Mandy Eve-Barnett's Blog for Readers & Writers

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Author Interview – Boris Glikman

September 2, 2021
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1) Where do you find inspiration? Does place or observation, or both influence your writing?

Ideas come to me from everywhere, both from external and internal sources. It’s a ceaseless flood of ideas really that I experience, evoked by a wide range of random stimuli such as: images that I come across by chance on the internet; things I see on TV; things that I read in books; even snatches of conversations overheard when passing people in a street.

Dreams are also an important source of inspiration for me and many of my stories have had their origins in dreams. Dreams give me the initial idea for or the outline of a story and I then work further to turn those ideas into complete stories.

Most of all, ideas come to me through the process of spontaneous generation, i.e. they arise out of nothing in my mind.

Given this unceasing deluge of new ideas, it is very rare for me to have to struggle to think up of something to write. In fact, the very act of sitting down at the desk, picking up a pen and opening a notebook transports me to a zone in which a conduit is established to a world populated by eternal truths and infinite beauty, and ideas flow effortlessly as long as I am in that zone.

2) You write short stories and poetry – what are your processes for each discipline?

The first step of the process involves getting the initial idea. I jot down these ideas in small notebooks that I use for noting down ideas that have the potential to be expanded further or that require further work on them. At this stage, the idea usually consists of a sentence or a paragraph.

At the next stage of the process, I explore the initial ideas in detail and or turn them into drafts for stories and poems. This is done in a larger sizednotebook. Because of the flood of ideas discussed in the previous answer, the length of time between having the initial idea and getting around to exploring it in detail could be as long as a decade. As a result I have a backlog of about ten years of ideas that I haven’t had the chance to work on as yet and to expand into finished stories and poems. 

The final stage of the process involves transferring the drafts from my notebooks into a computer. I then work further on those drafts, editing and re-editing them, until I am happy with the final result.

So, getting the initial idea comes more from intuition and inspiration, and the later editing and re-editing of drafts requires more method and logic, while the intermediate steps of the writing process are a combination of both intuition and logic.

3) How does your creative brain balance with your critical one? In particular, your mathematical proofs.

The balancing of the creative and critical brains is not really a conscious decision that I have to make, for it is something that just happens naturally. ie If I am working on my writings, then I employ the creative side of the brain. And when I am working on scientific and mathematical topics, my brain just switches automatically into another mode. In fact, sometimes it may happen that while I am working on my writings, I might have a mathematical idea and so I instantaneously turn to working on that idea and then go back to working on my writings, and it really doesn’t take any effort at all to switch between the two modes of thinking.  

4) Is creative writing your only creativity?

Firstly, please let me clarify that stories and poems are not the only things that I write.

I also write (among other things) non-fiction, philosophy, psychology, spiritual pieces, vignettes, micro-fiction (including 6 word stories), humorous articles, surrealism, aphorisms, parables, fables, travel writing, ekphrastic writings and song parodies.

Having said that, I must add that science had always been my first love and I have been creative in the mathematics and physics fields since my teenage years. Until relatively recently, mathematics/physics/science fields were my first interest and it is to them that I devoted most of my time and creative energy, and writing was a distant second interest.

5) Have your degrees influenced your creative work in any way?

Firstly, just to explain, I have an Arts degree in Philosophy/Linguistics and a Science degree in Mathematics/Physics.

I think that the influence of philosophy on my writings is clearly evident to anyone who takes a look at them, as a lot of my writings concern themselves with philosophical issues.

The influence of linguistics is a bit more subtle and probably manifests itself in the games that I like play with words and their meanings in my stories and poems. 

I think this influence of science shows itself in a number of ways in my work. On a more overt level, the subject matter and the themes of my stories and poems often have allusions to mathematics and physics. On a more subtle level, I think that my scientific background does influence my thinking process and the way that I go about creating the plot and development of a story. In fact, some readers have remarked that my stories have a mathematical structure  and that they flow almost like a logical argument. 

6) Can you enlighten us about your involvement in the spiritual community?

I was involved with a spiritual community in Melbourne on and off for about 5 years. At the time, it helped me with finding my path in life.

The guru of this community gave me my first big break with my writing career when he started reading out my non-fictional spiritual and philosophical pieces, as well as some of my fictional pieces in the public programs in front of hundreds of people.

