I am continuing with my 2021 goals and have submitted to magazines, contests and anthologies this year. It is not only a learning curve, but also a way to expand my writing skills. Every writing experience increases our skill set and knowledge. As writers we are always learning. (or should be!)
In the last couple of weeks, I have been accepted to be part of an anthology 25 Miles From Here, which will be published in September. My short story A New Home will be included.
I also have three articles published (or scheduled) for Opal Writers Magazine and website, with another pending. These articles allow me to write non-fiction and also share my knowledge with the writing community.
I was also honoured to assist in the promotion of a new movie, Back Home Again. It covers the the wildfire evacuation of Fort McMurray and the communities resilience.
And I was also delighted to win a book giveaway by Densie Webb. A lovely novel arrived in my mailbox, which will be added to my TBR pile.
In preparation for my presentations/panel at the When Words Collide conference, I have invested in a headphone/microphone set. I trialed it as I hosted the monthly Writers Circle on Tuesday evening, it works well. It is more professional and cuts out a lot of background noise too.
My latest book news is four of my books (The Twesome Loop, The Commodore’s Gift, The Rython Kingdom and Rython Legacy) are all available from Daisy Chain Book Co bookstore, Edmonton.
I would love to hear about your writing related accomplishments so far this year?
As you may know, I have made a goal for 2021 to enter contests, submit articles to magazines and stories to anthologies. This seemed an easy process until I began to look at all the paperwork accumulating. For each submission there is of course, rules, guidelines, email address and accounts to create. On top of that, I have author interviews for this blog to monitor as well as a novel writing workshop with four other authors. Not to mention my freelance writing projects and my current work in progress.
So how should I organize it all?
Each ‘task’ has its own specific process, so I needed to come up with a way to keep track. Firstly, I printed out the relevant contest, magazine and anthology links and highlighted the deadlines for each one. Noted passwords required and any dates submissions were sent.
Now to catalogue them in separate folders. (And yes I use actual physical folders! I’m a hands on type of girl)
Green folder: Anthologies
Purple folder: Contests
Orange folder: Magazines
White Folder: WordPress Interviews
Orange folder : Presentations I will host
White folder: Novel Workshop
Black folder (not shown) Freelance Projects
Then I separated the relevant information for each in date order with the submission dates – first to last. I printed a calendar for the blog interviews so I can mark each one down, so there is no duplication. I have also bought a large desk calendar to mark submission deadlines, writing events, presentation dates, freelance projects, conferences, interviews etc. Having everything there in front of me lessens the panic that I have forgotten something.
I’ve held a fascination for all things paranormal, ever since I was a little girl. So, once I knew I wanted to pursue writing it was a natural fit for me to right in the horror/dark fantasy/speculative fiction genres.
Did writing for anthologies aid your writing style?
Absolutely! When you’re given specific word limits to adhere to, it teaches you to write concisely which I found a great skill to have once I moved forward with my novels.
Did you find the switch from short stories to novel length challenging?
Not at all, though they are certainly different. With novels you need to make sure there’s a lot more fleshing out of the characters/places etc.
What inspired your debut novel, Fates’ Fury?
I’m not sure when the idea first came to me. It wasn’t an ‘ah ha!’ moment, but more like an idea that simmered beneath the surface for awhile. It was in 2012, when there was a lot of talk of the Mayan Calendar, and it got me thinking about what would the ancients think if they could see us now?
Can you tell us about the story behind Fates’ Fury creation?
Essentially, the Fates’ have decided enough is enough and mankind have to go. They start killing people off as they hunt for the Tablet of Destinies, which will allow them to eradicate us for good. Three friends, Jonah, Tristan and Ava find themselves in the middle of it all, when they each have increasingly strange encounters before they’re approached by a man in the middle of a thunderstorm claiming he’s Zeus. He tells them of an Alliance of ancient gods and goddess prepared to help fight against the Fates. Yet the Fates are more powerful than man the gods combined…
Your follow up novel Leroux Manor is set in England. Did you visit England for research?
