Mandy Eve-Barnett's Blog for Readers & Writers

My Book News & Advocate for the Writing Community ©

Creative Edge Author Interview – Donna Conrad

September 9, 2021
mandyevebarnett


  • Were your core beliefs the reason you began writing historical fiction?

In a way, yes. I was an English and History major in college and had a hard time finding information about influential women. I was appalled that even noble and royal women were rarely named while historians wrote tomes about the deeds and misdeeds of their brothers, husbands, and fathers. I initially felt compelled to give voice to women who had been marginalized, let alone completely overlooked. When I came across the African proverb, “Until the lion learns to write, every story will glorify the hunter,” I knew I must write novels about significant women based on strong historical evidence which had been supressed.

  • Did you grow up in an atmosphere of individual empowerment or did life experiences propel you in that direction?

My childhood was anything but empowering. I was terrified of my psychotic, authoritarian father, and ashamed of my mother, who did not stand up for herself, but instead fell headfirst into a bottle of whiskey to cope with her life. And yet, I always knew my mother and sister loved me unconditionally, something that sustained me through the trauma that was both my youth and the Sixties in general.

Despite her own demons, my mother managed to raise my sister and me to be strong, independent women. I learned from her example and vowed early on to never subjugate myself to another’s will, whether that of a person, a government, or a religion. When I met my husband, I realized he valued my independence. He encouraged me to be empowered and a freethinker. We’ve been married for 44 years and are still equal partners striving to become more self-aware. My husband tells people, “No one yells at Donna … twice.”

Book Cover, Cold Creek Press
  •  Where did the link to Celtic Tradition come from?

My mother was Irish and never felt quite at home with Christian dogma. She raised me in the “old ways,” which she learned from her grandmother. We celebrated the Celtic Wheel of the Year. As I child I loved the freedom to run in the fields and lay under a tree as my form of worship. I was taught that all things have a lifeforce, whether that be rock, tree, river, ocean, animal, or human. The earth-based spirituality practiced by the Celts felt natural and liberating. I gave Christianity a try in my early teens but found the basis of original sin constricting and repressive. As I grew older, I embraced my mother’s tradition and researched the “old ways” through books, retreats, and eventually leading my own quarter day celebrations.

  • Do you feel women’s wisdom is supressed in modern culture?

There is a resurgence of respect for women’s wisdom in many parts of the world. If we look back 200 years, or even 100 years, women who expressed wisdom were shunned, if not murdered. Even in fairy tales, the wise old woman, the woman who knows herbs and healing and speaks with the forest animals, is always a haggard, old, evil witch, that preys on children and the unwary; someone to be scorned. With women in the forefront, late 19th and early 20th century occult spirituality led by Madame Blavatsky’s Theosophical Society and Annie Horniman’s Order of the Golden Dawn, women began to openly reclaim their personal power.

With the “women’s rights” movement of the early 1970s, and courageous leaders like Gloria Steinem, women began to publicly claim their inner wisdom and outer proficiency.

What we see from a historical perspective, is that anytime women advance in society it is through their own leadership and determination. The #MeToo movement is a great example of women joining together to bring about change. I’m speaking in broad terms of empowerment, but respect for women in all aspects of their lives, including women’s wisdom, cannot be separated from women’s empowerment.

While most of the world still suppresses women’s wisdom, there are pockets of light where women are honored. The Maiden, Mother, Crone aspects of women are certainly making gains, even though the perceived roles of women as Temptress, Whore, Witch, persist.

  • How did growing up in the 1960s affect your personality?

The Sixties were remarkable. Young people felt anything and everything was possible if we wanted it badly enough. The sixties stereotypical “free-love” culture received most of the press, but it was the larger desire to embrace “free-thinking” that motivated my generation. Definitely me. Conforming, following rules, becoming our parents with their warped sense of patriarchal rule, was anathema. My generation believed that if we united, we could affect change—and we united as had rarely been seen. My mother always encouraged me to think for myself. She encouraged me to question authority, even hers, and when given an answer, question that too!

As I grew older, went to college, started teaching high school English, I found that I could carry my values from the Sixties with me into the “adult” world, use them to help others find their own uniqueness, their own authenticity. The Sixties concepts of freedom of thought, freedom of action, freedom to live as one wanted, were tempered by another guiding star from my mother: Do no harm.

