Folk literature is the culmination of folktales passed down through generations and then written down. It includes myths, legends, epics, fables, ballads and folktales. The authors of the traditional literatureare usually unknown or unidentifiable.
These tales are largely about animals and people, of cultural myths, jokes, songs, tales, and even quotes and often take on the characteristics of the time and place in which they are set. In short they describe a culture, which has been preserved by verbal telling. Folklore is also known as “folk literature,” or “oral traditions.”
The main purpose of folklore was to convey in an easy way a moral lesson, present useful information and everyday life lessons for common people, who were illiterate. The tales tended to sugarcoat hard life lessons giving the audience pointers about how they should behave. It is one of the best mediums to pass on living culture or traditions to future generations.
Currently, many forms of folk literature have been transformed into books and manuscripts, which we see in the forms of novels, histories, dramas, stories, lyrical poems, and sermons. Folk literature is not merely a carrier of cultural values, it is also an expression of self-reflection. It serves as a platform to hold high moral ground without any relevance to present day reality. Instead, writers use it as a commentary or satire on current political and social reality. In the modern academic world, folklore’s and folktales are studied to understand ancient literature and civilizations.
For example, Rudyard Kipling was keenly interested in folklore, he wrote many English works based on folklore such as, Rewards and Fairies and Puck of Pook’s Hill. His experiences in the Indian environment led him to create several works about Indian themes and tradition. His most popular work, The Jungle Book, consists of plenty of stories about traditional folktales.
Does writing energize or exhaust you? Both. To not write, dismays and distracts me. Writing is like lancing a wound. It’s painful but with writing, comes release. And relief! I often worry there’s no story there at all, so once I realize there is, I feel a great deal of relief!
What is your writing Kryptonite? I use too many he said, she said’s. I also have to completely rewrite every single thing I write, at least three times. It would be so much easier if I could just get it right the first (or second!) time. But then again, most of writing is rewriting anyway, isn’t that so? And when you sculpt a sentence or an image, it’s wonderfully satisfying! Sometimes I’ll read a first draft of a thing and think that it’s utterly awful writing – who on earth can even write that badly? But at that time, the only thing was to get the story down and I always say that – just get the story down, you can fix the writing later. If I edited as I went along, I’d get nothing done.
Did you ever consider writing under a pseudonym? Actually yes! I am thinking of branching out into some really weird noir and I’m considering these names: Kingston Lee, Mansel Williams, Lee Digby, Lee Hunt.
What other authors are you friends with, and how do they help you become a better writer? Terri Favro, Carole Giangrande, Brenda Clews, Catherine Graham, Grace O’ Connell, all my pals at the Mesdames of Mayhem, D.J. McIntosh and Dawn Promislow are just a few. I love their work so much – their direct, beautiful prose, their descriptions. And I am blessed to be part of a very strong writing community, so that list is really very brief, there are many more names. We are all, across Canada, linked in our love of literature and I find the Canadian literary community to be extremely supportive and encouraging. I know that if I hadn’t come to Canada, the chances of me publishing a book would have been very slender because it was within this community that I learned how to write. And there are SO many fantastic Canadian authors and poets! It’s astounding, really, what a nation of literati we are. And, kind, lovely people!
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? They are all definitely standalones! I would be very open to writing books with connections but it doesn’t seem to happen! I just write what I am told to write!
What was the best money you ever spent as a writer? Going to workshops. I love workshops and conferences. Also, buying books about writing and self-editing.
What was an early experience where you learned that language had power? Wow, this is tough one! I can’t say for sure. I remember being part of the debating team at school and it was fascinating to me then, how language is actually a tool of persuasion. I’m sorry to not have a better answer for you.
What’s your favorite under-appreciated novel? The Book of Stolen Tales by D.J. McIntosh. It’s such a masterful, gripping read, filled with fascinating folklore.
As a writer, what would you choose as your mascot/avatar/spirit animal? It changes a lot! I find there is usually one per book. The owl was very strong for a long time. Then the snake. Right now I would say it’s the wolf.
