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Blog Tour – Scarecrow…

August 24, 2015
mandyevebarnett


SCARECROW-banner[1]

SCARECROW

Hay-men, mommets, tattie bogles, kakashi, tao-tao—whether formed of straw or other materials, the tradition of scarecrows is pervasive in farming cultures around the world. The scarecrow serves as decoy, proxy, and effigy—human but not human. We create them in our image and ask them to protect our crops and by extension our very survival, but we refrain from giving them the things a creation might crave—souls, brains, free-will, love. In Scarecrow, fifteen authors of speculative fiction explore what such creatures might do to gain the things they need or, more dangerously, think they want.

Within these pages, ancient enemies join together to destroy a mad mommet, a scarecrow who is a crow protects solar fields and stores long-lost family secrets, a woman falls in love with a scarecrow, and another becomes one. Encounter scarecrows made of straw, imagination, memory, and robotics while being spirited to Oz, mythological Japan, other planets, and a neighbor’s back garden. After experiencing this book, you’ll never look at a hay-man the same.
Featuring all new work by Jane Yolen, Andrew Bud Adams, Laura Blackwood, Amanda Block, Scott Burtness, Virginia Carraway Stark, Amanda C. Davis, Megan Fennell, Kim Goldberg, Katherine Marzinsky, Craig Pay, Sara Puls, Holly Schofield, Laura VanArendonk Baugh, and Kristina Wojtaszek.

 Contents:

 “Introduction” by Rhonda Parrish

“Scarecrow Hangs” by Jane Yolen

“Kakashi & Crow” by Megan Fennell

“The Roofnight” by Amanda C. Davis

“Skin Map” by Kim Goldberg

“A Fist Full of Straw” by Kristina Wojtaszek

“Judge & Jury” by Laura VanArendonk Baugh

“Waking from His Master’s Dream” by Katherine Marzinsky

“The Straw Samurai” by Andrew Bud Adams

“Black Birds” by Laura Blackwood

“Edith and I” by Virginia Carraway Stark

“Scarecrow Progressions (Rubber Duck Remix)” by Sara Puls

“Truth About Crows” by Craig Pay

“Two Steps Forward” by Holly Schofield

“Only the Land Remembers” by Amanda Block

“If I Only Had an Autogenic Cognitive Decision Matrix” by Scott Burtness

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 RELEASE DATE: August 4, 2015

SERIES: Rhonda Parrish’s Magical Menageries

Official URL:
https://www.worldweaverpress.com/scarecrow.html

Direct library or bulk purchase available through World Weaver Press (contact publisher@worldweaverpress.com for rates).

BIOS

ANTHOLOGIST BIO: 

Rhonda Parrish is driven by a desire to do All The Things. She has been the publisher and editor-in-chief of Niteblade Magazine for nearly eight years now (which is like forever in internet time) and is the editor of several anthologies including Fae, Corvidae, Scarecrow, and B is for Broken. In addition, Rhonda is a writer whose work has been in dozens of publications like Tesseracts 17: Speculating Canada from Coast to Coast, Imaginarium: The Best Canadian Speculative Writing (2012) and Mythic Delirium. Her website, updated weekly, is at rhondaparrish.com.

CONTRIBUTOR BIOS:

Andrew Bud Adams was raised by spider-men and turtle ninjas and ronin rabbits, who are now helping raise his own children. “The Straw Samurai,” inspired by them and the Japanese folk tale “The Tengu’s Magic Cloak,” is one of his first published retellings. When not wandering between fantasy villages or teaching college writing, he can be found on Twitter @andrewbudadams.

Whenever grownups asked young Laura Blackwood what she wanted to be when she grew up, she said “Published!” That dream finally came true—Black Birds is her first story to see print. Laura currently lives and works in Edmonton, Alberta, and tinkers with many more writing projects than is considered wise or healthy.

