I talked about Life in Slake Patch and it’s long history from initial draft through multiple revisions to it’s final publishing date and the redesign of the front cover. We discussed my writing journey and how I create my stories.
If you have any questions please feel free to ask in the comment section here. I’m always happy to connect and chat.
I was excited to be the Author of the Day on Many Books talking about Life in Slake Patch, my speculative fiction novel. You can read about how the story was created, a glimpse at the characters and the extended time it took to write the story. Here:
If I did not answer aquestion you would like to ask, please put it in the comments and I will happily reply.
While I have admittedly never READ a mafia romance, I am obsessed with the history and lore behind several of the world’s successful crime organizations. Chicago alone has a long history with the mafia but all over the world different variations of organized crime have, while somewhat controversial, still been a vital part of society. They are always protrayed as a villian, a heartless and honorless beast that must be fed…but I never saw them that way. I always thought for these families to exist and maintain power as long as they have, they MUST have had their internal codes of honor, trust, and sense of community that knit everyone together, and so I decided to write that.
Additionally, what mafia romances I have watched on the silver screen seem to stick to the same three motifs: Either the female MC was kidnapped, or she witnessed something she wasn’t supposed to, or she was forced into an arranged marriage.
I wanted to do something different, so I had my story originate from the unintentional collision of two worlds: Jaxon’s world of the underground, and Natalie’s of what we view as “normal society.”
2. Did youknow it would be part of a series when you started writing it?
Yes! I have plans for 16 books in this series!
3. Which character really propelled the narrative for you?
Jaxon. He is flawed but protective, dangerous but compassionate. I love Natalie, but she’s more who I aspire to be, less of who I identify with now. Haha!
4. What draws you to Sir Arthur Conan Doyle’s writing?
The complexity and his drive to make his readers think-while still delivering a satisfying yet surprising ending!
5. Have you formulated your narratives as homage to his style?
Absolutely. I agree with him that great and relatable stories are often pulled from human experience. As he once said:
“Life is infinitely stranger than anything the mind of man could invent.”
6. Where do you typically write?
While I love my office at home, the world is my office and I am constantly writing all day long on my phone. I have thumb muscles of steel!
7. Are you a member of a writing group?
Not officially, but I do have a little community of writers that have come together as fans of “Heart of the Inferno” and we have created a Discord. They are the most incredible ladies, who support and inspire me DAILY.
8. What do you enjoy most about writing?
It is truly relaxing for me. It allows me to be creative without the messiness and chaos that typical creative processes take, something my type-A personality appreciates.
9. Where can readers find you and your books?
Amazon and Kindle
10. Do you have more writing projects in the works?
Oh yes! Book three, the conclusion of THIS part of the story with Jaxon and Natalie, drops at the end of May 2022. However, as I mentioned there are 13 more books planned, featuring side characters in HOTI as the main characters (and don’t worry, Jaxon and Natalie will continue as side characters too!)
Big plans indeed!
Nicole’s debut novel, Catalyst, is the first incendiary installment of the Heart of the Inferno Series, which follows the story of a dangerous mafia don and the girl who became his only exception
Nicole is an author, copywriter, wife and super proud dog mom to three rambunctious rescue dogs. And is also an old school romantic, with a proclivity for a little mischief, and an obsession with Sir Arthur Conan Doyle. With a background in marketing, and Human Resources, she has often found that the human element is by far the most colorful, complex and most interesting in the world. As a child, Nicole devoured every book she could get my hands on, and spent her free time writing fictional short-stories to share with her friends, probably the reason she decided to write (and publish) her first book series: Heart of the Inferno. It’s an action-romance about a dangerous mafia lord named Jaxon Pace, and Natalie Tyler, the girl who became his only exception.
This past weekend was special for me as I attended an online interview hosted by Bloody Scotland between Stephen King and Linwood Barclay. As you all know by now, I am a huge King fan – his ability to immerse his readers into a story immediately is such a skill. You become invested in his characters and their plight.
This interview is one of many I have watched with Mr. King, and in all of them it is his sense of humour that makes them such a delight. Obviously, his words of writing wisdom are also gratefully received too. In this interview, Stephen did mention a slight revision to his latest work, Billy Summers, as the book was originally set in 2020 and we all know what happened then! So he backtracked a year to avoid difficulties in the protagonist’s journey.
