There are a multitude of writing competitions available, whether locally or internationally. When submitting to a competition there are a few common ground rules to adhere to.
Tip #1: Be clear on your goals before entering any contest. Why do you want to enter in the first place?
Tip #2: Follow the rules and submission guidelines – each contest is different. This includes keeping to the submission deadline. ( A day earlier is best)
Tip #3: Proofread – this is absolutely vital. Make sure you read and re-read your entry before submitting.
Tip #4: Enter writing that is appropriate for the contests’ stated theme or topic. Familiarize yourself with the press or journal hosting the contest. Take note of their style and content.
Tip #5: Enter numerous contests to improve your chances of winning.
Tip #6: Don’t ignore lesser well-known contests, it could mean winning it gains you exposure and connections for your writing career. And of course, there is always the prize money! Not only does submitting to a range of contests maximize the likelihood that you may win, but it is a great way to improve and expand your writing skills.
Tip #7: Exploit your genre, your niche when researching the range of contests, there are always specialized creative writing contests out there that suit your style. Make the most of the opportunity to showcase your writing.
Tip #8: Create a story with an emotional impact, and topic. Make it memorable, new, fresh and focus on clarity. Choose a brilliant first line and action. Give your character a goal, a choice and ensure there is a change of personality, status or situation. And above all nail the ending.
Do you have any tips for entering contests? Care to share?
Unfortunately, tomorrow’s planned author interview has been postponed but please see Bruce Olav Solhiem’s newest release in his trilogy.
The Final Book in a Trilogy of True Paranormal Adventures
Timeless Trinity is the completion of Solheim’s paranormal trilogy of true stories. Trinity goes beyond the first two Timeless books as it details the authors continuing contact with Anzar, an ancient alien mystic, UFO sightings, alien abductions, animal spirits, ghosts, hauntings, demons, an encounter with the infamous original American mass murderer Dr. H.H. Holmes, and concludes that the spirit world, the alien world, and the quantum world are all the same. Dr. Solheim’s Timeless Trinity is a personal glimpse into a truly paranormal life. Gary Dumm again provides the illustrations and world renowned hypnotherapist Yvonne Smith provides a foreword.
Breaks through as an Amazon Bestseller!! Released February 2020 The books are available worldwide across all platforms
Other Works In The Series
Timeless is the first book in the Timeless trilogy and documents 34 of the author’s paranormal experiences. Starting at age 4, Solheim has led a paranormal life and encountered angels, ghosts, demons, haunted houses, spirits of all kinds, cryptids, telekinesis, telepathy, and more. He is truly a paranormal lightning rod.
Solheim’s first Timeless book offered readers an entertaining chronological survey of his remarkable paranormal adventures. Timeless Deja Vu goes further and deeper with 31 more stories of the paranormal and supernatural where you will experience the impact of Solheim’s mediumship and encounters with spirits of all kinds, learn about a theoretical framework for understanding these phenomena, and even discover how aliens and ghosts have something in common. You will be introduced to his Nazi aunt, take a ride in his demonic car, meet his spirit animals, contemplate the wisdom of an ancient alien, and visit Elvis and John Wayne along the way. Dr. Solheim’s new book is shocking, revealing, inspirational, frightening, humorous, and thought-provoking. Gary Dumm again provides his superb illustrations. The Paranormal Professor strikes again!
We will catch up with Bruce at a later date.
Bruce is available for interviews, media appearances, speaking engagements, and/or book review requests – please contact firstname.lastname@example.org
It energizes me big time! I feel so excited when I get a good writing session in, it’s hard to stop. I could go for hours, but my time is usually limited. When I write short stories in particular, I usually can’t stop until it’s done and I’m happy with it, all in one session. I love it!
What is your writing Kryptonite?
Stress. There are certain things I can write while stressed, but the most common issue for me is settling my mind into writing. I have to work to get myself relaxed and creatively focused, which can take music, ambiance, changing the colors on the screen, and other things. Not fun.
Did you ever consider writing under a pseudonym?
I have! I like writing a lot of different genres, from dark psychological suspense to positivity poetry and haikus, cozy short stories to horror. I’ve polled my readers on this, and they tend to agree that I should keep my real name and at most use my first initial instead of my full first name.
What other authors are you friends with, and how do they help you become a better writer?
I’m friends with loads of authors, both in person and online, and they all offer different perspectives on writing as well as balancing writing with other work. They’re really good at getting me inspired and motivated! It’s really good to have friends who understand your creative successes and dilemmas—not everyone does.
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?
Both! My Dark Victoriana Collection is written so that readers can enjoy each book as a standalone, but they’ll enjoy my books on another level if they’ve read the whole collection. Characters and scenes cross over in each novel or short story, so some scenes mean more with the full understand of the collection.
What was the best money you ever spent as a writer?
Scrivener, for sure. Using Word was actually stopping me from writing anything longer than a short story. I don’t write in order, I write my scenes in random order, so trying to control that in one Word document or multiple Word documents was not productive for me. Using Scrivener, I just put each scene in one project but in separate text pages, and voila! It’s organized!
