When I was struggling to find a concept for NaNoWriMo this year, out of the blue an idea came to mind. Now this, in itself, is not unusual because we all know it happens. However, it was not only the genre that surprised me but the fact the idea formulated as a three book series!
The genre is a detective/crime, something I have not tackled before. Although, I have written in various genres, it is normal for the story to come first and then the genre becomes apparent as I write. This is the complete opposite and makes it an exciting prospect. The idea formulated around three main characters and a common adversary across three books.
The other surprise was that I easily began planning each book – another first for me the self proclaimed free flow writer. I am not sure why this change in technique came about but it will certainly play a big part in this new project.
Whether we plan in detail or go with the flow, there is no right or wrong way to write – we all do it differently, which results in the uniqueness of our narratives.
Whether you spend time intricately plotting and creating your story line or let the story flow unbidden, one facet of all stories that must be created and created well are its characters. Your protagonist, antagonist and all the supporting characters have a ‘job’ to do. They must give our readers an insight into their personalities, their struggles, ambitions and fears. Characters build the ‘world’ you have set your characters within by showing it through their eyes, their thoughts and actions.
Every writer has his or her own methods, when it comes to the creation of a character.
For example, Setting: an alien being trapped in a spacecraft, a monster hunting its prey or specific behavior traits for period pieces.
Physical features: This primarily gives our readers an image but more importantly an idea of their personality. A thin, acne-faced teenager will not automatically give our readers the idea of a ‘superman’ kind of personality but a muscle bound, athletic type could.
Name: a good starting point for our creation, but it is also a minefield. Research into real persons, living or dead should be foremost, unless of course you are writing about that particular person.
Accent: a character’s voice says a lot about their location and background.
Real people or not: We can base characters on people we know or a combination of several or from people watching – an author’s favorite pastime. As writers situations, overheard conversation and life in general is a constant source of inspiration.
There are numerous ‘character development work sheets’ available on the Internet and it can be useful to fill them in for your main characters, if you have no clear ‘picture’ of them to begin with.
I tend to write the story letting my characters dictate how their story will unfold. In so doing the characters develop creating their own story. This tends to change the narrative from my initial perception. In this way they may develop characteristics I had not considered or react quite differently to a situation from my preconceived idea. This method may seem harder than having a detailed description of each pivotal character, their backstory and emotional compass, but it is my method.
We ‘live’ with our characters for a long time and they become ‘real’ to us. This enables us to write the story with ‘insider knowledge’ of our characters backstory, their emotional compass and their ultimate goal. This knowledge becomes paramount during the subsequent drafts and editing process, giving us a well-rounded character and a believable one for our readers. In truth, the initial draft is the testing ground for our characters, and revisions make them well rounded and ‘believable’.
How do you create your characters?
Recognize these characters? Remember how irate poor Wile E Coyote would become with Road Runner? No matter what he did he never succeeded in catching his ‘dinner’. Beep, beep would ring out as yet another ACME kit damaged the coyote instead of the bird. It was truly a lesson in perseverance. No matter how many times the speedy bird escaped the coyote he would try, try, try again. I actually went past a road sign to Acme on my way to Canmore one time and wished I could have made a detour just for the fun of it.
The art of creating such lovable and memorable characters is what every author strives for. We hope our creations will stay in our readers minds long after the last page has turned. Character profiles and back story play a large part in ensuring our characters are well rounded and believable. We delve into their personality type seeking out traits and habits to make them react to their crisis situations in an authentic way.
Do you make up scenarios for people you observe? Have any made it in to a manuscript?
Without characters our stories would have no real impact on our readers. We write to engage and intrigue them and hopefully make our protagonist the character our reader cares about. If your experience is anything like mine, there is usually one, or possibly two characters, that make their presence known in no uncertain terms. They want the starring role in our narrative. These characters are usually more defined in our minds and are ‘easier’ to relate to, whether because of a personality trait or that they are more fun to write. When creating the protagonist and antagonist in our stories, we give each opposing views and/or values. This is the basis of the conflict that carries our readers along their journey. Each character, whether major or minor, needs to have flaws and redeeming features, motivations, expectations, loyalties and deterrents.
With such a guideline our characters become clearer. A lot of the details will never reach the pages of our manuscript but knowing our characters well makes for a more believable personality as they struggle through the trials and tribulations, we subject them to. As most of you know I am a ‘free flow’ writer so everything is by the seat of my pants until the editing starts. This is where I find character flaws or great character traits that I can correct or build upon. My characters live with me during the writing process and usually lead me in directions I had never considered – I’m sure many of you can relate to that. As these personalities gain strength they become more ‘real’ and that is the moment their true selves appear.
When creating characters we must remember to ensure that each character acts and responds true to their given personality. Character profiles are a good way of ‘getting to know’ our characters. For example this sheet.
This week’s question: When crafting a new story – what works best for you, laptop, fountain pen, dictation, or longhand?
For me, I write best on a laptop as it is the fastest option to free flow my words. What about you?
Last week’s question: What is your motivation for writing more?
My reply is that I have so many stories tumbling around in my head, I have to keep writing to get them all out. Many of you know I only began ‘writing’ when I came to Canada so I’m now making up for ‘lost’ time! I have always been creative but for whatever reason I had never written ‘stories’ before for the explicit reason of allowing other people to read them. Mandy Eve-Barnett
I have found, in my experience, that surrendering to my muse has enabled me to accomplish large quantities of narrative. Whole chapters have formed with details previously unknown to me. In some circles this is known as channeling but more on a spiritual plane. May be my muse has more control over me than I care to admit. Although, saying that, once a story starts to flow, I yield to the process completely. I enjoy the journey as much as my characters. I am immersed in their lives, wondering which paths we will tread. Writing uninterrupted by aspects of editing is a freeing experience.
Have you surrendered to find unexpected plot lines or do you need to control every aspect?
Up until now all of my writing has been ‘free flow’. My initial idea or thought literally flows through my mind into my fingertips and I have no control over the work’s length, story arc or ultimate ending. From simple prompts I have created short stories, novellas and novel length pieces letting my characters lead me on their journey. I thoroughly enjoy being taken into situations and locations by my muse, reveling in the twists and turns and in some cases startling diversions. Once the words are written, however, like all writers, the revisions and editing take place to refine the manuscript.
However, my current idea has me in unfamiliar territory – planning and research. An integral part of this project is to make it an educational tool. The basic story is my own imagination gone wild (nothing new there then!) but as I will be incorporating factual aspects I will need to be diligent. Facts after all have to be factual and correct.
In my current research I have discovered some very interesting information – in essence I am learning something new every day. These facts are making my current project a unique experience for me and also an enjoyable one.
Have any of your projects taken you on an unfamiliar path?