Amanda Block is a writer and ghostwriter based in Edinburgh, UK. A graduate of the Creative Writing Masters at the University of Edinburgh, she is often inspired by myths and fairy tales, frequently using them as a starting point to tell other stories. Amanda’s work has been featured in anthologies such as Modern Grimmoire, Stories for Homes, and World Weaver Press’ Fae. She has been shortlisted for the Bridport Prize and the Chapter One Promotions Short Story Competition. Amanda is currently working on her first novel. She can be found online at amandawritersblock.blogspot.co.uk.

Scott Burtness lives in Minnesota with his wife, Liz and their English Staffordshire-Boxer, Frank. He has it on good authority that he possesses all of the requisite parts to be considered human, and sincerely believes he’s taller when measured with the metric system. Scott’s debut novel, WISCONSIN VAMP, is available on Amazon.com. When not writing horror-comedy romps or sci-fi adventures, Scott enjoys bowling, karaoke, craft brews and afternoon naps. Follow him on Twitter (@SWBauthor). Don’t follow him down dark alleys.

Amanda C. Davis has an engineering degree and a fondness for baking, gardening, and low-budget horror films. Her work has appeared in Crossed Genres, InterGalactic Medicine Show, and others. She tweets enthusiastically as @davisac1. You can find out more about her and read more of her work at amandacdavis.com. Her collection of retold fairy tales with Megan Engelhardt, Wolves and Witches, is available from World Weaver Press.

Megan Fennell is a court clerk, cat owner, and writer of strange tales, currently living and working in Lethbridge, Alberta. Although loving magpies to the point of having two of them tattooed on her, it was the Danish myth of the Valravn that held her corvid-like attention span for this anthology. Her stories can also be found in Wrestling with Gods: Tesseracts 18, Tesseracts 17, OnSpec Magazine, and the charity anthology Help: Twelve Tales of Healing.

Kim Goldberg is an award-winning writer and author of six books. She is a winner of the Rannu Fund Poetry Prize for Speculative Literature and other distinctions. Her speculative tales and poems have appeared in numerous magazines and anthologies including Tesseracts 11, Zahir Tales, On Spec, Urban Green Man, Dark Mountain, Imaginarium, Here Be Monsters, Switched On Gutenberg and elsewhere. Her seventh book, Refugium, about people living with electrosensitivity, will be released in 2015. She lives in Nanaimo, BC, and online at PigSquashPress.com.

Katherine Marzinsky is a writer and student currently residing in New Jersey. She attends Kean University, where she is working toward an undergraduate degree with a major in English and a minor in Spanish. Her previous work has appeared in Asimov’s Science Fiction Magazine, A Cappella Zoo, Cease, Cows, and The Inanimates I story anthology.

Craig Pay is a short story author and novelist. He writes speculative fiction (usually). His short stories have appeared with a number of different magazines and anthologies. He is represented by John Jarrold. Craig runs the successful Manchester Speculative Fiction writers’ group. He enjoys Chinese martial arts and many other hobbies. You can visit him at craigpay.com.

Sara Puls spends most of her time lawyering, researching, writing, and editing. Her dreams frequently involve strange mash-ups of typography, fairy creatures, courtrooms, and blood. Sara’s stories have been published in Daily Science Fiction, The Future Fire, GigaNotoSaurus, Penumbra, World Weaver Press’s Fae anthology, and elsewhere. She also co-edits Scigentasy, a gender- and identity-focused spec fic zine. On Twitter, she is @sarapuls.

Holly Schofield’s work has appeared in many publications including Lightspeed, Crossed Genres, and Tesseracts. For more of her work, see hollyschofield.wordpress.com.

Virginia Carraway Stark started her writing career with three successful screenplays and went on to write speculative fiction as well as writing plays and for various blogs. She has written for several anthologies and three novels as well. Her novel, Dalton’s Daughter is available now through Amazon and Starklight Press. Detachment’s Daughter and Carnival Fun are coming later this year. You can find her on Twitter @tweetsbyvc, on Facebook Facebook.com/virginiacarrawaystark.

