As we come to terms with the increases in COVID19 cases, a resurgence that was inevitable unfortunately. We can still find solace in reading stories. Our choices can be a variety depending on our state of mind. These are some of the benefits of reading.
Reading as an escape – we can forget the ‘real’ world and ‘live’ in a fantasy, a thriller, a romance. Or we can plunge into a ‘end of world’ tale, that is far worse than what we are experiencing. It is personal choice.
Reading helps you sleep better – to be immersed in a story – preferably with no backlight to activate our brains – the act of reading settles our mind, gives us focus on a make believe world. It also rests our minds and contributes to a relaxation that enables us to sleep.
Reading makes us more compassionate to others as well as ourselves. A new perspective on the world makes us empathetic and give us new understanding of those around us. Perception of how others react to the social situation increases our awareness.
Reading for stress relief – to have our minds concentrating on something other than the constant flood of ‘news’, we are able to physically and mentally relax. This in turn has a physical consequence of lowering our blood pressure and heart rate and reducing the ‘fear’ hormone.
What have you found to be your genre of choice during COVID19?
As I am participating in National Novel Writing Month my reading time will be reduced. However, I am enjoying this novel. It is a clever device to inform the reader of the consequences of current decisions in the ‘management’ of water sources. Set in the future by way of diary entries, we come to see what may happen.
I also bought a couple of books that will be research for my NaNo project, which is a detective trilogy.
1. Can you tell us why you chose science fiction & fantasy as a genre?
I think it kind of chose me. I have two older brothers, both of whom read it, so those were the books that were around the house. The first one I remember is Robert Silverberg’s Revolt on Alpha C, his first novel, written when he was nineteen. I was hooked, and read everything I could get my hands on. When I was eleven, I wrote my first complete short story, “Kastra Glazz: Hypership Test Pilot.” My course was clearly set.
What has always appealed to me about science fiction and fantasy is the unlimited opportunity it provides to give your imagination free reign. Every other genre seems sadly limited once you’ve experienced that freedom.
2. You have a series called The Worldshaper Series. Can you tell us how you got the initial idea?
I wanted a book series that could be open ended and that would allow me to tell any kind of story I wanted, in any kind of world, but with the same characters. My inspiration was Doctor Who, the greatest storytelling conceit ever: you can tell any story within that framework, anywhere in time or space.
My version: a series of worlds which are consciously Shaped by individuals who then live within those worlds, rather like authors living inside the books they’ve written. The worlds can run the gamut from fantasy-inspired to science fictional to historical to purely whimsical. So far, I’ve had a world much like ours, one inspired by Jules Verne, and one featuring werewolves and vampires!
3. Will there be another book in the series?
I hope so. If DAW Books decides not to continue the series, I’ll likely continue it myself and publish it through my own Shadowpaw Press. Book 4 is sketched out, so I’m ready to go!
4. Which character(s) do you like the best in this series?
Shawna Keys. She’s the first-person narrator of the bulk of the story, and she’s my opportunity to indulge in my own geeky sense of humour. She’s great fun to write.
5. Where can we purchase these books?
Everywhere! DAW Books is distributed by Penguin Random House, so anyone who sells books will either have or can order the Worldshapers novels. For autographed copies, you can go to my online store, www.edwardwillettshop.com. (I don’t have The Moonlit World yet, though, because of distribution issues related to Covid-19.)
6. Do you think the cover art plays a important role?
Absolutely. DAW books always have great covers, and the Worldshapers books are no exception. The artist, Juliana Kolesova, has used the same model on each cover. Since she’s based in Toronto, I wonder if the next time I’m there I might see Shawna Keys walking down the street!
8. You also write short stories, how is the process difference from writing a novel for you?
Short stories are typically more limited in time and space—but not necessarily. Really, the difference is the length, and in the amount of worldbuilding detail you can cram in. I’ve written relatively few short stories. I think I’m much more a novelist at heart.
