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Author Interview – Mandy Eve-Barnett

December 14, 2018
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Yep it’s me today due to an author having to postpone her interview. I thought I should try my own interview to see how it felt!

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  1. Does writing energize or exhaust you?

It certainly energizes me, once I am into a story it embraces me in such a way I forget the world around me. My characters carry me along showing me what comes next.

  1. What is your writing Kryptonite?

Knowing which story to write…with so many ideas bouncing around my head it is difficult to pick one and stick to it. If an idea comes to me during another project I have to jot down notes, a paragraph or two to enable me to go back to the current WIP.

Rumble

  1. Did you ever consider writing under a pseudonym?

To date I have not felt the need to be anonymous. I love to share my stories regardless of which genre I am writing.

  1. What other authors are you friends with, and how do they help you become a better writer?

I count myself lucky to have many author friends, whether virtual or local. My writing mentor is Linda Pedley, without her encouragement and support I would not be writing or indeed published. My writing group friends are very important to me as their feedback and fellowship are worth its weight in gold.

Rython Amazon

  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

I write in multiple genres and go where the story takes me so mainly each book is a stand alone, however I was asked by readers of my fantasy novella, The Rython Kingdom to write a sequel and have written the first draft as part of NaNoWriMo this year.

  1. What was the best money you ever spent as a writer?

Most certainly getting my books published with Dream Write Publishing. I was an integral part of the process and my vision for each book has been created.

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  1. What was an early experience where you learned that language had power?

I was lucky to have parents who encouraged reading from a young age and allowed my imagination to flourish through the portals of magic – books.

  1. What’s your favorite under-appreciated novel?

I may sound like an old record with this one – Ferney by James Long – is the ultimate reincarnation novel for me. I re-read it on a regular basis.

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  1. As a writer, what would you choose as your mascot/avatar/spirit animal?

I have an affinity with tigers – solitary when they want but will protect their young with their life.

  1. How many unpublished and half-finished books do you have?

Goodness, let’s see a novella sequel, a steampunk novel, a western romance, a suspense/thriller and a possible short story collection.

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  1. What does literary success look like to you?

To have readers respond to me after reading one of my novels to say they enjoyed the story. Of course I would like one made into a movie but knowing my words are out in the world forever gives me a kick.

  1. What kind of research do you do, and how long do you spend researching before beginning a book?

It depends on the genre, for example for my thriller I had to research how a body could dry up. While for my western romance I had to delve into barrel racing. Both of these took some time during the writing of each book.

Clickety Click

  1. How many hours a day/week do you write?

This depends on how many events, writers and board meetings I have as well as if there is a deadline but I try to write for several hours each week. My constant writing is creating three blog posts per week.

  1. How do you select the names of your characters?

I look at the genre, geographical location and era of the narrative and the characteristics of the particular personality.

  1. Why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them?

The stories pick the genre, I follow the narrative and the genre becomes clear the deeper we go into the characters personalities.

Creature Hunt

  1. How long have you been writing?

I began writing later in life so only around eight years. I have been making up for lost time ever since!

  1. What inspires you?  

A sentence heard or read, a picture, a writing prompt, a vista or an article on a fascinating subject. Inspiration comes from many avenues and I grasp them with both hands.

  1. How do you find or make time to write?

I am quite structured in regard to my writing blog as I need to post three times a week so will write all three most commonly on Sundays. When it comes to fiction I tend to go in bursts so will hide myself away at my writing desk and let the words flow. If an idea hits me I will write until I feel I have the narrative captured.

  1. What projects are you working on at the present?

I participated in NaNoWriMo this year and my plan was to write two novellas, however although one concluded nicely the other has grown beyond novella length already so will be a novel. Both of these will require editing and revision during 2019, which means my other two novels will get pushed back.

  1. What do your plans for future projects include?

As above I have two NaNoWriMo projects to conclude but also have two other novels on the backburner. I am also considering a short story collection at come point.

