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Creative Edge – Author Interview – Kathrin Hutson

May 28, 2020
mandyevebarnett


Author Photo 2

What attracted you to write Fantasy/Sci-fi? Did you choose it or the other way around?

I’ve always had a soft spot for Fantasy and Sci-fi, because that’s what I grew up reading, for the most part. I still read a little bit of almost everything, but these two genres captured my heart even more when I started writing in them. I’m not sure which one of us did the choosing, but I’d say we make a pretty great pair when all things are said and done.

My favorite part about writing Fantasy is the fact that I can take what I like from reality, get rid of everything else (within sub-genre tropes, of course), and replace it with something completely new, magical, dark, mysterious, and complicated enough that it provides a rich world yet simple enough that I can keep it all straight in my head. Sci-fi is a bit harder. For me, it requires a lot more research too, which I really just don’t enjoy. But it’s not enough of a pain to keep me from writing it. And that’s the part I like about it—plus the fact that I can change a few things (particularly with Dystopian Sci-Fi) about reality and augment them, so to speak, to create the types of stories that reflect what’s happening in the world while putting my own special spin on it.

What inspires you to write your stories? Where does inspiration come from?

Literally everything. Sometimes I get a spark from a dream or a movie clip, a song, a conversation with my kid. Sometimes I read a book that touches on an idea and then I start thinking about how I could expand upon it and make it my own. Sometimes, when I’m at the crossroads of taking a story down one road or the other, I’ll pick one, and the other one gets turned into a different story. Sometimes I keep writing without any inspiration at all, and the story inspires itself.

Do you prefer to write a series rather than a stand-a-lone novel?

All of my series so far were originally intended to be standalone novels. Until I got to what I thought was the end and realized I just wasn’t finished. The Blue Helix series, though, is the only series where each book can be read on its own without having read the previous books in the series. But I think they’re better if they’re read in order 😉

Right now, I’m almost finished with the first book in an actually planned series of five and a quarter of the way through another planned trilogy. That’s definitely a different process, and I’m excited to see how the results of planning series ahead of time differ from… well, not planning it at all.

Are you a plotter or a panster?

I’m a plantser—I do both. I used to be all pantser all the way until I started ghostwriting fiction in addition to writing my own stories. Then I started writing up beats for contracted novels, and I discovered that there’s definition something to be said for writing a loose “summary” of 5-10k words (depending on books length) before I dive into the writing the actual story. I don’t get stuck with where I’m headed, and that helps me write a lot faster. Somehow, though, I’ve never quite been able to stomach chapter-by-chapter outlines or intense character sketches before writing the book. In my mind, there is such a thing as doing too much work before the fun begins. If my plotting gets any more detailed than a few thousand words of beats, I lose interest. 80% of the fun is surprising myself with how to fill in all the blank space after finishing the beats. It’s like a giant puzzle that I get to create and fit together at the same time.

Can you tell us about your newest book? The characters and their journey.

static

My newest book, Sleepwater Static, is the second book in my LGBTQ Dystopian Sci-Fi Blue Helix series. This was a monster of a book to write and tackle, just like its prequel, because there was so much I wanted to say through the characters’ journey and the continuing storyline in general. And there was much potential for saying the right thing in the wrong way that I really had to pay attention to how I was writing the story and especially how I was representing different minority groups and marginalized communities through this huge cast of characters.

Beat

Sleepwater Beat focused on Leo Tieffler as the main character, and Sleepwater Static focuses on Bernadette Manney—a seventy-one-year-old white woman from South Carolina who fits a sort of “tough and uncrackable matriarch” role within the group of people called Sleepwater with the storytelling ability of “spinning a beat”. Bernadette really fascinated me in the first book, and she was the perfect character to dive into for the second in order to approach the other sociopolitical topics I wanted to explore while still making this a fantastic story with characters readers had already come to love and a whole cast of new ones.