His reading of my work and the responses that my writings received from the audience gave me the confidence to start sharing my writings with others, as until then my writings have always been a secret part of my private world and I never shared them with anyone. In fact, I used to think that I would never share my writings and that they would always remain a secret part of my private world. But things have turned out to be rather different! 

7) What did you learn from your script writing venture?

I contributed some of the dialogue to a short film titled “Six Steps to Eternal Death”. I attended several days of filming to see for myself how it all works and was pretty intrigued by how written words are turned into the visual medium. It was also interesting to see how a script is developed over time, and how much is altered and deleted until the final form is reached. 

8) Where can readers find you and your books?

This is my blog which has a lot (although not all) of my work on it: https://bozlich.wordpress.com/

This is my website: https://authorborisg.blogspot.com/

And here can be found links to various anthologies in which my writings have appeared:

https://authorborisg.blogspot.com/p/published-works_6.html

9) Do you have a new book in progress?

Yes, I am working on a book titled “Anti-Labyrinths” which will be a collection of my stories, poems, fables, flash fiction, aphorisms etc.

“Anti-Labyrinths” is a word and a concept that I came up with. As labyrinths are places where you get lost, anti-labyrinths are places where you find yourself. A labyrinth has only one entry,  and its secret can only be discovered at one point – its center. An anti-labyrinth, on the other hand, can be entered and exited at any point and at every point of an anti-labyrinth, secrets and mysteries are revealed.

My book “Anti-Labyrinths” will itself function as a kind of an anti-labyrinth, revealing truths and secrets at every point of the book, and helping the reader to find themselves. And, just like an anti-labyrinth, “Anti-Labyrinths” can be entered or exited at any point; you don’t have to start reading it at the beginning or finish reading it at the end.

Bio:

BORIS GLIKMAN is a writer, poet and philosopher from Melbourne, Australia. His stories, poems and non-fiction articles have been published in various online and print publications, as well as being featured on national radio and other radio programs. He says: “Writing for me is a spiritual activity of the highest degree. Writing gives me the conduit to a world that is unreachable by any other means, a world that is populated by Eternal Truths, Ineffable Questions and Infinite Beauty. It is my hope that these stories of mine will allow the reader to also catch a glimpse of this universe.”

Bibliophile’s Collective Tuesday – What Inspires Me to Write?

June 29, 2021
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There are a number of ways that stories come to me, one is using writing prompts because they always spark ideas or images in my mind. Some result in a short story or, occasionally a poem, but others have become full blown novels.

I recently responded to the prompt below and the character emerged complete in my mind. I could see him walking along the sidewalk, and the effect he had on the people he passed. He may appear in a future novel – who knows. Some characters stay with me and after a time begin to demand attention. This one is mysterious and I am keen to know his backstory and his future plans.

Heads turned, chatter ceased and whispers began as the tall, dark clothed man strode along the high street. His focused gaze ahead, never glancing at the store fronts, or the recoiling of other pedestrians as he passed by. The summer atmosphere cooled as an ominous air pervaded his very being. The holiday town was used to many visitors but this one was different and dangerous.

Would you like to ‘meet’ this character?

One prompt that resulted in a published book was my novella, The Rython Kingdom, which was actually a series of prompts that combined into the basis of the story. The prompts were – blue beads, a beast and a medieval town. You can read the full story (and its sequel if you want) here:

Another inspiration are dreams. And the reason, I have a small notebook on my bedside table. If I don’t write it down immediately, the dream dissipates never to be remembered again. The opening sequence of The Commodore’s Gift was a snippet of a dream that just needed to be used in a story. At the time, I had no idea that Owena, would become such a integral part of the story and evolve into it’s central character.

Other ways I am inspired are by those chance encounters. A case in point, was a huge plant growing on the side of the road, while I was traveling. It morphed into a creature in my YA novella, Creature Hunt on Planet Toaria.

Do you have questions about my writing inspiration? Please ask on the comments, I will be happy to answer them all.

Author Interview – Halli Lilburn

October 1, 2019
mandyevebarnett


AuthorInterview

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What inspired your latest WIP?

