I was born in a little town in Nebraska with 700 folks—mostly all my relatives. I wanted to find “the rest of the world” around my 14th birthday (but of course I had to wait until I was 17). After that, I travelled whenever I could, first in U.S.A. and then the world
2. How many places are still on your “to go to” list?
Greenland, Iceland, Ireland, and Galapagos Islands are right up on top for now.
3. Is there anywhere you would not visit? Why?
I would like to visit Venezuela but not until it is safer.
4. What are your top three tips for traveling alone?
1. Don’t be afraid to be alone; there are friendly singles and couples that will always befriend you. 2. Don’t talk about you too much; be a good listener first as most folks would rather talk than listen. You will be adored for being a listener. 3. Be flexible; go with the flow, never know what opportunities will arise.
5.What inspired you to write Traveling Well With Less: A Woman’s Guide.
It was Monday October 7 and I was leaving on a cruise in Bucharest on Friday. My daughter called and asked if I was packed and I said, of course. So she said, why don’t you write a book on Travelling with a carry on and why it is best, etc. and do it before you leave Friday? So I did.
6. Do you intend to write another book? What will it be about?
My daughter, Tosca (the same one above), advised me to write a Financial Independence book for women. So I might.
7. Would you write in another genre? No.
8. Where do you feel most comfortable when writing? At my desk in the middle of the family room.
9. If you could eliminate one task from your daily schedule, what would it be?
I have already eliminated making my bed every day so that takes care of 15 minutes saved. I hate to dust—so that would be #1 on my list.
10. Think about punctuation marks. Which one would you pick to describe your personality and why?
Period probably. I like to finish what I start—one way or another.
11. Describe your handwriting.
Scribble. I make notes all over for everything.
Traveling Well With Less: A Woman’s Guide What, not another travel book? No, something better! Author Laura Moncrief has traveled to over 70 countries and every continent and she wants to save you from the many pitfalls that can be a disaster when you travel. This book tells you how it is (and it ain’t like it used to be) and how to ensure you will have what you need to travel well without dragging along the kitchen sink.This book includes tips on all aspects of travel but the most important parts of this book are THE LISTS—what to pack and what to wear. Print off these lists for every trip, and whether you are going for a week or a month, you’ll never forget something important that might ruin an adventure.
Laura Lee Moncrief is a native Nebraskan who has lived in Virginia, Colorado, Montana, and Georgia. A stay-at-home mother for 18 years, Laura went back to college to finish her education at 43. She earned her Bachelor of Science degree in Consumer Science and Finance, graduating with high distinction from the University of Nebraska-Lincoln in 1991. Upon graduating, Laura was self-employed as an American Express Financial Advisor for seven years and then investigated security clearances for the federal government for the next three years. Laura also taught senior finance classes at her alma mater for two years before retiring. Today, Laura volunteers at her church, plays pickleball three times a week, and, of course, continues to travel all over the world. She is the published author of six genealogy books and two about the early pioneers of Divide and Woodland Park, Colorado. The mother of three daughters, grandmother of seven and great-grandmother of two, Laura resides in Arizona … at least for now.
Florissant, Colorado Pioneer Cemetery–The Stories Behind the Tombstones
Through many years of genealogy work, I’ve learned that every family has that one person—the one nobody will talk about, the one with the aura of taboo around him or her. Three generations back, Analiese Rushton (not her real name) was that person in our family tree.
It took a lot of digging and a grain of luck to find out why—she faced recurring perinatal and postpartum psychosis at a time when neither medicine or society understood it. Given the intense social stigma of mental illness in Annie’s day, aggravated by stark gender bias in both courts of law and courts of public opinion, what we now know to be a bona fide and treatable medical condition threatened to cost Annie nearly everything that matters to most of us—family, home, health, safety, the right to self-determination. I also learned that maternal mental health was the rarest of subjects in historical fiction; it almost felt like publishing too was infected with that zipped-lips taboo. I wanted to tell Annie’s story in a way that would heal ills and injustices, and topple that taboo.
How did you come up with the title?
That’s a fun chicken-egg question I can’t fully answer. When I started writing, I had a working title that I knew wouldn’t be the final title. One of the things I love about novels is that Aha! moment when you’re reading along and come upon the title of the book. To Kill a Mockingbird and The Color Purple are a couple of potent examples. So as I was writing, I had my “third ear” open, listening for possible titles. I considered several that didn’t feel quite right. Then up popped “The River by Starlight” and there it was. Readers will know from the first page of the book that it’s from a journal entry by Henry David Thoreau. But they have to read some chapters in to find out how it impacts the story and why it’s a thread that carries throughout the book.
Is there a message in your novel that you want readers to grasp?
Although The River by Starlight confronts loss and grief in many shape-shifting forms, it’s not a tale of depth-less terror and tragedy. I would not and could not have written a book like that. Edmonton historian Tony Cashman is a dear friend of mine, and in his testimonial, he described the book as “a story told with deep understanding of the human heart, which won’t abandon hope.” That refusal to abandon hope—Annie’s astonishing resilience and tenacity in the face of devastating events, is a tribute to the luminescence of the human spirit that lives in all of us. That’s why I wrote the book. I didn’t think she should be the one nobody talks about. I wanted her to be the one everybody talks about.
How much of the book is realistic?
100%. I put in over a decade of research, including six trips to Montana, Edmonton, and North Dakota. Much of the book describes events that did take place, and most of what I made up was also based on that research. I consulted more than 40 libraries and archives, read more than 1,000 homestead accounts, close to 100 books, and several miles of microfilmed newspapers.
