The next site that offers an author profile page is Amazon. As you can see from the image below of my author page on Amazon, it can detail not only your bio and books but have a link to your blog, book trailers, videos and more.
As with the Goodreads process there are steps to follow to create this author profile. It is a simple step by step procedure.
Sign in with your regular Amazon username and password. If you don’t have an account, select “I am a new customer.” You’ll need to give a little more information.
Read the Terms and Conditions, then click “Accept.”
Enter your author name, pen name, or book title into the search field. A list of possible books appears. (Once your account gets set up, you can add more titles by clicking on the “Books” tab in the navigation menu and select the blue button labeled “Add a Book.”)
Select any one of your books to create the account. If your book is not on the list, you can search for it by title or ISBN. (Note: Your book must be available for purchase on Amazon to set up an Author Central Amazon Account.)
Amazon will send you a confirmation email to finish creating the account. (Amazon may contact your publisher(s) as an additional measure to verify your identity, which may take three to seven days.)
Once again there is a follow button for your readers to click and you in turn can follow other authors. It is a great tool for marketing and increasing your author platform.
Today I welcome a joint interview with Daivd and Cendrine, authors who collaborate to publish a variety of books and a magazine. Welcome to you both.
1.What drew you to poetry?
I grew up trying to write spoof lyrics for a lot of different songs, inspiration would come out of all sorts of places. When it turned out that my lyrical structures became too big and unwieldy for songs themselves to contain, I started turning to writing poetry because I was drawn into the musicality of playing with words and phrases. I was fascinated by how you could treat words as if they were musical instruments. I began reading lots of poetry written by my peers and in doing so, I gained the ability to write on an emotional level that connected with many different people. This is what forged my love of poetry, being able to communicate with like-minded souls and give them hope, inspiration, passion, courage and kindness in their lives.
2.You embrace a variety of topics in your poetry. Can you explain your process in choosing a theme?
Theme for me is pretty easy, in that I am most interested in writing things that are inspirational, romantic, funny or all three combined! I’ve always thought that when it comes to choosing a theme or topic, it should be something that you are passionate about. You should actively try to combine multiple elements to give you enough drive and material to visualize a project. For example, you may choose to write about snow but that on its own is not very inspiring. However, if you were to then combine other elements of an emotional nature (a first romance in the snow, playing in the snow as a child/with your own children, etc) then this will give you the means to flesh out your piece. From then on, you can continue to add whatever details you need to give enough colour to your piece of writing to interest others into reading it.
3.How does writing flash fiction differ from poetry for your writing process?
With Flash Fiction I am usually thinking of a specific scene taking place in my mind. Whilst this can also be true for poetry, stories tend to unfold themselves when I have some characters chatting to each other. Usually my flash fiction pieces consist of dialogue between quirky characters and action unfolding. I would say that a poem can embrace many different angles but a piece of story writing is focused, concise, every word needs to count when it comes to describing the scene/event. With a poem, you can be more vague when it comes to the overall meaning of the lines and still have a deep message that can be conveyed. Whereas with a piece of story writing, it is important to convey to the reader where they are and what is happening (even if the twists, turns and outcomes are a mystery), so that they can quietly imagine being there themselves enjoying the experience.
4.Who are your writer heroes?
I have tons in different genres! My favourite genre is Fantasy, so I will say that my top two literary heroes are Terry Practchett and Neil Gaiman. Stephen King for horror. For poetry, Edgar Allan Poe, Emily Dickinson & Maya Angelou are also but a very small selection. I could literally spend all day and night naming people in the literary, TV and film world who constantly inspire me on a daily basis!
5. How did you come up with the title – “TooFullToWrite – I’ve started so I’ll finish”?
The short answer is that I always thought about the notion how writers and artists start things but struggle to finish them. Maybe they lose their creativity or drive, or some other shiny thing comes along to distract them. My philosophy was born out of wanting to finish things that I start because I am not a fan of loose ends and it is satisfying to complete things (no matter how long they take!) for our own peace of mind.
I actually wrote a humorous origin story about the namesake of my website, so if your readers are interested they can read it here:-
6.You have created workbooks for authors. Can you tell us about them and why you created them?
Cendrine & I created our workbooks series at Auroras & Blossoms because we wanted to inspire artists to create more material, to become more professional and to thrive at what they do best. We focus on a variety of different topics, including writing prompts, inspirational tips/techniques, new poetry and writing forms, social media etiquette, social media marketing, marketing your artwork better and many more. We want to keep expanding and evolving what we offer to be on the cutting edge of what inspires artists to show up and produce the best material of their lives! 🙂
7.How, why and when did you formulate the partnership with Cendrine Marrouat?