I continue to question authority, laws, regulations, first impressions, and the nature of people who enter and leave my life. I value unique qualities in people and depend on my inner sense to form, and break, my own opinions.

  • You wear many hats – memoirist, fiction author, journalist, activist, and teacher. Do these roles contribute to your writing?

Everything a writer does, or doesn’t do, influences what they write. I’ve found that even the agonizing writer’s-block is there for a reason: To shine a spotlight on what is blocked or hiding in one’s life at that moment. The many hats I’ve worn lend me varied perspectives about people’s actions and motivations.

I started writing the first book in my historical fiction series, The Last Magdalene, before I wrote House of the Moon: Surviving the Sixties. I realized my fascination with women marginalized throughout history was partially because I too had been marginalized and silenced; that my generation arose to claim our voice, to make certain we were not ignored. Writing my memoir was both traumatic and liberating. When I found I was able to write an unvarnished version of my teen years, it became imperative that I do the same for other women. I went back to square one and wrote The Last Magdalene from a deeper level of comprehension.

I find that the common thread in everything I do is to be authentic and to allow myself to change perspectives as I learn more about “life, the universe, and everything”—to quote one of my favorite authors, Douglas Adams.

  • From where do you gather your research? (Library, archives, internet etc.)

I use every means available but find physical books and research papers especially gratifying. I also like to travel to locations in order soak up the ambiance, feel the sun or rain, hear the sounds, touch the stones, eat the food, and immerse myself in the history of any given place. I even went back to my childhood home in Covina, California and walked around my high school while writing House of the Moon.

My research for The Last Magdalene includes studying with a Hebraic scholar, Shana Laxx, from Haifa University, to better understand women’s place and participation in ancient Judea. The primary written sources for my series, The Magdalene Chronicles, are from my personal library and include works by several Roman and Egyptian historians, Josephus, Elaine Pagels, and multiple translations of both the Torah and New Testament. I find reading various renditions of history to be illuminating, and helps me to see differences in various editions, and more importantly what one translator left out, or added.

I do refer to the internet but am skeptical about fast and easy searches. I end up going down the rabbit hole for hours on end trying to source information, and often end up back in my personal library, or emailing university professors who are always helpful and eager to aid in my research.

  • What surprising things did you learn from writing your books?

How much I don’t know!

I’m also continually surprised at how interconnected people are, even when there are no physical ties that bind. But above all other surprises, the reach of the written word is what continues. Books have been a major source of inspiration throughout my life. Maya Angelou, Alan Ginsberg, Hunter Thompson, Marion Zimmer-Bradley, Sharon Kay Penman, and so many other authors and poets have shaped my perspectives, given me both hope and despair. When someone contacts me to say my writing has impacted their lives, I’m hugely surprised and gratified.

  • Where can readers find you and your books?

My website is www.donnaconrad.com.

Facebook: https://www.facebook.com/Dconrad999

Instagram: https://www.instagram.com/donnadconrad/  

Twitter: https://twitter.com/DonnaDConrad999

Or send me an email at donna@donnaconrad.com.

I also teach at various conferences. The next workshop on the agenda is Real vs. Reality, a hands-on workshop to help writers take facts and turn them into dynamic prose. https://www.pnwa.org/page/ConferenceRegistation

I am also represented by Creative Edge: http://www.creative-edge.services

  • What message do you want to give your readers?

Every person can make a difference, but it takes courage and authenticity. Don’t doubt your abilities or your insights. To quote Oscar Wilde, “Be yourself. Everybody else is already taken.”

Bio

Donna Conrad is an award-winning author, journalist, activist, and teacher. Her core values revolve around the concept of individual empowerment, a sustaining ideal running through the books she writes. Her writing interests are varied and include articles for fine-art periodicals, memoir/narrative non-fiction, as well as historical, flash, and paranormal fiction. She teaches all of the above at writers’ conferences.

Her first published book “House of the Moon: Surviving the Sixties,” has received rave reviews.

Donna’s life is as varied as her writing. She embraces change as an exciting adventure. She has studied writing with the likes of Alan Ginsberg, Lawrence Ferlinghetti, and Jack Whyte. She has also been mentored by Donald Maass, whom she worked with privately on her upcoming four-book historical fiction series, “The Magdalene Chronicles.” Book One, The Last Magdalene, is scheduled for publication April 2022.

