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Author Interview – Karen Schauber

August 27, 2019
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AuthorInterview

Group of Seven

What is your book about? 

The Group of Seven Reimagined: Contemporary Stories Inspired by Historic Canadian Paintings is at once artistic and literary. This anthology is a gorgeous testament to the Group of Seven, through the unique lens of twenty-one acclaimed flash fiction writers. – Each flash fiction story, (a brief, condensed, though fully realized narrative, written in under five hundred words), is paired with a lush full-colour reproduction of the painting that inspired it, showcasing both Canada’s historical artistic oeuvre with its contemporary literary artistic talent.

Where did the idea for this book come from?

The impetus for this book began as a writing prompt. I am always looking for interesting, layered prompts: a phrase, paradox, scenario, image, to inspire and formulate a story around. I happened to be walking my dog along Vancouver’s Jericho Beach early one frigid but bright wintery morning and was struck by the awesome beauty of the snow-peaked North Shore mountains looming across that stretch of ocean. I imagined that Lawren Harris would have wanted to paint that stunning vista, and in that glance, had the inspiration for my story. – It was only later, when conducting background research for my piece that I learned that the one-hundred-year anniversary of the Group of Seven was coming up in 2020. – A light bulb went off! The anniversary presented a wonderful opportunity to celebrate the enduring genius of these painters, in story. I contacted fellow flash fiction writers with the idea of putting an anthology together inspired by the landscape paintings of the Group of Seven and the enthusiasm for this project was immediately infectious. I wanted to put together a book that would both increase the profile and expand the reach of these iconic Canadian painters, while at the same time introduce art lovers to the marvels and delight of flash fiction.

Why flash fiction?

Flash fiction is the hottest rising literary trend in Canada. It is my current obsession. I have been on a maelstrom writing flash for the past three years. Each miniature story (flash fiction) is a delicious morsel, the flavours exploding with each bite. For me, flash fiction (always written in under 1000 words, and usually in under 500) is storytelling at its best. It draws the reader into another world engaging her in an immersive, evocative, and emotionally resonant experience, albeit for a brief moment in time; ‘for a flash’. Each miniature story is meant to delight, surprise and challenge the reader. There is often much hidden in between the lines and white spaces inviting the reader to return again to discover more in the layers of the story. And while each flash fiction takes only a few moments to devour, each story takes much longer to ‘perfect’, requiring a practiced skill in crafting, sculpting, editing, and polishing. I love the challenge writing flash poses, and the sense of satisfaction in completing a layered piece with a beginning, middle, and end, in a relatively short period of time. Relatively short compared to that of the traditional short story of 1500-3000 words, novella, or novel (which can take years to realize). The Flash Fiction community of writers and readers across Canada is exploding. Canadian literary magazines, journals, and anthologies now publish several flash fiction pieces in each issue, and flash fiction workshops and classes, both online and in house, can be found everywhere. I find this so exciting!

 

Why the Group of Seven?

When I first saw a Group of Seven painting, a Lawren Harris, I was gobsmacked. A stunning mountain carved like folds of butter, light cascading down upon its peak, pure and ethereal. I was immediately transported, somewhere deep, sublime, and otherworldly. My love affair with the Group of Seven began in that moment. As a university student living in Toronto in the 80’s, I had the opportunity to visit the McMichael Gallery in Kleinburg many times. The McMichael Collection even then, was remarkable and awe-inspiring. Over the years as I have discovered more of the Group’s landscape paintings in galleries, museums, books, and on-line. They have captured my imagination and heart for all these many years, transporting me into the story of the canvas and beyond. – I was inspired and driven to realize this book in celebration of their enduring genius.

How did you decide to pair the Group of Seven with Flash Fiction? 

For me the match is made in heaven! The paintings are immediately perceived as storied, and the flash pieces are beautifully written, as if a painting. Both image and story invite the reader/viewer into another realm; a place of deep resonance and wonderment. Each read of the narrative, when paired with the layers, shadows, and textures of the landscape painting, becomes an immersive experience.