How many unpublished and half-finished books do you have? I have a whole cupboard of them! They include God’s Day Off, The Fables of Foxtrot Four, The Savage Chardonnay Society and a collection of short stories called Cannibals of the Afterlife. None of them is worth a damn and I really want to have a lovely big bonfire and watch them all go up in smoke. I feel like that would be cleansing and cathartic. I wanted to do it last summer but the opportunity never arose. Although, some stories in Cannibals of the Afterlife are fairly recent and have some potential. So I wouldn’t burn those just yet!
What does literary success look like to you? I feel happy and fulfilled when people enjoy my work. My books aren’t always to everyone’s tastes and I understand that so when a new reader gives you a four or five star rating on Goodreads, then I am happy! I think that No Fury Like That is enjoying a lot of literary success which I wasn’t expecting – I thought readers would hate Julia Redner but they really seem to like her! So that’s a huge win!
What kind of research do you do, and how long do you spend researching before beginning a book? That depends on the book. Rotten Peaches is my next book, for 2018 and I did a lot of research on trade fairs, the toxic ingredients that go into cosmetics and also, the history of the Afrikaner in South Africa. I worked out a calendar of trade show events before I began the story, so I would have an accurate timeline for the book. For my 2019 book, The Occult Persuasion and the Anarchist’s Solution, I did a huge amount of research on treatment and methodology in psychiatric institutions in the 50’s and 60’s (very scary stuff) and I read a lot about tarot, casting spells and the like. That was how I discovered the The Occult Shop on Bathurst. Also, you can find a lot of gems about that kind of subject matter in used book shops. I also researched the Sydney Harbour Bridge in a great amount of detail as that is featured in the book too. Sometimes I will write the story and then flesh out the facts later, when I don’t want to lose the momentum of the real writing. The facts can always be tidied up later – something I rue when I get to it! Why didn’t I just look this up at the time? Well, because you were too busy writing! There’s a lot of constant internal dialogue in my head about my writing, the process as well as the stories.
How many hours a day/week do you write? I write every day. At least two hours a day, usually a lot more on weekends.
How do you select the names of your characters? I find it tough! I study movie credits constantly, or names I see in newspapers. I think about people I have met, and do I have any connotations with that name? I prefer a name to not have any connotations at all but just fit the character. I often change the names a few times but Julia Redner was always Julia Redner. The main character names seem to come easier than the secondary ones. The secondary names are perhaps even more important than the protagonists because the names need to bring a volume of information and meaning and description, meanwhile you can take the time to actually describe the protagonist.
What was your hardest scene to write? Banishing the evil spirit in The Occult Persuasion and the Anarchist’s Solution was very tough. As I was writing the scene, I noticed a series of blisters pop up on the inside of my wrist, in the shape of a serpent and I felt quite terrified. Later I realized that I had shingles. I told my husband it was the demon spirit and he said no, it was obviously a hard scene to write and it made it physically clear! In No Fury Like That, it was hard to write the final revenge scene – Julia went to great extremes to exact he revenge and I was concerned it was too much but people have likened it to Kill Bill which I thought was a great compliment! I think I need to work on having more tough scenes to write, it’s a good workout for the brain!
Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them? I started off writing literary fiction but then I wanted to write more of a plotted book. Characterization comes fairly easily to me but plotting is much harder. I love reading crime novels and wondering how they came up with such intricate plots. So I set myself the challenge of writing novels with more layers of plot. I love imagining what could happen next and then, the domino effect that would have and how the characters will interact down the line. My novels have been called cross-genre or genre-bending, so I guess they just are what they are!
How long have you been writing? I feel like I’ve been writing as long as I’ve been reading and I was a very early reader. Ever since I read Enid Blyton (I devoured her books), I tried to imagine myself coming up with stories like that. The Magic Faraway Tree was one of the first books I wish I had written!