A dream. Most of my ideas start with dreams. I am a vivid dreamer.  I tweak them to make sense. My current work involves steampunk pirates and I’m collaborating with my 16-year-old daughter. She invented one of the characters so she decides what they say and do. It makes for an adventure we can share together and twists in the plot that even I didn’t see coming.

How did you come up with the title?

First it was called Evelyn of the Sea because I wanted to write about a woman disguised as a man on a sailing vessel.  I want a female hero who isn’t judged because of her gender.  However, I soon realized that I couldn’t write a historical novel so I made it steampunk, put Evelyn in an airship, and called it Evelyn of the Air instead. I also set the story on a different planet so I could mess around with technology, laws of physics and mythos. Airships don’t work very well on earth and I didn’t want to be limited.  The best way to break rules is either off planet or magic.  I do both.

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Is there a message in your novel that you want readers to grasp?

I want readers to find validation, sympathy and inclusion. I want to shine a light to people underrepresented, marginalized or odd in any way. We are all a family and we should fight for our place in the world.  But I don’t want to preach.

How much of the book is realistic?

My goals are to escape and entertain. I don’t want them burdened with the same problems they face in real life. I want my readers to work with their imagination. Get those brain cogs turning. Of course, the mystery of the human condition is very real. Just because the obstacles are fantastic, our reactions, emotions and instincts are still the same. So, I sneak in some sympathetic elements while battling monsters and hope the parallels and symbols are subtle but noticeable.

Are your characters based on someone you know, or events in your own life?

Authors can’t help but draw on their own experience but I try to keep my own words out of my characters minds. I ask myself what I would do in the situation and is it the same thing my character would do? If it is, I run the risk of having all my characters sound the same. I do want my characters to get into worlds I could never visit or adventures I wish I could have. So, would I want to be a pirate on an airship? Of course!

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Where can readers find you on social media and do you have a blog?

hallililburn.blogspot.com, www.facebook.com/groups/147239652049490/, @hallililburn

 Do you have plans or ideas for your next book? Is it a sequel or a stand alone?

I really enjoy writing short stories for anthologies.  I like themes on monsters.  Maybe soon I’ll have enough monster stories to make my own collection.  I am also an artist so I want to do an art book but I need a grant for that project. I also want to write a play. I want to see my characters interpreted by others.

Of the characters you have created or envisioned, which is your favorite & why?

I am a feminist so I really push the female hero who is smart, invaluable and saves the day. I also have male characters who are sensitive and respectful.

Do you favor one type of genre or do you dabble in more than one? 

I can’t sit still so I am always starting new projects.  I want to try everything. Monsters and ghosts are my favourite in horror, fantasy or sci-fi. Sometimes those monsters are the good guys or even the love interest.

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Do you plan your stories, or are you a seat of the pants style writer?

I totally understand the advantage to planning and plotting but I cannot force it out. And I’m too impatient.  If a scene is rattling around in my brain, I have to put it on paper. And it morphs as I go, so I deviate from any plan I had.  If I get stuck, I leave it for a few days and let my subconscious mull it over until the idea snaps into focus.

What is your best marketing tip?

Be friendly. Go to your readers for book signings, school visits and conferences.  The people you associate with will be your best promoters and collaborators.

Do you find social media a great tool or a hindrance?

Social media is a two-edged sword.  It can kind of work, but usually it slows me down. It’s best for keeping in contact with associates and hearing about submission calls. I don’t spam people, I invite them to book signings then talk to them in person.

Do you read for pleasure or research or both?

Reading anything is always research. It can’t not be. Even if I’m just researching an author to see if I like their style to determine if I want to read more. If it’s not a good fit, I’ll stop reading.  It’s simple. Everything I read gets stored away for future reference.

Do you see writing as a career?

No.  It is a lifestyle. If I wanted it to be a career, I would have got my bachelors of English or journalism and applied myself to these professional labels, deadlines and salaries. A writing career involves writing for other people. I haven’t done that since school assignments. I want to let my creative side out when it suites me without worrying about paying the rent with my words. Depending on a writer’s income is hazardous. I won’t quit my day job but I will write during my lunchbreak.

Do you nibble as you write? If so what’s your favorite snack food?

No. I realized early on that I binge and it’s not healthy so I stopped. I will only drink water or tea. Some of my binge worthy treats are praline trail mix, and popcorn. I try and save those things for parties.