Cendrine goes into deeper detail in her interview segment below. We crossed paths years ago when I was interviewing fellow authors and artists. We have an excellent creative partnership that we have built a strong platform on. We complement each other with our skills sets and are both a creative force to be reckoned with. She is an excellent business partner and extremely talented too!
8.You have a wide range of skills, including podcaster, lyricist, humorist – do you feel these are all components of your writer life? How do each of these disciplines aid your writing?
I have never wanted to tie my creativity down to just one single thing. As I learn how to do one creative discipline, I become interested in others by way of association and because of my passion in existing disciplines, this enthusiasm carries over to new things that I try out in the artistic world. I do not feel like they are actually defined by a writer’s life, although to be fair, a writer’s life has led me to all of them and so much more. It’s very true what they say about how being a writer means that you can literally be anything you want to be in life! Being involved in many different artistic outlets gives you a much broader palette to paint from. It is not for everyone, since some people prefer to focus on one thing and get really good at it. I have to focus on many things in my life, otherwise I will get bored doing the same thing over and over – variety is the spice of life!
9.Does living in England enhance your writing – if so how?
This is an interesting question. I definitely have a British sense of humour and it comes out in my jokes, quips, puns and writing style because that is an integral part of who I am. I feel like it gives me a unique perspective on the world, one that is endearing, comical and entertaining to read. I embrace these aspects of my own personal character in that I have manners, am well behaved and professional (plus a bit old fashioned) but at the same time I do have an extroverted side, like to be playful and let my hair down regularly as well!
I want to thank every single one of you for your support and interest in what I do. I hope to inspire you, make you laugh or move you deeply in some kind of profound way that connects with you on an emotional level. We live in tough times right now and I would encourage you to spread as much kindness, help and support that you can. Work hard and bear with your struggles, there will always be better things on the horizon, if you weather the storms.
1.How long have you been writing?
Like many people, I wrote sappy stuff when I was a teenager. However, I only got serious about writing in 2005. So, I’m just counting the last 16 years. 😉
2.What drew you to combining poetry and photography as artistic expression?
Because both art forms work extremely well together.
Most of us are scared of poetry. In school, we are taught to analyze every word and line of the poems we read to uncover some kind of arcane meaning. The adults we then become cannot pick up a poetry book without over-thinking about the way we should respond to it.
As a former teacher to adults, I know that a majority of people prefer visual cues to written ones. Pairing imagery and poems helps redirect the focus towards enjoyment.
The images I use to complement my poems (all mine) have triggered very positive reactions from people. They realize that poetry can also be very relaxing and fun to read!
3.You are the co-founder of Auroras & Blossoms – how did this partnership begin?
A few years ago, I was looking for interview opportunities to promote a new book. I found David Ellis and we instantly connected. I was impressed with his professionalism and personability.
After the interview, we decided to stay in touch. At the beginning of 2019, one of our chats led to sharing our frustrations about the process of submitting work to magazines and journals. We did not like how many of them factored in “who you know” and your number of publishing credits into their acceptance process.
So, on a whim, I suggested we start working on something that would run counter to that status quo. We decided that we would do things differently and give a chance to everyone. And our focus would be on something we did not see enough: positivity, inspiration and family-friendliness.
Within a few days, we had laid the foundations of Auroras & Blossoms. It took us a few months to set everything up properly, and we launched officially in October 2019.
4.What are the benefits of a collaboration with another artist?
In this day and age of fierce competition for visibility, partnerships are pretty much the only chance for artists to be successful.
Collaborations give you the opportunity to tap into other artists’ platforms, build relationships with like-minded folks, and pool resources together to achieve greater things than you ever could on your own.
The key to a great partnership is to find someone who is on the same wavelength as you and shares your values. David and I get along really well because we are both very hard-working, committed to our craft, and professional. We respect each other’s time. Finally, we understand what it takes to build solid projects.
5.Where do you prefer to write and why?
I always write in my office, with very occasional sessions in my backyard. My office is my private space, nobody bothers me there. So I can fully concentrate.
6.Can you tell us about why you created Reminigram, Sixku, Flashku and the PoArtMo Collective?
I wanted to challenge myself and increase my creativity.
The reminigram is a type of digital image that seeks to capture scenes that could have existed in the past. It’s my way to pay homage to early photography (daguerreotypes, tintypes, collodion processes, etc.).
The Flashku is my latest creation; it borrows from the Sixku, Haiku, and Kindku, another poetry form David and I created (along with the Pareiku). I came up with the idea because I love flash fiction but suck at writing descriptions. The goal of a flashku is to write a whole story in 50-100 words inspired by an image, using 7 words taken from another piece. I like to call that poetic prose!
The PoArtMo Collective was one of my long-time dreams. I wanted to bring a group of artists together to create and release inspirational, positive and uplifting art and artistic projects; the goal being to show that good art goes beyond technical aspects to tell memorable stories.
