Mandy Eve-Barnett's Official Blog

Inspiration for Writers & Building A Community ©

The Most Common Question a Writer is Asked…

October 24, 2019
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Where do you get your ideas from?

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It may seem like an easy to answer question but for most writer’s it is a multi faceted one. I have answered with:

  1. Word or picture prompts
  2. Dreams
  3. Overheard snippets of conversation
  4. People watching
  5. An idea popped into my head randomly
  6. A personal interest 
  7. A topic of conversation

A couple of examples:

My children’s picture book, Rumble’s First Scare was a Halloween prompt, which I turned upside down. It is the monster’s point of view of Halloween and his first scare adventure with his Mum.

The Rython Kingdom began as a series of prompts that gelled together to form a story by pure chance.

It is not so clear cut as these to be honest but it helps a non-writer understand the creativity side of our brains a little easier.

I presented a workshop on how to formulate an idea into a novel at the WFSC writer’s conference in the spring. From that initial spark to compiling a story line/arc, creating a plot arc, introducing characters, and finding the correct conclusion for the genre. It was a fun experience.

Do you have Questions:

I would love to explain the nucleus of my stories if you have a question about any of my books. Here is the list: https://www.amazon.com/-/e/B01MDUAS0V

Just leave your question in the comments below. Let’s start a conversation and writers please comment on how your current WIP evolved.

 

 

 

 

Ask A Question Thursday

May 23, 2019
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Today’s question is: What is your motivation for writing more?

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My reply is that I have so many stories tumbling around in my head, I have to keep writing to get them all out. Many of you know I only began ‘writing’ when I came to Canada so I’m now making up for ‘lost’ time! I have always been creative but for whatever reason I had never written ‘stories’ before for the explicit reason of allowing other people to read them.

What is your reason – leave a comment below.

Last week’s question: Have you ever turned a dream or a nightmare into a written piece?

 Katie O’Connor.

I’ve done that. Some of my best ideas come to me in dreams. If I was a thriller or suspense writer, I’d have even more writing material. My brain likes to frighten me at night.

Ask A Question Thursday

May 2, 2019
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As we all know Shakespeare was adept at creating numerous words for his own works, which are even today in common usage (whether we known their origin or not!) So today’s question is: Do you make your own vocabulary words in your book or resort to the existing ones?

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Here is a list of Shakespeare’s unique words:  

Bandit Henry VI, Part 2. 1594

Critic Love’s Labour Lost. 1598.

Dauntless Henry VI, Part 3. 1616.

Dwindle Henry IV, Part 1. 1598.

Elbow (as a verb) King Lear. 1608.

Green-Eyed (to describe jealousy) The Merchant of Venice. 1600.

Lackluster As You Like It. 1616.

Lonely Coriolanus. 1616.

Skim-milk Henry IV, Part 1. 1598.

Swagger Midsummer Night’s Dream. 1600.

Shakespeare must have loved the prefix un- because he created or gave new meaning to more than 300 words that begin with it. Here are just a few:

Unaware Venus & Adonis. 1593.

Uncomfortable Romeo & Juliet. 1599

Undress Taming of the Shrew. 1616.

Unearthly A Winter’s Tale. 1616

Unreal Macbeth. 1623

When we look at these words it is fascinating to think until the Bard created them they did not exist!

Please post your comments below.

Last week’s question: Where is your perfect writing retreat?

Weather it’s sitting somewhere with a legal pad, or sitting at my desk in front of my desktop computer, I need complete silence when I write.

Although I began my novel, NOLA Gals with an extended metaphor of the ocean while on a cruise, poolside with a tropical drink, I wrote most of it alone at my sister’s cottage. I moved back and forth between deck and kitchen table, piling up research books & handwriting historical data in ringed notebooks. Eventually it all came together on my laptop.

Ask A Question Thursday

March 14, 2019
mandyevebarnett


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Today’s question is:

How did publishing your first book change your process of writing?

Did you feel more pressure to improve from your last book? Were you writing a series or a standalone?

How did you balance writing with promotion for your last book?