  1. Share a link to your author website.

www.mandyevebarnett.com

Collaborations:

 

Author Interview – Axel Howerton

August 17, 2018
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Axel

  1. Does writing energize or exhaust you?

I get very energized during the initial stages – planning, researching, outlining – and during the actual writing in extended bursts where I’ll write for six or eight hours a day for a week or more… then I tend to burn out and fizzle for a few days until I recharge. I find it’s the same through the editing process, go-go-go and then crawl back up out of the dirt.

  1. What is your writing Kryptonite?

Day job nonsense. Netflix. I get obsessive about new shows I like, and I’ll be locked out of doing almost anything else if I start a show and don’t finish the story. I’ll binge 3 or 4 seasons in a week. My kids, because there’s nothing I’d rather do than hang out with them.

  1. Did you ever consider writing under a pseudonym?

I have, actually. In a few cases where anthologies needed additional stories and I already had one placed, or I’d had a story printed somewhere and they didn’t want to have me show up in multiple issues too close to each other. Grady Cole, that’s me. There’s been a few others. I also try to use those alternate identities to explore other writing styles and genres. The last thing I’d want is for a Grady Cole story to read exactly like an Axel Howerton story. It’s old hat for me, though. When I was an entertainment journalist, I had a secret identity as the masked luchador Ramone, who would write nonsensical columns on z-movies and film weird short films that morphed into DVD reviews.

  1. What other authors are you friends with, and how do they help you become a better writer?

Some of my very best friends are other writers. At this point, I don’t have many friends or acquaintances that aren’t part of the writing community. Scott S. Phillips is practically my brother, even though we’ve never met face-to-face. It was immensely helpful to both of us, struggling through the indie forests. He had been a screenwriter and filmmaker, whereas I had been a journalist. We have very similar interests and backgrounds and tastes, and our work tends to be pretty complimentary, so we can tip each other off to opportunities that would suit us. It also makes it really easy to work together. One of the first collections either of us were published in was dreamed up by the two of us complaining about our awful day jobs. Scott took it to one of our mentors – the legendary Bob Vardeman – and ended up co-editing the book. Later on, I ended up including Scott in my anthologies Tall Tales of the Weird West and It’s a Weird Winter Wonderland. We’ve also been very supportive of each other’s work – sharing and promoting – as well as tossing ideas around. The other most influential is probably Robert Bose, my partner in Coffin Hop Press. Rob and I met through the local writing community, attending the same conferences, etc. and eventually, Rob had submitted to one of my anthologies. I really liked his story and his style, and in the process of editing his story, and working on promotion for the book, I found out about his short story collection, which I also loved. I ended up publishing Fishing with the Devil, and in the process of working on that book, Rob proved to have a lot of insights and great ideas for the press. I liked his ideas so much, in fact, that we partnered up, and in the months since, Coffin Hop Press has grown by leaps and bounds.

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  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

I do sometimes play with the idea of crossing over stories and novels, trying to tie everything together a’ la Stephen King. All of my novels up to now have been conceived and written as individual tales, but after they came out people began asking about “the next one”. My first novel Hot Sinatra, the publisher was angling for additional books to improve the salability, despite the tidy ending I’d designed. I kind of rankled at that, but at the same time, I’ve written 5 or 6 spin-off short stories in that universe that were published in various places, so now I have a couple of additional novels planned. That’s what a lot of readers want and expect now, serial storytelling. I think it’s both because of things like Netflix and the “Golden Age” of television storytelling, and because, with the current glut of ebook product and the rising cost of print books, people want to invest in something that’s going to give them a prolonged bang for their precious buck. I don’t blame them a bit. Fortunately, my second novel Furr lent itself more to the idea of a continuing story, and the publisher wanted to explore a couple of the secondary characters that they really liked. That idea turned into a new series that kicks off with my next novel Demon Days. So now I actually am planning out an extensive extended universe with connections to the previous book and at least three books scheduled in the series, probably four or five.

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  1. What was the best money you ever spent as a writer?

