I wish all my followers, a wonderful and safe festive time this year. Although, many of us will not be able to be physically with our family, friends and loved ones, be thankful they are safe and well. Whatever, ‘tag’ you put on the season – enjoy it in whatever way is possible:
I should be ‘resting’ the first book in my detective series until the New Year, but will probably delve into editing and revisions. Fortunately, I have the full week between Christmas Day and the 3rd January off work, so will make the most of it.
I certainly had fun with this #interview with ThreeSixtyAlberta talking about my writing life, books, publisher and writing group.
Did I answer a question for you or was there something else you wanted to know?
I’m more than happy to answer questions – so go ahead – ask!
I also have another interview this Wednesday, when I will be talking about my writing group, the Writers Foundation of Strathcona County in depth. It will be hosted by Arts Talk at our local community cafe, Common Ground.
This will be my third interview this year! If nothing else I’m getting a lot of practice!
I managed to edit 65 pages of my current work in progress, The Commodore’s Gift, this past weekend and feel really fired up about the story and it’s characters. There is a strong female protagonist, who meets an Adonis of a man.
I also have a novel workshop group starting this month, where we will edit each other’s work over the next several months. This gives each participant several ‘reader’ views of the story, which is invaluable as well as suggestions or queries on continuity, plot arc etc. This is how a writer ‘polishes’ their work prior to publication.
Normal programming will continue with an author interview. Slight hiccup with the interview being completed. In the meantime I am re-posting this. It is rather apt as I am currently in the midst of editing a sequel myself and also involved with a small NaNoWriMo editing group where five authors and I are going through each other’s manuscripts. Several chapters a month works well for our process.
As writers we love to be immersed in our own creations -weaving plots, planning and following story arcs, creating character profiles as well as their trials and tribulations. Our minds are full of questions : What happens next? How would my character react? Is that plausible or believable? Can I improve on that scene? Have I shown not told? Is there too much exposition? Would the reader have enough description to envisage the scene?
Graph – speedofcreativity.com
All these questions need to be answered but not when we are writing the first draft. This initial phase is the most enjoyable part of creating a story. Remember to give your inner editor time off enabling you to create freely and get the basic story line written. Once you have finished, the ‘real’ work starts. Continuity, grammar, spelling, character development, revisions to scenes etc. the list is long and sometimes overwhelming. Where should you start?
Once the story is complete put it to one side and go onto new projects. Leave it for a month or more (I’ve left two projects for nearly 6 months). When you go back to re-read you have fresh eyes giving you new insights. Your revision process may be to correct everything above as you read each page or you could concentrate on one item at a time, re-reading each time giving you a particular focus. This second method does lean itself to sharpening the process as you are not trying to ‘spot’ numerous revision types at the same time. With your editing done let your favored readers have it. Take note of their suggestions and correct any errors they may find. No matter how many times you or your beta readers go through the manuscript there will always be a word missed, mis-spelt or a continuity slip up. How do you make your manuscript as good as it can be?
A professional editor – if you can afford one – is a good investment. However, one trick that may work for you in finding those elusive errors is to read the book from back to front page by page. Another is to read it out aloud to yourself or a understanding friend (a glass or two of wine helps with this one!) A missed word is very obvious with this technique.
When editing there may be sentences or even whole paragraphs that you know need to be revised or even omitted from the manuscript to help with the flow of the story line or scene. Deleting these is hard – it is your creation and your words were written through hard work. There are different opinions on what to do with these revisions but I think they should be saved in a separate document until you are absolutely sure you do want to delete them and even then you may keep them as a record of how the scene developed. They are a writer’s jetsam so to speak, which is my link to today’s calendar word. I had to squeeze it in somewhere!
These ejected words from our ‘ship’ may float on our hard drives or become washed up in a document folder but wherever they end up they are part of our creative soul and never truly lost. We may pick them up from the shore in the future to use in another piece of writing or they may stay hidden in the depths of our files. No matter which scenario occurs, they are born of you and precious all the same.
As writers we endeavor to produce the very best manuscript or article we can and that is why we endure the editing process. Without this method of correcting and improving, our creations will not be polished and worthy of reading and that is the one thing we all want – our work to be read and enjoyed.
I wish you fortitude in your process to make your work excel and delight your readers.
This post is pre-scheduled as today I will still be enjoying my writing retreat, where there is no WiFi, TV or ‘outside world’ to intrude. Immersed in story since 18th May – I may never come back! (Well given the choice anyway). My plan for the retreat is to read, edit and revise two manuscripts – The Twesome Loop and Life in Slake Patch and hopefully be able to share them with beta-readers on my return. I may also have added enough story on my newest children’s book – Bubble the Gruggle to send the manuscript to my illustrator, enabling him to begin chapter header images.
When I do come back to reality I have two events this week. One an ‘extra’ meeting of the Arts and Culture Council on Wednesday to finalize the Heritage Day event organization and then Thursday I will be co-hosting the senior’s writing group at Silverbirch.
So please feel free to share your local writing events in the comments.
WGA Alberta Literary Awards Shortlist Reading and Celebration (YYC)
May 24th 2017 from 7:00 to 10:00pm Shelf Life Books, 1302 4th Street SW, Calgary
Please RSVP via Facebook Invite
Join the Writers’ Guild of Alberta to celebrate the 2017 Alberta Literary Shortlisted authors and their nominated works! There will be complimentary wine and food from Aida’s Bistro, time to visit with friends, and a series of lively readings. Free admission. Authors scheduled to read in Calgary include: Lee Kvern, Paige Feureu, Lauralyn Chow, Gisèle Villeneuve, Mary Graham, Rona Altrows, Helen Hajnoczky, Georgia Graham, Laurie McFayden, Ellen Close with Braden Griffiths, Richard Harrison, Shelley Youngblut, and Sydney Sharpe with Don Braid.
I have my writing retreat to look forward and it is getting tantalizingly close – 18th May. Here I can immerse myself completely with no distractions, unless I actually seek them out.
Her Fearful Symmentry by Audrey Niffenegger. I am thoroughly enjoying this story. The characters are well rounded, there is a connection/distance between the two main characters, which gives the narrative an undercurrent of possibilities.
Reincarnation by Suzanne Weyn (because you all know by now I’m fascinated by this subject)
What are you reading?
I watched this movie, which had a great twist on the subject. I am always intrigued by the variations on the reincarnation theme.
“You cannot hope to sweep someone else away by the force of your writing until it has been done to you.”
“Description begins in the writer’s imagination, but should finish in the reader’s.”
“I think the best stories always end up being about the people rather than the event, which is to say character-driven.”
“Let’s get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn’t to find these ideas but to recognize them when they show up.”