As secretary of the Writers Foundation of Strathcona County, not only did I help plan, set up and tear down this event, but also attended as an author. It was an early start at 7 am to ensure the volunteers and all the display items were organized and in place prior to the opening at 9 am. As they say many hands make light work and the set up and tear down were completed in record time. The event celebrated it’s 15th year, which is a great milestone and this was the first in-person for 2 years.
It felt good to get my author table set up once again, and have the interaction with readers, and local authors too.
Another part of the day was author readings, and all the local authors delighted us with chapters of their chosen book to read. I read part of The Rython Kingdom – it felt good to reading out loud again after so long.
Of course, as a reader, I couldn’t resist buying a few books! So my TBR is now quite an impressive height! It will be difficult to pick which novel to read, after I finished Fairy Tale by Stephen King. Maybe I can write the titles on slips of paper and pick one out of a hat?
We all know the saying ‘you can’t judge a book by its cover’ – however, it is the cover that initially attracts a reader to pick up our book. Choosing the ‘correct’ colour for your book cover can be difficult, as it will subconsciously give an impression of the genre/topic/trope of your story. We might look into the typical colours used for a genre, or go with our gut feeling and pick a colour we feel is ‘right’ for our narrative. No matter which avenue you choose all covers are an extension of us and our stories.
I am currently debating, which colour to use for an upcoming novella, which will be a prequel to a two-part series. The existing books have similar designs, but different colours to signify the different characters. As this third character is evil, having a black cover, or elements, will translate to the story of evil, and unhappiness.
Here is a list of colours and their significance with each genre.
Black evokes a serious theme and signifies mystery, death, evil, a sense of authority, power, control, and suspense, but also can feel sophisticated, modern, authoritative, and formal. It is most commonly used in horror, thriller, and mystery genres.
Gray is a neutral color associated with wisdom, sophistication, knowledge, and prestige, but also depression. It elicits an emotional spectrum ranging from remote, distant, cool, and bored to serious, focused, and intelligent.
Green is associated with nature, vitality, environment, health, evoking a soothing, refreshing, and tranquil state of mind, and is therefore a good fit for high fantasy novels or environmental nonfiction. Although it is one of the least-seen colors for book covers, it is often equated with a fresh beginning, excitement, vitality, wealth, and even jealousy.
I chose green not only for my medieval fantasy, but also my children’s picture and chapter books.
Blue has many associations including thoughtfulness, trust, calmness, serenity, inquisitiveness, dependability, mental engagement, sadness, stability and trustworthiness, safety and elicits feelings of calm and serenity as well as nature. Blue is commonly used for covers of political memoirs and nonfiction as well as more thought-provoking fiction. The choice of blue hue changes its meaning as a dark blue or indigo means intuition, truth, sincerity, and trust.
Purple/Violet signifies spirituality, prosperity, transcendence, harmony, while dark purple is related to royalty, depth, wealth, and fantasy. For my YA fantasy novella, Clickety-Click as you can see, I chose a deep purple not only for the background, but for the creature!
Yellow is a striking colour, evoking feelings of motivation, warmth, ambition, fun, cheerfulness, happiness, creativity, and energy, and in all has an attention-grabbing effect. However, it can also be grating and annoying, or even aggressive, while pale yellow is warm, friendly, approachable, and inviting. The choice of hue for yellow is paramount to balance the effect you are looking to convey.
Brown might seem an odd choice and dull, but it evokes feelings of nature, comfort, gives an ‘of-the-Earth’ vibe. Ecological genres may utilize a brown hue for a cover. I, however, utilized rich golden brown backgrounds for three books – a steampunk, a speculative fiction and a reincarnation romance. I find them atmospheric.
White is associated with purity, cleanliness, safety, simplicity, self-sufficiency, freshness and peacefulness. Although, white can come across as stark, bland, or cold, it is well-known as a symbol of purity suggesting a straight-forward, simple book.
Orange is a color associated with playfulness, energy, creativity, dynamic, positive, optimistic, hopeful, confidence and attention-grabbing with feelings of warmth and happiness, but can also be found to be overwhelming and cartoonish. Interestingly, I chose a blue background with orange lettering for my upcoming crime trilogy.