When it launched in 2019, the collective was called FPoint Collective and focused exclusively on photography. But co-founder Isabel Nolasco and I quickly realized that we needed to be more inclusive. Isabel left us last year to focus on other things and there are now three of us. We have recently released our second project, a book titled Seizing the Bygone Light: A Tribute to Early Photography.
French-born Canadian Cendrine Marrouat lives in Winnipeg. She is a photographer, poet, multi-genre author, and the co-founder of several artistic projects. She is also the creator of the Sixku, the Reminigram, and the Flashku.
Cendrine started her career in 2003. She has worked in many fields, including education (language instruction), social media coaching and training, content creation and curation, translation, photography, poetry, theatre, art criticism, blogging, and journalism.
David Ellis lives in Tunbridge Wells, Kent in the UK. He is an award-winning poet, author of poetry, humourous fiction and music lyrics.
David’s debut poetry collection (Life, Sex & Death) won an International Award in the Readers’ Favorite Book Awards 2016 for Inspirational Poetry Books.
David is extremely fond of tea, classic and contemporary poetry, cats, and dogs but not snakes. Indiana Jones is his spirit animal.
1. How old were you when you wrote your first writing project? What genre was it?
That’s hard to say. I was writing short stories and designing cover art when I was in second grade. I was writing screenplays and making movies in middle school. I published poetry in college. I started writing my first novel, A Year Since the Rain, when I was in my late twenties, I guess. It was a magical realism novel, and it took a few years for me to finish it.
2. Do you have a favorite genre? What draws you to it?
I like contemporary fantasy/ magical realism because I think these genres allow for an interesting exploration of human experience. I appreciate the ways that realistic characters and settings are allowed to bump up against elements of magic.
3. How does your expression differ from your poetry to short stories to novels?
I look for poetic language in everything, so I try to find something poetic in narrative work as well. Obviously, it’s harder to keep this up for 70,000 words than it is in a page of poetry, but I still look for ways to elevate the diction of my prose with poetic language. With poetry, we’re talking about a stricter economy of language—more limitations based on form and so forth. As a rule, though, my poetry plays with narrative and my prose plays with poetry. I like to explore the marriage of different forms.
4. Magic plays a vital part in your stories – is it a fascination for you?
Like I said before, I think the incorporation of magic in otherwise real settings allows for an interesting exploration of human nature and human experience. If most of the setting and characters feel somewhat familiar, I think readers can buy in a little more. Also, I think the world is full of magic, right? We all experience wonderful and terrible things that we can’t explain. These inexplicable moments are a very human kind of magical experience. That’s how I see it, at any rate.
5.How did you create the characters in your World of Muses Universe?
A lot of my characters are just conflations of real-life people. There are no direct translations of real people, but I definitely mine real life experience for characters.
6. Are there messages in your stories for your readers? What are they?
Absolutely. These messages vary, but I think that mostly I want readers to consider their relationship with the world, with other people, with creativity, and with their own experience. I’m not prescriptive in my messaging. I just want a reader to think.
7.You combine music with poetry/stories – how did this idea/collaboration begin?
I wanted to write a story that would explore creativity and the different goals artists might strive toward. I settled on musicians and visual artists (because, again, I don’t want to write things that are too close to home). When I decided to write about musicians, I started teaching myself to play guitar. I wanted to understand what I was writing, and I wanted to be able to describe it in an organic way that would provide the narrative with a realistic texture. In the long run, I fell in love with the guitar and started writing songs. I even wrote some of the songs from that novel. It’s a cool experience to play these songs at live readings. I think it lends an air of legitimacy to the story.
8.Has your teaching influenced your writing?
I’m not sure that teaching has had a direct influence on my writing. I’ve never written about a teacher or even students. I actively try to avoid writing stories that would hit too close to home in that way. So, I guess in my attempts to write stories from outside of my experience as a teacher, teaching has indirectly influenced my writing.
On another level, though, I do teach literature courses. Reading these classics with my students offers me a great refresher in these stories. I think reading and analysis of stories is incredibly important to a writer, so the fact that this is my job gives me ample opportunity to dive back into those stories from time to time.
I think that my writing has probably influenced my teaching, but that feels like a whole other conversation.
9.Has your MFA course in Creative Writing changed how you write?
I think the most important thing I’ve learned from the MFA is how to better discipline my writing. I have a better sense of how planning and outlining can help streamline a project. The MFA program also forced me to read and work in genres I was less comfortable with, and I think all of that experimentation is good for the process. We could all do with a little more of that experience with discomfort.
10.Do you have a message for your readers?