Going to the local writing convention, When Words Collide. I made more connections, met more fellow writers, learned more, and opened my mind to so many more avenues in the writing world, than I have at any other time in my career, and it usually costs about $50 for three days.

  1. What was an early experience where you learned that language had power?

When I was very young, I would spend my weeks with my elderly grandparents, while my parents worked. They had all of these musty old books in the basement, and all of these odd piecemeal books upstairs next to their matching recliners. I don’t remember seeing them read them, but I was always endlessly fascinated by them, forever picking them up and leafing through them. There was just something about words on a page. My grandma always told people that I taught myself to read at the age of three with those books, which I’m sure is a hearty exaggeration, but I do remember being able to read before I started kindergarten, and sitting in the middle of their living room, cross-legged on the carpet, flipping through these massive tomes on Jacques Cousteau, or Strange Stories, Amazing Facts. I would read Emily Dickinson and Robert Service and try to remember the poems so I could tell them to myself later, as if I was telling the story to someone else. I was a weird kid, I guess.

  1. What’s your favorite under-appreciated novel?

One of them is Sock, by Penn Jillette. Yes, that Penn Jillette, of Penn & Teller. I came across it in the bookstore and just thought it was a cool cover, so I picked it up. The idea of a cop talking to his sock monkey made me buy it. It was so damned good, and so unlike anything else I’d been reading. Later on, one of my first writer friends, a guy named Scott Duran, turned out to also be a fan. He worked in a bookstore in Las Vegas and had some sketchy dude come in to sell an autographed copy. We started out conjecturing about the sketchy dude, and then we both wrote stories about it – just for fun. He ended up sending me that copy, and then another. So, now I have two autographed copies, and my original dog-eared copy. I still almost never come across anybody who has heard of, or remembers that book, which is a shame. I’d like to imagine that it doesn’t bother Penn too much that his literary career didn’t take off, but I know it would have hurt if it was me. I hope I meet the man someday, just to let him know how much it influenced a couple of schlubs like us.

  1. As a writer, what would you choose as your mascot/avatar/spirit animal?

This is the second interview lately that’s asked this, which is cool. I’ll stick to the same answer: David Blowynch, it’s like a Chimera of David Bowie and Lynch. A Chimera with outstanding hair. The patron God of subtext and style.

  1. How many unpublished and half-finished books do you have?

At least four. Nine, if you count the ones I’m actively in planning stages/various levels of completion on.

  1. What does literary success look like to you?

Enough money coming in to write full-time. Praise enough to feel confident in that next idea. At best? A based-on show with an after-show show hosted by Chris Hardwick.

12. What kind of research do you do, and how long do you spend researching before beginning a book?

Depends on the subject matter and the concepts behind the book. I don’t waste a lot of time with mundane research on details like gun makes and models, or the correct flight path for a 747 arriving at LaGuardia at 3:07 am on a Wednesday in October with high winds and a low-pressure system. If I’m doing research, it’s because I’m trying to stay true to concepts and history that may matter to certain groups. If I’m using an ancient religion, or a small local indigenous group, like the Ktunaxa (Kootenay) tribe I mention in Furr, I tend to spend a lot more energy making sure I get things right. That being said, when I do research on cultures and history and more esoteric and occult topics, I tend to get sucked way way down the rabbit hole. I may spend months accumulating references and seeking out obscure books, and then have all of that lead to one bloody sentence in the finished book. It’s more about me understanding the way the world I’m creating was influenced by humanity, than fact-checking, really.

  1. How many hours a day/week do you write?

When I’m in the thick of it, if I’m lucky enough to get the time, I write in blocks of 8 or 10 hours a day on weekends, maybe an hour or two every day through the week. Like most non-King/Patterson/etc writers, I have a day job. I have a wife, and kids, and all the usual accoutrements of adulthood. I also run a publishing press in there too, so time is at a premium, but I’ll lock myself away when needs be.

