Tag Archives: books

Genres of Literature – Plantation Tradition


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Plantation tradition is a genre of literature based in the southern states of the United States. The genre generally sets the era as occurring or existing before the American Civil War.

Before the American Civil War several works idealized the plantation, such as John Pendleton Kennedy’s 1832 The Swallow Barn. However, plantation tradition became more popular in the late-nineteenth century, due to the reaction against slave narratives like those of Frederick Douglass, and abolitionist novels like Uncle Tom’s Cabin.

Prominent writers in the plantation tradition include Thomas Nelson Page (1853-1922) and Harry Stillwell Edwards (1855-1938). Other writers, especially African-American writers, soon satirized the genre: Charles W. Chesnutt’s The Conjure Woman (1899), for example, “consciously evoked the conventions of the plantation novel only to subvert them”.

The earlier novels do not have a place in modern society but there are still novels and movies set during the era. The most famous one, of course is Gone with the Wind (1939). Although, I did not read the book, I watched Twelve Years A Slave, which horrified me. It is a 1853 memoir of Solomon Northup, who was a New York State-born free African-American kidnapped in Washington, D.C. by two conmen in 1841 and sold into slavery. 

There are romanticized novels of plantations but also narratives of the inhumanity and brutality of slavery. 

Do you write or read plantation genre novels?

Author Interview Beth Rowe


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  1. Does writing energize or exhaust you?

While I am writing I feel energized but it often leaves me exhausted afterwards. I get excited about an idea and can’t wait to see where it goes but almost feel deflated when I get it on paper.

2. Did you ever consider writing under a pseudonym?

No, I want to be known for what I write and not have people guessing.

3. What other authors are you friends with, and how do they help you become a better writer?

             I have many writer friends in the Writers Foundation who work to help writers improve their work. They encourage, make suggestions on changes one might make and help promote work.

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4. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

         I work in many different genres, so each of my books stands alone at this point. I want to keep it that way for the foreseeable future.

5. What was the best money you ever spent as a writer?

Membership in the Writers Foundation

6. As a writer, what would you choose as your mascot/avatar/spirit animal?

I think the dragonfly would be my mascot. It represents so many things. It is like a fairy spirit.

7. How many unpublished and half-finished books do you have?

Right now only one. 

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8. What does literary success look like to you?

       I feel if even a few people enjoy what I have written I am a success. If I make a small influence on someone’s thinking I have achieved something.

9. What kind of research do you do, and how long do you spend researching before beginning a book?

      It depends on the book. If I want the book to be so fictional it could happen anywhere and there aren’t facts that are in question then I spend very little time. One of the next books I will work on requires a lot of research in order to make it real. I want to make sure the reader will feel sure the events could really happen. I also don’t want to be using a cliched format.

10. How many hours a day/week do you write?

     I try to write something every day but it doesn’t always work out. Having a deadline helps push me. It is difficult when I am ghostwriting if I am waiting for information. Then things can get behind.

11. How do you select the names of your characters?

     I have a hard time with the names. I start with what pops into my head but sometimes I have to change them if they don’t fit the time period or if I find I have chosen names that seem too similar such as same first letters. I became conscious of that in one book I read where the two male characters had names starting with the same first two letters and it became confusing.

12. Why did you choose to write in your particular field or genre? If you write in more than one how do you balance them?

       With my first book, the genre was chosen by my professor as it began with a class assignment. My second book followed that genre. I decided I wanted to try mystery as I enjoy reading murder mysteries but at the same time I felt a need for a young children’s book so I ended up working on the two simultaneously.

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13. How long have you been writing?

     Although my first book started about twenty years ago, I feel I have actually seriously been writing for about six years.

14. What inspires you?

     I can’t say any one thing inspires me. Sometimes it is a story I have read. Other times it is some event I have been at. It could be a conversation with someone or something I saw while on a trip.

15. How do you find or make time to write?

     To begin with it was difficult for me. Now I have an office where all the things I need are well-arranged so I can go in and shut the door if I have to. Then the worst thing is telephone interruptions.

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16. What projects are you working on at the present time?