Laura VanArendonk Baugh was born at a very early age and never looked back. She overcame childhood deficiencies of having been born without teeth or developed motor skills, and by the time she matured into a recognizable adult she had become a behavior analyst, an internationally-recognized animal trainer, a costumer/cosplayer, a dark chocolate addict, and a Pushcart Prize-nominated author with a following for her folklore-based stories and speculative fiction. Find her at LauraVanArendonkBaugh.com.

Kristina Wojtaszek grew up as a woodland sprite and mermaid, playing around the shores of Lake Michigan. At any given time she could be found with live snakes tangled in her hair and worn out shoes filled with sand. She earned a bachelor’s degree in Wildlife Management as an excuse to spend her days lost in the woods with a book in hand. Now a mother of two little tricksters and their menagerie of small beasts, she continues to conjure bits of fantasy during the rare spell of silence. Her fairy tales, ghost stories, poems and YA fiction have been published by World Weaver Press (Opal, Fae, and Specter Spectacular), Far Off Places and Sucker Literary Magazine. Follow her @KristinaWojtasz or on her blog, Twice Upon a Time.

Mr. Yegpie the magpie, tweets as @YegMagpie on Twitter

Jane Yolen, often called “the Hans Christian Andersen of America”(Newsweek) is the author of well over 350 books, including OWL MOON, THE DEVIL’S ARITHMETIC, and HOW DO DINOSAURS SAY GOODNIGHT. Her books and stories have won an assortment of awards—two Nebulas, a World Fantasy Award, a Caldecott, the Golden Kite Award, three Mythopoeic awards, two Christopher Medals, a nomination for the National Book Award, and the Jewish Book Award, among many others. She has been nominated three times for the Pushcart Prize in Poetry. She is also the winner (for body of work) of the World Fantasy Assn. Lifetime Achievement Award, Science Fiction Poetry Association Grand Master Award, Catholic Library’s Regina Medal, Kerlan Medal from the University of Minnesota, the du Grummond Medal from Un. of Southern Missisippi, the Smith College Alumnae Medal, and New England Pubic Radio Arts and Humanities Award . Six colleges and universities have given her honorary doctorates. Her website is: http://www.janeyolen.com.

CORVIDAE BLOG TOUR – Rhonda Parrish…

July 23, 2015
mandyevebarnett


As part of a blog tour, I am interviewing the authors and the editor/anthologist involved in the project anthology, Corvidae. Published through World Weaver Press. This will post as I am on vacation….Today I launch with the Pulbisher: Rhonda Parrish.

CORVIDAE-cover-

A flock of shiny stories!

Associated with life and death, disease and luck, corvids have long captured mankind’s attention, showing up in mythology as the companions or manifestations of deities, and starring in stories from Aesop to Poe and beyond.

In Corvidae birds are born of blood and pain, trickster ravens live up to their names, magpies take human form, blue jays battle evil forces, and choughs become prisoners of war. These stories will take you to the Great War, research facilities, frozen mountaintops, steam-powered worlds, remote forest homes, and deep into fairy tales. One thing is for certain, after reading this anthology, you’ll never look the same way at the corvid outside your window.

EXCERPTS:

See additional document in the PRESS KIT folder.

CONTENTS:

Edited by Rhonda Parrish

“Introduction” by Rhonda Parrish

“A Murder of Crows” by Jane Yolen

“Whistles and Trills” by Kat Otis

“The Valravn” by Megan Fennell

“A Mischief of Seven” by Leslie Van Zwol

“Visiting Hours” by Michael S. Pack

“The Rookery of Sainte-Mère-Église” by Tim Deal

“The Cruelest Team Will Win” by Mike Allen

“What Is Owed” by C.S.E. Cooney

“Raven No More” by Adria Laycraft

“The Tell-Tale Heart of Existence” by Michael M. Rader

“Sanctuary” by Laura VanArendonk Baugh

“Knife Collection, Blood Museum, Birds (Scarecrow Remix)” by Sara Puls

“Flying the Coop” by M.L.D. Curelas

“Postcards from the Abyss” by Jane Yolen

“Bazyli Conjures a Blackbird” by Mark Rapacz

“Seven for a Secret” by Megan Engelhardt

“Flight” by Angela Slatter

BOOK LISTING DETAILS

SERIES:

Rhonda Parrish’s Magical Menageries

ISBNs

Trade Paperback:

ISBN-13: 978-0692430217

ISBN-10: 0692430210

Official page:
https://www.worldweaverpress.com/corvidae.html

ANTHOLOGIST BIO:

Rhonda parrish

Rhonda Parrish is driven by a desire to do All The Things. She has been the publisher and editor-in-chief of Niteblade Magazine for nearly eight years now (which is like forever in internet time) and is the editor of several anthologies including Fae and B is for Broken. In addition, Rhonda is a writer whose work has been in dozens of publications like Tesseracts 17: Speculating Canada from Coast to Coast, Imaginarium: The Best Canadian Speculative Writing (2012) and Mythic Delirium. Her website, updated weekly, is at rhondaparrish.com.

What do you enjoy most about writing?

Sharing stories. I really like creating characters and scenarios and worlds and then sharing them with other people. It’s even better when the people I’m sharing with enjoy the story as much as I did and tell me so–I am not without an ego LOL

What do you enjoy most about editing?

I love coming up with a theme and then seeing all the amazing ways writers explore that theme. They always, always, always come up with things I never would have ever dreamed of. I also really enjoy working with writers to help make their amazing stories even stronger. It’s incredibly fulfilling to have someone trust you with their work and walk away feeling as though you not only justified that trust, but helped them make the story better. I will never get tired of that.

Is there one subject you would never write about as an author? What is it?

Um. No. I don’t think so.

What book are you reading now?

I just finished At the Water’s Edge: A Novel by Sara Gruen which was well-written and kept me up late turning the pages, and began reading The Toyminator by Robert Rankin. The Toyminator is the sequel to The Hollow Chocolate Bunnies of the Apocalypse which I really liked so I have high expectations for it J

Do you see writing as a career? 

Absolutely. Writing and editing both, actually. Happily for me they work very well together and each feeds the other. What I mean is being an editor has definitely improved my writing, and being a writer has helped me as an editor. Win/win. If only I could turn off my inner editor while I’m writing first drafts…

Do you nibble as you write? If so what’s your favorite snack food?

Mostly I drink, and not what you’re thinking either LOL While I’m happy to indulge in an alcoholic drink or three sometimes in the evening I never drink alcohol when I’m writing. I don’t have a moral objection to it or anything, mostly the timelines don’t line up. Alcohol is an ‘in the evening’ thing and writing is a ‘during the day’ thing. However, when I’m writing there’s usually a Diet Dr. Pepper within reach or, if my focus has been especially lacking, sometimes a Red Bull.

Where do you see yourself in ten years?

Probably right here… though hopefully with a few more titles on my ego shelf LOL I don’t know if I’ll still be editing Rhonda Parrish’s Magical Menageries anthology series ten years from now (though you never know LOL) but I’d definitely still like to be both writing and editing. Bonus marks for myself if I’ve got a couple/few novels out as well J

Is there anything you find particularly challenging in your writing? 

The first draft. Seriously. Oftentimes I get so twisted up in my own head that I become paralyzed and don’t write anything. It’s a serious problem. I’ve found tools for working around it and my strategy is basically ‘Do whatever you need to to get the words on the page’ but still… first drafts kick my butt every time.

What is your favorite book?

My favourite books (this week) are The Last Unicorn by Peter S. Beagle and The Ocean at the End of the Lane by Neil Gaiman but there are so many beautifully-written books and stories out there.

Why an anthology about corvids?

I’ve always loved corvids, their intelligence, beauty, playfulness… Once upon a time I wanted to write a single author collection of corvid stories but as time went on and I realised how many other people shared my love of all things corvidae I thought it would be even cooler to make an anthology.

Why scarecrows?

Scarecrows go with corvids like butter goes with popcorn. How could I not have a companion anthology to go with the corvidae? Besides, I’ve got a great deal of love for scarecrows–they hit exactly the right spot on the uncanny spectrum for me.

