While I have admittedly never READ a mafia romance, I am obsessed with the history and lore behind several of the world’s successful crime organizations. Chicago alone has a long history with the mafia but all over the world different variations of organized crime have, while somewhat controversial, still been a vital part of society. They are always protrayed as a villian, a heartless and honorless beast that must be fed…but I never saw them that way. I always thought for these families to exist and maintain power as long as they have, they MUST have had their internal codes of honor, trust, and sense of community that knit everyone together, and so I decided to write that.
Additionally, what mafia romances I have watched on the silver screen seem to stick to the same three motifs: Either the female MC was kidnapped, or she witnessed something she wasn’t supposed to, or she was forced into an arranged marriage.
I wanted to do something different, so I had my story originate from the unintentional collision of two worlds: Jaxon’s world of the underground, and Natalie’s of what we view as “normal society.”
2. Did youknow it would be part of a series when you started writing it?
Yes! I have plans for 16 books in this series!
3. Which character really propelled the narrative for you?
Jaxon. He is flawed but protective, dangerous but compassionate. I love Natalie, but she’s more who I aspire to be, less of who I identify with now. Haha!
4. What draws you to Sir Arthur Conan Doyle’s writing?
The complexity and his drive to make his readers think-while still delivering a satisfying yet surprising ending!
5. Have you formulated your narratives as homage to his style?
Absolutely. I agree with him that great and relatable stories are often pulled from human experience. As he once said:
“Life is infinitely stranger than anything the mind of man could invent.”
6. Where do you typically write?
While I love my office at home, the world is my office and I am constantly writing all day long on my phone. I have thumb muscles of steel!
7. Are you a member of a writing group?
Not officially, but I do have a little community of writers that have come together as fans of “Heart of the Inferno” and we have created a Discord. They are the most incredible ladies, who support and inspire me DAILY.
8. What do you enjoy most about writing?
It is truly relaxing for me. It allows me to be creative without the messiness and chaos that typical creative processes take, something my type-A personality appreciates.
9. Where can readers find you and your books?
Amazon and Kindle
10. Do you have more writing projects in the works?
Oh yes! Book three, the conclusion of THIS part of the story with Jaxon and Natalie, drops at the end of May 2022. However, as I mentioned there are 13 more books planned, featuring side characters in HOTI as the main characters (and don’t worry, Jaxon and Natalie will continue as side characters too!)
Big plans indeed!
Nicole’s debut novel, Catalyst, is the first incendiary installment of the Heart of the Inferno Series, which follows the story of a dangerous mafia don and the girl who became his only exception
Nicole is an author, copywriter, wife and super proud dog mom to three rambunctious rescue dogs. And is also an old school romantic, with a proclivity for a little mischief, and an obsession with Sir Arthur Conan Doyle. With a background in marketing, and Human Resources, she has often found that the human element is by far the most colorful, complex and most interesting in the world. As a child, Nicole devoured every book she could get my hands on, and spent her free time writing fictional short-stories to share with her friends, probably the reason she decided to write (and publish) her first book series: Heart of the Inferno. It’s an action-romance about a dangerous mafia lord named Jaxon Pace, and Natalie Tyler, the girl who became his only exception.
At the start of each year, some of us decide on goals for the year. These range from the most common ones, such as weight loss, fitness, and stopping smoking, the ‘healthy ones’ in other words. But, what of the other goals, the practical ones, so to speak? For authors this would be improving our brand, more sales, promotional opportunities, presentations or speaking engagements and more. As writers, we want to increase our word count, the number of projects completed, or receiving publicity or publishing deals.
Obviously, many of these goals go by the wayside pretty quickly, while others make it to mid-year, or possibly later. The question that arises is – why make goals in the first place? Are we swept along with the possibilities of a fresh start? Do we think we can achieve them, and stay committed to our self-inflicted goals? The excitement of a whole new year ahead of us is a powerful momentum for change. I think that is the key to our initial thinking, when it comes to annual goal making.
As we all know that momentum gets harder to maintain as the months roll by. We get off-track.
There are time constraints, health issues, family matters, work events, vacations, seasonal holidays – the list goes on. Each scenario affects how we feel, our ‘free’ time, and what we are able to accomplish. There is always some ‘distraction’ pulling us away from that initial elation of new year possibilities.
So, what is the answer? This is a difficult question to answer, as we are all experiencing life in a multitude of ways. No one person is the same as another. I think the first step is to be totally honest with yourself, when it comes to setting goals in the first place. Too many goals, too loftier a goal and the ‘good grief’ goals should be shelved before they even get ‘out the box’.
Making a goal is a very personal thing. You need to look at what your time will allow and also your personality trait. Do you have a week to week, or month to month planner or do you hope for the best? Or something in-between? Having too many goals sets you up for failure and that isn’t good for anyone. Remember we don’t have to do ALL the goals in one year – pace yourself. Put the most ‘important’ one first, then plan accordingly and stick to it. Put less pressure on yourself and accomplish one or two instead.