I read half the novel over the weekend! It is really good and not the ‘horror’ that many believe is all Stephen can write. It is a character study of an assassin and his last ‘job’ and the unexpected events he finds himself coping with.
In other news my publicist, Creative Edge Publicity, has been spreading the word about me and my novels. I have been highlighted in these places, if you care to take a look.
Were your core beliefs the reason you began writing historical fiction?
In a way, yes. I was an English and History major in college and had a hard time finding information about influential women. I was appalled that even noble and royal women were rarely named while historians wrote tomes about the deeds and misdeeds of their brothers, husbands, and fathers. I initially felt compelled to give voice to women who had been marginalized, let alone completely overlooked. When I came across the African proverb, “Until the lion learns to write, every story will glorify the hunter,” I knew I must write novels about significant women based on strong historical evidence which had been supressed.
Did you grow up in an atmosphere of individual empowerment or did life experiences propel you in that direction?
My childhood was anything but empowering. I was terrified of my psychotic, authoritarian father, and ashamed of my mother, who did not stand up for herself, but instead fell headfirst into a bottle of whiskey to cope with her life. And yet, I always knew my mother and sister loved me unconditionally, something that sustained me through the trauma that was both my youth and the Sixties in general.
Despite her own demons, my mother managed to raise my sister and me to be strong, independent women. I learned from her example and vowed early on to never subjugate myself to another’s will, whether that of a person, a government, or a religion. When I met my husband, I realized he valued my independence. He encouraged me to be empowered and a freethinker. We’ve been married for 44 years and are still equal partners striving to become more self-aware. My husband tells people, “No one yells at Donna … twice.”
Where did the link to Celtic Tradition come from?
My mother was Irish and never felt quite at home with Christian dogma. She raised me in the “old ways,” which she learned from her grandmother. We celebrated the Celtic Wheel of the Year. As I child I loved the freedom to run in the fields and lay under a tree as my form of worship. I was taught that all things have a lifeforce, whether that be rock, tree, river, ocean, animal, or human. The earth-based spirituality practiced by the Celts felt natural and liberating. I gave Christianity a try in my early teens but found the basis of original sin constricting and repressive. As I grew older, I embraced my mother’s tradition and researched the “old ways” through books, retreats, and eventually leading my own quarter day celebrations.
Do you feel women’s wisdom is supressed in modern culture?
There is a resurgence of respect for women’s wisdom in many parts of the world. If we look back 200 years, or even 100 years, women who expressed wisdom were shunned, if not murdered. Even in fairy tales, the wise old woman, the woman who knows herbs and healing and speaks with the forest animals, is always a haggard, old, evil witch, that preys on children and the unwary; someone to be scorned. With women in the forefront, late 19th and early 20th century occult spirituality led by Madame Blavatsky’s Theosophical Society and Annie Horniman’s Order of the Golden Dawn, women began to openly reclaim their personal power.
With the “women’s rights” movement of the early 1970s, and courageous leaders like Gloria Steinem, women began to publicly claim their inner wisdom and outer proficiency.
What we see from a historical perspective, is that anytime women advance in society it is through their own leadership and determination. The #MeToo movement is a great example of women joining together to bring about change. I’m speaking in broad terms of empowerment, but respect for women in all aspects of their lives, including women’s wisdom, cannot be separated from women’s empowerment.
While most of the world still suppresses women’s wisdom, there are pockets of light where women are honored. The Maiden, Mother, Crone aspects of women are certainly making gains, even though the perceived roles of women as Temptress, Whore, Witch, persist.
How did growing up in the 1960s affect your personality?
The Sixties were remarkable. Young people felt anything and everything was possible if we wanted it badly enough. The sixties stereotypical “free-love” culture received most of the press, but it was the larger desire to embrace “free-thinking” that motivated my generation. Definitely me. Conforming, following rules, becoming our parents with their warped sense of patriarchal rule, was anathema. My generation believed that if we united, we could affect change—and we united as had rarely been seen. My mother always encouraged me to think for myself. She encouraged me to question authority, even hers, and when given an answer, question that too!