  1. How do you select the names of your characters?

It depends on the project. Sometimes there’s meaning behind them, sometimes there’s just a name I like, like Jules. Sometimes it’s attached to some awful joke I can’t let go of. The Ktunaxa character in Furr is named Bob Dylan, entirely so I could have a conversation where someone asks him about it, and he calmly retorts that “maybe he’s named after me. I’ve been Bob Dylan longer than him. His name’s Zimmerman.” The hired thugs/sex performers in Hot Sinatra and the accompanying stories are named Manlove and Kickerdick, names I stole from Scott Phillips on a dare, since he couldn’t figure out where to use them. Most of the time it’s one of the more entertaining parts of the process, other times you have to change that name five times because everything that sounds right as a first name with “Montrose” ends up too close to the other character names.

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  1. What was your hardest scene to write?

I don’t know that I could single one out. There have been a lot of them that were hard to write because I may not have quite had a handle on the emotion of the scene, or where it fit in the grander scheme of the story. There were certainly ones that were emotionally draining. My last novel, Con Morte, is a good example of that. Writing such a dark and troubled character from a first person pov tends to get to me, especially over an intense period of writing for eight or nine hours. Consequently, the end of that book took a lot out of me, because it was a struggle to bring that character back up into the light and try to find some kind of redemption after being lost in such a dark mind for so long.

  1. Why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them?

When I first started writing fiction again, and trying to publish, I naturally trended towards horror, just because that’s what I had been steeped in during my last years as an entertainment journalist. I was the go-to guy for indie genre filmmakers, and spent a lot of time watching b-movie horror – slashers, alien invasions, body horror. At the same time, I was mainlining a lot of vintage crime and hard-boiled detective fiction, especially Raymond Chandler and Dashiel Hammett. So, my short fiction was mostly horror, but my first novel was a crime homage to hard-boiled detectives. Eventually I moved more into the crime arena, just because that’s what I was getting known for after that first book was a finalist for the Arthur Ellis Award (Best First Novel from the Crime Writers of Canada). Despite that, I’ve always continued to experiment with genres. I may be known as “the noir guy” in my own neck of the woods, but I’ve since written sci-fi western, urban fantasy, magical realism, whatever strikes my fancy. To me, it’s all about exploring different ways to tell stories about human beings, and the relationships between them, so I don’t see a huge difference between a hardcore noir thriller, and a romantic fable, so long as the characters are realistic and relatable, and their relationships and struggles are genuine.

  1. How long have you been writing?

Like most of us say, “since I could hold a crayon”. I remember publishing comic books and chapbooks of poetry in grade two or three. Poems like “Life is like a bowlful of Cherry Pez”. My first article was published around age 11 or 12. Since then, I’ve always been at it, in one way or another. I’ve only been seriously writing fiction with the active intent of getting it published since 2011 or 2012. I wasted a lot of years on self-doubt and empty excuses for avoidance.

  1. What inspires you?  

Life. Music. The idea that we can create worlds and explore our own humanity through the interplay of our creations. That we can maybe find answers to the really big questions, and the really important, seemingly minuscule ones, in our own minds – if we dig deep enough.

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  1. How do you find or make time to write?

Like everyone else out there, my time is at a premium. Between the everyday responsibilities: the day job, the kids – just maintaining life – it is sometimes hard to find the time. I’m lucky that I have a supportive family, especially my wife, who is equally creative and driven about her own projects, who trades off with me as much as possible on the day-to-day stuff. That way, when I need to take eight hours a day over the weekend, or get up at 4 am for a few weeks, it takes the edge off and allows me to focus on my work.

  1. What projects are you working on at the present?

Demon Days, the first book in the Furr spin-off series, is in final edits right now. That should be coming out in the next couple of months from Tyche Press. Then I have four or five more of those to finish in the next couple of years. I also have two more Mossimo Cole books to follow up Hot Sinatra, which I’d like to have finished before I get the rights back on the first book. There’s also three other crime novels (maybe novellas), a post-apocalyptic steampunky sci-fi novel I’ve been working on, a literary-satire historical novel about the birth of the Northwest Mounted Police and the whiskey runners in early Canada, and probably three or four other things I’m forgetting.