What was an early experience where you learned that language had power?
I think Shakespeare’s Hamlet impacted me heavily with this. It was in that play that I realized how important it was to infuse meaning that could be interpreted different ways, and that’s a huge part of my books, which are purposely multi-layered so that readers can either read for entertainment or for depth—whatever they like best.
What’s your favorite under-appreciated novel?
The Distant Sound of Violence by Jason Greensides. He’s an incredible author, and I recommend his novel to anyone who will listen. The psychology, the depth of emotion, the varied characters, and a lot more all come together into something that should really be much better known. Highly impactful contemporary fiction at its best.
I also have to mention Josh de Lioncourt’s The Dragon’s Brood Cycle series, which is bestseller-level fantasy. He’s an outstanding author who blows me away with his incredible worldbuilding and careful attention to detail. He’s on par with some of the biggest fantasy authors out there.
As a writer, what would you choose as your mascot/avatar/spirit animal?
I think alpacas are my spirit animals because they’re very curious and intelligent, and I think they’d really appreciate all the Victorian research I do. They’re herd animals, too, and I have to say my writing community means a lot to me. Plus they’re just so CUTE!
How many unpublished and half-finished books do you have?
An uncountable amount. Seriously. I have a whole bunch of notebooks dedicated to different ideas yet to be written, and I have a whole ton of notes on yet more fiction to be written. The ideas are unending!
What does literary success look like to you?
Ideally being able to publish at least once per year. That’s difficult for me, although I always have something published, whether it’s a novel, short story, or poetry in an anthology or literary journal. But I’d like to publish at least one novel per year along with other short stories and creative projects.
What kind of research do you do, and how long do you spend researching before beginning a book?
I spend a ton of time researching in general, some before the book, a lot during, and a lot after the creative writing is finished. My books take place in Victorian America, which can be harder to research than Victorian England, and I want every detail to draw the reader into the time period. It’s important to me that my books are saturated with the Victorian era and are extremely accurate, so I research everything from how many times per day the mail was delivered to what type of wood would be used on a dresser in a middle-class home.
How many hours a day/week do you write?
Not nearly enough. Writing isn’t my priority at the moment, my editing business is, but hopefully that will change in the future…
How do you select the names of your characters?
They’re all meaningful, and for those that don’t have Biblical meaning, there’s a reason for it. I choose Biblically significant names because of the time period and to discuss the concept of religion without discussing it outwardly. It doesn’t smack you in the face, it’s just there if you’re interested.
What was your hardest scene to write?
In my first book, Anatomy of a Darkened Heart, I have a scene that finally breaks one of my characters, and that scene was extremely hard to write. I felt terrible about what I was doing to her, as bad as if she were a real person. I actually took a month off writing to mourn what I was about to do to her, then came back and wrote the scene in one go. I was glad it was over with once it was done!
Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?
My favorite genre to write in is psychological suspense, and that’s what my Dark Victoriana Collection is. It includes everything I love: psychology, suspense, historical fiction, and horror. I’ve had readers call my books psychological thriller and psychological horror as well. I also write horror short stories, and they also rely heavily on what would terrify a person psychologically more than anything. I write positivity haikus and poetry because I’m actually a very positive person despite all my very dark writings! I like to dabble in all genres—I feel it expands my writing horizons and improves my craft.
How long have you been writing?
Literally since I was capable of writing. I started out with poetry, then moved straight into novels, then short stories. I also love writing haikus and micro-fiction, which I find to be the most challenging and the most rewarding.
What inspires you?
Victorian jewelry, fantasy art landscapes, hidden object games with strong ambiance, all kinds of music, art… There’s really no end to what inspires me! If I had my way, I’d write all day and night.
How do you find or make time to write?
This is the toughest part for me. I’m trying hard to make more time to write, and the only way I find that works is to set aside a reasonable amount of time per day (usually a 15 minute writing sprint) and force myself to write despite all the other things I have on my plate. The thing is that once I start writing, I usually pour out creativity for about an hour, so stopping myself is hard, and a lot of times I just end up not writing at all because of the time suck (for me, an hour is a lot of time to lose on other projects). I’m trying to develop a routine for myself to avoid that catch-22.
What projects are you working on at the present?
I have two projects ongoing: the third book in the Dark Victoriana Collection and a positivity book based on the positivity writings I do on Patreon. I do work on other things in the background, but those are my two main focuses. I can’t wait to finish writing my third novel and publish it!
What do your plans for future projects include?
A lot more books for the Dark Victoriana Collection. Originally I was going to write one standalone book, then I decided I’d write five books, now the plan is six books and additional short stories. I’m slowly developing a fantasy novel as well, but that’s way on the back burner. I have some horror short stories I’d like to pull into an anthology too. Really the amount of projects I have ideas for is never-ending.
Share a link to your author website.