Bernadette grew up in the South, found her independence and her freedom through standing up for what she believed in, created a family with the man she loved despite racial tensions and facing discrimination from her own family and so many others within her home state. In this book, we learn about who she was before Sleepwater was formed, how and why Sleepwater was formed, and the ways in which she’s been trying for twenty years to redeem herself after an unforgivable yet inevitable mistake drove her away from her past, her partner, and her child. This book is meant as a sort of “breath of fresh air” on the surface, where the characters stop to go into hiding and regroup (plus one Sleepwater member needs somewhere to give birth to her child that isn’t in the back of a van), and they all end up learning more about the past while trying to fight for the future. I can’t wait to hear what people think of this book, and I’m so excited to start diving into Book 3 when the time comes.

What age did you start writing?

I started writing on my tenth birthday. When I discovered that I could create a story, a situation, a relationship, or an outcome to be absolutely whatever I wanted to be, I just couldn’t stop.

Where do you write? Can you describe your writing space?

I write in my home office. I’ve had four home offices in four different homes since I started my Indie career in 2015. It’s a requirement for every new house we move into (obviously, there have been many), and it will continue to be that way for as long as I’m living in a house with an ability to keep writing.

I have a standing desk and a heavy-duty “sit in my chair all day” cushion for my office chair. Bookshelves stuffed to the brim to the point that they’ve spilled into piles on the floor, my desk, and on and in my cabinets. My office is actually the only room in the house that’s been fully “decorated”, because my husband and I have intersecting tastes, but everything he doesn’t like, I put in my office! It’s also the only room in the house where no one else but the author is allowed to enter. No dogs, no three-year-old, no husband. Okay, fictional characters may make an appearance, but I draw the line with physical bodies. I like bright colors and clashing patterns and hanging art on the wall (my own or created by friends). More often than not, it’s a complete mess, but at least I know where everything is.

What has been the highlight of your writing career so far?

I’d say the highlight so far has been writing the Blue Helix series. Sleepwater Beat got such a phenomenal response, and it really blew me away. It made me an international bestselling author, got me on live television, has been the topic of more radio-show and podcast and blog interviews than I can count, and was both an award-winning Sci-Fi Finalist in the 2019 International Book Awards and a Literary Titan Gold Award Winner this last April.

Sleepwater Static is heading very much in the same direction, and I have really high hopes for the second book in the Blue Helix series too.

Who is your favorite author and why?

It’s not just one (is it ever just one?). My list includes: Stephen King, Jacqueline Carey, George R. R. Martin, Diana Gabaldon, Neil Gaiman, Cormac McCarthy, William Gibson, and John Irving. With these favorites, I get to cover a wide range of brilliance in so many different elements of good storytelling—characterization, world-building, rich plots, expansive landscapes and history, phenomenal relationships, twists and turns, grit, beauty, humor, surreal parallels to reality… this second list goes on and on. Overall, I love these authors because even when I haven’t read them for quite some time, I find myself thinking about their books, characters, and worlds with a nostalgic longing to return. That, to me, is what makes great fiction.

Who is your most loyal supporter?

Hands down that’s my husband. Without this guy, I wouldn’t be doing what I’m with my writing right now—which is writing 60+ hours a week and absolutely loving every minute of it. And there’s the added bonus that my work as a full-time writer of fiction supports our family of three with a single income. It’s pretty much a dream come true.

He hasn’t actually read any of my books all the way through. But he knows how much I love what I do and has facilitated my ability to keep writing since the very beginning, all the way up to the point where he was able to stop working so he could be a stay-at-home dad and do more of what he wants to do during the day. So yes, it’s been a win-win for everyone. And he never misses an opportunity to tell people what I do for a living and give them my card (yes, I have business cards) with a well-timed, “Check out her books. You’ll love them.”

Where can we find you on social media?

I’m most active on my Facebook page: http://facebook.com/kathrinhutsonfiction

And you can also find me here: http://instagram.com/kathrinhutsonfiction; http://twitter.com/exquisitelydark

Do you have a blog/website?