You can even make a ‘goal’ under the umbrella of a wider spectrum, such as ‘improvement’, whether for your health or for your writing career. Many of you saw my 2021 goal board link – it is the best board I have made in many years and I don’t think I will be changing it very much for 2022. I have goals I want to reach in the next few years and the board reflects that for me.
Realistically, a goal can take longer than a year. Accept that and work towards it at your own pace. Time constraints and deadlines are not applicable here. We all ‘work’ at different paces, make that work for you.
Apologies for my tardiness, as it was Thanksgiving weekend in Canada, I enjoyed a weekend away and just relaxed. This is not a bad thing, we all need to decompress regularly. Hence, I did not draft a blog post for today – so I am late.
The trip was to Lloydminster, which is unique in the fact that it spans the Alberta and Saskatchewan border. This may seem unusual, but when you add in the fact that Saskatchewan has an extra sales tax, you can imagine how residents and commercial businesses have to juggle what is paid where! We discovered a wonderful park with the city and enjoyed a leisurely walk with the dogs.
A super chance encounter happened on the way home, when we spied a herd of small ponies. They were curious and met us at the fence. This is why we travel the back roads
I wrote this poem to reflect my road trip experiences.
ROAD TRIP THOUGHTS
Road trips are a joy, incorporating
New places explored
Frequent wildlife encounters
Cherished memories to share
Increased expectation and excitement
A check list of essentials made
Local sights and attractions investigated
Reservations confirmed and paid
Double checked suitcase contents
Cooler bag filled with bottled water
Snacks bought to dispense
Extra footwear, jackets and sunglasses
Early morning start, packing the trunk
A double check before we drive away
Puppies walked, fed, then harnessed in
Breakfast our first stop along the way
Routes taken – off highway & gravel
Multiple stops for photo opportunities
This is the only way to travel
Wildlife and scenery abound
Arrival at our lodgings, truck unpacked
Dogs walked, fed then settled
Organizing of our spaces, preferences known
Comfortable companionship not meddled
Evening meal eaten, then to relax
Tomorrow’s adventure discussed
Reading and writing commence
Time is not rushed
An easy morning routine
New adventures and sights shown
Snacks gathered and packed
Our destination known
Do you have road trip memories you would like to share?
1)Where do you find inspiration? Does place or observation, or both influence your writing?
Ideas come to me from everywhere, both from external and internal sources. It’s a ceaseless flood of ideas really that I experience, evoked by a wide range of random stimuli such as: images that I come across by chance on the internet; things I see on TV; things that I read in books; even snatches of conversations overheard when passing people in a street.
Dreams are also an important source of inspiration for me and many of my stories have had their origins in dreams. Dreams give me the initial idea for or the outline of a story and I then work further to turn those ideas into complete stories.
Most of all, ideas come to me through the process of spontaneous generation, i.e. they arise out of nothing in my mind.
Given this unceasing deluge of new ideas, it is very rare for me to have to struggle to think up of something to write. In fact, the very act of sitting down at the desk, picking up a pen and opening a notebook transports me to a zone in which a conduit is established to a world populated by eternal truths and infinite beauty, and ideas flow effortlessly as long as I am in that zone.
2) You write short stories and poetry – what are your processes for each discipline?
The first step of the process involves getting the initial idea. I jot down these ideas in small notebooks that I use for noting down ideas that have the potential to be expanded further or that require further work on them. At this stage, the idea usually consists of a sentence or a paragraph.
At the next stage of the process, I explore the initial ideas in detail and or turn them into drafts for stories and poems. This is done in a larger sizednotebook. Because of the flood of ideas discussed in the previous answer, the length of time between having the initial idea and getting around to exploring it in detail could be as long as a decade. As a result I have a backlog of about ten years of ideas that I haven’t had the chance to work on as yet and to expand into finished stories and poems.
The final stage of the process involves transferring the drafts from my notebooks into a computer. I then work further on those drafts, editing and re-editing them, until I am happy with the final result.
So, getting the initial idea comes more from intuition and inspiration, and the later editing and re-editing of drafts requires more method and logic, while the intermediate steps of the writing process are a combination of both intuition and logic.
3)How does your creative brain balance with your critical one? In particular, your mathematical proofs.
The balancing of the creative and critical brains is not really a conscious decision that I have to make, for it is something that just happens naturally. ie If I am working on my writings, then I employ the creative side of the brain. And when I am working on scientific and mathematical topics, my brain just switches automatically into another mode. In fact, sometimes it may happen that while I am working on my writings, I might have a mathematical idea and so I instantaneously turn to working on that idea and then go back to working on my writings, and it really doesn’t take any effort at all to switch between the two modes of thinking.