What inspires you? Everything. Street art. Graffiti. Other people’s trash. I was recently on holiday in Auckland, New Zealand and I had a fine old time of it, rooting through the trash. I know, that sounds unhygienic and disgusting (and I do get some odd looks) but there are so many stories in what other people throw out. People on the subway or bus inspire me. Fashion inspires me. It’s ridiculous and extremely beautiful. People’s conversations inspire me. Movies, books, poetry, patterns in the clouds, stories in magazines or newspapers (I have cuttings from all over the world, snippets of things that could turn an idea into a character. Travel definitely inspires me.
How do you find or make time to write? I am neglectful of cleaning the house, I eat the same food day after day (quite happily). I wear the same style of clothes. I minimize wasting time on a thing when I could be writing or planning a story. I put writing before meeting friends for a coffee, I shamefully neglect my husband (who thankfully is a sports fan and has his own photographic interests and doesn’t seem to mind!) I am distracted a lot, by whatever story is in my head. I limit my time on social media and miss a lot of what’s going on. I get behind on current affairs and things that are going on in the real world.
What projects are you working on at the present? I am working on self-edits for Rotten Peaches. Those need to be completed by the end of January. Then I want to work on a new idea for a novel that came to me on my trip, Boomerang Beach. I wrote a hundred or so page longhand and I need to input them and see if there is anything there, and then I need to do a completely new second draft of another novel called The WeeGee Doll, after receiving great feedback from a writer friend of mine. Then I have a few short stories I want to sculpt.
What do your plans for future projects include? As you can tell from the answers to 20, there is a lot on the go! And then there is always the promotion of the current book. I have a blog tour for planned for No Fury Like That for all of Feb, with Partners in Crime and I hope your readers will find it to be of interest.
Share a link to your author website. I’d like to share the blog tour link if that’s okay? The blog tour hosts and I have quite the lineup planned! And let me take a moment to thank you for having me as a guest on your wonderful blog today. You and I go way back Dear Mandy, and it is with great joy that I celebrate your many writing successes with you.
Hay-men, mommets, tattie bogles, kakashi, tao-tao—whether formed of straw or other materials, the tradition of scarecrows is pervasive in farming cultures around the world. The scarecrow serves as decoy, proxy, and effigy—human but not human. We create them in our image and ask them to protect our crops and by extension our very survival, but we refrain from giving them the things a creation might crave—souls, brains, free-will, love. In Scarecrow, fifteen authors of speculative fiction explore what such creatures might do to gain the things they need or, more dangerously, think they want.
Within these pages, ancient enemies join together to destroy a mad mommet, a scarecrow who is a crow protects solar fields and stores long-lost family secrets, a woman falls in love with a scarecrow, and another becomes one. Encounter scarecrows made of straw, imagination, memory, and robotics while being spirited to Oz, mythological Japan, other planets, and a neighbor’s back garden. After experiencing this book, you’ll never look at a hay-man the same.
Featuring all new work by Jane Yolen, Andrew Bud Adams, Laura Blackwood, Amanda Block, Scott Burtness, Virginia Carraway Stark, Amanda C. Davis, Megan Fennell, Kim Goldberg, Katherine Marzinsky, Craig Pay, Sara Puls, Holly Schofield, Laura VanArendonk Baugh, and Kristina Wojtaszek.
“Introduction” by Rhonda Parrish
“Scarecrow Hangs” by Jane Yolen
“Kakashi & Crow” by Megan Fennell
“The Roofnight” by Amanda C. Davis
“Skin Map” by Kim Goldberg
“A Fist Full of Straw” by Kristina Wojtaszek
“Judge & Jury” by Laura VanArendonk Baugh
“Waking from His Master’s Dream” by Katherine Marzinsky
“The Straw Samurai” by Andrew Bud Adams
“Black Birds” by Laura Blackwood
“Edith and I” by Virginia Carraway Stark
“Scarecrow Progressions (Rubber Duck Remix)” by Sara Puls
“Truth About Crows” by Craig Pay
“Two Steps Forward” by Holly Schofield
“Only the Land Remembers” by Amanda Block
“If I Only Had an Autogenic Cognitive Decision Matrix” by Scott Burtness
Direct library or bulk purchase available through World Weaver Press (contact firstname.lastname@example.org for rates).