She lives in the Pacific Northwest with her husband and their five cats. When she’s not writing, you can find Donna cruising the back roads in her black-on-black Miata MX-5, Maya – named for one of her favorite poets, Maya Angelou.

Her memoir, House of the Moon; Surviving the Sixties has received critical acclaim. The first of her four-book historical fiction series, The Last Magdalene, is scheduled for publication April 2022.

Author Interview – Kathryn Elizabeth Jones

August 26, 2021
mandyevebarnett


How long have you been writing?

I have been writing since 1987. I started as a journalist, went to college in my 40s, and continued to write after that. My first book, “A River of Stones” was published in 2002.

You write in multiple genres – do you start with the genre and then the story or the other way around?

The genre usually. For my most recent book, I knew what the genre was going to be pretty close to getting it going. I have written mystery, YA fiction, middle reader, nonfiction, a picture book, Christian fiction, Christian Historical Fiction and science/fantasy, so you can imagine what my mind is like.

Which do you find the most challenging to write – fiction or non-fiction?

That depends on the research. When there’s a lot of research, the time it takes to finish a book is lengthened. The easiest books for me to write are those that mostly come from my head. If the book is based on where I live or a place where I’ve vacationed, the challenge is lessened.

Where did the ideas for the Brianne James Mystery & Susan Cramer Mystery Series’ come from?

I really wanted to tackle a mystery, and so I thought how it would be if I was a detective, having no training and no experience in the field. This is Susan Cramer. She loves a great mystery but she really has no idea – especially in the beginning – how to solve the crime. I am like that. The ideas after that came from my ‘strange’ mind. I am always asking what if questions. What if someone died in an old hotel and everyone thought You were the murderer? What if you were on a cruise ship and an old man died at your feet?

Do you have a favorite character and why?

I would have to say Brianne James. She is the daughter to Susan. And she has a little more of her wits about her. She is tough, too.

Were the series planned ahead or did the character’s dictate a continuation?

The series was not planned ahead. “Scrambled” was a one book wonder in the beginning. I wrote it because I was attending college and I needed money for school. I received a $500 scholarship from Mystery Writers of America after sending in my first chapter – a chapter I wrote for one of my college classes.

What is your writing process?

Get up. Sit down. And write. I treat my writing like I would a profession because it is. Writing is NOT my hobby. Yes, I love it, but I write because I have to. I go through multiple drafts and revisions before I call something finished. A have a part-time job as an aide at an elementary school, and two businesses – we publish too over here,             [Idea Creations Press] and run a non-profit [Trees For Keeps], so I keep myself pretty busy.

Do you have a favorite place to write?

Our family just returned from a vacation to Bryce Canyon, Utah. It is a beautiful place. Every morning I would sit out on the porch and write. I loved it. At home I have my office. It’s not as peaceful as an early morning in the canyon, but I love having a work space just for writing.

Does your own life experience play a part in your characterizations?

This question makes me smile. Yes. There is a lot of me in my books. The goofy girl. The question asker. The mystery maker. The searcher.

Where can readers find you?

I love it when readers find me at my blog and learn something new about writing, marketing, or publishing. http://www.ariverofstones.com. I also have a fun Author’s Amazon page here.

BIO:

Kathryn is a lover of words and a bearer of mood swings. When she is feeling the need to inspire, she writes a Christian fiction book. If a mystery is waiting to be uncovered, she finds it. If something otherworldly is finding its way through her fingertips, she travels to it.

Kathryn has been a reader since she was a young child. Although she took classes in writing as a teen, it wasn’t something she really thought would become her career until she was married. And even then, it took a few more years for something worthy enough to publish to manifest itself.

Kathryn’s first book was published in 2002. Since then, many other books have found their way out of her head depending on the sort of day she is having. Kathryn is a journalist, a teacher, a mentor, an editor, a publisher, and a marketer.

Her greatest joy, other than writing her next book, is meeting with readers and authors who enjoy the craft of writing as much as she does.

Tied Died: https://www.amazon.com/gp/product/B074P1HCCN/ref=dbs_a_def_rwt_bibl_vppi_i13

Buckled Inn: https://www.amazon.com/gp/product/B079K49SS2/ref=dbs_a_def_rwt_bibl_vppi_i12

Creative Edge Author Interview – Jennifer Anne Gordon

August 12, 2021
mandyevebarnett


  1. Have you always been fascinated with the dark side of reality?

Yes, I think I have been. I remember sneaking into the living room and watching part of the movie Poltergeist when I was too young to be watching it. Luckily it was edited for TV, but still I think that was the beginning of it for me. My friends and I from my neighborhood also used to do our fair share of frolicking in the local cemetery. It was the in between spot for most of our houses and it ended up being the social epicenter for our preteen and teen years.