I sure do! I just had my website completely revamped and am in love with what it’s become. This was very recent, and I wasn’t much of a blogger on my author site, but I’ve written a few things on this new site that are more “reflections of life as a writer” and are not, in fact, fiction. But I’ll be building on that. You can find almost everything else about me and my books on my site: http://kathrinhutsonfiction.com

Bio:

International Bestselling Author Kathrin Hutson has been writing Dark Fantasy, Sci-Fi, and LGBTQ Speculative Fiction since 2000. With her wildly messed-up heroes, excruciating circumstances, impossible decisions, and Happily Never Afters, she’s a firm believer in piling on the intense action, showing a little character skin, and never skimping on violent means to bloody ends.

In addition to writing her own dark and enchanting fiction, Kathrin spends the other half of her time as a fiction ghostwriter of almost every genre, as Fiction Co-Editor for Burlington’s Mud Season Review, and as Director of TopShelf Interviews for TopShelf Magazine. She is a member of both the Science Fiction and Fantasy Writers of America and the Horror Writers Association. Kathrin lives in Vermont with her husband, their young daughter, and their two dogs, Sadie and Brucewillis.

For updates on new releases, exclusive deals, and dark surprises you won’t find anywhere else, sign up to Kathrin’s newsletter at kathrinhutsonfiction.com/subscribe.

Author@kathrinhutsonfiction.com

kathrinhutsonfiction.com

Facebook.com/kathrinhutsonfiction

Twitter: @ExquisitelyDark

Instagram: @KathrinHutsonFiction

 

Creative Edge

Wordsmith’s Collective Thursday – #AuthorToolboxBlogHop – Define a Genre for Your Narrative

February 20, 2020
mandyevebarnett


genre-picture-2Being aware of your genre can help you contextualize your story but remember—just because you may have been writing towards a certain kind of genre, it may not mean that’s what your story actually is.

Common Genres include:

  • Thriller –built around the fast-paced pursuit of a life-or-death goal.
  • Fantasy – typified by fantastic aspects, such as magic.
  • Sci-fi – Sometimes called ‘speculative’ fiction. Fiction typified by scientific aspects, such as nonexistent technology or alternative realities.
  • Horror – instilling dread or fear in the reader. Sometimes but not always featuring supernatural aspects.
  • Mystery – solving of a mysterious set of circumstances.
  • Crime – typified by a focus on criminal activities.
  • Historical – set within a defined time period but drawing context from the cultural understanding of that time.
  • Western – typified by aspects of the American frontier.
  • Romance –focuses on a romantic relationship as the source of its drama.
  • Erotica – primarily intended to instill arousal in the reader.
  • Literary – focuses on realistic, weighty issues, typified by character-focused writing and a lack of other genre features.
  • Adventure Story
    A genre of fiction in which action is the key element, overshadowing characters, theme and setting. … The conflict in an adventure story is often man against nature. A secondary plot that reinforces this kind of conflict is sometimes included.
  • Biographical Novel
    A life story documented in history and transformed into fiction through the insight and imagination of the writer. This type of novel melds the elements of biographical research and historical truth into the framework of a novel, complete with dialogue, drama and mood. A biographical novel resembles historical fiction, save for one aspect: Characters in a historical novel may be fabricated and then placed into an authentic setting; characters in a biographical novel have actually lived.
  • Ethnic Fiction
    Stories and novels whose central characters are black, Native American, Italian American, Jewish, Appalachian or members of some other specific cultural group. Ethnic fiction usually deals with a protagonist caught between two conflicting ways of life: mainstream American culture and his ethnic heritage.
  • Fictional Biography
    The biography of a real person that goes beyond the events of a person’s life by being fleshed out with imagined scenes and dialogue. The writer of fictional biographies strives to make it clear that the story is, indeed, fiction and not history.
  • Gothic
    This type of category fiction dates back to the late eighteenth and early nineteenth centuries. Contemporary gothic novels are characterized by atmospheric, historical settings and feature young, beautiful women who win the favor of handsome, brooding heroes—simultaneously dealing successfully with some life-threatening menace, either natural or supernatural. Gothics rely on mystery, peril, romantic relationships and a sense of foreboding for their strong, emotional effect on the reader.
  • Historical Fiction – story set in a recognizable period of history. As well as telling the stories of ordinary people’s lives, historical fiction may involve political or social events of the time.
  • Horror – includes certain atmospheric breathless and unexplainable dread of outer, unknown forces.
  • Juvenile – intended for an audience usually between the ages of two and sixteen. The language must be appropriate for the age of the reader, the subject matter must be of interest to the target age group, the opening of the work must be vivid enough to capture the reader’s attention and the writing throughout must be action-oriented enough to keep it with the use of suspense and the interplay of human relationships. Categories are usually divided in this way: (1) picture and storybooks (ages two to nine)… ; (2) easy-to-read books (ages seven to nine)… ; (3) “middle-age” [also called “middle grade”] children’s books (ages eight to twelve)… ; (4) young adult books (ages twelve to sixteen.
  • Literary Fiction vs. Commercial Fiction
    Literary, or serious, fiction, style and technique are often as important as subject matter. Commercial fiction is written with the intent of reaching as wide an audience as possible. It is sometimes called genre fiction because books of this type often fall into categories, such as western, gothic, romance, historical, mystery and horror.
  • Mainstream Fiction – transcends popular novel categories—mystery, romance or science fiction, [etc.] and is called mainstream fiction. Using conventional methods, this kind of fiction tells stories about people and their conflicts but with greater depth of characterization, background, etc. than the more narrowly focused genre novels.
  • Nonfiction Novel – real events and people are written [about] in novel form but are not camouflaged and written in a novelistic structure.
  • Popular Fiction
    Generally, a synonym for category or genre fiction; i.e., fiction intended to appeal to audiences for certain kinds of novels. … Popular, or category, fiction is defined as such primarily for the convenience of publishers, editors, reviewers and booksellers who must identify novels of different areas of interest for potential readers.
  • Psychological Novel
    A narrative that emphasizes the mental and emotional aspects of its characters, focusing on motivations and mental activities rather than on exterior events.
  • Roman a Clef
    The French term for “novel with a key.” This type of novel incorporates real people and events into the story under the guise of fiction.
  • Romance Novel – the romance novel is a type of category fiction in which the love relationship between a man and a woman pervades the plot.
  • Romantic Suspense Novel – romantic suspense novel is a modern emergence of early gothic writing and differs from traditional suspense novels because it moves more slowly and has more character interplay and psychological conflict than the fast-paced violence of [most] suspense thrillers.
  • Science Fiction [vs. Fantasy]
    Science fiction can be defined as literature involving elements of science and technology as a basis for conflict, or as the setting for a story.
  • Techno-Thriller – utilizes many of the same elements as the thriller, with one major difference. In techno-thrillers, technology becomes a major character.
  • Thriller – intended to arouse feelings of excitement or suspense focusing on illegal activities, international espionage, sex and violence.
  • Young Adult – refers to books published for young people between the ages of twelve and seventeen.

Do real research, describe aesthetic/tone/vibe over content, and be open to adjusting your decision down the line as you grow more accustomed to working with genres.

genre

Genre is different from age group

Genre isn’t the age group you’re writing for.  Age group and genre are often said together, so it’s easy to think they’re the same, but they’re not. For example: Young adult is the age group – Spy and thriller are the genres.

The primary age groups are:

– Board books: Newborn to age 3
– Picture books: Ages 3–8
– Colouring and activity books: Ages 3–8
– Novelty books: Ages 3 and up, depending on content
– Early, levelled readers: Ages 5–9
– First chapter books: Ages 6–9 or 7–10
– Middle-grade books: Ages 8–12
– Young adult (YA) novels: Ages 12 and up or 14 and up

Choose a primary genre

When you pick your primary genre, you’re identifying the most prominent elements of your book. Ask the following questions.