This is an interesting question. I’m not sure that I’ve ever considered the prospect of speaking directly to the people who read my books. I’ve long considered the writing to be the final word in my part of the conversation. Once a reader has read my book, I’m interested in what that reader has taken from that experience. So, I suppose if I could say anything to the people who read my books it’s this: Thanks! I hope you found something to enjoy.
12. Do you have a blog? Where are you on social media?
I don’t really have a blog that I keep up with consistently at the moment, but people can always catch up with me on social media. I’m @ThatShaneWilson just about anywhere you might care to look.
Shane Wilson is an award-winning author of magical realism and low fantasy. His two novels, A Year Since the Rain and The Smoke in His Eyes are available through all major retailers. He has also published short fiction, creative nonfiction, and poetry. He maintains a blog that focuses on a variety of topics including topics in publication.
Shane has a Master’s degree in English from Valdosta State University and has taught English at community colleges in Georgia and North Carolina. He has been te
Shane Wilson is a storyteller. No matter the medium, the emphasis of his work is on the magical act of the story, and how the stories we tell immortalize us and give voice to the abstractions of human experience. His first two contemporary fantasy novels as well as a stage play, set in his World of Muses universe, are currently available.
Born in Alabama and raised in Georgia, Shane is a child of the southeastern United States where he feels simultaneously at-home and out-of-place. He graduated from Valdosta State University in South Georgia with a Masters in English. He taught college English in Georgia for four years before moving to North Carolina in 2013.
Shane plays guitar and writes songs with his two-man-band, Sequoia Rising. He writes songs as he writes stories–with an emphasis on the magic of human experience. He tends to chase the day with a whiskey (Wild Turkey 101) and a re-run of The Office.
Shane’s novels are A Year Since the Rain (Snow Leopard Publishing, 2016) and The Smoke in His Eyes (GenZ Publishing, 2018). Shane’s short story, “The Boy Who Kissed the Rain” was the 2017 Rilla Askew Short Fiction Prize winner and was nominated for a 2018 Pushcart Prize. An adaptation of that story for the stage was selected for the Independence Theater Reading Series in Fayetteville, NC. More information about Shane can be found at: Shane Wilson Author
As we Albertan’s look forward to ‘proper’ Spring instead of ‘false Spring’, we look forward to embracing the warm weather to write outside and enjoy nature. It is not a pretty sight, with brown grass and slush but it will get better. Although, COVID still has us under restrictions, there are ways to enjoy the outdoors. We can drive to a lake or forest, even explore the Rocky Mountains. If you are like me and my friend, Linda, take the back roads and discover untouched parts of the province. Get away from the noise of the city or town, immerse yourself in the stillness and quiet. Here is where your writing Muse flourishes. It is a time when a new project or idea may come forth.
Indulge in people watching, notice how your mind and body react to the change of season. Learn to use emotional, social, and climatic insights and feelings to the benefit of your craft. It gives us an idea how weather can effect a character’s situation or show the passing of time.
How do the different seasons affect your writing?
In other news my ghost writing gig will start late April/early May so it gives me more time to complete the first book in my detective trilogy. I worked with my designer on the covers for the trilogy so that they are consistent and will ‘link’ together when all three books are laid down beside each other. It is always difficult not to share the cover of a new book, there is excitement and eagerness to show them off. I will have to curb that and keep them secret until launch days, apart from the normal teasers, of course.
When you are working on your book covers, how do you ensure your vision comes to life?
I have been very lucky to have access to several talented artists for my book covers through my writing group, Writers Foundation of Strathcona County and my publisher, Dream Write Publishing.
I have been taking advantage of our local Writer in Residence at my library with Zoom open mic meetings and special presentations. This is a great way to have an unbiased view of your current work, not only through the readings and subsequent feedback but also because you can send a sample of the manuscript to them for review. Each year the WIR’s are from different backgrounds and literary genre’s, but no matter what your genre (or theirs) this tool is well worth taking advantage of this free service then maybe you should.
What are you currently working on?
I have a presentation on blogging this Saturday. An Easter writing retreat to look forward to. And a ghost writing project lined up for late April/early May.
I was honoured to be part of this virtual writing conference this past weekend. It was certainly jammed packed with panelists from all avenues of the writing community, and I made some great connections and learned a lot. I was also a panelist, which was such a fun thing to do. My first panel was on Friday with Mandy Michelle, Sarah Graham, and Melinda Curtis. We were discussing the romance genre and how it has transformed in line with societal changes since it’s conception, but also the expectation of the genre readers for the story format. Then on Saturday, I partnered with my publisher, Dream Write Publishing’s owner, Linda Pedley to discuss the business of getting a novel published and the extra writing required. This includes an author bio and professional photo, a blurb, a summary, a synopsis etc. etc. These ‘extra’s’ are not always considered by authors and the information proved to be useful.