As I grew older, went to college, started teaching high school English, I found that I could carry my values from the Sixties with me into the “adult” world, use them to help others find their own uniqueness, their own authenticity. The Sixties concepts of freedom of thought, freedom of action, freedom to live as one wanted, were tempered by another guiding star from my mother: Do no harm.
I continue to question authority, laws, regulations, first impressions, and the nature of people who enter and leave my life. I value unique qualities in people and depend on my inner sense to form, and break, my own opinions.
You wear many hats – memoirist, fiction author, journalist, activist, and teacher. Do these roles contribute to your writing?
Everything a writer does, or doesn’t do, influences what they write. I’ve found that even the agonizing writer’s-block is there for a reason: To shine a spotlight on what is blocked or hiding in one’s life at that moment. The many hats I’ve worn lend me varied perspectives about people’s actions and motivations.
I started writing the first book in my historical fiction series, The Last Magdalene, before I wrote House of the Moon: Surviving the Sixties. I realized my fascination with women marginalized throughout history was partially because I too had been marginalized and silenced; that my generation arose to claim our voice, to make certain we were not ignored. Writing my memoir was both traumatic and liberating. When I found I was able to write an unvarnished version of my teen years, it became imperative that I do the same for other women. I went back to square one and wrote The Last Magdalene from a deeper level of comprehension.
I find that the common thread in everything I do is to be authentic and to allow myself to change perspectives as I learn more about “life, the universe, and everything”—to quote one of my favorite authors, Douglas Adams.
From where do you gather your research? (Library, archives, internet etc.)
I use every means available but find physical books and research papers especially gratifying. I also like to travel to locations in order soak up the ambiance, feel the sun or rain, hear the sounds, touch the stones, eat the food, and immerse myself in the history of any given place. I even went back to my childhood home in Covina, California and walked around my high school while writing House of the Moon.
My research for The Last Magdalene includes studying with a Hebraic scholar, Shana Laxx, from Haifa University, to better understand women’s place and participation in ancient Judea. The primary written sources for my series, The Magdalene Chronicles, are from my personal library and include works by several Roman and Egyptian historians, Josephus, Elaine Pagels, and multiple translations of both the Torah and New Testament. I find reading various renditions of history to be illuminating, and helps me to see differences in various editions, and more importantly what one translator left out, or added.
I do refer to the internet but am skeptical about fast and easy searches. I end up going down the rabbit hole for hours on end trying to source information, and often end up back in my personal library, or emailing university professors who are always helpful and eager to aid in my research.
What surprising things did you learn from writing your books?
How much I don’t know!
I’m also continually surprised at how interconnected people are, even when there are no physical ties that bind. But above all other surprises, the reach of the written word is what continues. Books have been a major source of inspiration throughout my life. Maya Angelou, Alan Ginsberg, Hunter Thompson, Marion Zimmer-Bradley, Sharon Kay Penman, and so many other authors and poets have shaped my perspectives, given me both hope and despair. When someone contacts me to say my writing has impacted their lives, I’m hugely surprised and gratified.
Every person can make a difference, but it takes courage and authenticity. Don’t doubt your abilities or your insights. To quote Oscar Wilde, “Be yourself. Everybody else is already taken.”
Donna Conrad is an award-winning author, journalist, activist, and teacher. Her core values revolve around the concept of individual empowerment, a sustaining ideal running through the books she writes. Her writing interests are varied and include articles for fine-art periodicals, memoir/narrative non-fiction, as well as historical, flash, and paranormal fiction. She teaches all of the above at writers’ conferences.
Her first published book “House of the Moon: Surviving the Sixties,” has received rave reviews.
Donna’s life is as varied as her writing. She embraces change as an exciting adventure. She has studied writing with the likes of Alan Ginsberg, Lawrence Ferlinghetti, and Jack Whyte. She has also been mentored by Donald Maass, whom she worked with privately on her upcoming four-book historical fiction series, “The Magdalene Chronicles.” Book One, The Last Magdalene, is scheduled for publication April 2022.
She lives in the Pacific Northwest with her husband and their five cats. When she’s not writing, you can find Donna cruising the back roads in her black-on-black Miata MX-5, Maya – named for one of her favorite poets, Maya Angelou.
Her memoir, House of the Moon; Surviving the Sixties has received critical acclaim. The first of her four-book historical fiction series, The Last Magdalene, is scheduled for publication April 2022.