9. How many books have you written?
Something over twenty novels and more than sixty in total, counting non-fiction.
10. How many anthologies have you contributed to?
A half-dozen or so.
11. You also write non-fiction – how is the process different from writing fiction?
I don’t get to make up stuff. Or, at least, not as much stuff. More research. Less dialogue. More footnotes.
12. How do you chose your non-fiction topics?
I usually don’t. Publishers or clients looking for a writer approach me and ask if I’d be willing to take on a specific topic. I almost always say yes!
13. You have also written under the name E.C. Blake and Lee Arthur Chane – can you share why?
Marketing reasons. My first books for DAW were science fiction (Lost in Translation, and the two books of what was later called The Helix War: Marseguro and Terra Insegura). They wanted me to try my hand at fantasy, which was selling better at the time, and suggested I use a new name because of the genre change and to attract new readers. So, for Magebane, a fat stand-alone fantasy, I became Lee Arthur Chane (the middle names of my two older brothers, Jimmy Lee Willett and Dwight Arthur Willett, and myself, Edward Chane Willett). Then I kind of switched genres again: the Masks of Aygrima trilogy was essentially YA fantasy, with a fifteen-year-old female protagonist. E.C. Blake wrote those. Then I returned to science fiction and to my own name with The Cityborn and the Worldshapers books. I’ve only used the pseudonyms with DAW so far—my novels with other publishers are all under my own name—but E.C. Blake may have a new one coming out soon from my own Shadowpaw Press, called Blue Fire.
14. Where can readers find your books?
As noted earlier, my DAW Books are readily available through any bookstore. Check out my page on Amazon, as well.
You can also find the books I’ve published through Shadowpaw Press at shadowpawpress.com. You can order print books directly from there, and download ebooks directly from there, as well.
Speaking of Shadowpaw Press, it’s just released the ebook of a major new anthology that I edited, with the print version to follow in mid-November.
Shapers of Worlds features short fiction by authors who were guests during the first year of my Aurora Award-winning podcast, The Worldshapers, where I interview other science fiction and fantasy authors about the creative process.
I Kickstarted the anthology earlier this year. It features new fiction from Seanan McGuire, Tanya Huff, David Weber, L.E. Modesitt, Jr., D.J. Butler, Christopher Ruocchio, John C. Wright, Shelley Adina, and me, plus reprints from John Scalzi, David Brin, Joe Haldeman, Julie E. Czerneda, Fonda Lee, Dr. Charles E. Gannon, Gareth L. Powell, Derek Künsken, and Thoraiya Dyer. That list includes international bestsellers, plus winners of and nominees for every major award in science fiction and fantasy, so I’m very excited about it!
15. How can readers connect with you online?
I’m on Twitter @ewillett, on Facebook @edward.willett, and on Instagram @edwardwillettauthor.
Short stories have always been a way for me to test the waters of genres and styles that I’m interested in but may not necessarily be ready to write a full novel in. I’ve used it to release things like pure science fiction or perfect prose-style writing, and I’ve had a lot of fun doing it. It really lets me stretch my legs.
2. Does writing short stories need a separate kind of skill set than full length manuscripts? What is the difference?
For sure. The biggest and most obvious difference is that you as a writer have very little time to get the entire message of the story across. Whereas a novel will let you build characters and settings, you need to be quick and to the point with what you’re telling in a short story. I started with micro-fiction, and studying things like Twitter for ideas on how to slam a story home in a small number of words. I’m still not an expert, but the experience has been invaluable.
3. Have any of your ‘shorts’ become full length novels?
No, nothing like that. I’ve actually had the opposite problem where I take a story idea I’ve had and convert it to a short story in order to tell the tale I wanted to tell as quickly and succinctly as possible.