You can find me at http://christiestratos.com, and from there, you can buy paperbacks directly from me that are signed, gift-wrapped, and include a personalized note. They’re great gifts for the holidays, especially since you can ask me to write the personalized note to anyone. Brotherhood of Secrets also comes with a key charm when you buy the paperback directly from my website. Best of all, the cost is exactly the same as buying a plain paperback with nothing special on Amazon.
Christie Stratos is an award-winning writer who holds a degree in English Literature. She is the author of Anatomy of a Darkened Heart and Brotherhood of Secrets, the first two books in the Dark Victoriana Collection. Christie has had short stories and poetry published in Ginosko Literary Journal, Auroras & Blossoms Poetry Journal, Andromedae Review, 99Fiction, and various anthologies. An avid reader of all genres and world literature, Christie reads everything from bestsellers to classics to indies.
As writers and authors, we are formidable in our ability to create narratives but we also have to learn how to market the ‘end product’ of those many months or even years of creativity. We become a book business.
The first avenue many authors take is social media, which can be seen as a ‘soft’ option. After all we are not up close and personal with the public but at arm’s length. However, due to the countless sites available just choosing the ‘right’ one or two can be overwhelming. Then there is the matter of maintaining our ‘presence’ on each platform. We need to research which avenues of promotion will work best not just for our genres but also our ability to sustain them. Do your research on similar authors in your genre and see what they use (and of course ‘follow’ them).
2. Following selected authors, genre based bloggers, book reviewers, and writing groups allows you to gain followers but also to learn about your particular genre and gain a reader base. When someone is interested in your genre they ‘search’ for more posts, articles, links and books within that specific field. While you are doing that follow 10 ‘friends’ of friends on Facebook and 100 people on Twitter – this can gain a wider audience. However, in light of these two platforms losing participants also follow people on Instagram. (We have to keep up with the ‘in’ thing!)
3. Improve your author bio on all platforms to entice and inform as many followers as possible on all sales sites, your blog and social media platforms. Ask yourself – does it reflect you as a writer as well as a person.
4. Use hashtags specific to writing, authors, books, genre and associated links – look at what other authors use.
5. Then there is the personal touch, which means organizing or being involved in author readings, attending book events and participating in Q&A panels. Search your local area for book related events, get to know your local bookstores, inquire at your library, join a local writing group, the wider your reach the easier it will be to find avenues of sale for your book.
6. Merchandise is another way of promoting your book. It can be as simple as custom bookmarks to T-shirts with the book cover/main character on the front. Make up a prize basket for a contest to be collected at an event (good photo opportunity to use on social media) or create an online contest for a free autographed copy of your book.
7. An easy promotion is to leave five of your author business cards in local businesses, at the doctor’s or dentist’s office, or anywhere you visit on a regular basis. Many places have community boards too so pin some cards or a poster of an event you are attending there too.
Do you have any promotion tips you would like to share?
Many of us experience, from time to time, the dreaded writers block, that awful feeling while staring at a blank page or screen when words do not flow but what happens when there are too many story ideas bombarding our brains? It can be just as debilitating as staring at that blankness. Bizarrely the symptoms are quite similar – crippling indecision, procrastination, and even insomnia and anxiety.
As writers we usually have numerous story ideas bouncing around inside our heads usually gleaned from something we see or hear. This may seem like a good problem to have, however, the dilemma is how do we ensure these golden nuggets are not lost or are even worth investigating? We can make frantic notes, some which, unfortunately make no sense whatsoever later on! That middle of the night scribble is so common. But timing is everything – musing over where a new idea could possibly lead, can lead to a devastating interruption to a current project. So how do we identify if this ‘new’ idea is worth pursuing without jeopardizing our current writing?
There are strategies we can employ to enable us to identify the ideas that are worth keeping – here are a few.
a) Leave the chaos of your writing space with pen and paper or recording device and go for a walk. Once you are in a new environment the most exciting and prominent idea(s) will stay with you. Write or record them and let your imagination flourish with them for a while.
b) Restrict your time on musing about new ideas by setting yourself a time limit. Even a ten minute burst of inspirational writing will ensure you get the idea down but not ‘waste’ too much time on it. Once it is written put it to one side and continue with your current project, safe in the knowledge the idea has been dealt with.
c) Take some time to really dissect the new idea. Can you envisage the plot arc, the ending, the characters? If the majority of the narrative reveals itself to you, then mark it down as your next project. However, if the idea is vague, do not pursue it – just jot down the outline and file it for another time.
d) Utilize your passion when defining whether an idea is worth reflection. If it excites you or is on a subject you feel passionate about then it should be considered in depth.
e) Get yourself an idea board. Organize each idea into genre or categories and when a new plot, character or scene comes to you place it with the other components of that particular story or idea thread.
f) Bounce your ideas off a few trusted friends or members of your writing group.
Not all ideas will make it and that’s okay. Use your internal writer instinct to guide you on which idea excites your specific Muse, the one that takes hold of your imagination and let the words flow. Story is our power and knowing which ones we are best at telling is key.