  • Are any of your narratives based on a true-life experience?

There is a little bit of truth in all of my characters and some of their experiences. There is part of me inside all of them, but the circumstances they find themselves in are entirely fictional,

  • Why the Gothic Horror genre specifically? What draws you to it?

I love the idea that the past is never truly dead. That the past is always alive in the present. That is the true core of gothic fiction. For me I like to play with how the past can still be the driving force of a character. Often times I use memory, or grief, PTSD etc. to be the things that are “haunting” the present. Other times I use actual ghosts. Personally I find memory and grief to be even more frightening than a ghost at times.

  • Do you have a favorite character and why?

I think I would have to say Adam from Beautiful, Frightening, and Silent. He was my first main character, and he just found his way deep into my heart. He was hard to let go of.

  • Is there a place that inspired Dagger Island?

It is roughly based in some ways on a combination of Star Island (in the Isles of Shoales) and Peaks Island off the coast of Portland Maine. Neither of these real-life islands are a gruesome and haunted as Dagger Island is, but there are little bits that work perfect for me for Dagger Island.

  • You have many forms of artistic expression. How do you choose, when inspiration hits?

I think all od them satisfy certain aspects of my personality. To me visual art (painting and photography) are the ones with the least pressure on them, so I can still have the most fun with those without consequences. Writing speaks to my soul the most, so that one always feels like there is a lot riding on it. It also feels the most personal when someone doesn’t like it. Dance has been my primary job for so long with teaching and performing that it also seems easy to me.

  • Is dance an external expression for your internal art?

It can be, depending on the dance and the partner. My husband and I used to perform a lot. We would do hour long dance pieces that were entirely improvisational and would be performed to dark ambient and nontraditional music. I really felt that those were the closest to come to a physical interpretation of the books I now write. Part horror, part beauty, always mysterious.

  • Can you tell us a little about your Vox Vomitus Podcast? Why you created and what is its mission?

I fell in love with podcasting during the early part of the pandemic, not only being a guest but also, I was able to guest host a couple shows and I really loved being able to talk with authors. Vox Vomitus (which is fake Latin for word vomit) was born out of the idea that sometimes we can learn from our mistakes and learn from other’s mistakes. As authors we all have trials and tribulations. On Vox Vomitus myself and Allison Martine speak with the best authors working today and we can have a cocktail with them and talk about not just what went right, but also what went horribly wrong along the way. I have made some tremendous friendships through the podcast as well. So, our mission is to entertain, educate.

  • What prompted the idea for Pretty/Ugly?

Way before Covid I thought about writing a book about a pandemic. A virus that if it didn’t kill you would leave you horribly scarred. I wondered about our society and the people who seem to be “all surface” with nothing underneath. So, I wanted to play with that idea, of what you can be if everything you are is taken away. It became about much more than that. Though the idea came about before Covid, I think writing part of this during the pandemic really helped to shape the gravity and the enormous sense of loss that I needed in order for the stakes to be as high as they had to be.

  1. Did the story stay true to its original form or change as you wrote?

Oh I think I answered that a little before. It changed A LOT as I wrote it. My original intention was to write a dark Rom Com that happened during the apocalypse. I ended up writing a very lyrical meditation on grief and trauma, and self reflection. I wrote about trying to forgive yourself and trying to allow yourself to love and be loved…all the while people are dying, and the world is ending.

  1. Where can readers find you?

The easiest place to find me is on my website http://www.JenniferAnneGordon.com that has links to all my social media. I am especially active on FB and Instagram!

  1. Do you have a work in progress? Can you share anything about it?

I have a couple work in progress pieces. One that is my main work in progress I cannot talk about. My agent (the amazing Paula Munier at Talcott Notch) would kill me. I will say it is not horror.

I have also been toying a bit with an auto-fiction novella, which is both a story about a possible haunted house as well as a story about elder care and the horror of Alzheimer’s.