Rhonda Parrish is driven by a desire to do All The Things. She has been the publisher and editor-in-chief of Niteblade Magazine for nearly eight years now (which is like forever in internet time) and is the editor of several anthologies including Fae, Corvidae, Scarecrow, and B is for Broken. In addition, Rhonda is a writer whose work has been in dozens of publications like Tesseracts 17: Speculating Canada from Coast to Coast, Imaginarium: The Best Canadian Speculative Writing (2012) and Mythic Delirium. Her website, updated weekly, is at rhondaparrish.com.
Andrew Bud Adams was raised by spider-men and turtle ninjas and ronin rabbits, who are now helping raise his own children. “The Straw Samurai,” inspired by them and the Japanese folk tale “The Tengu’s Magic Cloak,” is one of his first published retellings. When not wandering between fantasy villages or teaching college writing, he can be found on Twitter @andrewbudadams.
Whenever grownups asked young Laura Blackwood what she wanted to be when she grew up, she said “Published!” That dream finally came true—Black Birds is her first story to see print. Laura currently lives and works in Edmonton, Alberta, and tinkers with many more writing projects than is considered wise or healthy.
Amanda Block is a writer and ghostwriter based in Edinburgh, UK. A graduate of the Creative Writing Masters at the University of Edinburgh, she is often inspired by myths and fairy tales, frequently using them as a starting point to tell other stories. Amanda’s work has been featured in anthologies such as Modern Grimmoire, Stories for Homes, and World Weaver Press’ Fae. She has been shortlisted for the Bridport Prize and the Chapter One Promotions Short Story Competition. Amanda is currently working on her first novel. She can be found online at amandawritersblock.blogspot.co.uk.
Scott Burtness lives in Minnesota with his wife, Liz and their English Staffordshire-Boxer, Frank. He has it on good authority that he possesses all of the requisite parts to be considered human, and sincerely believes he’s taller when measured with the metric system. Scott’s debut novel, WISCONSIN VAMP, is available on Amazon.com. When not writing horror-comedy romps or sci-fi adventures, Scott enjoys bowling, karaoke, craft brews and afternoon naps. Follow him on Twitter (@SWBauthor). Don’t follow him down dark alleys.
Amanda C. Davis has an engineering degree and a fondness for baking, gardening, and low-budget horror films. Her work has appeared in Crossed Genres, InterGalactic Medicine Show, and others. She tweets enthusiastically as @davisac1. You can find out more about her and read more of her work at amandacdavis.com. Her collection of retold fairy tales with Megan Engelhardt, Wolves and Witches, is available from World Weaver Press.
Megan Fennell is a court clerk, cat owner, and writer of strange tales, currently living and working in Lethbridge, Alberta. Although loving magpies to the point of having two of them tattooed on her, it was the Danish myth of the Valravn that held her corvid-like attention span for this anthology. Her stories can also be found in Wrestling with Gods: Tesseracts 18, Tesseracts 17, OnSpec Magazine, and the charity anthology Help: Twelve Tales of Healing.
Kim Goldberg is an award-winning writer and author of six books. She is a winner of the Rannu Fund Poetry Prize for Speculative Literature and other distinctions. Her speculative tales and poems have appeared in numerous magazines and anthologies including Tesseracts 11, Zahir Tales, On Spec, Urban Green Man, Dark Mountain, Imaginarium, Here Be Monsters, Switched On Gutenberg and elsewhere. Her seventh book, Refugium, about people living with electrosensitivity, will be released in 2015. She lives in Nanaimo, BC, and online at PigSquashPress.com.