Each Contributor chose a landscape painting that inspired them, from a selection of Group of Seven paintings. Works by Tom Thomson and Emily Carr, both contemporaries of the Group, are also included in the book.

Who are the Writers/Contributors in The Group of Seven Reimagined and how were they selected?

Most of the Contributors are award-winning short story authors, several times over. They come from all regions of Canada, from coast to coast to coast, and three from the US, the UK, and AU, each with a distinct Canadian connection. I felt it was important to invite writers from across Canada who I thought would present a varied, distinct, and unique voice, and, be expert at crafting a miniature work of fiction. While Canada has so many brilliant short story writers, writing flash fiction presents unique challenges, i.e. excellent editing chops and concision, not every short story writer is comfortable with or interested in exploring.

I am a voracious short fiction reader. I read as many short story collections, journal, magazine, and anthology short fiction pieces as I could find, looking for a range of style, genre, and voice. Above all, I was looking for writing at a level of excellence. And of course, I found brilliant storytellers, and was excited by so many extraordinary works of fiction. It was also important that each person I invited to participate be more than enthusiastic about celebrating the Group of Seven and be inspired by their paintings.

I am thrilled with each of the writers selected. Mike Blouin, Carol Bruneau, Paulo da Costa, Alfred DePew, Tamas Dobozy, Valerie Fox, Travis Good, Mark Jarman, JJ Lee, Brett Loney, Lorette C. Luzajic, Yael Eytan Maree, Michael Mirolla, Isabella Mori, Nina Munteanu, Waubgeshig Rice, Robert Runté, Nina Shoroplova, Mireille Silcoff, Mary Thompson. Each one a consummate professional and joy to work with. Each writer has selected a gorgeous Group of Seven painting to inspire their story and each has contributed a marvellous flash fiction piece. The results and pairing are stunning.  In addition to being the editor, I also have a flash fiction piece in the book.

Full Bios (incl photo) for each of the Contributors can be found at: http://SevenFlashFiction.weebly.com  

Where did you get your training? How long have you been writing flash fiction? Have you always written, have you always wanted to write?

I think my path to becoming a writer is rather unique. I was sixty-two before I wrote my first story, ever. And I will be sixty-four before this book is published. I have never written fiction before. Never even tried. My writing up until very recently has been academic and analytically focused. I had done some journal writing intermittently as process-writing, but that’s it. Back in high school I wrote my final English exam interpreting a poem about the Tree of Life, referencing photosynthesis/ chlorophyll / life cycle / and the ecosystem. I was clearly off the mark. Words and imagery, conveying personal experience through metaphor or simile was not my forte, comfort level, or inclination.

Since beginning to write fiction three years ago, I have been published in twenty-five international literary journals, magazines, and anthologies, and have more in the queue.

My training is in Psychology. I am a seasoned Family Therapist. Decades of ‘being fully present’ in the therapy session has made the transition into writing surprisingly seamless for me. As Pulitzer Prize winner Robert Olen Butler describes, ‘writing takes place in the Dreamscape’. Being fully present in this ‘Place of Solitude’ is where writing is best explored and fashioned. I enjoy this space. It is where I am most myself. And it is where I create from.

I discovered flash fiction reading journals and magazines online. There is a dynamic global flash fiction community. I read flash fiction journals regularly and enjoy discovering new writers (new to me) – the talent out there is magic. I quickly found online workshops teaching flash fiction and have participated in many three-day, ten-day, and monthly workshops, and continue to enrol in one every month or two. The workshops are lots of fun, generative, and attended by highly creative, respectful, and generous writers. I’m totally hooked.

What do you enjoy most about editing?

Cultivating a relationship with the writer is a must for the editing process to be successful.