The first story in my new book is called ‘A Conversation: Alive Again’, and it tells the origins of Nixon Ash, the imposing Scottish phoenix-man first introduced in my ‘Catching Hell’ duology. Originally I wanted Nixon’s origins to be its own book. I had it plotted out and ready to get started on. However, as I started writing the stories that went into this collection I realized that Alive Again fit so well into the style and structure I had laid out, so I converted it and came up with a way to tell that same story in significantly less pages. Nixon is interesting enough that he can carry that kind of story and tell what needs to be told without a hundred thousand words.
Between Conversations: Tales From the World of Ryuujin is live! Coming September 25th
4. What drew you to fantasy & science fiction writing?
It was the ability to create whatever I wanted. The freedom to tell a story and the only limits were my imagination. I don’t consider myself skilled enough to write the kind of deep, intriguing stories that win Pulitzers, and I’m totally alright with that as well. It’s not who I am. But I can just jump right into an epic fantasy with magic flying around everywhere, or the endless possibilities of technology or the universe, or both combined! I’m not limited, and that is a very satisfying way to write.
5. When writing the Catching Hell series did you plan the two books prior to writing, or did they emerge later?
It came after it was finished. When I pulled my head up from my keyboard and looked at what I had created, it was 225k words long. Impressive, but wholly impractical when it comes to marketing or trying to get picked up by a publisher or agent. Someone early on said I should consider making it a duology. I resisted the idea for a while, but realized they were right. I found a very natural split about half way through, tweaked some of the story, and added the prologue to Part 2, and that’s how it was born. One day I may rejig it again and make it one big book, but that’s the kind of thing we dream about and likely never do.
6. Do you have a favorite character – and why?
Although I think Nixon has the most potential as a character, who can shapeshift and summon fire and have a sense of humor, (not to mention the masochistic joy I get from trying to write a Scottish brogue) my favorite will always be Crystal Kokouo, who is a main character in Catching Hell but who has circulated through my ideas since I was a teenager. She’s an infinitely powerful woman who was one of the first people born into a damaged and destroyed world. Her father was a great man and hero to millions, and she has always tried to achieve the goals he never had the chance to complete and that pressure has molded her into what she is now. There’s a level of complexity with her that the casual reader misses because they only know her from the one story. There’s a depth there that I can’t wait to let the world see, but it will take time.
7. Where is your favorite place to write?
At my desk in my office at work. I write best surrounded by the low thrum of business and work going on all around me. I can’t work at home because there’s a million things I’d rather be doing if I’m there. At lunch, at my desk in my little cubicle there’s nothing to distract me, and I can spend 45 minutes to an hour just off in my own little world.
8. What is your usual writing procedure – planner or panster?
Pants! Pants pants pants, all day long.
I don’t go through the steps I know some authors do, where they lay out pages of plot details and character sheets and all of that. Not that there’s anything wrong with that, but I let a story grow organically. I start with an idea of who everyone is, and I always know where I’m going, but I don’t always know how I’ll get there. It’s worked to my detriment, as shown with my 225k epic that was so large it needed to be cut in half, but its work to my advantage as well. My debut novel Death Dresses Poorly was smashed out very quickly because I had that general idea in my head right away, but when the comedy and heart started popping up unexpectedly I was just as surprised as anyone else. I still like to go back and re-read parts of it just to get that feeling back that I had when I first wrote it. I see a line and I remember coming up with it and the happiness I felt at making something I personally enjoyed so much.
9. Can you tell us about your new release(s)?
I would love to! My newest book is called ‘Between Conversations: Tales From the World of Ryuujin’. It is a collection of nine short stories (though calling some of them ‘short’ is a bit of a stretch. There’s some whoppers in there I admit) that take place in the same world as Catching Hell, however those books are in no way required reading to enjoy this collection. They all stand on their own.
The stories are a wide range of genres, going back to what I was saying about trying new things. There’s a pure-horror story, a YA-style adventure, a bar scene I like to call Tarentino-esque, a historical fantasy. It’s just all over the place, held together by the collective structure of the world. The stories are told chronologically, from the 1600s up to thousands of years into the future. I really want the reader to see the amount of fun I had putting this together.