What reward do you give yourself for making a deadline?

Netflix! It’s time to purge the brain. Maybe cheesecake.

Bio:

Halli Lilburn was born in Edmonton, Alberta.  Her first story at age nine was about unicorns and fairies.  Over the years she has explored other genres including poetry, science fiction, paranormal and horror. She has works published with Tesseracts 18: Wrestling with Gods, Spirited by Leap Books, Carte Blanche, Vine Leaves, Renaissance Press and many others.  She teaches workshops on creative writing and art journaling. She is a certified structural editor with essentialedits.ca and is an editor for The Dame Was Trouble, with Coffin Hop Press. Her education includes Library Operations, Art History, Creative Writing, Music and Fashion Design. She is a librarian, artist and mother of three.

Ask A Question Thursday

May 16, 2019
mandyevebarnett


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So it seems it’s been a week of delays! Here is the question of the week.

 Have you ever turned a dream or a nightmare into a written piece?

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My answer: My current WIP is a steampunk novel and the initial scene in it is of a dream I had. It was so dramatic I knew I needed to use it somewhere.

Last week’s question: When creating your stories, do you tend to write your protagonist as the same gender as yourself – or do you use the genre dynamic as a device?

My answer: I do not have a particular gender I write about but in my novel, Life in Slake Patch I purposely used a young male protagonist due to the basic theme of the book – a matriarchal society and a young man’s life within it.

Writing Prompt Wednesday

February 14, 2018
mandyevebarnett


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List a few phobias you have. When and how did you discover you had these?

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My ‘phobia’s’ are rather bizarre to say the least. Firstly, as a child I had a recurring nightmare, which was so vivid I would wake with terrible stomach and back pain. The source was a rhino’s horn penetrating my body! In the dream I was at a fancy ‘garden’ party with marquees, waiters, lavish tables, musicians – the works. I was still young and attended with my parents. The setting was Africa on the boundary of the wilderness. (I was born in South Africa).

A rhino thundered towards the garden party scattering the guests in all directions, it also pierced through me as it exited the scene. I could feel the horn through my body and the jarring as the animal ran across the savanna. I could hear screams behind me as the guests realized my predicament. This is the moment I would wake up.

Many, many years later, when my daughter, a born animal whisper wanted to visit the rhino house at Longleat Safari Park, UK, I tried to get her to go on her own. Up to that point I couldn’t even look at a rhino photo images on the TV. She was insistent I went with her to stroke the animal. As we entered the rhino house my fear grew. My daughter went up to the rhino, who was leaning against the massive metal bars and patted it’s hide. She held my hand as I did the same. It’s hide is incredibly solid and rough and I was amazed at how it felt. This encounter lessened my childhood fear in a way I did not think possible. I can look at rhino’s now but still find I turn away when the images are of a charging bull rhino.

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My second ‘phobia’ became apparent once I became a mother. The feelings of love and protection were (and are) so intense that I worry about my children’s safety and well-being. Even now when they are adult’s, I still worry about them (I am often teased because of it but the ‘cord’ is never cut – as we mother’s know only too well). Again I had recurring nightmares of this situation, which in a dreamscape is perfectly reasonable, of course. Bearing in mind at the time I was living in England and the situation was far from possible, the dreams were all too real to me.

Once again the dreams were vivid and I had the sensation of the bitter cold. Upon waking I would be shivering. The dream situated me with my two small children on a mountain side where an avalanche roared down towards us. I grabbed a child under each arm and ran to a rocky outcrop, where I held them tight under the overhang. As tonnes of snow poured over us I clung as tightly as I could to ensure each child was not ripped from my grasp.

Once the torrent ceased, we were buried in a capsule of snow and ice with a small pocket of space around us. As time passed, we became colder and colder and I understood I had to find a way to keep my children warm. (Now remember this is a dream and anything is possible in a dream!) I had the children put their feet and hands on my torso and that worked for a while but I could feel my extremities heat lessening. So the best way to keep the children warm was to put them ‘inside’ me where it was very warm. I cut my torso open and made the children crawl inside.

This is the moment I would wake up.

So now you have a glimpse at my psyche – how about you share too?

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