I wish! That would have been amazing! Just lots of research, I’m afraid. Though one day I’d love to visit for real.
Where is your favorite place to write?
I’m boring—it’s my desk! We moved into our first home a few months ago, and it’s the first time I’ve had a space solely dedicated to writing and I’ve loved setting it up.
Do you feel your environment affects your writing?
100% I hate feeling pent in by clutter or a stuffy room. I love fresh air (even in winter, but it gets super cold here.) and I often have oils in the diffuser to aid concentration and focus. I have drawings by my daughter on the wall, as well as a moon calendar, a framed copy of Fates’ Fury and a Dali print. I like greenery too, and have a little terrarium hubby put together for me, and a couple of potted palms. I’m also a massive procrastinator so I also have to make sure there’s nothing on hand to aid that.
Has your BA in psychology given you insights into how a character would react to a situation? Has it helped in the creative process?
Yes, I think it has. There’s just an overall deeper understanding of human behaviour and what motivates certain personalities. I think its especially helpful when writing in the darker genres.
Where can readers find your books?
On Amazon for both ebook and paperback, and anywhere else you can buy ebooks!
With the global effects of COVID19 restricting gatherings, how have you managed to promote your books?
By relying heavily on social media! I’ve also had some wonderful friends sharing it around, which I’m so appreciative of.
Is there any message you would like to send to your fans and readers? Thank you so much for your support!
Liz Butcher resides in Australia, with her husband, daughter, and their two cats. She’s a self-confessed nerd with a BA in psychology and an insatiable fascination for learning. Liz has published a number of short stories in anthologies and released her own collection, After Dark, in 2018.
Her debut novel, Fates’ Fury, released September 2019 and Leroux Manor in September 2020.
1. Can you tell us why you chose science fiction & fantasy as a genre?
I think it kind of chose me. I have two older brothers, both of whom read it, so those were the books that were around the house. The first one I remember is Robert Silverberg’s Revolt on Alpha C, his first novel, written when he was nineteen. I was hooked, and read everything I could get my hands on. When I was eleven, I wrote my first complete short story, “Kastra Glazz: Hypership Test Pilot.” My course was clearly set.
What has always appealed to me about science fiction and fantasy is the unlimited opportunity it provides to give your imagination free reign. Every other genre seems sadly limited once you’ve experienced that freedom.
2. You have a series called The Worldshaper Series. Can you tell us how you got the initial idea?
I wanted a book series that could be open ended and that would allow me to tell any kind of story I wanted, in any kind of world, but with the same characters. My inspiration was Doctor Who, the greatest storytelling conceit ever: you can tell any story within that framework, anywhere in time or space.
My version: a series of worlds which are consciously Shaped by individuals who then live within those worlds, rather like authors living inside the books they’ve written. The worlds can run the gamut from fantasy-inspired to science fictional to historical to purely whimsical. So far, I’ve had a world much like ours, one inspired by Jules Verne, and one featuring werewolves and vampires!
3. Will there be another book in the series?
I hope so. If DAW Books decides not to continue the series, I’ll likely continue it myself and publish it through my own Shadowpaw Press. Book 4 is sketched out, so I’m ready to go!
4. Which character(s) do you like the best in this series?
Shawna Keys. She’s the first-person narrator of the bulk of the story, and she’s my opportunity to indulge in my own geeky sense of humour. She’s great fun to write.
5. Where can we purchase these books?
Everywhere! DAW Books is distributed by Penguin Random House, so anyone who sells books will either have or can order the Worldshapers novels. For autographed copies, you can go to my online store, www.edwardwillettshop.com. (I don’t have The Moonlit World yet, though, because of distribution issues related to Covid-19.)