10. Do you have a message for your readers?
I sure do: this is a crazy time where we are constantly inundated with news and scenes and images that shake our collective mental health. I don’t say this to sell my books or the work of my contemporaries, but when this world has you worse for wear, pick up a book and read. Escape for 5 minutes to someplace, or learn about something that interests you. Escape, and don’t feel bad about doing it.
Or, forget the book and garden, or go for a hike, or find your zen away from the things that are getting to you. Separating ourselves from the cacophony has never been more important than it is today. My motto is “Be a hero”, and that doesn’t just mean to other people. Be a hero to yourself as well.
Marc Watson is an author of genre fiction (primarily Fantasy and Science Fiction of all lengths). He began writing at the age of 15 with a pen and paper, and has never really stopped, even though until recently it was more of a background to him than his defining trait. He has been published on flash fiction site www.101words.org, as well as comedy site www.thecorrectness.com. Marc has been a student of the excellent writing classes at Athabasca University for a number of years.
Marc lives in Calgary, Alberta, and was spawned out of the depths of Southern Ontario. A husband, proud father of two, and can be sometimes found at an actual job. Marc is an avid outdoorsman, martial artist of some high repute, baseball player of very little repute, and lover of all Mexican foods. One day ‘World Famous Poutine Aficionado’ will be on his business cards.
You can also find Marc on Facebook at www.facebook.com/marcwroteabook, and on twitter at @writewatson. For public appearances and interviews, he is proudly represented by Creative Edge Publicity.
Both my series actually started as stand-alones! Most of my projects begin as single novels and then I realize the story either has much more to be told (in the case of Nel Bently) or it needs a lot more room (Blood of Titans). I love slow-burn, complex stories, both when reading and writing, so I think I naturally gravitate toward characters and tales that won’t let me go easily.
You have two genres – sci-fi and fantasy. re both equally important to you? If so why.
My writing process and the pacing between the two genres vary wildly and I’m usually working on one tale in each genre at any given point. I don’t really have a favourite, though I think writing fantasy might come easier, as that’s where I started professionally writing. Science fiction, for me, is about hope and road-maps to those futures (even if they’re a bit dark too) and I need that to balance out the drama and scope of my fantasy worlds. Writing any genre, though, is about finding the truth of that particular story.
Where do you get your inspiration?
For Nel, a lot of the inspiration understandably comes from my day job as an archaeologist, though Nel started on academic sites and I do contract work. So many of the unique places I end up and the wonderful and bizarre people I meet inspire my settings and characters. I’m also a huge “what if” person and enjoy lots of solitude and instrumental music to rattle around in my mental card catalogue.
How long does it take you to write your first draft of an idea?
Since my process differs from genre to genre, it really depends on the project! With sci-fi it’s about four months and fantasy eight–the first half I spend dawdling and the second racing my deadline and speed writing. When not on deadline, though, I like to languish in my worlds. I’ll spend over a year fiddling with ideas outside of my main project. Once those ideas are promoted I usually have about 20% of what will be the final book (and many, many typos!).
How much plotting do you do for each series?
A huge amount. I tend to be a very organized writer, in part to make order of my disorganized internal world. When I’m doing in depth revisions on a novel, I have the outline of the next book or series overview open and I’ll jot down key things that need to be paid off, or little cameos I want to include. Many main series events or character arcs are laid out by the time I’ve finished the first book in a series, even if I don’t know exactly how we’ll get there yet. That said, I re-outline at the mid point in my drafting and again at the end, so while I have to have it organized, the content itself is subject to change!
Where is your favourite place to write?
While traveling! I enjoy writing on planes and trains and ferries! Movement helps me think, and a lot of my plot knots are worked out on my long commutes to project areas (don’t worry, I use voice-to-text to keep track while driving!) But honestly, nothing really beats my own desk in the early morning. It’s such a sanctuary for me.
If you were one of your characters, which one would you choose and why?