Pulling back to the barest of form and arriving at clarity is what motivates me in editing. I love the process. Finding increasing precision in word choice is my kind of fun. I delight in the concision, word craft, play, and intentional word choice used to create imagery that resonates and evokes an emotional response in the reader. My tool is a thesaurus. I clean up a piece to reveal its essence, letting it take center stage and shine. Presenting a re-configured or revised passage to a writer who chooses to accept it, is the ultimate satisfaction for an editor.

What’s next?

I have a lot of ideas, although only two have reached the planning stage. 1. A flash fiction anthology similarly structured to The Group of Seven Reimagined, ekphrastic writing, – flash fiction inspired by visual art. This time showcasing the surrealist and magic realism artists Leonora Carrington, Remedios Varo and Kati Horna. and 2. A collection of flash fiction, all my own pieces.

I am exploring how to approach this next project differently. It has been enormously expensive to put this book together. The cost of permissions and licenses from Art Galleries, Museums and Estates to use hi-res reproductions of the paintings in the book has been almost prohibitive. This expense comes out of the author’s / editor’s pocket; the publisher does not absorb this cost. Having a sponsor/corporate interest would help move this next project forward. It is something I’m looking into.

Where can we read your work?

All my flash fiction can be found online at http://rebelshorts.weebly.com with links to each journal/magazine where the piece is published.

Detailed info about The Group of Seven Reimagined, its inception, contributors, and resources about the Group of Seven and Flash Fiction all can be found at http://GroupofSevenFlashFiction.weebly.com  

Advanced info and resources about how to write Flash Fiction can be found at http://VancouverFlashFiction.weebly.com

The Group of Seven will launch in Vancouver in October, and in Toronto in May – details on Vancouver and Toronto launch coming soon – if you would like to receive an invitation to attend either Launch party, send an email to groupofsevenflashfiction@gmail.com with ‘Vancouver Launch Invitation’ or ‘Toronto Launch Invitation’ in the subject line. We are going to celebrate!

ISBN 978-1-77203-288-8  Heritage House $24.95

Purchases in Canada

https://www.amazon.ca/Group-Seven-Reimagined-Contemporary-Paintings/dp/1772032883

International Purchases (from outside Canada)

https://www.heritagehouse.ca/book/the-group-of-seven-reimagined/

Karen Schauber - credit Koichi Saito - (44) photo

Bio:

Karen Schauber is a Flash Fiction writer obsessed with the form. She has been on a maelstrom writing since she was first introduced to this brief condensed short story form three years ago. Her work has since appeared in 25 international literary magazines and anthologies, including Brilliant Flash Fiction, Bending GenresCarpeArteEkphrastic Review, and Fiction Southeast. The Group of Seven Reimagined: Contemporary Stories Inspired by Historic Canadian Paintings, celebrating the Canadian modernist landscape painters, is her first editorial/curatorial flash venture. Schauber runs ‘Vancouver Flash Fiction’, a flash fiction Resource Hub and Critique Circle, and in her spare time, is a seasoned Family Therapist. A native of Montreal, she has called Vancouver home for the past three decades. 

http://KarenSchauber.weebly.com

http://GroupofSevenFlashFiction.weebly.com

http://VancouverFlashFiction.weebly.com

http://www.facebook.com/VancouverFlashFiction/

fb @Karen Schauber

twitter @karenschauber

Thank you so much for this opportunity, Mandy!

 

 

 

Genres of Literature – Flash Fiction

April 30, 2018
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In short, Flash Fiction is a fictional piece of prose in extreme brevity but still offering character and plot development. They can be defined by word count, which includes the six-word story, the 280-character story; commonly known as twitterature’, the dribble or minisaga, 50 words, the drabble or microfiction, 100-words, sudden fiction (750 words), flash fiction (1000 words), nanotale and micro-story. This genre possesses a unique literary quality, in its ability to hint at or imply a larger story.  In the 1920s flash fiction was referred to as the “short short story”.