  1. Do you have a message for your readers?

I would just love to thank each and every one of them for being with me on this journey, and for forgiving me for breaking your hearts in every book.

mickey.creativeedge@gmail.com

Author Interview – John Mavin

June 17, 2021
mandyevebarnett


  1. You have experienced a multitude of jobs – have these experiences given you insights for the characters in your stories, within your book Rage and other writing?

Yes and no.

Yes in that I have based characters on past jobs for some of my writing. For example, two stories which appear in Rage are about archaeologists (“Deposition” and “The Edmore Snyders”) and I did work as a salvage archaeologist for about six years. Consequently, both of these stories carry elements which are very much true to life.

However, most of my stories are not based on past employment. To keep looking at the stories in Rage, I’ve never been a mountain climber, a priest, or a teenage girl (and probably never will be). To look at some of my other past jobs, I’ve never published a story about writers, software developers, or graphic designers–in fact, I find most of my past employment doesn’t excite me enough to craft share-worthy fiction from it. It’s the experiences I’ve had (which may or may not have come tangentially from those jobs) which inspire me, shock me, give me joy, disgust me, scare me, or piss me off so much I find myself mining for my fiction.

I’ll wrap this up by saying I am a strong proponent of thorough research and writers getting their facts as correct as possible. If I can use a past job to get my facts right, I’ll do it. If I need to interview people who’ve experienced the things I’m writing about, I’ll talk to them. I find story elements which don’t ring true to life (or at least my experience of it) can bring me out of a story faster than anything else–and I try very hard to never do that to my readers.

  • Your path into writing was the result of an unusual message, please tell us about it and if now you are convinced or otherwise to the validity of that message?

I’m not sure if the message you’re referring to was actually my path into writing (I’ve been making stuff up for almost as long as I can remember), but that message was most certainly the catalyst which finally got my ass in gear and helped me focus on my dream of becoming an author.

The message was this: you’re on a path for destruction and unless you change your ways, you are going to die. The deliverer of that message was a tarot reader I’d met at a party in New Orleans, and when she told me this, it scared the shit out of me. At the time I was a rather unhappy software developer and I chose to interpret her message to mean I should abandon my career in information technology and give writing a real, honest, both-feet-in effort (I also remember hoping this was not a medical thing).

As a result, I completely refocused my life. I enrolled in some continuing education classes in creative writing and for the first time in a long while felt truly happy (like I was where I was supposed to be). My instructors were encouraging, my classmates were invested, and everyone took the writing thing seriously. I learned a lot. When I got enough decent material together for a portfolio, I applied to Simon Fraser University’s year-long program, The Writer’s Studio. Coincidentally enough, that was the time I got downsized from my software development job, so I was given the luxury of being able to focus on my studies full time. At SFU, I got involved in the local literary community, met many interesting people, and learned even more. Then, I took my biggest leap and applied to the Master of Fine Arts in Creative Writing program at the University of British Columbia. I’ve got to say when I got my acceptance letter from UBC, I did the biggest happy dance of my life. UBC was a fantastic experience for me, where I met even more interesting people, got involved in teaching creative writing, and learned an awful lot more.

In the end, whether or not I’m convinced of the validity of that message doesn’t really matter–I acted on that message, destroyed my old life, and created a new one I’m very happy with.

  • In teaching creative writing is it an advantage or a disadvantage to your own creativity?

It’s both.

Advantageous in that I get to meet many people with creative ideas so very different from my own. As a writer I don’t get out much, and talking to other writers about stories and other creative things is something I both enjoy and constantly learn from.

The downside for my creativity I experience from teaching is that I let it pull me away from my writing time. When I’m teaching a class, I feel it’s only fair to give my students my full attention, so whether I’m critiquing homework assignments or preparing lesson plans, I find I’m not writing as much of my own material as I’d like (in fact, I find I don’t write at all while I’ve got a course in session).

  • What writing process is the most comfortable for you – pantser or planner?

I’d like to be able to say I’m a planner, but that’s not entirely the truth. While I outline meticulously (not only do I take comfort in an outline, I’ve also discovered outlining saves me from having to write at least a full draft or two), I almost always deviate from my outline and end up pantsing to some degree as I go along. Now that could mean I’m further refining within the scope of my outline, but it could also mean I’ve got to throw away my current outline when I come up with something better (which happens often). As I’ve discovered my own writing process, I’ve realized my first drafts don’t look very much like my second drafts, and my final drafts are very different from what I first envisioned for my story (that’s not to say I only write three drafts–my current work in progress is on draft 10.7). So, um, yeah, I’m a bit of a hybrid.