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Last week’s conversation: Have you ever changed the ending of a book based off the reaction of editors or beta-readers?

Only have one book out and actually thought the ending might need to be embellished more. However, all 4 Betas found it satisfying…so it stayed. Saved me a ton of revision.

Mandy Eve-Barnett

I only changed one ending because it was thought a cliff hanger to a standalone would not be favored by readers. I added another chapter due to the feedback I received for Life in Slake Patch.

Click the post and comment below. Join the conversation.

Ask A Question Thursday

January 17, 2019
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The initial question was: Should you pick the genre before beginning your story or figure out what genre it is after you have written it?

(Look at the bottom of this post for the continuing query – Are genre formulas a myth?)

Last week’s responses:

I always have a vague idea of what the genre is going to be before I start a piece but if the inspiration takes me somewhere else then I don’t try and steer back because the characters lead the story.

Kristen Lamb 

Genre is essential for those who want to write professionally, for an income and for a living. For those who are having fun simply writing? No, doesn’t matter. For those who are new and learning? Not as huge of a deal but starting to be important. Those who want to be experimental and maybe want to win awards? Meh.

Yet, for anyone who want to be PAID for their books (code for product), genre is our lighthouse to keep us from smashing on the rocks.

The entire point of genre is so the author can locate and cultivate fans who will BUY his/her books…which they (readers) will also be able to locate because they will know where the book is shelved or what genre it’s listed under.

If no one has any idea WTH a book is, where to shelve it, or how to describe it? That’s bad.

If the book gets into a bookstore, then where do they put it? “General Fiction.” Okay. Sucky but okay.

But, since most people discover and buy books online, what keywords would you attach? Genre will matter BIG.

What other product/service/ business would be so indeterminate and hope to have any commercial success?

“You know, I am going to open a restaurant and just cook what I feel like and the ingredients just tell me what to do.” Um, have fun storming the castle. Rock on!

But marketing and advertising will now be a total nightmare. Good luck finding those who will eat a place no one can accurately describe.

Same with books.

Not impossible but adds a TON of unnecessary work when authors already have a ton to do as is.

I think a MAJOR misconception is genre somehow locks us into formulaic writing, which is patently false.

First of all, yes there are formulaic genres. Write a category sweet romance and there is a strict formula because these publishers know their readers and what they want.

And, since romance brings in BILLIONS and makes up over 70% of all books sold? Probably a good idea to listen to the guidelines.

Beyond that, genres can be melded and we (as writers) can get creative much like musicians who create fusions of sound, juxtaposing different types of music for a wholly unique sound (I.e. old gospel hymns influencing heavy metal).

Yet, the musicians KNOW music before playing around and reinventing new sounds.

Similarly, we should know and understand genre expectations. They exist for a reason.

Genres help us identify who is most likely to buy our book (which in the new paradigm we need to know no matter which way we publish).

Secondly, genres have rules and we break the rules at our own peril.

Breaking rules is fine. I do it all the time. But I know the rules BEFORE I break them.

For instance, there used to be a rule that one couldn’t mix POVs. If you began in first you had to stay there. If you began in third, you stayed there.

But WHY did the rule exist? Namely to stave off confusion. YET, Jefferson Parker (genius he is) wanted the audience to gain a closer psychic distance with the antagonist to make them more attached and thus more conflicted about him being apprehended/stopped.

So he wrote the antagonist in close first and the MC protagonist in third to make the reader psychologically struggle at a whole new level. Jeff knew genre, the rules, the constraints, THEN he bent them to do something never done.

Thirdly, genre is primarily for readers. It helps them find what they are looking for. When we don’t want to put a genre on our work because it ‘limits the muse’ or whatever, it is like asking our audience to go grocery shopping and buy canned goods with no labels and just trust it will be yummy.

Genres help readers have SOME idea of what they are getting. If we mislabel, there can be consequences.

Years ago, I had a client who believed she had a romance (but obviously hadn’t studied genre rules/expectations).

She self-published and got SLAYED in reviews, and panicked and sobbing, hired me to help. I took one look and knew the problem.

Yes, her writing was good and so was the story, but in her book…guy and gal didn’t end up together in the end.