Flash fiction roots go back into prehistory, recorded at origin of writing, which included fables and parables, the best know is of course, Aesop’s Fables in the west, and Panchatantra and Jataka tales in India. In Japan, flash fiction was popularized in the post-war period particularly by Michio Tsuzuk. In the United State early forms were found int he 19th century by such notable figures as Ambrose Bierce, Walt Whitman and Kate Chopin.

There are many internet sites and magazines that accept flash or micro fiction. I have submitted micro stories before and found them to be great fun!

Here is a list of some sites:

http://www.thereviewreview.net/publishing-tips/flash-fiction-list-resources

Have you tried micro fiction?

Which site(s) did you use?

I submitted quite a few to Espresso Fiction but alas there are no more 😦  It was a great exercise for me as a novice writer.

 

 

 

Author Interview – Marc Watson

March 2, 2018
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Marc Watson

 1. Does writing energize or exhaust you?
A bit of both, honestly. I feel energized while I’m actually doing the writing, however if I get into it for any more than about an hour then my brain doesn’t like resetting itself and I spend the rest of a day in an exhaustive haze, as if I’d been napping, and I hate naps!

2. What is your writing Kryptonite?

Time, or the lack thereof. I have very little personal time to write, embrace whatever I can get. I don’t have enough, and what I get can be taken away from me so easily.

3. Did you ever consider writing under a pseudonym?
I flirt with it from time to time, but only because there’s already a Marc Watson author (who is a really great guy who is a thrill ride engineer from Florida), as well as one who is a British comedian, and another is the Content Lead for everything Minecraft. All industries I’m involved in. Hmm… maybe I do need one. If I did, it would likely be just adding my middle initials or something simple. I like my name.

4. What other authors are you friends with, and how do they help you become a better writer?
Seeing as I’m relatively new to this world, my list of writer friends is sparse at best. I’ve met a few times with Edmonton horror writer Konn Lavery. I’m currently teamed up with an old friend Patrick Yokan Persaud, who is the lead writer at Hardmode Games.
Konn has been great as he lives nearby and sees a similar world to what I see, books and sales-wise, and Patrick and I grew up together, so if something plays well with him then I know it works for me and the audience I’m trying to reach.

5. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?
Why not both? I’ve written an interconnected universe with my ‘Ryukyu’ series which will start in March with ‘Catching Hell Pt. 1’, plus I have other stories that loosely tie into it such as my debut novel ‘Death Dresses Poorly’ which makes vague references to the ‘Ryuujin’ world, and then I have works in progress like ’12:13’ that completely stand alone. I don’t think there’s any reason why I can’t be known for stand-alone works as well as my epic fantasy world.

6. What was the best money you ever spent as a writer?
Certainly the cost of attending my first When Words Collide writer’s conference. I only began taking writing seriously on February 29th, 2016. When WWC hit in August, that was my first exposure to a collection of other writers, agents, and like-minded individuals. The experiences and connections I took away from that weekend still resonate with me today.

7. What was an early experience where you learned that language had power?
My ‘words have power’ moment really didn’t come until I was in my late teens. I’d been an avid reader all of my life up to that point, but in a grade 13 English class (reminder I grew up in Ontario, so that’s not weird) we were assigned ‘The Shipping News’ by E. Annie Proulx. The book remains my favorite of all time. I read that book three times during that few weeks of study.
However, while I was getting my mind transformed by this heartbreaking and utterly beautiful story, many in the class admitted repeatedly to not understanding it, not reading it, and generally not caring about it at all. I was simply baffled because I was so engrossed and moved to the point of tears, and all these other kids my age just let it pass them by. It was there that I saw the real power of words: that they mean different things to different people and they always will.