This is tough–mostly because I know what they’ll have to endure! But I think I’d choose to be Firas (Blood of Titans: Restored), the fun-loving bartender from the slums and love interest for the nation’s mercurial, not-quite-human king. I love his bar and sense of community, not to mention his dancing skills are fantastic! I also adore Azimir, but honestly, I’d just like to have him as a best friend. Everyone needs an Azimir in their life.
You are an advocate for disabled and queer representation in your work. May we ask what prefaced that decision?
Short answer is, of course, why wouldn’t I? I wanted to write characters, who are like myself–I’m gender queer, pansexual, and disabled. Growing up, especially as a teen, it was really hard to find books with characters, who loved and felt the way I do. Queer representation is something that is necessary for our communities and so much of it is tragic or stereotypes, or written for the straight, cis gaze. I wanted to actually write our stories from within. Then, five years ago I discovered that my “aches and pains” were actually a degenerative autoimmune condition that attacks my connective tissue. My way of navigating the world has changed drastically since then, but nothing sparks the imagination like being limited. I aim to write worlds and characters to show all we can do, rather than fall back on harmful tropes. Fiction, especially SFF, is a perfect medium for exploring how we want our world to look and how to make it more accessible and accepting.
Tell us about your new releases.
My newest release is Blood and Mercy, the final book in Blood of Titans: Restored. It follows two main characters: Rih, a Deaf former soldier plotting rebellion and Keplan a queer, teenaged god. Both face a political marriage and the aftermath of a divine war. He hopes the world ends, she prays it doesn’t.
My next sci-fi release is this October, Covid-willing, and will be the fourth Nel Bently book, Heretics. Nel and her space-girlfriend, Lin, embark on a global mission of connect-the-dots searching for the victims of a deadly radio transmission. Without answers, Nel’s own mother–and the few communities clinging to life–will be next.
How can readers contact you?
You can check out my website, www.vsholmes.com, and grab a free sci-fi or fantasy short to see if you like my work, read my FAQ, and send me an email. Plus, if you become an Explorer you’ll get exclusive updates, free books, and more. Of course, I’m also on various social media.
What social media sites are you on?
I’m most active and candid on Twitter and Instagram @VS_Holmes (if you don’t mind the occasional picture of bugs and bones.) I’m also on Facebook, Bookbub, and Goodreads.
Do you have a message for your readers?
I hope you enjoy reading my worlds and characters as much as I enjoy creating them, and I hope you’ve found someone in my work who speaks to you, or a tiny dream and the strength to hold fast.
V.S. Holmes is an international bestselling author. They created the REFORGED series and the NEL BENTLY BOOKS. Smoke and Rain, the first book in their fantasy quartet, won New Apple Literary’s Excellence in Independent Publishing Award in 2015 and a Literary Titan Gold Award in 2020.
When not writing, they work as a contract archaeologist throughout the northeastern U.S. They live in a Tiny House with their spouse, a fellow archaeologist, their not-so-tiny dog, and own too many books for such a small abode. As a disabled and queer human, they work as an advocate and educator for representation in SFF worlds.
What attracted you to write Fantasy/Sci-fi? Did you choose it or the other way around?
I’ve always had a soft spot for Fantasy and Sci-fi, because that’s what I grew up reading, for the most part. I still read a little bit of almost everything, but these two genres captured my heart even more when I started writing in them. I’m not sure which one of us did the choosing, but I’d say we make a pretty great pair when all things are said and done.
My favorite part about writing Fantasy is the fact that I can take what I like from reality, get rid of everything else (within sub-genre tropes, of course), and replace it with something completely new, magical, dark, mysterious, and complicated enough that it provides a rich world yet simple enough that I can keep it all straight in my head. Sci-fi is a bit harder. For me, it requires a lot more research too, which I really just don’t enjoy. But it’s not enough of a pain to keep me from writing it. And that’s the part I like about it—plus the fact that I can change a few things (particularly with Dystopian Sci-Fi) about reality and augment them, so to speak, to create the types of stories that reflect what’s happening in the world while putting my own special spin on it.