You may have a handful of these elements in your book but when picking a primary genre focus on the most dominant aspects of your novel.

Is there magic?

If the answer is yes, then your book is most likely a fantasy. Is it set it in a fictional world that you created from scratch (like Lord of the Rings)? Then you probably have a high fantasy. Or is it built into our own world? If so it is most likely an urban fantasy.

Is it a fairy tale or a fairy tale retelling then you might want to classify your book as such.

Are there paranormal creatures (such as vampires, zombies, etc.)?

If there are, then it could be a fantasy, or it could be a supernatural/paranormal. Fantasy and paranormal are closely related and share some overlap, so it comes down to what is the more dominant element. If the magic is the more dominant element, then you have a fantasy. If the creatures are the more dominant element, then it’s supernatural.

When is it set?

If it’s set in the past, it’s probably a historical fiction. If it’s set in the present, you’ve got a contemporary and if it’s set in the future, it’s probably science fiction.

Where is it set?

If it’s set in this world, it might be a historical or contemporary. If it’s set in a world you made up, it might be some kind of fantasy or science fiction.

Is there manipulated science/technology?

If you are using significant manipulation of the science, we know today it’s likely to be science fiction. If you have time travel, then you could consider it science fiction.

Is there an element of mystery/crime to solve?

If the main purpose of your plot is mystery, then this is the genre you will use.

Is it laugh-out-loud funny?

If it is, then you’ve got a comedy

Is it a tear-jerker or a book with a lot of interpersonal conflicts?

Then it’s probably some form of drama.

Is there a romance?

Use the romance genre when the central plot of the book is a romantic relationship.

Is it intended to scare?

Then you’ve got a horror.

Is it “literary”?

If it’s a deep book, rich with symbolism and deeper meaning that’s meant to be dissected an analyzed than you most likely have written a work of literary fiction.

Is it action packed?

If your book is littered with action scenes like fights and car chases, then you have an action or thriller on your hands.

Is it about a terrible version of this world?

Then you’re looking at a dystopian.

Now decide which elements you think are the strongest/most prominent. That’s your primary genre.

Do your research

Make sure you do your research and have a good understanding of genre conventions. Readers of each genre have certain expectations. While you can most definitely take some liberties, you want to make sure you’re giving your readers what they’re looking for.

Note*** I did a series of posts throughout 2018 detailing every genre if you want to scroll through put ‘genres’ in the search box.***

#AuthorToolboxBlogHop

 

Mandy Eve-Barnett’s Blog Schedule 2020

December 31, 2019
mandyevebarnett


Blog schedule 2020

As many of you know, I commit to a blog schedule at the end of each year for the coming year. My blog has in the past morphed into a writer’s blog as opposed to a reader’s blog and so I want 2020 to be different by still continuing to support my writing community as advocate but also to engage my reader’s more. To this end my twice weekly posts will be divided between writing topics and delving into my books and writing life for my readers.

I hope you will find the content interesting, enlightening and fun. I will post every Tuesday and Thursday each week as follows:

Bibliophile’s Collective Tuesday

Stories behind my published books and also from works in progress.

First pages

Update on events I will be attending.

A glimpse at my current writing project.

Sharing short stories or poem’s I have written from prompts or workshops.

My book reviews

Wordsmith’s Collective Thursday

Segments from my interview with Online for Authors

Special Interviews with authors from Creative Edge & First Pages

Writing Tips

Author Toolbox

Author Website links

blogging-stats-featured

I am also starting a newsletter so please sign up when prompted. I hope we can develop a great relationship with this new venture – Sneek Peeks & Glimpses. Thank you in anticipation.

The Books I Read in 2019

December 19, 2019
mandyevebarnett


read-books-800

I am an advocate for always reviewing every book I read, not only does it give other readers an insight into the narrative but also acknowledges the author’s hard work. A review is the life blood of any author – so please write a review, even a single sentence is enough. It can be on any platform: Smashwords, Goodreads or Amazon or copy & paste to put it on all three!