8. What’s your favorite under-appreciated novel?
Well I could say ’The Shipping News’ and I’d stand by it, but it won a Pulitzer Prize so I guess no level of recognition will be enough for me.
So I’d have to say that ‘Wizard and Glass: The Dark Tower 4’ by Stephen King would fit the bill. As a middle part of a monstrously over-arching Dark Tower story, it can be so easily overlooked, but the individual story of a young Roland and his friends encountering the true evil in Roland’s life from that point forward face to face, while also being a beautiful and realistic story of young forbidden love. I just love it. It’s very tight, while offering massive expositional dumps into the mind of such an iconic and enigmatic protagonist.

9. As a writer, what would you choose as your mascot/avatar/spirit animal?
A great question, and a popular one so I’m ready for it! I really have two, and it completely depends on what I’m working on. For my epic fantasy works, I’m very much a house cat. Lazy, slow, methodical, with random fits and starts of energy when I write the action pieces. When writing something like ‘Death Dresses Poorly’, which I smashed out in a tight six weeks, it’s a squirrel: high-energy, fast paced, with no time to slow down.

10. How many unpublished and half-finished books do you have?
Too many… I’m sporadic when it comes to my writing, so I have no issues dropping something for another project I want get into. On the up side, I never ever suffer from writer’s block!
My ‘Ryuujin’ stories in various stages of completion number eight. Side stories are another three.
My standalone stories are at two right now, so doing the math I have thirteen actual and legitimate works in progress. Not just ideas on a napkin. I’m talking works with real words on a page.

11. What does literary success look like to you?
Buying my family a dinner from the profits of my works. Since ‘Death Dresses Poorly’ just came out, and ‘Catching Hell Pt. 1’ is still more than a month away, the checks aren’t rolling in yet so I’m not there. Whether it’s a lot or a little, when I take my beautiful wife and kids out for a meal (be it Wendy’s or the best steakhouse in town) I’ll feel complete. The goal will be achieved.
Not very exciting, is it? I like to say I’m the anti-author. I’m not planning my movie trilogies or bigger houses. I don’t have time for that kind of thing. I need to walk the path of reality, and reality says I’m a 38 year old man with responsibilities and a job to do every minute of the day. The day I provide for my family based solely on the profits of my brain musings, how glorious will that be!

12. What kind of research do you do, and how long do you spend researching before beginning a book?
None! The great thing about being a fantasy writer with a penchant for massive global extinction is that I get to start fresh with ‘facts’ all the time!
In truth, I’ll do a bit when dealing with realistic place like in ‘Death Dresses Poorly’, which takes place in the Seattle area (which I’m admittedly not terribly familiar with). I want to make sure I get place names correct, or travel times between locations. Mundane stuff like that.

13. How many hours a day/week do you write?
Four or five, usually. My lunch hours at work are the extent of most of my writing time, and sometimes I need to use those for things like this! Not that I’m complaining. I’m thankful for the chance, but it’s taken me two lunch hours to answers your questions.
Once I get home, it’s kids kids kids, and I’ve never been good at writing in silence after they go to bed. I’m not complaining. ‘Catching Hell’ was original 225k words, written over lunch hours for a year. Anything is possible with patience, especially if it’s a story you really want to tell.

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14. How do you select the names of your characters?
Unlike most authors I speak with, naming things, be it people, places, or things, is one of my favorite things to do! When I was asked to create a huge list of names and places for my work with Hardmode Games, I practically wet myself in joy!
Much of it I simply can’t answer. I find names I like, do an ounce of research to make sure I didn’t inadvertently recreate a famous Nazi death camp general or something, and go from there. Some I’ve known forever like Aryu, one of my protagonists in ‘Catching Hell’, and others I just threw in like Ethan from ‘Death Dresses Poorly’. Fun fact: Ethan originally had my oldest son’s name, but after some conversations with my wife, we agreed we perhaps didn’t want to stigmatize the kid with the same handle as this unenviable character I’d written, so I changed it. I can’t live without Ethan now.