Katherine Marzinsky is a writer and student currently residing in New Jersey. She attends Kean University, where she is working toward an undergraduate degree with a major in English and a minor in Spanish. Her previous work has appeared in Asimov’s Science Fiction Magazine, A Cappella Zoo, Cease, Cows, and The Inanimates I story anthology.
Craig Pay is a short story author and novelist. He writes speculative fiction (usually). His short stories have appeared with a number of different magazines and anthologies. He is represented by John Jarrold. Craig runs the successful Manchester Speculative Fiction writers’ group. He enjoys Chinese martial arts and many other hobbies. You can visit him at craigpay.com.
Sara Puls spends most of her time lawyering, researching, writing, and editing. Her dreams frequently involve strange mash-ups of typography, fairy creatures, courtrooms, and blood. Sara’s stories have been published in Daily Science Fiction, The Future Fire, GigaNotoSaurus, Penumbra, World Weaver Press’s Fae anthology, and elsewhere. She also co-edits Scigentasy, a gender- and identity-focused spec fic zine. On Twitter, she is @sarapuls.
Holly Schofield’s work has appeared in many publications including Lightspeed, Crossed Genres, and Tesseracts. For more of her work, see hollyschofield.wordpress.com.
Virginia Carraway Stark started her writing career with three successful screenplays and went on to write speculative fiction as well as writing plays and for various blogs. She has written for several anthologies and three novels as well. Her novel, Dalton’s Daughter is available now through Amazon and Starklight Press. Detachment’s Daughter and Carnival Fun are coming later this year. You can find her on Twitter @tweetsbyvc, on Facebook Facebook.com/virginiacarrawaystark.
LauraVanArendonk Baugh was born at a very early age and never looked back. She overcame childhood deficiencies of having been born without teeth or developed motor skills, and by the time she matured into a recognizable adult she had become a behavior analyst, an internationally-recognized animal trainer, a costumer/cosplayer, a dark chocolate addict, and a Pushcart Prize-nominated author with a following for her folklore-based stories and speculative fiction. Find her at LauraVanArendonkBaugh.com.
Kristina Wojtaszek grew up as a woodland sprite and mermaid, playing around the shores of Lake Michigan. At any given time she could be found with live snakes tangled in her hair and worn out shoes filled with sand. She earned a bachelor’s degree in Wildlife Management as an excuse to spend her days lost in the woods with a book in hand. Now a mother of two little tricksters and their menagerie of small beasts, she continues to conjure bits of fantasy during the rare spell of silence. Her fairy tales, ghost stories, poems and YA fiction have been published by World Weaver Press (Opal, Fae, and Specter Spectacular), Far Off Places and Sucker Literary Magazine. Follow her @KristinaWojtasz or on her blog, Twice Upon a Time.
Mr. Yegpie the magpie, tweets as @YegMagpie on Twitter
Jane Yolen, often called “the Hans Christian Andersen of America”(Newsweek) is the author of well over 350 books, including OWL MOON, THE DEVIL’S ARITHMETIC, and HOW DO DINOSAURS SAY GOODNIGHT. Her books and stories have won an assortment of awards—two Nebulas, a World Fantasy Award, a Caldecott, the Golden Kite Award, three Mythopoeic awards, two Christopher Medals, a nomination for the National Book Award, and the Jewish Book Award, among many others. She has been nominated three times for the Pushcart Prize in Poetry. She is also the winner (for body of work) of the World Fantasy Assn. Lifetime Achievement Award, Science Fiction Poetry Association Grand Master Award, Catholic Library’s Regina Medal, Kerlan Medal from the University of Minnesota, the du Grummond Medal from Un. of Southern Missisippi, the Smith College Alumnae Medal, and New England Pubic Radio Arts and Humanities Award . Six colleges and universities have given her honorary doctorates. Her website is: http://www.janeyolen.com.