What genre is your next project? What is it about?

My next title in this anthology series is going to be Sirens (opening to submissions August 15th). Like the other anthologies in this series it will be speculative fiction, probably leaning closer to fantasy than science fiction given the subject matter, but you never know…

CORVIDAE, praise

“Smart and dark like the corvids themselves, this excellent collection of stories and poems will bring you a murder of chills, a tiding of intrigue, a band of the fantastic, and—most of all—an unkindness of sleepy mornings after you’ve stayed up too late reading it!”

— Karen Dudley, author of Kraken Bake

“Magic and corvids collide in this certain to intrigue anthology.”

— Joshua Klein, hacker and inventor of the crow vending machine

“A creepy, crazy kaleidoscope of corvids, Corvidae is what happens when you bring together ingenious writers and sagacious subjects. It’s nothing short of a thrill ride when this anthology takes flight.”

— Susan G. Friedman, Ph. D., Utah State University; behaviorworks.org.

“As sparkling and varied as a corvid’s hoard of treasures, Corvidae is by turns playful and somber, menacing and mischievous. From fairy tale to steampunk adventure, from field of war to scene of crime, these magical birds will take you to places beyond your wildest imaginings.”

— Jennifer Crow, poet and corvid-by-marriage

Corvidae evokes the majesty and mischief of corvid mythologies worldwide—and beyond our world—in a collection that is fresh and thoroughly enjoyable.”

— Beth Cato, author of The Clockwork Dagger

Praise for the series RHONDA PARRISH’S MAGICAL MENAGERIE

“Delightfully refreshing! I should have known that editor Parrish (who also edits the cutting edge horror zine, Niteblade) would want to offer something quite unique. I found it difficult to stop reading as one story ended and another began – all fantastic work by gifted writers. Not for the faint of heart, by any means.”

— Marge Simon, multiple Bram Stoker® winner

“Stories of magical beings and the humans they encounter will enthrall and enlighten the reader about both the mundane and the otherworldly. I devoured it.”

— Kate Wolford, editor of Beyond the Glass Slipper, editor and publisher of Enchanted Conversation: A Fairy Tale Magazine

“Seventeen tales… range in feel from horror to upbeat tales about homes where things go right, and are set everywhere from the modern day to mythical fantasy pasts. The best of these stories evoke things from real life – loves and values – and show characters making hard choices that reveal who they are and what they’re made of.”

— Tangent

“There’s no Disney-esque flutter and glitter to be found here — but there are chills and thrills aplenty.”

— Mike Allen, author of Unseaming and editor of Clockwork Phoenix

Authors to look out for are:

Laura VanArendonk, Angela Slatter, Mark Rapacz, Michael M. Rader, Sara Puls, Kat Otis, Adria Laycraft, L.D. Curelas, Megan Engelhardt, Tim Deal, C.S.E. Cooney, Mike Allen, Michael S. Pack, Jane Yolen, Megan Fennell, Leslie Van Zwol, Scott Burtness, Kristina Wojtaszek.

Cantankerous Characters…

September 2, 2013
mandyevebarnett


Cantankerous – definition: disagreeable to deal with; contentious Grumpy 2 Who recognizes this grumpy character? He optimizes grumpiness. Snow White and the Seven Dwarfs was released in 1937 and was the first full-length animated feature film to be made in Technicolor. It was actually based on “Snow White” published by The Brothers Grimm in 1812 in the first edition of their collection Grimms’ Fairy Tales. The German title was Sneewittchen but numbered as Tale 53. The Grimms completed their final revision of the story in 1854. An interesting fact is that the dwarfs were given names in the Broadway play in 1912 even though in Grimm’s version they did not have names at all. These names changed for the 1937 movie. The 1912 names were Blick, Flick, Glick, Plick, Quee, Snick and Whick changing to Bashful, Doc, Dopey, Grumpy, Happy, Sleepy and Sneezy in 1937.  Whose is/was your favorite?   776px-Franz_Jüttner_Schneewittchen_3 Have you written a cantankerous character? Did you have any difficulties writing them?

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