15. What was your hardest scene to write?
Well I’ll avoid spoilers as much as possible, but the ending of ‘Catching Hell Pt. 2’ wins for sure. From the beginning I wanted to write a scene I’d envisioned for as long as I can remember. Something different. Something that discards the fiction clichés and tropes we’re all familiar with, while also making it believable and earned. When the conclusion is reached, the reader says “That’s realistic. That’s what should happen.” I like to think I did that, but only time will tell.

16. Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?
I’m a man awash in fantasy. From a young age I gravitated to fantasy stories and imaginative science fiction. I absolutely have a hyperactive imagination and these genres fill that brain-hole so perfectly.
When I entered into my formative writing years, anime and manga became a huge part of my life. The Japanese were telling stories with such heart and depth and unbridled creativity that I couldn’t help but get wrapped up in them. In the end, the answer to your question is a terribly simple one: I write what I know.

17. How long have you been writing?
Although I like to think I’ve always been creative in my writings, the commitment really took hold when I was 15 and 16 years old. I had this mental vision of a long, epic fantasy story and I just started writing it down with a pen and paper. It consumed me so much that I wrote a trilogy entirely by hand, which became the basis of my ‘Ryuujin’ world. I still have the dent in my finger from the pen to this day. When I pulled my head up from the binders, I’d almost flunked out of high school. After some hard work and creativity, along with the help of a teacher or two that I was lucky to have, I pulled through, but the fuse was lit.

18. What inspires you?
Life. Life is the greatest inspiration of all. I have a favorite saying that I unashamedly admit I came up with: I don’t like good books, I like good stories. The medium is not important. When I look at the struggles of my loved ones, or the triumphs of strangers on the other side of the world, I see so many stories that give me a reason to keep talking. They’re not all victories. There are enough tragedies to remind ourselves that there’s bad with the good, but that’s the cost of living. I see my kids do things that move me to tears with their bravery, so I better get to telling what stories I can in order to help show them the things I’ve seen and how I see them.

19. How do you find or make time to write?
I don’t. I just take the time when I get it. I don’t believe in forcing myself to write by setting daily goals. Challenges like NaNoWriMo are great for some, but for me it can go walk off a cliff. My best writing comes when I don’t pressure myself to actually write. I just need to accept that I may have to go for days or weeks without writing, and I’m ok with that.

20. What projects are you working on at the present?
Right now I’m helping market ‘Death Dresses Poorly ’alongside publisher Fluky Fiction, I’m getting ‘Catching Hell Pt. 1’ ready with its publisher Double Dragon Press for the March launch, and I’m doing a decent amount of writing work with the Hardmode team on their original IP, which is a secret but hopefully you’ll see the results of that work later this year.

21. What do your plans for future projects include?
Well the biggest one is ‘Catching Hell Pt. 2’, since just having the first part of a duology is no fun for anyone. It’s a finished work (I wrote it all at one time, but it was too big so I had to split it up) but it hasn’t been edited and prepped to my liking, so I want to get that done and hopefully find it a home before people forget my name.

22. Share a link to your author website.
I can be found at http://www.marcwatson.ca, on Twitter and Instagram at @writewatson, and on Facebook at http://www.facebook.com/marcwroteabook

Bio:

Marc is the author of genre fiction (primarily Fantasy and Science Fiction of all lengths). He began writing at the age of 15 with a pen and paper, and never really stopped, even though until recently it was more of a background to him than my defining trait. He has been published on flash fiction site www.101words.org, as well as comedy site www.thecorrectness.com. Marc has been a student of the excellent writing classes at Athabasca University for a number of years.

He lives in Calgary, Alberta, and was spawned out of the depths of Southern Ontario. Marc is a husband, proud father of two, and can be sometimes found at an actual job. An avid outdoors-man, martial artist of some high repute, baseball player of very little repute, and lover of all Mexican foods. One day ‘World Famous Poutine Aficionado’ will be on his business cards.

You can also find Marc on Facebook at www.facebook.com/marcwroteabook, and on twitter at @writewatson. For public appearances and interviews, he is proudly represented by Creative Edge Publicity.