In romance, (back then) you needed an HEA (Happily Ever After) which has loosened up to an HFN (Happily For Now) but the couple still has to end up together.

Without that? NOT a romance. She had a Women’s Fiction. She got a new cover, relaunched, slated in the correct genre and BOOM. Sales and great reviews.

In this instance, we had a case of completely different audience with different expectations.

When we slot a book in the wrong genre it’s like serving someone Tofurkey and trying to tell them it’s actually turkey. They are going to HATE it because the basis for comparison is TURKEY not vegan meat substitutes.

It’s like a bad bait-and-switch that ticks off readers.

Then, genre is going to give guideposts to word count. How LONG is the book roughly supposed to be?

Audiences in certain genres have preferences. Epic high fantasy readers give no figs about reading a 180,000 word book. Someone who likes cozy mysteries? No. Like 65K. Sure, feel free to write a 180,000 word cozy mystery but no one who loves that genre is likely to buy.

As far as considering genre ahead of time? I don’t understand how an author can’t do this, at least loosely. Stories are for the audience, not us. Unless we only want to sell a book to ourselves.

And this isn’t me saying “write for the market’ because that sort of “writing for the market” is when you, say, love writing Jane Austen historical romances and decide, instead, to write a techno-thriller because the genre is hot at the moment…and yet you can’t use your printer without tech support and are so bored by military fiction you want to kill yourself…but you write it because it is HOT.

Just no.

But beyond that, looking at genre is a FANTASTIC resource to understand our readers, who they are, what they want and not only give them what they want…but also slip in something they never knew they wanted until they read your book!

***This is why agents need to know genre. They have to have ammo to SELL our manuscript for the most BANK. If they can’t articulate what it IS, who is going to buy it? No one. Bye, Felicia.

Back to process. To me, failing to even roughly determine genre ahead of time is madness. I’ve done it (when I was a n00b) and it sucks and I have the scars to prove how dumb this was (for me).

My time is valuable. Without determining some broad strokes regarding genre, that is a formula for revision HELL. To be retro-fitting the Space Station for a hot tub.

It will make SEO and keywords a BEAST. Ultimately, it’s just a recipe for heavy drinking and ugly crying.

Just because we choose a genre in the beginning doesn’t mean we can’t get creative and blend or even veer at an angle toward a kissing-cousin genre (I.e. suspense can become a thriller).

In the end, writers can do whatever works for them and sells a lot of books. Yet—after fifteen years in this business professionally—I’ve found that, more often than not, writers who eschew genre rarely finish the book.

Or, if they do, revisions are like a trip to the fifth circle of hell which is why it takes FOREVER for them to ‘finish.’ Often, they can’t get traditionally published and so they self-pub and the books don’t sell (and there are reasons for that).

Look at authors making bank, traditionally and nontraditionally published. They KNOW their genre and audience and they WRITE FOR THEM…even the literary folks (*nod to Fredrik Backman*).

Anyway, long response but there ya go. My two cents…okay twenty bucks. Best of luck to everyone.

I’d say knowing at least a basic genre before you start writing is important. Maybe you know you want to write a romance, but figure out as you’re going along it’ll be an erotic romance. Okay, fine. But you can’t just start spewing words without knowing your characters, the plot, what genre, etc. You can’t sit down and just start typing without knowing some form of topic of what you’re writing. It’ll just turn into a mess that way.

over to you

So let’s look at this from a slightly different angle.

If you are writing in a particular genre do you ‘conform’ to the preconceived format of that genre? If romance – fall in love, difficulties arise, opposing feeling, loss of love, surprise event, and falling back into deep everlasting love? OR Sci-fi – the hero has to fight an enemy, the struggle is real and looks overwhelming, battles and fights, a glimpse of hope and the final defeat?

Do you want to conform to formula writing? Would you rather break the mold? Is it a myth that genres have formulas?

With a specific genre there is a better chance your book will be put into the genre bookshelf as opposed to a general fiction slot as Kristen mentioned.

Is this good marketing?

Does it restrict your creativity?

 

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