ensure you are both on the same wavelength. Among my past projects, I have written new bio’s, edited manuscripts, created blog and social media posts, written articles and information leaflets, mentoring and ghost written a hybrid marketing book to name a few.
Through this business I have gain experience and knowledge from each project, which allows me to hone my skill. I have also gained valuable insights into other styles of writing, which in turn have assisted me in my creative writing. You may think that cannot be the case, but all writing teaches us something. It can be as simple as writing to a deadline or writing to a specific style or tone to align with current literature or media. It also gives me great backstories for future characters, who work in environments I am writing and learning about so a win-win situation.
Have you broaden your writing into freelance? What has your experience been like?
You can find my freelance website, testimonials etc. here:
I found a holiday project to do in the week between Christmas and New Year. A small model of a library (although the label says Sam’s Study). I, of course, opened it when it arrived with excitement, but this was short lived when I realized each component – shelves, cabinets, etc. – were not separated, but all mixed together! So my first job was to find the pieces for each item and put them together. The other ‘surprise’ was how fiddly this is going to be! Oh my goodness – frustration beckons, I do believe. Maybe it will not be the relaxing little craft project after all. Time will tell.
I have not planned a word count for the holiday’s, but will utilize some time to continuing writing the second book in my detective trilogy, The Tainted Search. I have over 50,000 words from NaNoWriMo already so another twenty or so is achievable without full time work getting in the way.
Editing encompasses several elements in order to achieve a well-polished manuscript for submission. Editing includes among other things, continuity, grammar, spelling, character development, revisions to scenes etc. the list is long and sometimes overwhelming.
Where should you start?
Instead of plunging directly back into a first draft, let it sit for a while. Start another project, take a rest, whatever you need to tear yourself away from the world and the characters you created. Ideally, leave it for three to six months, depending on any deadlines you have, of course. This will allow you to ‘see; it with fresh eyes.
When you go back to re-read there will be new insights. Rather than overwhelming yourself with trying to ‘correct’ all the editing elements mentioned above, concentrate on one item at a time.
Limit each read through to a specific task.
When you have completed these tasks let either trusted friends, or members of your local writing group read it. Take note of their suggestions and correct any errors they may find. Remember, no matter how many times you or your beta readers go through a manuscript, there will always be a word missed, mis-spelt or a continuity slip up. Once this is done it is time to consider handing over the manuscript to a professional. A professional editor is a good investment, if you can afford one. A badly edited book reflects on you the author and no-one else.
Here are a couple of tricks that can help you edit more effectively:
Read the book from back to front page by page. This stops your brain putting in words that are not there.
Read it out aloud to yourself or an understanding friend. A missed word is very obvious with this technique.
When editing there may be sentences or even whole paragraphs that you know need to be revised or even omitted from the manuscript to help with the flow of the story line or scene. Deleting these can be hard. There are different opinions on what to do with these revisions but I think they should be saved in a separate document until you are absolutely sure you do want to delete them and even then you may keep them as a record of how the scene developed. A writer’s jetsam so to speak. These ejected words from our narratives may dwell in our hard drives or document folders for months, sometimes years. They may even be useful if at some point in the future you decide to use them in a sequel!
Without correcting and improving, our creations will not be polished and worthy of reading and that is the one thing we all want – our work to be read and enjoyed.
As many of you know I am plunging into National Novel Writing Month* this month to begin the second book in my detective trilogy, The Delphic Murders. This second book is entitled The Tainted Search. My process is not that complicated -bum in seat – so to speak, and to avoid external distractions as much as possible. This, of course, isn’t always the case, take this past weekend for example. I had a board meeting to attend and a radio interview recording to participate in on Saturday and then Sunday was family time. And as I am working full time that has a major effect on my writing time.
*National Novel Writing Month – write 50,000 words in the month of November* As I write this blog post on Sunday morning my total is 11,748 words, which is on track, thankfully.
The crime fiction genre is a new genre for me to write and I have been enjoying the research process, as well as planning a three book series. There are many sub-genres to this type of fiction as you can see from this list.
Locked room whodunit
Locked room mystery
Parody or spoof
The commonality of these sub-genres is a lot of suspense, hidden clues, a charismatic detective and an elusive criminal. I have added a ‘side-kick’ to my main protagonists, which is a fairly common duo seen in most detective TV shows and movies. The first book has a secondary romance, this second a professional conflict and the third? Well, that remains to be seen, I haven’t started writing it yet!