What inspires you to write your stories? Where does inspiration come from?
Literally everything. Sometimes I get a spark from a dream or a movie clip, a song, a conversation with my kid. Sometimes I read a book that touches on an idea and then I start thinking about how I could expand upon it and make it my own. Sometimes, when I’m at the crossroads of taking a story down one road or the other, I’ll pick one, and the other one gets turned into a different story. Sometimes I keep writing without any inspiration at all, and the story inspires itself.
Do you prefer to write a series rather than a stand-a-lone novel?
All of my series so far were originally intended to be standalone novels. Until I got to what I thought was the end and realized I just wasn’t finished. The Blue Helix series, though, is the only series where each book can be read on its own without having read the previous books in the series. But I think they’re better if they’re read in order 😉
Right now, I’m almost finished with the first book in an actually planned series of five and a quarter of the way through another planned trilogy. That’s definitely a different process, and I’m excited to see how the results of planning series ahead of time differ from… well, not planning it at all.
Are you a plotter or a panster?
I’m a plantser—I do both. I used to be all pantser all the way until I started ghostwriting fiction in addition to writing my own stories. Then I started writing up beats for contracted novels, and I discovered that there’s definition something to be said for writing a loose “summary” of 5-10k words (depending on books length) before I dive into the writing the actual story. I don’t get stuck with where I’m headed, and that helps me write a lot faster. Somehow, though, I’ve never quite been able to stomach chapter-by-chapter outlines or intense character sketches before writing the book. In my mind, there is such a thing as doing toomuch work before the fun begins. If my plotting gets any more detailed than a few thousand words of beats, I lose interest. 80% of the fun is surprising myself with how to fill in all the blank space after finishing the beats. It’s like a giant puzzle that I get to create and fit together at the same time.
Can you tell us about your newest book? The characters and their journey.
My newest book, Sleepwater Static, is the second book in my LGBTQ Dystopian Sci-Fi Blue Helix series. This was a monster of a book to write and tackle, just like its prequel, because there was so much I wanted to say through the characters’ journey and the continuing storyline in general. And there was much potential for saying the right thing in the wrong way that I really had to pay attention to how I was writing the story and especially how I was representing different minority groups and marginalized communities through this huge cast of characters.
Sleepwater Beat focused on Leo Tieffler as the main character, and Sleepwater Static focuses on Bernadette Manney—a seventy-one-year-old white woman from South Carolina who fits a sort of “tough and uncrackable matriarch” role within the group of people called Sleepwater with the storytelling ability of “spinning a beat”. Bernadette really fascinated me in the first book, and she was the perfect character to dive into for the second in order to approach the other sociopolitical topics I wanted to explore while still making this a fantastic story with characters readers had already come to love and a whole cast of new ones.
Bernadette grew up in the South, found her independence and her freedom through standing up for what she believed in, created a family with the man she loved despite racial tensions and facing discrimination from her own family and so many others within her home state. In this book, we learn about who she was before Sleepwater was formed, how and why Sleepwater was formed, and the ways in which she’s been trying for twenty years to redeem herself after an unforgivable yet inevitable mistake drove her away from her past, her partner, and her child. This book is meant as a sort of “breath of fresh air” on the surface, where the characters stop to go into hiding and regroup (plus one Sleepwater member needs somewhere to give birth to her child that isn’t in the back of a van), and they all end up learning more about the past while trying to fight for the future. I can’t wait to hear what people think of this book, and I’m so excited to start diving into Book 3 when the time comes.
What age did you start writing?
I started writing on my tenth birthday. When I discovered that I could create a story, a situation, a relationship, or an outcome to be absolutely whatever I wanted to be, I just couldn’t stop.
Where do you write? Can you describe your writing space?
I write in my home office. I’ve had four home offices in four different homes since I started my Indie career in 2015. It’s a requirement for every new house we move into (obviously, there have been many), and it will continue to be that way for as long as I’m living in a house with an ability to keep writing.
