As many of you know, I commit to a blog schedule at the end of each year for the coming year. My blog has in the past morphed into a writer’s blog as opposed to a reader’s blog and so I want 2020 to be different by still continuing to support my writing community as advocate but also to engage my reader’s more. To this end my twice weekly posts will be divided between writing topics and delving into my books and writing life for my readers.
I hope you will find the content interesting, enlightening and fun. I will post every Tuesday and Thursday each week as follows:
Bibliophile’s Collective Tuesday
Stories behind my published books and also from works in progress.
Update on events I will be attending.
A glimpse at my current writing project.
Sharing short stories or poem’s I have written from prompts or workshops.
My book reviews
Wordsmith’s Collective Thursday
Segments from my interview with Online for Authors
Special Interviews with authors from Creative Edge & First Pages
Author Website links
I am also starting a newsletterso please sign up when prompted. I hope we can develop a great relationship with this new venture – Sneek Peeks & Glimpses. Thank you in anticipation.
Without characters our stories would have no real impact on our readers. We write to engage and intrigue them and hopefully make our protagonist the character our reader cares about. If your experience is anything like mine, there is usually one, or possibly two characters, that make their presence known in no uncertain terms. They want the starring role in our narrative. These characters are usually more defined in our minds and are ‘easier’ to relate to, whether because of a personality trait or that they are more fun to write. When creating the protagonist and antagonist in our stories, we give each opposing views and/or values. This is the basis of the conflict that carries our readers along their journey. Each character, whether major or minor, needs to have flaws and redeeming features, motivations, expectations, loyalties and deterrents.
This leaves us with the problem of developing our supporting characters with as much attention to detail as the main antagonist and protagonist. When creating characters we must remember to ensure that each character acts and responds true to their given personality. Character profiles are a good way of ‘getting to know’ our characters, this can be achieve mainly by utilizing character’s names, personality traits, appearance and their motivations. A name is a vital part of creating a mental image of our character for readers. The right name can give them a quick visualization of our character’s age, ethnicity, gender, and even location, and if we are writing a period piece, even the era. For example if I say the girl was called Britney, you would probably picture a young girl because of the association with Britney Spears. However, if a female character were called Edith or Edna, you would imagine someone born several decades ago. So you see a name is not just a name.
A burly man would be called something like Butch but not Shirley, unless of course you are going to tell the story of his struggle throughout childhood to overcome the name. There are plenty of web sites available, which list the most common names for each decade and locations around the world. These are great resources for writers, who require particular names for period stories or want to stay true to a certain decade.
The use of a nickname will also give your character an identity, be it an unkind one given by a bully or one of respect or fear for the bully. You would expect Big Al to be just that, a large person, however, Little Mikey would be the exact opposite. Nicknames, or sobriquet’s can work very well in defining an ethnicity as well but care must be taken not to offend a person of color. Obviously there are certain words that were in common usage decades ago that are not politically correct now, so we need to be diligent in their use.
We should also consider giving our characters a conscience. Will the hero question his actions if they are extreme to his morals? Does the villain have a deep-seated angst? What motivates them? Some flawed characters can be difficult to write on occasion as they are far removed from our own personality (well I certainly hope so!) but with care we can accomplish a believable character.
How do you set about building a character?
Do you write out a full description of your characters?
Have you based a character on someone you know, a famous personality or mixed up several people’s traits to make a new one?
Firstly, apologies for not getting a post up sooner – as you can imagine with full time work and writing my NaNo novel it’s been a bit hectic along with the usual life stuff.
Having said that I am, as of Thursday 14th November only a couple thousand off my target of 50,000 words so a celebration is imminent. I was late to NaNo this year as I only just completed publishing the sequel to The Rython Kingdom. After numerous reader requests for a sequel I used last year’s NaNo to write one and as we all know that is only the start of the journey to getting a book published. Rython Legacy has been favorably received – whew!
I did dither about actually participating in NaNo this year, I have two manuscripts lying in wait from other year’s and couldn’t decide whether to tackle them or create a whole new story. Then there was the problem of what story to write. As with most writers there is a lot to choose from – part stories, pages of story ideas and everything left on the back burner. As it happened a new story formed out of no where and that’s what I have been busily typing. It is a love story of sorts set in a university. This gave me my first problem I have never been to university so research has been a huge part of this challenge. However, my daughter and future daughter-in-law have been so I have utilized their experiences into the narrative.
Of course any NaNo novel is the first draft and the manuscript will go through many changes, revisions and editing before it is ready for publication. For now I am fully immersed in my characters, their setting and where the story is going.
Good luck to my fellow NaNoWriMo writers – word power is our thing.
This week’s question: Do you incorporate politics and/or religion into your stories? What is the reason?
I have used a matriarchal society in my novel, Life in Slake Patch as the background to a young man’s life in that regime. It was interesting to write about the influences and attitudes of a different society. In contrast my novel, The Twesome Loop, which covers two time periods, shows the patriarchal suppression in the 1800’s.
Last week’s question: How did you find your particular writing style? A creative writing class, a teacher, a format or something else? Do you write differently for different genres?
Well, your recent research is certainly more unique and interesting than mine. I think my writing style, whatever that may be,remains the same no matter what I write. However, my “voice” changes with each work, depending on the era, location, and age of my characters. The personality of my twenty-something Italian protagonist in my WW2 novel is a far cry from the thirty-something American artist in my current WIP.
I have researched medieval physician’s healing techniques, the circumstances of how a body can dry out and become a husk, natural substances that prevent pregnancy or induce sterility.
Today’s question is: Some writers create a bubble around themselves until they’re finished with their project – how true is that in your case?
For me, once I am writing/crafting a story the outside world disappears. I am within that world of my own creation and all external forces are forgotten. As I write the scenes play like a movie in my head, I experience the characters and their struggles.
How about you? Do you need to lock yourself away, go somewhere in particular or can immerse yourself in your story no matter where?
Last week’s question. What books do you keep for sentimental reasons?
I shared mine in the post and Pamela shared her love of Pinocchio.