  • How do you find inspiration and time to write?

As for time, I’m very lucky in that aside from the occasional teaching gig, all I do professionally is write (I’m also very lucky to have an extremely patient and generously supportive wife). As for inspiration, that’s been a bit trickier for me these past two years (as I suspect it has for a lot of people). I usually find my inspiration (whether it’s from things which shock me, give me joy, disgust me, scare me, or piss me off) from meeting new people, going to new places, and doing new things. As those stimuli have been somewhat curtailed lately, being inspired has become a bit of a challenge. I’m currently relying on memory and my outlines to carry me through my work.

  • What determines which genre/style your write in? (Short story, play, or poetry)

I haven’t been writing for the stage lately, and I’m not doing much short fiction or poetry, either. What I’ve been focusing on is longer fiction (the word count of the latest complete draft of my current WIP is about 120,000 words).

That being said, I did take a break from my novel and publish a short story in Speculative North last year. It’s about a werewolf desperately trying to keep her shit together while contending with increasing provocations from sources which have no regard for her as a person whatsoever (by the way, there should be an adult content warning if anyone decides they want to read that story–which anyone can for free by following the Free Downloads link on my website [http://www.johnmavin.com/downloads.html]). I knew that story would be short (it’s only about 7,900 words, admittedly long for a short story) as what I wanted to say wouldn’t have filled a novel.

So I guess that’s my answer–it’s what I want to say about a given idea that determines which genre or style I’ll use. My current WIP is too big and has too much world building to be effective in short formats so I’ve gone long. For my stage plays, it was usually the effect on a live audience I was going for (for example, my one-act play Daguerreotype–also available on my Free Downloads page–is an intentionally uncomfortable experience which is different for each person in the audience, depending on when they figure out what is really going on). For my poetry, if what I’m looking for is the emotional equivalent of a quick punch, that’s the genre I’ll choose.

  • You offer writing courses – what made you decide to do this?

I like to share and I like to teach. Back when I was taking my MFA, my grad advisor looked at my proposed schedule and called me in for a meeting. She said I’d signed up for too many courses and had to limit my choices–specifically, she asked me to choose between a class on teaching creative writing and a class on journal publication. While I was disappointed I couldn’t take both, making that choice was easy (I chose the teaching class).

  • Do you have a current WIP? Can you tell us about it?

I’m currently working on (and have been for far too long) a dark fantasy trilogy. I’m not yet at the stage where I can publicly say much about it, but I will say it’s set in a secondary world and deals with belief, deceit, and what happens to the soul after death. Oh, and yeah, the cast is very much filled with morally questionable characters (as with most of my writing, no one is truly good and no one is truly evil–they’re all hybrids, which I find true to life, or at least my experience of it).

  • How important do you feel creativity is – no matter the medium?

Very, very important. I believe humans have an innate need to create in almost all situations. Whether that creativity is expressed through writing short stories, composing music, painting pictures, solving problems, completing work, or even getting dressed is immaterial–everyone is creative. I realize I’m not expressing this very well, but I do know someone who can: his name is Jim Jackson and he has a podcast called Radio Creative, in which he looks at ways to expand people’s natural creativity and tap into it when they want to in their life, work and art. Full disclosure–Jim had me on as a guest a while back–but he’s also interviewed chefs, business consultants, and lawyers besides editors and writers). I recommend giving Radio Creative a listen. [https://anchor.fm/radiocreative/]

  1. Where can readers find you?

The best place to find me online is my website, http://www.johnmavin.com, where I’ve got links to both my Facebook page [www.facebook.com/author.john.mavin] as well as my Goodreads profile [www.goodreads.com/author/show/16623050.John_Mavin].

  1.  Do you have a message for your readers?

Um, you mean beyond “hello, thanks for reading my stuff, please read more of my stuff, and I’d really appreciate it if you gave my stuff an honest review on Goodreads and/or Amazon”?

Okay, for something much less self-serving, how about this…I came across a meme on Facebook the other day which struck me as apropos. It went something like this:

List of Books to Read Before You Die

1. Any book you want.

2. Don’t read books you don’t want to read.

3. That’s it. The meme goes on, but at its core, I really liked its message

A chilling collection of stories unraveling the consequences of longing, broken trust, and deceit.