6. Do you think the cover art plays a important role?
Absolutely. DAW books always have great covers, and the Worldshapers books are no exception. The artist, Juliana Kolesova, has used the same model on each cover. Since she’s based in Toronto, I wonder if the next time I’m there I might see Shawna Keys walking down the street!
8. You also write short stories, how is the process difference from writing a novel for you?
Short stories are typically more limited in time and space—but not necessarily. Really, the difference is the length, and in the amount of worldbuilding detail you can cram in. I’ve written relatively few short stories. I think I’m much more a novelist at heart.
9. How many books have you written?
Something over twenty novels and more than sixty in total, counting non-fiction.
10. How many anthologies have you contributed to?
A half-dozen or so.
11. You also write non-fiction – how is the process different from writing fiction?
I don’t get to make up stuff. Or, at least, not as much stuff. More research. Less dialogue. More footnotes.
12. How do you chose your non-fiction topics?
I usually don’t. Publishers or clients looking for a writer approach me and ask if I’d be willing to take on a specific topic. I almost always say yes!
13. You have also written under the name E.C. Blake and Lee Arthur Chane – can you share why?
Marketing reasons. My first books for DAW were science fiction (Lost in Translation, and the two books of what was later called The Helix War: Marseguro and Terra Insegura). They wanted me to try my hand at fantasy, which was selling better at the time, and suggested I use a new name because of the genre change and to attract new readers. So, for Magebane, a fat stand-alone fantasy, I became Lee Arthur Chane (the middle names of my two older brothers, Jimmy Lee Willett and Dwight Arthur Willett, and myself, Edward Chane Willett). Then I kind of switched genres again: the Masks of Aygrima trilogy was essentially YA fantasy, with a fifteen-year-old female protagonist. E.C. Blake wrote those. Then I returned to science fiction and to my own name with The Cityborn and the Worldshapers books. I’ve only used the pseudonyms with DAW so far—my novels with other publishers are all under my own name—but E.C. Blake may have a new one coming out soon from my own Shadowpaw Press, called Blue Fire.
14. Where can readers find your books?
As noted earlier, my DAW Books are readily available through any bookstore. Check out my page on Amazon, as well.
You can also find the books I’ve published through Shadowpaw Press at shadowpawpress.com. You can order print books directly from there, and download ebooks directly from there, as well.
Speaking of Shadowpaw Press, it’s just released the ebook of a major new anthology that I edited, with the print version to follow in mid-November.
Shapers of Worlds features short fiction by authors who were guests during the first year of my Aurora Award-winning podcast, The Worldshapers, where I interview other science fiction and fantasy authors about the creative process.
I Kickstarted the anthology earlier this year. It features new fiction from Seanan McGuire, Tanya Huff, David Weber, L.E. Modesitt, Jr., D.J. Butler, Christopher Ruocchio, John C. Wright, Shelley Adina, and me, plus reprints from John Scalzi, David Brin, Joe Haldeman, Julie E. Czerneda, Fonda Lee, Dr. Charles E. Gannon, Gareth L. Powell, Derek Künsken, and Thoraiya Dyer. That list includes international bestsellers, plus winners of and nominees for every major award in science fiction and fantasy, so I’m very excited about it!
15. How can readers connect with you online?
I’m on Twitter @ewillett, on Facebook @edward.willett, and on Instagram @edwardwillettauthor.
I hope this blog post finds you well and safe. Reading is an important portal into other worlds, where we can all escape for a while.
With the opportunity to read a lot more, I have been looking at my book shelves for inspiration. Re-reading a book after a number of years can surprise and delight us once again. It maybe because we have life experiences to reflect on or the story has new meaning.
As you can see it is an eclectic mix of authors, genres and publishing dates. There are a couple of childhood books that I have kept, such as Hiawatha, The Illustrated Book about Africa and Grey Rabbit and the Wandering Hedgehog as well as a history of Bucklebury.
I also have a lovely collection of fellow authors books, which I have bought, won or been gifted. I love reading emerging author’s work as they have such unique viewpoints and narrative styles.