Where can readers find you on social media and do you have a blog?
You can find me on Facebook, Twitter, LinkedIn, Pinterest, and Instagram. I have two blogs on my website, for fiction and nonfiction. My Facebook page is a very interactive community of readers from more than 40 countries.
Do you have plans or ideas for your next book? Is it a sequel or a stand alone?
I’m percolating an idea based on another long-ago real person, whose early life was a dramatic brew of siblings lost to an epidemic, the Civil War, and historic upheaval within her faith community. She eventually landed in Dayton, Ohio, in the same neighborhood as an interesting pair of brothers who claimed to be building a flying machine. Once I start writing a bit, I’ll know if she wants to tell me her story.
Of the characters you have created or envisioned, which is your favorite & why?
Like the children’s book, I Love You the Purplest, my mother impressed upon me that her children were so different from each other, it meant that each was her favorite in their own way. It’s just that way for my characters in The River by Starlight, many of whom I love, but in ways that defy comparison. Nor do I have a favorite villain, and at least one reader agreed, in what is a favorite comment: “The characters are real and pop off the page. I have empathy, sorrow, joy, and want to choke a number of them!”
Do you favor one type of genre or do you dabble in more than one?
As writers, we’re often told to write what we know, but also told to write what scares us, or write what we want to know. I’d written four nonfiction books and countless essays and advice columns when I decided to write a historical novel. I can’t say enough about how expansive it’s been, in every way, to stretch myself into uncharted territory as a writer. I’m eager to both continue on with what I’m good at, and to push my pencil into forms and genres I haven’t before considered.
Do you plan your stories, or are you a seat of the pants style writer?
Pantser! I’ll start with a spark of an idea and see where the research takes me. When I start writing, the story will either bloom or fall flat. If it blooms, I go on, listening with my “third ear” and following the arc of the story as my research expands. It’s almost like a game where I’m given facts or leads or provocative questions, I work them into the story, then listen for how the characters are going to respond. I’m constantly judging the messages I’m portraying, whether I’m getting it right, and also gauging when it’s necessary for me to take literary license and depart from that.
What is your best marketing tip?
Find what you’re best at and focus on that. It’s good and appropriate to stretch yourself to do things that may be a bit beyond your comfort zone but none of us can be good at everything, let alone have the time or money to do it all. If you really hate, say, a particular social media platform or blogging or podcasts or live events or whatever, be unapologetic about saying no to it. I believe readers pick up on insincerity, so connect them with your best self.
Do you find social media a great tool or a hindrance?
In all things, balance. It’s every author’s choice whether to invest time and effort in a social media presence, but to forego it entirely is to greatly limit your ability to connect with readers and potential readers. Readers expect an internet presence, and other less immediate sources may not come to mind. At the same time, neither is an author obligated to spend untold hours on social media. How much presence, how much effort an author wants to devote to her digital platform is entirely individual, and there’s no “right” amount. I know authors who are only on Facebook, or only on Twitter, and post only when they feel they have something to say. Writers have to prioritize the writing, ruminating, and revising that make us writers in the first place.
What do you enjoy most about writing?
The magic of it. Watching words flow out of a pencil tip, watching words form sentences, sentences form paragraphs, paragraphs form whole stories. Sometimes it’s almost like I’m an observer.
Has your genre changed or stayed the same?
Genre is such a fluid thing to me. Though the writing of my fiction and nonfiction were vastly different experiences, there was enough crossover for me to loosen the boundaries in my mind of what “genre” means. My novel has been recognized with awards for historical fiction, regional fiction, literary fiction. My nonfiction books and historical articles have a strong storytelling element to them. I hope to cross a few more genre thresholds before I’m done.
What genre are you currently reading?
I’m usually reading several books at any given time; right now I’m reading a historical novel, a memoir, a creative nonfiction, and a classic.
Do you read for pleasure or research or both?
They’re inseparable, because research is one of my greatest pleasures. It’s entertaining, informational, emotionally and intellectually challenging. In a way, everything I read is research. It all lodges in my conscious or subconscious and finds its way into my writing in one way or another, either by what I include or what I choose not to include.
Where is your favorite writing space?
In my head, of course!
Do you see writing as a career?
Sure, because the definition of “career” is as broad as a writer’s mind allows it to be. I just internet-searched the definition, and the first one that came up was, “an occupation undertaken for a significant period of a person’s life and with opportunities for progress.” Notice it doesn’t mention earning money? I’ve been blessed to have been able to earn a living as a writer, but I know countless writers who’ve been writing and publishing gloriously for years without earning a living. Their work is no less worthy than mine of being called a career. If we read only “career writers” as defined in the conventional sense (money-makers), the breadth and depth of what we read would be far poorer indeed.
Do you nibble as you write? If so what’s your favorite snack food?
When I’m “in the zone,” I have to remember to breathe, let alone eat. Although for a few blissful weeks in the summer, no day is complete until I’ve eaten my weight in blueberries.
What reward do you give yourself for making a deadline?
Making a deadline is its own reward. I’ve high-fived the wall more than a few times in my career.
An award-winning author in both nonfiction and fiction, Ellen Notbohm’s work has informed, inspired, and guided millions of readers in more than twenty languages. In addition to her acclaimed historical novel The River by Starlight and her globally renowned books on autism and, her articles and columns on such diverse subjects as history, genealogy, baseball, writing and community affairs have appeared in major publications and captured audiences on every continent.
The River by Starlight has been recognized with awards for historical, regional, and literary fiction. Its focus on maternal mental health and gender bias in the early 20th century explores a history rarely addressed in fiction.