BIO:

John Mavin is the author of the dark literary collection Rage who’s taught creative writing at Capilano University, Simon Fraser University, the University of British Columbia, with New Shoots (through the Vancouver School Board), and at the Learning Exchange in Vancouver’s Downtown Eastside. He’s a graduate of SFU’s The Writer’s Studio and also holds an MFA in Creative Writing from UBC. A past nominee for both the Aurora Award and the Journey Prize, his work has been translated, studied, and published internationally. He invites you to visit him online at http://www.johnmavin.com or follow him on Facebook at http://www.facebook.com/author.john.mavin.

You can find John at Wine Country Writer’s Festival September 24 – 25, 2021

Wine Country Writer's Festival

This years festival will take place VIRTUALLY and be chock full of advice, fun, learning, meetings and of course a little bit of wine. https://winecountrywritersfestival.ca/the-presenters/

Author Interview – Elise Brooke

May 6, 2021
mandyevebarnett


  1. What age were you when you began writing?

I was at primary school about 7 years old.

  • Why did you make the decision to write about your life?

I decided to share my life journey so far to give hope and inspiration to others and let them know they are not alone.

  • What do you believe readers gain from your experience?

I believe by reading my story readers gain hope, inspiration, an honest birds eye view of New Zealand, a reminder never to give up, it makes one think and is informative, entertaining, a means to draw strength from and can even save lives.

  • Did you think The New Zealand Dream idea would grow into a series?

Originally I planned to release The New Zealand Dream as one book, I may still do this later. The idea of releasing the books as a series is a way for me to give my readers something to read while I am still completing the series.

  • How has your life experience impacted your writing?

Writing has been my therapist and brought me healing. My life experiences made me realize people need to hear my story, so many go through similar experiences isolated and alone, by sharing my story one can know they are not alone and you can heal and come through. I wanted to give readers the bare truth, no sugar coating, keeping it real and honest as this is what people need to hear, by doing my story is relatable.

  • Do you have a favourite place to write?

Somewhere quite, usually my lounge room or outside in amongst nature.

  • How do you juggle home life and writing?

When I was working as a nurse full time and bringing up two children, one with special needs. I would write in the evenings and early mornings. My health dictated I change careers, I know write fulltime, my books, short stories and my blog. I also help others to share and write their story and collaborate with other writers and authors. I am very blessed that I now have a loving husband who supports me in this.

  • What factors made you choose a pen name?

I chose a pen name and to use made up names for the characters and places in my book to protect myself from any law suits and respect the privacy of the characters who are real life people and some are still alive.

  • When writing fiction and non-fiction what differences in your demeanor occur?

When I write fiction my imagination really shines through and I can take the reader into another world. When I write non fiction I write simply and to the point as though I am sharing a lesson or revelation.

  1. Where can readers find you and your books?

One can find me on my website; https://www.mynzdreamblog.com

Amazon; https://www.amazon.com/dp/1543495966/ref=cm_sw_em_r_mt_dp_UJfXFbCF58K6

Facebook; https://www.facebook.com/mynewzealanddream/

Facebook group; www.facebook.com/groups/263602651477787/

Goodreads; https://www.goodreads.com/thenewzealanddream

Linkedin; https://www.linkedin.com/in/elise-brooke-61682b136/

Pinterest; https://www.pinterest.nz/business/hub/?utm_source=homescreen_icon

  1. Tell us more about your mentoring services. 

I offer one on one mentoring services where I can coach you through finishing your writing project. Sessions are done by email in hourly slots.

This is for anyone struggling with a writing project fiction or nonfiction or who would like to share their story and discover how writing can help you heal.

Bio

My name is Elise Brooke, I grew up in Hawkes Bay NZ.  My parents moved to NZ from England and South Africa, to create their New Zealand Dream, this quickly turned into my New Zealand nightmare. Writing is a very powerful healing tool, sharing your story can save lives. I have written and published two autobiographies in my book series “The New Zealand Dream,” by Sheila my pen name, I wrote this book to inspire and give hope to others.  

My passion is creative writing, I’ve been writing for 24 years in fiction and poetry and content.  I have published many articles and guest post and conduct interviews on my website I built from scratch. I am a writing coach/mentor I mentor people who would like to write and share their own stories.

Blog at WordPress.com.