As part of a blog tour, I am interviewing the authors and the editor/anthologist involved in the project anthology, Corvidae. Published through World Weaver Press. This will post as I am on vacation….Today I launch with the Pulbisher: Rhonda Parrish.
A flock of shiny stories!
Associated with life and death, disease and luck, corvids have long captured mankind’s attention, showing up in mythology as the companions or manifestations of deities, and starring in stories from Aesop to Poe and beyond.
In Corvidae birds are born of blood and pain, trickster ravens live up to their names, magpies take human form, blue jays battle evil forces, and choughs become prisoners of war. These stories will take you to the Great War, research facilities, frozen mountaintops, steam-powered worlds, remote forest homes, and deep into fairy tales. One thing is for certain, after reading this anthology, you’ll never look the same way at the corvid outside your window.
See additional document in the PRESS KIT folder.
Edited by Rhonda Parrish
“Introduction” by Rhonda Parrish
“A Murder of Crows” by Jane Yolen
“Whistles and Trills” by Kat Otis
“The Valravn” by Megan Fennell
“A Mischief of Seven” by Leslie Van Zwol
“Visiting Hours” by Michael S. Pack
“The Rookery of Sainte-Mère-Église” by Tim Deal
“The Cruelest Team Will Win” by Mike Allen
“What Is Owed” by C.S.E. Cooney
“Raven No More” by Adria Laycraft
“The Tell-Tale Heart of Existence” by Michael M. Rader
“Sanctuary” by Laura VanArendonk Baugh
“Knife Collection, Blood Museum, Birds (Scarecrow Remix)” by Sara Puls
Rhonda Parrish is driven by a desire to do All The Things. She has been the publisher and editor-in-chief of Niteblade Magazine for nearly eight years now (which is like forever in internet time) and is the editor of several anthologies including Fae and B is for Broken. In addition, Rhonda is a writer whose work has been in dozens of publications like Tesseracts 17: Speculating Canada from Coast to Coast, Imaginarium: The Best Canadian Speculative Writing (2012) and Mythic Delirium. Her website, updated weekly, is at rhondaparrish.com.
What do you enjoy most about writing?
Sharing stories. I really like creating characters and scenarios and worlds and then sharing them with other people. It’s even better when the people I’m sharing with enjoy the story as much as I did and tell me so–I am not without an ego LOL
What do you enjoy most about editing?
I love coming up with a theme and then seeing all the amazing ways writers explore that theme. They always, always, always come up with things I never would have ever dreamed of. I also really enjoy working with writers to help make their amazing stories even stronger. It’s incredibly fulfilling to have someone trust you with their work and walk away feeling as though you not only justified that trust, but helped them make the story better. I will never get tired of that.
Is there one subject you would never write about as an author? What is it?
Um. No. I don’t think so.
What book are you reading now?
I just finished At the Water’s Edge: A Novel by Sara Gruen which was well-written and kept me up late turning the pages, and began reading The Toyminator by Robert Rankin. The Toyminator is the sequel to The Hollow Chocolate Bunnies of the Apocalypse which I really liked so I have high expectations for it J
Do you see writing as a career?
Absolutely. Writing and editing both, actually. Happily for me they work very well together and each feeds the other. What I mean is being an editor has definitely improved my writing, and being a writer has helped me as an editor. Win/win. If only I could turn off my inner editor while I’m writing first drafts…
Do you nibble as you write? If so what’s your favorite snack food?
Mostly I drink, and not what you’re thinking either LOL While I’m happy to indulge in an alcoholic drink or three sometimes in the evening I never drink alcohol when I’m writing. I don’t have a moral objection to it or anything, mostly the timelines don’t line up. Alcohol is an ‘in the evening’ thing and writing is a ‘during the day’ thing. However, when I’m writing there’s usually a Diet Dr. Pepper within reach or, if my focus has been especially lacking, sometimes a Red Bull.
Where do you see yourself in ten years?