Red conveys energy, enthusiasm, emotion, power, dominance and aggression responses as well as angst for horror and thrillers, but with the choice of a softer tone also gives a feeling of passion, excitement, hunger (desire), love, and warmth.
Pink depending on the shade of pink, this hue can evoke feelings of passion, romance, innocence or childishness, femininity, playfulness, love, tenderness, youthfulness, emotion, and innocence.
With a combination of a deep rose and mahogany hues my YA alien adventure reflects the four young friends and the invading creature.
I was honoured to be part of Indie Bookstore Day at my local bookstore, The Sherwood Park Bookworm on Saturday. With so many books to choose from and three local authors and a couple of artisan’s attending as well, it was a great day.
I was sequestered on one of the lavish armchairs to display my novels and chat to visitors. It is always a pleasure to talk about my stories and the backstory of their creation. I am always open to reader questions and welcome a comment or email at any time.
The Smart One by Jennifer Close A glimpse into a family’s thoughts, their interactions and events that cause friction, reassessment and belonging. Well crafted characters that you will become involved with, finding some similarities within your own family dynamics, others far from your experience
With a multiple of genres in my repertoire, I have utilized several book cover illustrators to achieve the best cover for each book. All of them have a unique style and process for creating the images. As an author the book cover is a vital tool to attract our readers. It needs to reflect in a quick and simple way the genre of the story and entice our readers to take a look.
Which cover(s) do you like?
Rumble’s First Scare
This cute little monster was the result of a mental image of mine. I asked Matthew McClatchie to bring him to life. This was achieved with my writing down a description of Rumble, as best I could and of the images for each page within the picture book. It took multiple emails back and forth until Rumble emerged. This is the excitement of working with a great illustrator, a mind meld as it were.
Ockleberries to the Rescue
I commissioned J.E. McKnight, a fellow author and artist to help me with this project as I required ‘real’ sketches of animals and Joe’s pencil and ink drawings were perfect for the chapter headers. We used nature photography for the majority of the images, as a basis for the images and a couple were a collaboration of my poor attempts at sketches and Joe’s interpretation of the subject.
Again, most of the images were in my mind’s eye but the protagonist was a ‘real’ girl, so I asked Linda J. Pedley of Wildhorse Creative Arts & Photography to help with the chapter header images. I described what each scene should incorporate and then Linda drew them in pencil and ink. Again, it is the worth of a great illustrator to draw what an author’s mind envisions.
Creature Hunt on Planet Toaria
I had such fun with this project as it was open to my imagination to create an alien world and who better to use than Matthew McClatchie’s unique technique? From my previous experience with Matty, I knew he would interpret my ‘mental images’ and badly constructed collages to make them come to life.
The Rython Kingdom
I found the illustrator for this novella via a Facebook friend. At the time, Winter Bayne utilized an online program for images and models. While working together we created the book cover from several different images I felt were important to the cover. Alas Winter no longer offers her services, so I am glad I got to work with her.
Unable to use Winter Bayne on this sequel, I was at a loss as who to turn to in order to achieve a similar cover. Luckily, through a Facebook contact I was able to connect with Wren Taylor Cover Design, who knew Winter. She utilizes the same sort of program and we collaborated well on the image to tie it to the first book with an orb shape.
The Twesome Loop
This image was again a collaboration with Winter Bayne, where I wanted several images merged. An olive tree, an old stone well and the lovers. She was able to find models dressed in period costume for the original couple in this reincarnation based romance.
Life in Slake Patch
I was vacationing in England when the original book cover was finalized for this novel, so emails were numerous. Linda J Pedley of Wildhorse Creative Arts & Photography managed to create a scene using multiple images I sent. Subsequently the cover was changed to the current one by Wren Taylor Cover Design to align with my other adult novel covers.
The Commodore’s Gift
Knowing the process and our mutual understanding I once again used Wren Taylor Cover Design to create the cover. It is the culmination of numerous images merged into my vision. There are many items within the cover that required closer inspection. Can you find them? A clockwork bird, a clock, a propulsion device, deep sea divers helmet/octopus, and a heart.