  1. What do your plans for future projects include?

All of the above, and then some. Hopefully, some small measure of success and a wider audience along with that. I’m also putting a lot of my energy into my publishing company, which I hope will prove to be a success and keep growing over the next few years (and a long-time after *fingers crossed*) and eventually allow me the extra freedom I need to transition from my exciting day job in industrial repair sales to a life that revolves entirely around writing and publishing. In the end, I just really hope this can occupy and provide for me throughout the rest of my life, and maybe leave some small legacy for my kids and grand-kids to be proud of.

  1. Share a link to your author website.

http://www.axelhow.com or search #axelhow on twitter, facebook, etc.

Bio:

Axel Howerton is a former entertainment journalist, and the Arthur Ellis Award nominated author of the detective caper Hot Sinatra; the modern gothic fairytale Furr; the zombie novella Living Dead at Zigfreid & Roy; and the noir fable Con Morte. His forthcoming “Wolf & Devil” urban fantasy series for Tyche Books kicks off with “Demon Days” in February 2018.

When he’s not on-duty as a “purveyor of literary badassery” and “hometown anti-hero”, Axel wanders the foothills of Southern Alberta with his two brilliant sons, and a wife that is way out of his league.

 

Author Interview Timothy Friend

May 25, 2018
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Timothy Friend

  1. Does writing energize or exhaust you?

Most days writing leaves me energized. Some days I procrastinate, and on those days it’s exhausting.

  1. What is your writing Kryptonite?

In the early stages of a project any distraction has the potential to be writing Kryptonite. When I get deeper into the story and the pages have started to add up distractions have less impact.

  1. Did you ever consider writing under a pseudonym?

I’ve never given any serious thought to using a pseudonym.

  1. What other authors are you friends with, and how do they help you become a better writer?

I have friends who are photographers, filmmakers, and musicians, but no writers. The closest thing would be a couple of professors who have had a strong influence on me.

gunmen

  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

So far all of my work has been stand-alone. I like the idea of doing a series, and plan to revisit the characters from my western novella “Gunmen” soon.

  1. What was the best money you ever spent as a writer?

The best money I ever spent as a writer was purchasing a copy of Stephen King’s “On Writing.” I highly recommend it.

  1. What was an early experience where you learned that language had power?

When I was in the fifth grade my class read the Ray Bradbury story “All Summer in a Day,” and it put me in a deep funk. That was the first time I thought about words on a page having any sort of lasting power. Later in the year we read “Flowers for Algernon,” which further strengthened that notion. Looking back now, it seems the fifth grade was one seriously depressing year.

  1. What’s your favorite under-appreciated novel?

“The Girl Next Door” by Jack Ketchum.

  1. As a writer, what would you choose as your mascot/avatar/spirit animal?

A giant tortoise. They’re slow and steady, and they live a long time.

Rocket Rider

  1. How many unpublished and half-finished books do you have?

I currently have two unpublished books. One is a horror novel, the other is a crime novel.

  1. What does literary success look like to you?

Literary success, to me, is continuing to be published. Financial reward is always nice, but honestly, if money were the primary goal I would take up a different occupation.

  1. What kind of research do you do, and how long do you spend researching before beginning a book?

I don’t like to hold up the writing to do research, as that tends to kill off my enthusiasm. If I am writing about a different time period, or an unusual location, I’ll do some light reading on the subject before I begin writing. After that I limit my research to specific questions that arise as I’m working on the story. By the end of the process I find I’ve done a good deal of research in total, which leaves me prepared to fix my mistakes in the rewrite.

  1. How many hours a day/week do you write?

I try to write three hours a day, six days a week- 8 a.m. to 11 a.m.

  1. How do you select the names of your characters?

Names have to be just right for me be able to move forward. They can come from anywhere. I’ve found character names on road signs, cleaning products and old comic books. Sometimes they come quickly, sometimes they are a struggle. But when I find the right one I can feel it.