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Announcing My Blog Schedule for 2018…

December 31, 2017
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Firstly a sincere thank you to all the writers, authors and readers who have dropped by by blog this year – we are 3306 connected people with a love of the written word. My flag counter states  I have 189 countries following me and 252 flags collected. That is pretty amazing. 

thank you

Again it took sometime to decide on what topics I would cover on my blog for 2018. It is always a task not only because once I commit I have to deliver but also that I want the topics/features I choose to be of interest to my followers.

The day and time of each blog post has to be considered – too early in the morning and it will be lost in the morning rush of emails and other notifications, too late in the day and it disappears into the evening chaos of family time. After studying several articles it is best to post on Monday and Wednesday between 9:30 am – 11:00 am, as I traditionally post on these days at 10:30 am I am within those parameters.

Blog Schedule 2018

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Monday:  Investigation in Genre. A look at the classic genres through to the ‘new’ ever developing genres available to writers.  I will be investigating, discussing and hopefully with your help giving examples of genres this year. I would like this feature to be as interactive as possible.

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Wednesday: I was given a writing prompt book for Christmas so will be utilizing these 300 prompts. I hope to create flash fiction or short stories from them. And you are most welcome to write one to share too.

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Friday: Once a month (twice if I have lots of requests) I will host author interviews. This is open to published and unpublished authors/writers. Whether you have been interviewed by me before or not. I want us to support and encourage each other and get to know the writer behind the story.

Message me if you would like to be interviewed via the contact form on the media kit. You can choose which month to correspond with a book launch, event or special giveaway.

Good luck with your writing in 2018.

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Interview with Jason E. Maurer…

September 26, 2012
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Jason was kind enough to interview me for his blog and when I offered to reciprocate his reply came back so quickly I thought it best to get it on here PDQ! Thank you Jason for being so kind to me and as promised here is my interview with you. Find him at – Jason’s Writing Corner.

• Of the characters you have created or envisioned, which is your favorite & why?
I’ve had so many over the years that were great- but unfortunately most of my older stuff is long gone.
Right now, my favorites are Phoenix and Milo, from a work-in-progress.

• Do you favor one type of genre or do you dabble in more than one?
It all depends what the story is about. I’ve tackled mystery, vampire, teen issues, a children’s book, as well as erotica. Unfortunately, most of the my older stuff has long since been lost. This is why I tell everyone the importance of backing up EVERYTHING (or at least having it in printed form).

• Have you got a favorite place to write?
I like to go into the mountains and sit by a stream somewhere, it’s relaxing and enables me to think clearly.

• What inspires your stories?
I have so many ideas running around my mind that it’s difficult to say precisely where any particular one came from. Family, friends, everyday events, people-watching, everywhere.

• Do you belong to a writing group? If so which one?
I belong to several author groups on facebook, but that isn’t exactly the same thing.

• What age did you start writing stories/poems?
I wrote my first story around age 12, something about kids being lost in the forest. I used to write poetry all the time through my teens, but all of that is gone now.

• Do you have a book published? If so what is it called & where can readers purchase it?
I have one novel, one novella, and several short stories for sale on amazon and smashwords.
http://www.amazon.com/Jason-E.-Maurer/e/B0080HHLPC/ref=ntt_athr_dp_pel_1
http://www.smashwords.com/profile/view/jasonmaurer

• If you could meet one favorite author who would it be and why?
Tough choice. My favorites have always been Dean Koontz and Anne Rice [and eventually J.K. Rowling when the Harry Potter series arrived]. I couldn’t choose just one.

• Where can readers find you and your blog?
If you check out the About Me / Links page on my blog, everything is all in one neat and tidy place.
http://jasonemaurer.blogspot.com

• Who is your best supporter/mentor/encourager?
A few of the best friends a guy could ever ask for- Amanda, Ang, Krysta, and Theresa. They’ve been my support group for the last few years, pushing me to write, and telling me my stories were good even when I didn’t think they were.

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