Probably right here… though hopefully with a few more titles on my ego shelf LOL I don’t know if I’ll still be editing Rhonda Parrish’s Magical Menageries anthology series ten years from now (though you never know LOL) but I’d definitely still like to be both writing and editing. Bonus marks for myself if I’ve got a couple/few novels out as well J
Is there anything you find particularly challenging in your writing?
The first draft. Seriously. Oftentimes I get so twisted up in my own head that I become paralyzed and don’t write anything. It’s a serious problem. I’ve found tools for working around it and my strategy is basically ‘Do whatever you need to to get the words on the page’ but still… first drafts kick my butt every time.
What is your favorite book?
My favourite books (this week) are The Last Unicorn by Peter S. Beagle and The Ocean at the End of the Lane by Neil Gaiman but there are so many beautifully-written books and stories out there.
Why an anthology about corvids?
I’ve always loved corvids, their intelligence, beauty, playfulness… Once upon a time I wanted to write a single author collection of corvid stories but as time went on and I realised how many other people shared my love of all things corvidae I thought it would be even cooler to make an anthology.
Scarecrows go with corvids like butter goes with popcorn. How could I not have a companion anthology to go with the corvidae? Besides, I’ve got a great deal of love for scarecrows–they hit exactly the right spot on the uncanny spectrum for me.
What genre is your next project? What is it about?
My next title in this anthology series is going to be Sirens (opening to submissions August 15th). Like the other anthologies in this series it will be speculative fiction, probably leaning closer to fantasy than science fiction given the subject matter, but you never know…
“Smart and dark like the corvids themselves, this excellent collection of stories and poems will bring you a murder of chills, a tiding of intrigue, a band of the fantastic, and—most of all—an unkindness of sleepy mornings after you’ve stayed up too late reading it!”
— Karen Dudley, author of Kraken Bake
“Magic and corvids collide in this certain to intrigue anthology.”
— Joshua Klein, hacker and inventor of the crow vending machine
“A creepy, crazy kaleidoscope of corvids,Corvidae is what happens when you bring together ingenious writers and sagacious subjects. It’s nothing short of a thrill ride when this anthology takes flight.”
— Susan G. Friedman, Ph. D., Utah State University; behaviorworks.org.
“As sparkling and varied as a corvid’s hoard of treasures, Corvidae is by turns playful and somber, menacing and mischievous. From fairy tale to steampunk adventure, from field of war to scene of crime, these magical birds will take you to places beyond your wildest imaginings.”
— Jennifer Crow, poet and corvid-by-marriage
“Corvidae evokes the majesty and mischief of corvid mythologies worldwide—and beyond our world—in a collection that is fresh and thoroughly enjoyable.”
— Beth Cato, author of The Clockwork Dagger
Praise for the series RHONDA PARRISH’S MAGICAL MENAGERIE
“Delightfully refreshing! I should have known that editor Parrish (who also edits the cutting edge horror zine, Niteblade) would want to offer something quite unique. I found it difficult to stop reading as one story ended and another began – all fantastic work by gifted writers. Not for the faint of heart, by any means.”
— Marge Simon, multiple Bram Stoker® winner
“Stories of magical beings and the humans they encounter will enthrall and enlighten the reader about both the mundane and the otherworldly. I devoured it.”
— Kate Wolford, editor of Beyond the Glass Slipper, editor and publisher of Enchanted Conversation: A Fairy Tale Magazine
“Seventeen tales… range in feel from horror to upbeat tales about homes where things go right, and are set everywhere from the modern day to mythical fantasy pasts. The best of these stories evoke things from real life – loves and values – and show characters making hard choices that reveal who they are and what they’re made of.”
“There’s no Disney-esque flutter and glitter to be found here — but there are chills and thrills aplenty.”
— Mike Allen, author of Unseaming and editor of Clockwork Phoenix
Authors to look out for are:
Laura VanArendonk, Angela Slatter, Mark Rapacz, Michael M. Rader, Sara Puls, Kat Otis, Adria Laycraft, L.D. Curelas, Megan Engelhardt, Tim Deal, C.S.E. Cooney, Mike Allen, Michael S. Pack, Jane Yolen, Megan Fennell, Leslie Van Zwol, Scott Burtness, Kristina Wojtaszek.