My Goodreads page is here if you want to find out what my reviews were for each of the books listed below.
https://www.goodreads.com/review/list/5477628-mandy-eve-barnett?shelf=read

2019 Books: The Clockmaker’s Daughter, Elevation, The Love Song of Miss Queenie Hennessy, The Lucky One, Spook-Science Tackles the Afterlife, The Icarus Girl, Things Withered, Magnetic North, The Asylum for Wayward Victorian Girls, Becoming, Sixpence House, Hollow City, Lomita for Ever, The Little Paris Bookshop, To Air the Laundry, Mrs Everything, Hearts in the Spotlight, Stranger in the Woods, 10 Days in December, Dirt Road, Steampunk FAQ, River of Destiny & Past Presence.

This number equates to about a book and a half a month, which considering I was also writing is not too bad.

As you will see, it is apparent I do not have a particular genre I favour, I much rather chose a book due to the topic or story line than stick to one type of narrative. The Spook book was loaned to me by a friend, who knew of my life long interest in reincarnation and I ordered Stranger in the Woods, as it was one of the news stories I utilized in a work in progress. The others were picked by chance as the blurb caught my eye.

How do you pick a book to read?

Do you have a particular genre you read?

 

Special Author Interview – Jenna Greene – Moonbeam’s Award

December 17, 2019
mandyevebarnett


AuthorInterview Jenna

Congratulations are in order to Jenna Greene for winning the Moonbeam Children’s Book Award. I asked Jenna some questions about her experience.

  1. Which book won the award?

Reborn – a YA dystopian novel. (The first in a new series).

  1. Can you tell us a little about the story and its characters?

This is a story about a girl named Lexil who is banished to slavery because of the marks on her skin. These marks state that she has lived previous lives and, as such, is to toil in service for those not fortunate enough to have multiple lives.

Reborn

  1. Why is this story important to you?

This story is important to me on many levels. One – it is a genuinely good story. I feel it is the best writing I’ve done so far. Two – I love the characters and the mythology. I kept the premise of the story simple, but the mythology is unique. Three – I wrote this book in a turbulent part of my life. This story will be forever connected to my mother, as I wrote the first half of it when she was sick and the second half of it after she passed away. And when you write a book about connection to past lives, and those who have lived before … there is no way to escape the fact that maybe those who love us never really leave.

  1. When did you decide to submit this book for the award?

I’ve never submitted a book for an award before but, as mentioned, I feel very proud of this book and very connected too. It just felt okay, for once, to see if others thought it was worthy of recognition.

  1. Where was the award ceremony held?

Traverse City, Michigan.

  1. Can you tell us about the Moonbeam‘s Award – who can apply, who sponsors it etc.?

The Moonbeam Children’s Book Award has bronze, silver, and gold for various categories in Children’s Literature. My novel, Reborn, tied for gold in the YA science fiction and fantasy category. The awards are sponsored by the Jenkin’s Group.

  1. How was your trip to the award ceremony?

Eventful, to say the least. I nearly didn’t make it, as traveling from Canada in winter isn’t exactly easy. Security scanners broke at the Calgary airport, delaying my traveling buddy and I in the line for two hours. We barely caught our flight to Chicago. Our connecting flight to Michigan couldn’t land because of snow, so we had to try again the next night. My luggage wasn’t lost, but it was inaccessible, so I spent 24 hours without it… and the list goes on. But travel adventures make good writing later!

  1. Where can we find your book to purchase?

Either on Amazon, or at Foundations Books.

https://www.amazon.com/Reborn-Jenna-Greene/dp/1729409547/ref=sr_1_1?keywords=jenna+greene&qid=1574567521&sr=8-1

Bio:

Jenna Greene is the author of the acclaimed Young Adult Fantasy series, Imagine! She is a middle school teacher, dragon-boat coach, enthusiastic dancer, and semi-professional napper. She lives in Lethbridge, Alberta with her husband (Scott), daughter (Olivia), and dog (Thor, dog of thunder).

 

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