Today’s question is: What is your motivation for writing more?
My reply is that I have so many stories tumbling around in my head, I have to keep writing to get them all out. Many of you know I only began ‘writing’ when I came to Canada so I’m now making up for ‘lost’ time! I have always been creative but for whatever reason I had never written ‘stories’ before for the explicit reason of allowing other people to read them.
What is your reason – leave a comment below.
Last week’s question: Have you ever turned a dream or a nightmare into a written piece?
I’ve done that. Some of my best ideas come to me in dreams. If I was a thriller or suspense writer, I’d have even more writing material. My brain likes to frighten me at night.
Today’s question is: When creating your stories, do you tend to write your protagonist as the same gender as yourself – or do you use the genre dynamic as a device?
Last week’s discussion covered the question: Do you make your own vocabulary words in your book or resort to the existing ones?
It’s important in my stories to use the language that the characters would use in whatever circumstances they are in. Sometimes that requires a cliche although I try to avoid those. I don’t think I have ever made up a word to use but I wouldn’t dismiss the idea as it might be necessary to fit certain circumstance. I try always to choose a name for a character that is allows the reader to know an ethnic background or age range that fits the story line so I have been known to make up an appropriate name.
To date, although have written numerous works, I have not invented my own words to suit. No work has warranted that invention, yet… but, I do research to use words in other languages or dialects in order to give my work authenticity. I give characters names that have special meaning. I ensure that usage is particular to the setting and timeline. So, there are many things that are considered when finalizing a piece and the words representing it. Thank you for your question and engagement with the writing community.
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As we all know Shakespeare was adept at creating numerous words for his own works, which are even today in common usage (whether we known their origin or not!) So today’s question is: Do you make your own vocabulary words in your book or resort to the existing ones?
Here is a list of Shakespeare’s unique words:
Bandit Henry VI, Part 2. 1594
Critic Love’s Labour Lost. 1598.
Dauntless Henry VI, Part 3. 1616.
Dwindle Henry IV, Part 1. 1598.
Elbow (as a verb) King Lear. 1608.
Green-Eyed (to describe jealousy) The Merchant of Venice. 1600.
Lackluster As You Like It. 1616.
Lonely Coriolanus. 1616.
Skim-milk Henry IV, Part 1. 1598.
Swagger Midsummer Night’s Dream. 1600.
Shakespeare must have loved the prefix un- because he created or gave new meaning to more than 300 words that begin with it. Here are just a few:
Unaware Venus & Adonis. 1593.
Uncomfortable Romeo & Juliet. 1599
Undress Taming of the Shrew. 1616.
Unearthly A Winter’s Tale. 1616
Unreal Macbeth. 1623
When we look at these words it is fascinating to think until the Bard created them they did not exist!
Please post your comments below.
Last week’s question: Where is your perfect writing retreat?
Weather it’s sitting somewhere with a legal pad, or sitting at my desk in front of my desktop computer, I need complete silence when I write.
Although I began my novel, NOLA Gals with an extended metaphor of the ocean while on a cruise, poolside with a tropical drink, I wrote most of it alone at my sister’s cottage. I moved back and forth between deck and kitchen table, piling up research books & handwriting historical data in ringed notebooks. Eventually it all came together on my laptop.
Today the question is: Is today’s generation more aware of the literary art or less?How do you think concepts such as Kindle, and e-books have changed the present or future of reading?
Books versus ebooks
Last week’s discussion: What is your view on co-authoring books; have you done any?
The meetings about how to set up the book and what to include in it were really interesting as three of us discussed our ideas. As we did this the original idea was reworked into what seemed a cohesive plan. We each took on several aspects and then edited each others work until the book became cohesive and workable. All three of us were open to the others ideas and no one forced their ideas as better than any others. Choosing the people with whom to collaborate would be the most important aspect of starting to do a book together as it takes listening, rethinking, planning to do it well. and scheduling things into our busy lives made it a challenge. We’ve had only good feedback about the book.