I am asked quite often, how I manage to come up with stories from picture and word prompts. Obviously each writer has a mechanism unique to themselves and each prompt has a variety of writing responses.
Sometimes an idea just ‘pops’ into my head but other times, I need to play with words to get myself started. Take this week’s prompt – Remember the joy of a fairy tale? Lost in an imaginary world? Absorb yourself in a fairy tale – either using your favourite fairy tale characters or creating new ones. Find your innocence again and enjoy.
Firstly I copied the prompt into a word document then let my mind dwell on the idea. Anything that came to mind I wrote down. For this particular prompt, for some reason, the word mermaid came through strongly. I looked through a list of Grimm’s fairy tales and read two I had never heard of, neither of which actually had a mermaid in. Then I imagined a beach overlooked by a castle and a man walking along the shoreline. Now an idea began to form – what if the man was a Prince and he was wishing for a wife? What wife could I give him? Then the story came easily with a few edits here and there before I posted it on the web site. This was the result.
Prince Ellon looked upward and saw his father’s castle standing atop the steep crag. Its walls were honed from the very cliff face. Dark grey slabs towering above him as he walked the sandy beach below. His father’s insistence that he take a wife, weighed heavily upon him. There were many beautiful young women all too eager to become his betrothed but he was reluctant. None were willing to dirty their clothes on the beach or abandon them for a swim in the sea. He found their lack of spirit and their trifling concerns boring. Why could he not find a woman with a more adventurous spirit?
As he kicked the damp sand a glistening object flew forth and landed a few feet away. Puzzled the Prince picked it up to find a bronze ring made in the shape of a mermaid. It was a most unusual ring so he placed it upon his finger to admire it all the more. Once the ring encircled his knuckle, a water spout began to rise from the waves and foam. The Prince watched in astonishment as the water twisted and curled, gradually forming into a woman’s upper body and a fish’s tail. What witchcraft is this? He tried removing the ring but it stuck fast. The water ceased its swirling and the Prince looked upon the most beautiful face he had ever seen.
“You have been granted your wish, young Prince. Behold your wife.”
“I have not made any such wish.”
“Did you not want a wife who would swim in the sea with you, a wife who will also wander along the beach with you?”
“Those were my private thoughts. I did not speak them aloud.”
“The ring hears your thoughts and grants you the wishing of them.”
“If that is so then how could you walk with only that tail?”
“Think legs for me and they will appear, young Prince.”
The Prince wished it so and there appeared long shapely legs where once there had been a fish’s tail.
“Will this magic last?”
“Yes, my Prince, as long as you continue to wear the ring.”
“Then it shall never leave my finger. Have you a name or do I wish that too?”
“My name is Serene but of course I will go by any name you chose for me, my Prince.”
“Serene is a very lovely name and I will certainly not change it.”
The Prince covered her nakedness with his cloak and escorted Serene up the cliff path. Once in the throne room he announced to his parents and the court that he had found his future wife. The wedding was a splendid affair with courtiers coming from far and wide. No-one knew the new Princess but all agreed she was indeed a very beautiful young woman. The Prince spun a tale of travelling to another land and finding her abandoned. No-one questioned the story – after all he was the Prince.
The Prince and Princess were very happy together and took many evening walks down on the beach. Unbeknown to the household they would swim together with the use of a simple wish from the Prince, as merman and mermaid in the cool waters. The Prince had his perfect wife and the mermaid could return to her natural element every night.
How do you instigate a story? What processes do you use? Our writing is as individual as we are – that is the fun of it – each person will come up with a totally unique response even when the prompt is the same.
These prompts help me unblock my thought processes and give my imagination license to go where it likes, freeing it for a while before returning to a WIP.