I have a standing desk and a heavy-duty “sit in my chair all day” cushion for my office chair. Bookshelves stuffed to the brim to the point that they’ve spilled into piles on the floor, my desk, and on and in my cabinets. My office is actually the only room in the house that’s been fully “decorated”, because my husband and I have intersecting tastes, but everything he doesn’t like, I put in my office! It’s also the only room in the house where no one else but the author is allowed to enter. No dogs, no three-year-old, no husband. Okay, fictional characters may make an appearance, but I draw the line with physical bodies. I like bright colors and clashing patterns and hanging art on the wall (my own or created by friends). More often than not, it’s a complete mess, but at least I know where everything is.
What has been the highlight of your writing career so far?
I’d say the highlight so far has been writing the Blue Helix series. Sleepwater Beat got such a phenomenal response, and it really blew me away. It made me an international bestselling author, got me on live television, has been the topic of more radio-show and podcast and blog interviews than I can count, and was both an award-winning Sci-Fi Finalist in the 2019 International Book Awards and a Literary Titan Gold Award Winner this last April.
Sleepwater Static is heading very much in the same direction, and I have really high hopes for the second book in the Blue Helix series too.
Who is your favorite author and why?
It’s not just one (is it ever just one?). My list includes: Stephen King, Jacqueline Carey, George R. R. Martin, Diana Gabaldon, Neil Gaiman, Cormac McCarthy, William Gibson, and John Irving. With these favorites, I get to cover a wide range of brilliance in so many different elements of good storytelling—characterization, world-building, rich plots, expansive landscapes and history, phenomenal relationships, twists and turns, grit, beauty, humor, surreal parallels to reality… this second list goes on and on. Overall, I love these authors because even when I haven’t read them for quite some time, I find myself thinking about their books, characters, and worlds with a nostalgic longing to return. That, to me, is what makes great fiction.
Who is your most loyal supporter?
Hands down that’s my husband. Without this guy, I wouldn’t be doing what I’m with my writing right now—which is writing 60+ hours a week and absolutely loving every minute of it. And there’s the added bonus that my work as a full-time writer of fiction supports our family of three with a single income. It’s pretty much a dream come true.
He hasn’t actually read any of my books all the way through. But he knows how much I love what I do and has facilitated my ability to keep writing since the very beginning, all the way up to the point where he was able to stop working so he could be a stay-at-home dad and do more of what he wants to do during the day. So yes, it’s been a win-win for everyone. And he never misses an opportunity to tell people what I do for a living and give them my card (yes, I have business cards) with a well-timed, “Check out her books. You’ll love them.”
I sure do! I just had my website completely revamped and am in love with what it’s become. This was very recent, and I wasn’t much of a blogger on my author site, but I’ve written a few things on this new site that are more “reflections of life as a writer” and are not, in fact, fiction. But I’ll be building on that. You can find almost everything else about me and my books on my site: http://kathrinhutsonfiction.com
International Bestselling Author Kathrin Hutson has been writing Dark Fantasy, Sci-Fi, and LGBTQ Speculative Fiction since 2000. With her wildly messed-up heroes, excruciating circumstances, impossible decisions, and Happily Never Afters, she’s a firm believer in piling on the intense action, showing a little character skin, and never skimping on violent means to bloody ends.
In addition to writing her own dark and enchanting fiction, Kathrin spends the other half of her time as a fiction ghostwriter of almost every genre, as Fiction Co-Editor for Burlington’s Mud Season Review, and as Director of TopShelf Interviews for TopShelf Magazine. She is a member of both the Science Fiction and Fantasy Writers of America and the Horror Writers Association. Kathrin lives in Vermont with her husband, their young daughter, and their two dogs, Sadie and Brucewillis.
For updates on new releases, exclusive deals, and dark surprises you won’t find anywhere else, sign up to Kathrin’s newsletter at kathrinhutsonfiction.com/subscribe.