4)Is creative writing your only creativity?
Firstly, please let me clarify that stories and poems are not the only things that I write.
I also write (among other things) non-fiction, philosophy, psychology, spiritual pieces, vignettes, micro-fiction (including 6 word stories), humorous articles, surrealism, aphorisms, parables, fables, travel writing, ekphrastic writings and song parodies.
Having said that, I must add that science had always been my first love and I have been creative in the mathematics and physics fields since my teenage years. Until relatively recently, mathematics/physics/science fields were my first interest and it is to them that I devoted most of my time and creative energy, and writing was a distant second interest.
5) Have your degrees influenced your creative work in any way?
Firstly, just to explain, I have an Arts degree in Philosophy/Linguistics and a Science degree in Mathematics/Physics.
I think that the influence of philosophy on my writings is clearly evident to anyone who takes a look at them, as a lot of my writings concern themselves with philosophical issues.
The influence of linguistics is a bit more subtle and probably manifests itself in the games that I like play with words and their meanings in my stories and poems.
I think this influence of science shows itself in a number of ways in my work. On a more overt level, the subject matter and the themes of my stories and poems often have allusions to mathematics and physics. On a more subtle level, I think that my scientific background does influence my thinking process and the way that I go about creating the plot and development of a story. In fact, some readers have remarked that my stories have a mathematical structure and that they flow almost like a logical argument.
6)Can you enlighten us about your involvement in the spiritual community?
I was involved with a spiritual community in Melbourne on and off for about 5 years. At the time, it helped me with finding my path in life.
The guru of this community gave me my first big break with my writing career when he started reading out my non-fictional spiritual and philosophical pieces, as well as some of my fictional pieces in the public programs in front of hundreds of people.
His reading of my work and the responses that my writings received from the audience gave me the confidence to start sharing my writings with others, as until then my writings have always been a secret part of my private world and I never shared them with anyone. In fact, I used to think that I would never share my writings and that they would always remain a secret part of my private world. But things have turned out to be rather different!
7) What did you learn from your script writing venture?
I contributed some of the dialogue to a short film titled “Six Steps to Eternal Death”. I attended several days of filming to see for myself how it all works and was pretty intrigued by how written words are turned into the visual medium. It was also interesting to see how a script is developed over time, and how much is altered and deleted until the final form is reached.
Yes, I am working on a book titled “Anti-Labyrinths” which will be a collection of my stories, poems, fables, flash fiction, aphorisms etc.
“Anti-Labyrinths” is a word and a concept that I came up with. As labyrinths are places where you get lost, anti-labyrinths are places where you find yourself. A labyrinth has only one entry, and its secret can only be discovered at one point – its center. An anti-labyrinth, on the other hand, can be entered and exited at any point and at every point of an anti-labyrinth, secrets and mysteries are revealed.
My book “Anti-Labyrinths” will itself function as a kind of an anti-labyrinth, revealing truths and secrets at every point of the book, and helping the reader to find themselves. And, just like an anti-labyrinth, “Anti-Labyrinths” can be entered or exited at any point; you don’t have to start reading it at the beginning or finish reading it at the end.
BORIS GLIKMAN is a writer, poet and philosopher from Melbourne, Australia. His stories, poems and non-fiction articles have been published in various online and print publications, as well as being featured on national radio and other radio programs. He says: “Writing for me is a spiritual activity of the highest degree. Writing gives me the conduit to a world that is unreachable by any other means, a world that is populated by Eternal Truths, Ineffable Questions and Infinite Beauty. It is my hope that these stories of mine will allow the reader to also catch a glimpse of this universe.”
My friend, Linda, and I have been on so many road trips for writing retreats, attending books fairs and writing events in the last eleven or so years, that we have the preparation, planning, and execution of them down to a fine art.
This particular road trip, we are virtually attending When Words Collide as presenters, but it will be a fully literary trip, as we work on current projects, visit local libraries and bookstores, too. There will be day trips for exploring, watching wildlife and finding inspiration as always on the back roads.
We organize our trip, for the most part, in the same way each time. It is a tried and tested practice for us.
Road trip journal
Bird identification book.
Blankets, emergency kit, shovel, trolley.
Chargers, camera, sunglasses.
A bag for trash.
Plenty of water bottles.
In addition there are Sammie essentials:
Water and food bowls
A peaceful and beautiful location.
Options for where we can write – so a desk (or two) and two comfortable chairs, and a nice view.
Comfortable beds, ample lighting, space to spread out our things and a good shower.
A microwave, fridge and storage for food. Luckily, we both like the same foods.
And tea! (So there must be a kettle).
Notebooks and pens.
Current writing projects
Chargers, extension cord and power-bar (there are never enough power points).
New for this trip headphones with mic’s for the presentations.
How do you plan for a writing retreat and A road trip?