A science fiction novel and a ghost writing project.

     I have two books I am ghostwriting. The next project is going to be an outer space science fiction story which I have begun the research on and have an outline in mind.

17. What do your plans for future projects include?

     Once I do the sci-fi book I want to work on some more children’s stories. I may consider a sequel to the sci-fi depending on how it goes.

18. Share a link to your author website.

https://www.albertaauthors.ca/Authors/Rowe/Beth

Bio:

Beth was born in Denmark and moved to Canada when she was two. Raised in Red Deer, she completed her schooling at Lindsay Thurber Composite High. She received her Bachelor of Education Degree from the University of Alberta in 1971. Her teaching career took her north to the Peace River country where she met her husband-to-be. Moving to High Prairie, they raised two daughters. Finally settling in Sherwood Park, she was a substitute teacher for many years. During this time she began to write. Beth is a director on the board for the Writers Foundation of Strathcona County (WFSC) and currently produces the group’s monthly newsletter. Beth has five grandchildren and enjoys spending time with them.

 

 

Literary Genres – Self-help Book


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Self-help books are written with the intention of instructing its readers on solving personal problems. The books take their name from Self-Help, an 1859 best-seller by Samuel Smiles. However, they are also know and classified under self-improvement, the term being a modernized version of self-help. Self-help books moved from a niche position to being a postmodern cultural phenomenon in the late twentieth century.

The first self-help writings are most probably from the Ancient Egyptian “Codes” of conduct, the classical Roman, Cicero’s On Friendship and On Duties as well as the Florentine Giovanni della Casa’s book of manners published in 1558.

However, in the last half-century or so the humble self-help book has jumped to cultural prominence, in fact it could be said self-help books have become an addiction in and of themselves. These books cover such subjects as relationships, personal improvement, whether physical or emotional, spiritual enlightenment, and many more.

Have you used self-help book?

Have you written one?

A friend of mine, Kathie Sutherland has a blog that covers personal and spiritual growth and self-expression. Why not take a look?

http://kathiesutherland.com/

Genres of Literature – Milesian Tale


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A Milesian tale  is a genre of fictional story prominent in ancient Greek and Roman literature, it is a short story, fable, or folktale featuring love and adventure, usually of an erotic or titillating nature. It can be found in medieval collections of tales such as the Gesta Romanorum, the Decameron of Boccaccio, and the Heptameron of Marguerite of Navarre”.

One definition of this genre is: a type of first-person novel, a travelogue told from memory by a narrator, who every now and then would relate how he encountered other characters who in turn, told him stories, which he would then incorporate into the main tale through the rhetorical technique of narrative impersonation. This resulted in a complicated narrative fabric: a travelogue carried by a main narrator with numerous subordinate tales carried by subordinate narrative voices.

The best complete example of this would be Apuleius’s The Golden Ass, a Roman novel written in the second century of the Common Era. Apuleius introduces his novel with the words “At ego tibi sermone isto Milesio varias fabulas conseram” (“But let me join together different stories in that Milesian style”), which suggests not each story is a Milesian tale, but rather the entire joined-together collection. The idea of the Milesian tale also served as a model for the episodic narratives strung together in Petronius’s Satyricon.

Aristides’s Milesian Tale
The name Milesian tale originates from the Milisiaka of Aristides of Miletus, who was a writer of shameless and amusing tales notable for their salacious content and unexpected plot twists. Aristides set his tales in Miletus, which had a reputation for a luxurious, easy-going lifestyle.

Milesian tales quickly gained a reputation for ribaldry: Ovid, in Tristia, contrasts the boldness of Aristides and others with his own Ars Amatoria, for which he was punished by exile. In the dialogue on the kinds of love, Erotes, Lucian of Samosata, praised Aristides in passing, saying that after a day of listening to erotic stories he felt like Aristides, “that enchanting spinner of bawdy yarns”. 

Though the idea of the Milesian tale served as a model for the episodic narratives strung together in The Satyricon by Gaius Petronius Arbiter and The Golden Ass by Lucius Apuleius (second century CE), neither Aristides’s original Greek text nor the Latin translation survived. The lengthiest survivor from this literature is the tale of “Cupid and Psyche”, found in Apuleius.