  1. What was your hardest scene to write?

Any scene where I have to kill a character I’ve grown to like is difficult to write. I wrote a death scene for a dog that was especially rough.

  1. Why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them?

I began writing horror, and most of my stories involved criminals. I quickly discovered I was more interested in the criminals than the horror, and so I shifted my focus to crime fiction. I find when I write in other genres I still tend to focus on criminals.

  1. How long have you been writing?

I’ve been writing since the second grade. That was the year children’s author Scott Corbett (The Lemonade Trick) came to my second grade class to speak. Up until then I had no real idea that making up stories was an actual job that people had. Once I found that out I knew no other job would do. I’ve been writing ever since.

  1. What inspires you?

Good writing inspires me. Especially by writers who have a better facility with language than I do.

  1. How do you find or make time to write?

I’m fortunate enough to have a schedule that allows me the time to write.

  1. What projects are you working on at the present?

At the moment I’m looking for a home for my crime novel “The Pretenders.” It was set to be released last year, but unfortunately the publisher closed shop before that happened.

  1. What do your plans for future projects include?

Future projects include the previously mentioned “Gunmen” sequel.

  1. You can find out more about my work here: http://www.timothyfriend.net/

Short stories included in:

 

 

 

 

 

 

 

 

 

 

Bio:

Timothy Friend is a writer and independent filmmaker whose fiction has been published in Crossed-Genres, Thuglit, and Needle: A Magazine of Noir. He is the writer and director of the feature film, “Bonnie and Clyde vs. Dracula,” distributed by Indican Pictures. He holds an MFA from the University of Missouri-Kansas City.

Author Interview Nathan Hystad

May 4, 2018
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Nathan

  1. Does writing energize or exhaust you?

I do most of my writing in the morning, but after a shower. I get up just after 5 am and get an early start at the day. It energizes me, and gets my brain and body going. I find that by doing this, I can go to my day job and be extremely productive. If I’m on a push, or am doing NaNoWriMo (writing 50K words in a month) I’ll write right after work as well, before dinner. I am not a late-night writer.

  1. What is your writing Kryptonite?

I don’t get writers block. I have very specific projects, and for the most part they are outlined, at least as bullet points, with the tighter plot in my head. I made writing part of my daily routine last summer, and when you do that, you get trained to need that time. But if I have to choose something, I’ll say golfing. In the summer I love to go golfing once or twice a week, and that can end up taking out some desk time.

The Event

  1. Did you ever consider writing under a pseudonym?

My novels are all currently under my real name, but I do have a series coming out late this year that will be using a pen name. It’s a collaborative project, and it works out better that way.

  1. What other authors are you friends with, and how do they help you become a better writer?

I’ve been lucky enough to make a really close-knit group of author friends that I talk to on a daily basis. Without them I wouldn’t be the same writer today. I also interact with a wide net of amazing indie science fiction authors. Being able to bounce ideas off them, whether its marketing or cover ideas is priceless. They are all virtual friends, but I’m heading to a 20bookstoVegas event this November where I’m going to meet a bunch of them.

New Threat

  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

I’ve written two stand alone’s so far. Sleepy Grove is a supernatural thriller about a woman who works at a cemetery and see spirits. It was a great experience but I don’t think it will see the light of day. Red Creek is out May 18th, and is a hometown horror. It may be my best novel to date (according to me) and I had such a great time writing it.

That leads to what I’ve done with my Sci-Fi series, The Survivors. It starts with The Event, and so far it’s a three book series with the first two out, and book three out May 29th.

They say splitting genres isn’t ideal, but I have so many stories to tell, that I will break conventions to get them out there if necessary.

New World

  1. What was the best money you ever spent as a writer?

Covers and editing. A book needs professional editing, and when I was publishing my first Explorations anthology, I found the artist many of the top selling SF authors were using and had him custom make the cover. I’ve used him for nearly all of my Woodbridge books, and all 4 of my own novels. Tom Edwards is amazing!