My current detective series has covers already designed by Wren Taylor Cover Design, but they will only be revealed once the trilogy is finalized and published. Yes, I know I’m teasing.
Mandy Eve-Barnett is a multi-genre author writing children’s, YA, and adult books full of adventure and surprising twists in plot and genre. Her passion for writing emerged later in life and she is making up for lost time. With nine books published since 2011, she indulges her muse in creative fiction as well as freelance writing, which you can learn more about at https://tailoredthemedtosuit.wordpress.com/
Mandy regularly blogs at www.mandyevebarnett.com and is a writing community advocate. As secretary of her local writers’ group, the Writers Foundation of Strathcona County, and past secretary of the Alberta Authors Cooperative, as well as past-president of the Arts & Culture Council, she lives her creative life to the fullest. She hosts the WFSC monthly writing meetings and also creates writing prompts for their website. She has presented on various writing topics at conferences and seminars. Originally from England, Mandy now resides in Alberta, Canada. You can find Mandy across social media and her books through all the online purchasing sites and her publisher, Dream Write Publishing.
What genres do you write in?
I write multiple genres, as I follow the story rather than a genre when I write. As the characters and story develop it becomes clear which audience and genre the narrative fits into. This is a personal approach, as I have to feel my way through a story rather than conform to a structure.
Tell us a little about your work for adults
I use my life experience and interests to give my writing authenticity even though it may not seem evident within the story itself. For example, my novella series, The Rython Kindom and Rython Legacy are set in medieval England. I regularly visited historical sites when I lived in England so can draw from those experiences and learnt history. Another novel, Life
in Slake Patch, is a speculative fiction story set in an alternative future with a matriarchal society. The seed of the novel idea came from a heated discussion on the perceived place of a woman in our patriarchal society. I feel these themes not only draw in but allow my readers to relate to the story’s basic theme even if they are not consciously aware of them.
What about your books for children?
I have always been fascinated with the magical and mysterious – fairies, dragons, fantastic creatures, as well as the natural world. These two themes are the foundation of my children’s and young adults’ stories. I want my younger readers to love the world they live in, to cherish the flora and fauna within it and to experience a sense of magic. No matter the setting of the story, or the characters within it, there is always companionship, and the message to be true to yourself and those around you.
What are your sources of inspiration?
Goodness, as I have said earlier, everything and anything. It might be a conversation, a photo, something I read or interests I want to explore within a narrative. Dreams also give me ideas or topics, or even a scene I can use within a story. I keep my mind open to influences around me.
Are you involved with your local writing community?
Very much so, physically (when we could!) and virtually. I am the current secretary of my local writers’ group, the Writers Foundation of Strathcona County. We host three monthly (currently virtual) meetings – writing circle, kids creative writing workshop and Poets in the Park. I host the circle meetings, create the Saturday Writing Prompts on the website, and assist with the planning and organization of our two main annual events. Our Spring Writers Conference and our Fall Words in the Park – author and artisan sale and promotion, in conjunction with Alberta Cultural Days. Within this group I found my people, so to speak. I am also a writing community advocate on social media supporting and encouraging other writers. I am happy to share my experiences and knowledge to help others.
What are you currently working on?
I am in the midst of a detective trilogy, The Delphic Murders. I have book one in third draft and am writing book two. Most of my writing is free flow but with this current project I learnt to become a plotter planning separate and multiple arcs, which has been an enlightening exercise. The trilogy spans three Canadian cities and a elusive killer.
You also offer a variety of writing services, don’t you? Can you tell us a little about those?
I am versatile freelance writer drawing from a wide-ranging life experience from twenty-six years as a business owner, working within the medical field, parenting and relationships, extensive travel, and beginning a new life on another continent. I am able to communicate ideas, notions and information on a wide and unlimited range of subjects to ensure I deliver clear, creative, and compelling communications for my clients. It has been a pleasure to create projects for my clients from a magazine article to ghost writing a hybrid marketing book.
So where can people find out more about you and your books?
My blog is the best place to find everything about me and my writing: www.mandyevebarnett.com. I am also across multiple social media sites so I’m easy to find.