Aristidean saucy and disreputable heroes and spicy, fast-paced anecdote resurfaced in the medieval fabliaux. Chaucer’s “The Miller’s Tale” is in Aristides’ tradition, as are some of the saltier tales in Boccaccio’s Decameron or the Heptameron of Margaret of Angoulême.

So in short, erotic literature is certainly not new! Although I do not read this specific genre, I have written some ‘erotic’ scenes in The Twesome Loop. It was not planned but ‘directed’ by a couple of the characters.

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Do you read or write erotica? 

 

Author Interview – Laurel Deedrick-Mayne


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  1. Does writing energize or exhaust you? Sometimes it’s like pulling teeth to get started but once ‘in’ the time flies. I leave this world and am immersed in the work. I love that feeling when the heart starts to race a little; there’s a fullness to the breath; a hum in the muscles.
  1. What is your writing Kryptonite? Procrastination in all its wily disguises.
  1. Did you ever consider writing under a pseudonym? I have enough challenges figuring out who I am on any given day with the names I DO have. I generally go by Laurel Deedrick-Mayne. How can you tell I got married in the eighties when everyone was double-barrelling their names? A pseudonym would only confuse the issue.
  1. What other authors are you friends with, and how do they help you become a better writer? I’m friends with a number of other authors and I am always simultaneously inspired, intimidated and encouraged by them. Some have such tremendous self-discipline. Others are such Smarty Pants I whither in their presence. But all of them remind me of the endlessly vast stories that are worthy of being told.
  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? I definitely want each book to stand alone. A Wake For The Dreamland was Canadian Historical Fiction spanning 1939-1979 and somewhat male-centric, taking place during WWII and the aftermath. The new project is about an intrepid nurse in the Yukon from 1949-1958.  There is some crossover in time period and sexual orientation of protagonists. Ironically, the published memoir of said nurse was titled: No Man Stands Alone.