  1. What was an early experience where you learned that language had power?

I was a reader from a young age. My mom claims to have taught me to read when I was 3, and I loved to read. I remember winning the book award in grade one, which was basically a construction paper bird travelling around the room on a scale of books read. I still have little stories from grade 3-4 I wrote.

Explorations

  1. What’s your favorite under-appreciated novel?

I read a lot of books, mostly fantasy and science fiction. I also have read a ton of indie stuff, so I could name far too many that are under-appreciated.

  1. As a writer, what would you choose as your mascot/avatar/spirit animal?

I’d be a duck. Calm on the surface, but flailing around under the water.

  1. How many unpublished and half-finished books do you have?

I have Sleepy Grove sitting there, and me and my writing partner are working on a 3 book series to release this fall. Book one is done, and I’m currently writing book 2.

Explorations 2

  1. What does literary success look like to you?

I’ve never wanted to write that masterpiece high school students read in a hundred years. I want to write books people can enjoy, and move on to the next one. My first book only came out two months ago, and I still have a best-seller tag on Amazon, so I’ve already surpassed any life-time goals on that front.

  1. What kind of research do you do, and how long do you spend researching before beginning a book?

Depends on the project. I use google maps a lot, and to be honest, I try to write what I know. You’ll see a lot of New York in my writing, and that’s because I’ve been there on vacation four times, and love the place. I find that life experience is the best research for writing you can find.

Red Creek

  1. How many hours a day/week do you write?

I write almost every day of the week, and would say I spend at least 20 hours on book stuff a week. (Plus the time thinking about it…)

  1. How do you select the names of your characters?

Some of the names are nuggets for people I know, and some are random. I try to fit a name with the vibe of the character or location. Not a lot of science to it for me.

The LAST cITY

  1. What was your hardest scene to write?

I’ve written some heavy scenes. The Event has a particularly emotional one. The main character’s wife died a few years before the book, and I have a few flashbacks of them together at the start of the book, which are relevant to the plot of the series. Here’s an excerpt:

Janine was in bed sleeping soundly when I stepped into the room. The hot soup cup was burning my hands, and I just stood there with the pain. I felt like I needed the distraction, like the burning would make my other pain go away somehow. Even though we were in our own house, the smell of the hospital still stuck in my nostrils, and I wasn’t sure if the chemical scent would ever be gone.

It was time, and Janine demanded to come home for the end. How could I deny that beautiful woman’s wishes when she was so small and frail, her life slipping away in hours and minutes instead of decades and years like someone her age should have left?

I put the soup down, sat at the foot of the bed, and just watched her breathe. The sounds lulled me, and I felt my own eyes getting droopy. I lay down and curled up beside my wife like I always did when we went to bed. Even if it was too warm, I needed to feel her body next to mine to fall asleep. I’d become dependent on her in so many ways, and I had no idea what I was going to do when she was gone. As I closed my eyes, I thought about dying and wondered if we would be together in some sort of afterlife if I ended my own life when she was gone. My last thoughts were of a bottle of whiskey and a vial of pills before sleep took over my exhausted body.

I woke to her touch. A soft kiss on my lips; her hair cascading down on my face. I cried and felt shame in my pain. She was the one dying and I was the one crying about it like a baby constantly. The worst part was, it seemed like she was okay with having a husband who couldn’t stop blubbering.

“Janny, I love you so much. I’m so sorry this happened,” I blurted between sobs.

She looked me in the eyes, and for the first time in weeks, I saw her own eyes well up. A single tear fell slowly and splashed on my cheek. It mingled with my own, and somehow, I felt better for it.

  1. Why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them?

I love science fiction, and always have. It was natural for me to write there. I also have a long-time love of horror, and needed to write in that genre too. My main focus will be in Sci-fi now that I’ve found success there, but hope to still do some passion projects.

  1. How long have you been writing?

I used to dabble, but really only for the last 4 years. I started to write, and the floodgates opened up inside me. There was no turning back.

cRIME

  1. What inspires you?  

A lot of things. The outdoors, trees, green grass, the smell of autumn, the energy of a big city…so many things inspire my thought process, and I take them all and use it in my writing.

