My current read is My Ghosts by Mary Swan, the book I found in a small bookstore while traveling. I am enjoying the author’s style and get a real sense of the main protagonist and her plight. It is of particular interest to me as I too emigrated. Getting to know the customs, language and manner of another country is a remarkable journey for anyone. The novel character’s are from Scotland and travel to Toronto, Canada, while I was from England and came to Edmonton, Canada. You might think that there could be no language differences, but you would be wrong. For example, in England the front of a car is a bonnet but in Canada a hood, or the rear is a boot but here a trunk. I know a sidewalk as a pavement and a wrench as a spanner. This last item puzzled my Canadian work colleagues, when I first asked for one, but when I described it, I was informed the item was indeed a wrench not a spanner.
Languages are a combination of settlers and native inhabitants own language, which is assimilated into common use over generations. Accents are closely related to specific areas, where the majority of inhabitants are from a common location that influences dialect development. This can be from invasions, an influx of settlers or workers to the area and in modern times the use of slang has become incorporated. Another influence is class, where an upper class person will speak differently from a lower class person. It is the influence of their peers that affects their accent.
While writing a story, a writer has to be conscious of the dialect of an area they are writing about or indeed the origins of the character. I find no problem in writing English dialects and accents as I have known them for most of my life. However, as I write my Canadian detective series, I am conscious of word usage and slang. I have to check with my author friends as to the names of certain things. Once example is I use dado rail in a paragraph, but no-one knew what it was until I described it. Then it was clear the word I needed to use was chair rail.
Some author’s have a ‘key’ at the back of their fiction books, most commonly found in fantasy stories. However, I am sure that most readers can understand the ‘new’ words due their context within a sentence or paragraph and the repeated use. Obviously, we are used to a glossary in a non-fiction book, whil ewe study a subject.
Have you read a book with noticeable language differences to your own?
Did you find it easy to read or puzzling?
Was there a glossary at the back of the book? Did it hinder your reading or help?
Whether you spend time intricately plotting and creating your story line or let the story flow unbidden, one facet of all stories that must be created and created well are its characters. Your protagonist, antagonist and all the supporting characters have a ‘job’ to do. They must give our readers an insight into their personalities, their struggles, ambitions and fears. Characters build the ‘world’ you have set your characters within by showing it through their eyes, their thoughts and actions.
Every writer has his or her own methods, when it comes to the creation of a character.
For example, Setting: an alien being trapped in a spacecraft, a monster hunting its prey or specific behavior traits for period pieces.
Physical features: This primarily gives our readers an image but more importantly an idea of their personality. A thin, acne-faced teenager will not automatically give our readers the idea of a ‘superman’ kind of personality but a muscle bound, athletic type could.
Name: a good starting point for our creation, but it is also a minefield. Research into real persons, living or dead should be foremost, unless of course you are writing about that particular person.
Accent: a character’s voice says a lot about their location and background.
Real people or not: We can base characters on people we know or a combination of several or from people watching – an author’s favorite pastime. As writers situations, overheard conversation and life in general is a constant source of inspiration.
There are numerous ‘character development work sheets’ available on the Internet and it can be useful to fill them in for your main characters, if you have no clear ‘picture’ of them to begin with.
I tend to write the story letting my characters dictate how their story will unfold. In so doing the characters develop creating their own story. This tends to change the narrative from my initial perception. In this way they may develop characteristics I had not considered or react quite differently to a situation from my preconceived idea. This method may seem harder than having a detailed description of each pivotal character, their backstory and emotional compass, but it is my method.
We ‘live’ with our characters for a long time and they become ‘real’ to us. This enables us to write the story with ‘insider knowledge’ of our characters backstory, their emotional compass and their ultimate goal. This knowledge becomes paramount during the subsequent drafts and editing process, giving us a well-rounded character and a believable one for our readers. In truth, the initial draft is the testing ground for our characters, and revisions make them well rounded and ‘believable’.
How do you create your characters?
Recognize these characters? Remember how irate poor Wile E Coyote would become with Road Runner? No matter what he did he never succeeded in catching his ‘dinner’. Beep, beep would ring out as yet another ACME kit damaged the coyote instead of the bird. It was truly a lesson in perseverance. No matter how many times the speedy bird escaped the coyote he would try, try, try again. I actually went past a road sign to Acme on my way to Canmore one time and wished I could have made a detour just for the fun of it.
The art of creating such lovable and memorable characters is what every author strives for. We hope our creations will stay in our readers minds long after the last page has turned. Character profiles and back story play a large part in ensuring our characters are well rounded and believable. We delve into their personality type seeking out traits and habits to make them react to their crisis situations in an authentic way.
Do you make up scenarios for people you observe? Have any made it in to a manuscript?
Without characters our stories would have no real impact on our readers. We write to engage and intrigue them and hopefully make our protagonist the character our reader cares about. If your experience is anything like mine, there is usually one, or possibly two characters, that make their presence known in no uncertain terms. They want the starring role in our narrative. These characters are usually more defined in our minds and are ‘easier’ to relate to, whether because of a personality trait or that they are more fun to write. When creating the protagonist and antagonist in our stories, we give each opposing views and/or values. This is the basis of the conflict that carries our readers along their journey. Each character, whether major or minor, needs to have flaws and redeeming features, motivations, expectations, loyalties and deterrents.
With such a guideline our characters become clearer. A lot of the details will never reach the pages of our manuscript but knowing our characters well makes for a more believable personality as they struggle through the trials and tribulations, we subject them to. As most of you know I am a ‘free flow’ writer so everything is by the seat of my pants until the editing starts. This is where I find character flaws or great character traits that I can correct or build upon. My characters live with me during the writing process and usually lead me in directions I had never considered – I’m sure many of you can relate to that. As these personalities gain strength they become more ‘real’ and that is the moment their true selves appear.
When creating characters we must remember to ensure that each character acts and responds true to their given personality. Character profiles are a good way of ‘getting to know’ our characters. For example this sheet.