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  1. What was the best money you ever spent as a writer? Every penny I’ve spent has been worth it but the highlight greatest honour was touring the battlefields of Sicily and Italy with very elderly Veterans who were paying homage to their fallen friends, comrades and their own youth.
  1. What was an early experience where you learned that language had power? In the 60’s when I was very young the Jello company changed all their boxes to the same colour with the differing flavours merely spelled out on the box but no associated colour; ie: No yellow on the lemon, purple on the grape etc. My mother fired off a letter to the company and in no time flat we received a great parcel of – you guessed it – JELLO – in ALL the appropriate colours. But seriously, the power of words was bred in my bones: my forebears being great correspondents, my grandfather- a broadcaster and journalist. I grew up to the tap of the typewriter and texture of imprint on the page.
  1. What’s your favorite under-appreciated novel? I don’t actually have one.
  1. As a writer, what would you choose as your mascot/avatar/spirit animal? I spent a considerable amount of time writing at the Banff Centre in the Rocky Mountains and would often be visited by deer outside my studio window. They would stand stock still, always listening, alert, responsive, agile and swift. I took cues from them. As a writer I watch, listen carefully and when struck with an idea, run with it.
  1. How many unpublished and half-finished books do you have? There are three on the stove but only one on the burner.
  1. What does literary success look like to you? Touching, connecting with readers. For example, at one of over 50 book clubs, a woman said she’d always had a problematic relationship with her father and not much sympathy or respect or even love for him but she knew he had been in the Italian campaign during WWII. While reading my book she felt like she began to understand what he had gone through, and she felt more compassion. She cried as she told this story because he had passed away and she could never tell him. That’s pretty powerful stuff. The book seems to inspire people to think about that generation which has largely passed on now and share their own stories. I’d call that success. Of course being 67 times on Edmonton’s Best Seller List means people are still buying and reading and talking about the book and that is hugely satisfying. Winning the Alberta Readers Choice Award and being a Finalist for the Whistler Independent Book Prize are both great honours, but somehow it still feels like I just got lucky. Many people want to write but never do. Success is in the process and completing the project to the best of one’s ability. Anyone who has climbed that mountain and finished a book has already achieved something extraordinary and should be celebrated. Literary success is probably subjective and certainly fleeting and hardly the most important thing in life.
  1. What kind of research do you do, and how long do you spend researching before beginning a book? My method was to write the heart of each scene and honour the story first and foremost, at least in early drafts. I conduct my research concurrently, strengthening and supporting the story as I delve deeper into the well and wormholes of research. Some authors get so excited about what they have learned that they wear their research on their sleeve and it can get in the way of the story. It’s easy to fall into that trap because the learning is tremendously rewarding and exciting and we kind of want to shout our discoveries from the rooftops. I have read every page of the Regimental diary, hordes of newspapers (British, Canadian and Local) from the war years, dozens of books, listened to audio recordings and read countless diaries and letters and collected hours of interviews BUT that should not be blatantly evident to a reader. I have read books where all the clever and obvious research overshadowed the characters and their drama. I have followed in the footsteps of the Canadians in Sicily and Italy with Veterans who were revisiting. I have to know all those gory details and all of that research is the bedrock of the book but what appears on the page must be more lively and transparent and leave some room for the reader to connect and use their own imagination.
  1. How many hours a day/week do you write? I still only have one designated day but much of my life revolved around child and elder care with my last book. My mother died the week my book went to press and my father 444 days later and I have been working through the process of grieving, settling estates, etc. etc. Life can get in the way and that isn’t a ‘the dog ate my homework’ excuse. It is the way the world turns. I should soon be able to add at least one more day/week.
  1. How do you select the names of your characters? Oh, I know it sounds corny but they kind of introduced themselves to me. I made a couple subtle changes as I went along. Part of my editing process includes reading aloud and recording and if a name (or anything for that matter) doesn’t sound right, then it isn’t right and needs to be tweaked a little.
  1. What was your hardest scene to write? Some of the war scenes nearly broke my heart but were also the most satisfying. It wasn’t a technical challenge but an emotional one. Some of the love scenes had me in hysterics and gave me a whole new appreciation for writers who can pull them off.
  1. Why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them? Writing is like being an explorer and it is great fun for me to try different genres on for size: Goldie Locks-ing my way around the story finding what feels right, challenging myself, flexing my writing muscles. Even if I trip and fall, success is the quality of the journey. Quick! Call the Cliché Police.
  1. How long have you been writing? Since I could hold a pencil
  1. What inspires you?  Oh—simply this crazy thing called life.
  1. How do you find or make time to write? It’s my biggest challenge. And fear. Because I think there is so much to write about I’m afraid I’d never stop. But there’s a great deal of living to do as well and I don’t want to miss that.
  1. What projects are you working on at the present? The work-in-progress is looking like a combustible and controversial biography. It’s about Amy Wilson, a Nurse In the Yukon. You can even Google her. It’s scary as hell, for many cultural and political reasons.
  1. What do your plans for future projects include? There’s a Prisoner of War, WWI era play (or maybe musical) on a back burner. It’s not as ridiculous as that sounds.
  1. Share a link to your author website. awakeforthedreamland.com

Bio:

Once an Arts Administrator, Laurel Deedrick-Mayne has been a dance publicist, concert promoter, ad copywriter and box office bunny. She has served on multiple arts boards while maintaining her ‘day job’ as a massage therapist. Her independently published debut novel, A Wake For The Dreamland won the Alberta Readers’ Choice Award in 2016 and has been on Edmonton’s Best Seller List for 67 weeks. She has been a guest at over 60 book clubs and other book-related events. A late bloomer to publishing but a life-long third generation letter and story writer, Laurel celebrates the ‘love that dared not speak it’s name’ while paying tribute to the generation who took the time to hang on to family letters, clippings, stories and poetry — all those ‘treasures’ that inspired A Wake For The Dreamland.

EVENT:

Find Laurel at Words in the Park, Spark Gallery, Premier Way, Sherwood Park, Alberta on 29th September 2018