  1. How do you find or make time to write?

Routine. I get up early to do it. No excuses.

  1. What projects are you working on at the present?

I’m working on my final final final proof read of Red Creek, and about to send New World (Survivors book 3) to my formatter.

Baby

  1. What do your plans for future projects include?

I’m going to be releasing a 3 book pen name series this fall, as well as book 4 of The Survivors. From there, I have many plans for 2019!

  1. Share a link to your author website.

You can follow along at www.nathanhystad.com I haven’t been around it to blog much lately, but you can follow my newsletter from there, and see what I’m up to. I also run www.scifiexplorations.com with some friends where we promote the best indie authors and their deals and new releases. Follow along there for some amazing promotions.

Bio:

Nathan Hystad is an author from outside of Edmonton, Alberta, Canada. He lives there with his wife, dog and piles of books. He runs Woodbridge Press, and is the series editor and creator of the Explorations series of anthologies. 

 

 

CORVIDAE BLOG TOUR – Adria Laycraft…

August 20, 2015
mandyevebarnett


Adria Laycraft

Adria Laycraft has stories in IGMS, the Third Flatiron Anthology Abbreviated Epics, FAE, OnSpec Magazine, Tesseracts Sixteen, James Gunn’s Ad Astra, Neo-opsis Magazine, and Hypersonic Tales, among others. She is a graduate of the Odyssey Writers Workshop and a member of the Imaginative Fiction Writers Association (IFWA). Adria is also an award-nominated editor. For more details visit adrialaycraft.com.

Abbreviated

Are your characters based on someone you know, or events in your own life? 

Thankfully, no. These people are creations based on my research into abusive relationships.

Of the characters you have created or envisioned, which is your favorite & why?

My fave is Dreya from ‘A Place to Be’ (On Spec, Winter 2013) because she has optimism and the guts to believe in a better world.

Is this your first time writing about corvids and/or scarecrows?

No, I have a magpie character in a novella called ‘Circlewood’ where a magical forest becomes a prison for those who wield magic.

What do you enjoy most about writing?

You mean I’m supposed to enjoy it? All kidding aside, I love getting lost in a story, mine or another’s.

Is there one subject you would never write about as an author? What is it?

No subject is safe, ever. Nothing is set in stone if you are fearless. A good friend told me that once when I was afraid of what I was writing about. Another author, Holly Lisle, says, “Dare to say the things that scare you…those are the things worth saying.”

Fae

What book are you reading now? 

I am re-reading out of my home library to remember why they are worthy of being part of my collection. Some will be donated and I will purchase an ebook copy if I ever want to read them again. I have a plan to live a vagabond life in my fifties, so having an extensive paper library won’t work. That said, there are books in my collection that will be safely and carefully stored away, including all the signed stuff and my friends’ works, so I can rebuild a proper library when I settle in one place again.

Are there any new authors that have grasped your interest? 

One that comes to mind is Maggie Stiefvater. I loved ‘Raven Boys’ and ‘The Dream Thieves’, and next to read is ‘Blue Lily, Lily Blue’.

Do you see writing as a career? 

Because I am also a freelance editor and copywriter, yes.

Do you nibble as you write? If so what’s your favorite snack food?

No, but I do drink a lot of tea.

Do you have any odd habits or childhood stories?

My whole life is an odd habit!

Where do you see yourself in ten years?

Living on the road, going where I want, when I want, and seeing all the beautiful places…but most importantly, listening to all the stories that those places have to tell.

Is there anything you find particularly challenging in your writing? 

Yeah, the writing. This time I’m serious.

What reward do you give yourself for making a deadline?

Time in nature.

What genre is your next project? What is it about?

My WIP is Urban Fantasy that is a total nod to Charles de Lint, but goes in very different directions and explains both why the Fae have disappeared and why we love our fur babies so much.

CORVIDAE-cover-

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