As a special treat, I am sharing the draft prologue from the first book. An Elusive Trail. Let me know what you think in the comments.
Three vehicles converge at an abandoned farm, the sun-bleached buildings collapsing and twisting into the earth. Melted snow and slush is piled up against the dilapidated structures glistening in the only illumination for miles – headlights and a full moon. Three men exit their vehicles and stand facing each other. A red glow from a single cigarette gives one man a fragmented face, his eyes watching expectedly. The smoke joins the puffs of cold night air emitting from his companions mouths. A middle aged man with a slight paunch straining against his thick coat faces his colleagues as the smoker, Allan asks.
“What’s so important you drag us out at this time of night in the cold, Craig?”
“We have a problem, Allan, Travis and his name is Detective Daniel Markum.”
Allan stamps out his cigarette before asking.
“How much of a problem is he?”
“I’d say the biggest. He’s been reviewing some of our old cases.”
“Shit! How did you find out?”
“I’d set up an alert on our contrived cases and nine have popped up in the last three weeks. We have to eliminate this threat and real soon.”
“I can set up something with Raul. Can you make sure Markum is on scene first, Travis?”
“Shouldn’t be a problem, Craig, I can patch through to a false call. It’s not like I haven’t done it before, right?”
“You meet him there soon after and Allan and I will set up the ambush. It’ll be easy to make it look like an ‘in the line of duty’ incident. I have several unmarked, untraceable handguns stashed away.”
“How soon can this be set up, Travis?”
“Is next Tuesday soon enough, Craig?”
“Sure. Then we need to consider lateral transfers. We can’t all stay in Edmonton. Raul has been asking for assistance in Red Deer and Calgary to expand his drug operations. This might be the time to do it.”
The three detectives shook hands, returned to their vehicles, and drove away from the remote meeting place. Their plan set in motion, their victim unaware of his fate.
Do you read crime fiction? What do you like about the genre? Who are your favorite authors in the genre?
At the start of each year, some of us decide on goals for the year. These range from the most common ones, such as weight loss, fitness, and stopping smoking, the ‘healthy ones’ in other words. But, what of the other goals, the practical ones, so to speak? For authors this would be improving our brand, more sales, promotional opportunities, presentations or speaking engagements and more. As writers, we want to increase our word count, the number of projects completed, or receiving publicity or publishing deals.
Obviously, many of these goals go by the wayside pretty quickly, while others make it to mid-year, or possibly later. The question that arises is – why make goals in the first place? Are we swept along with the possibilities of a fresh start? Do we think we can achieve them, and stay committed to our self-inflicted goals? The excitement of a whole new year ahead of us is a powerful momentum for change. I think that is the key to our initial thinking, when it comes to annual goal making.
As we all know that momentum gets harder to maintain as the months roll by. We get off-track.
There are time constraints, health issues, family matters, work events, vacations, seasonal holidays – the list goes on. Each scenario affects how we feel, our ‘free’ time, and what we are able to accomplish. There is always some ‘distraction’ pulling us away from that initial elation of new year possibilities.
So, what is the answer? This is a difficult question to answer, as we are all experiencing life in a multitude of ways. No one person is the same as another. I think the first step is to be totally honest with yourself, when it comes to setting goals in the first place. Too many goals, too loftier a goal and the ‘good grief’ goals should be shelved before they even get ‘out the box’.
Making a goal is a very personal thing. You need to look at what your time will allow and also your personality trait. Do you have a week to week, or month to month planner or do you hope for the best? Or something in-between? Having too many goals sets you up for failure and that isn’t good for anyone. Remember we don’t have to do ALL the goals in one year – pace yourself. Put the most ‘important’ one first, then plan accordingly and stick to it. Put less pressure on yourself and accomplish one or two instead.
You can even make a ‘goal’ under the umbrella of a wider spectrum, such as ‘improvement’, whether for your health or for your writing career. Many of you saw my 2021 goal board link – it is the best board I have made in many years and I don’t think I will be changing it very much for 2022. I have goals I want to reach in the next few years and the board reflects that for me.
Realistically, a goal can take longer than a year. Accept that and work towards it at your own pace. Time constraints and deadlines are not applicable here. We all ‘work’ at different paces, make that work for you.