Tag Archives: manuscript writing

Author Interview – Laurel Deedrick-Mayne


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  1. Does writing energize or exhaust you? Sometimes it’s like pulling teeth to get started but once ‘in’ the time flies. I leave this world and am immersed in the work. I love that feeling when the heart starts to race a little; there’s a fullness to the breath; a hum in the muscles.
  1. What is your writing Kryptonite? Procrastination in all its wily disguises.
  1. Did you ever consider writing under a pseudonym? I have enough challenges figuring out who I am on any given day with the names I DO have. I generally go by Laurel Deedrick-Mayne. How can you tell I got married in the eighties when everyone was double-barrelling their names? A pseudonym would only confuse the issue.
  1. What other authors are you friends with, and how do they help you become a better writer? I’m friends with a number of other authors and I am always simultaneously inspired, intimidated and encouraged by them. Some have such tremendous self-discipline. Others are such Smarty Pants I whither in their presence. But all of them remind me of the endlessly vast stories that are worthy of being told.
  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? I definitely want each book to stand alone. A Wake For The Dreamland was Canadian Historical Fiction spanning 1939-1979 and somewhat male-centric, taking place during WWII and the aftermath. The new project is about an intrepid nurse in the Yukon from 1949-1958.  There is some crossover in time period and sexual orientation of protagonists. Ironically, the published memoir of said nurse was titled: No Man Stands Alone.

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  1. What was the best money you ever spent as a writer? Every penny I’ve spent has been worth it but the highlight greatest honour was touring the battlefields of Sicily and Italy with very elderly Veterans who were paying homage to their fallen friends, comrades and their own youth.
  1. What was an early experience where you learned that language had power? In the 60’s when I was very young the Jello company changed all their boxes to the same colour with the differing flavours merely spelled out on the box but no associated colour; ie: No yellow on the lemon, purple on the grape etc. My mother fired off a letter to the company and in no time flat we received a great parcel of – you guessed it – JELLO – in ALL the appropriate colours. But seriously, the power of words was bred in my bones: my forebears being great correspondents, my grandfather- a broadcaster and journalist. I grew up to the tap of the typewriter and texture of imprint on the page.
  1. What’s your favorite under-appreciated novel? I don’t actually have one.
  1. As a writer, what would you choose as your mascot/avatar/spirit animal? I spent a considerable amount of time writing at the Banff Centre in the Rocky Mountains and would often be visited by deer outside my studio window. They would stand stock still, always listening, alert, responsive, agile and swift. I took cues from them. As a writer I watch, listen carefully and when struck with an idea, run with it.
  1. How many unpublished and half-finished books do you have? There are three on the stove but only one on the burner.
  1. What does literary success look like to you? Touching, connecting with readers. For example, at one of over 50 book clubs, a woman said she’d always had a problematic relationship with her father and not much sympathy or respect or even love for him but she knew he had been in the Italian campaign during WWII. While reading my book she felt like she began to understand what he had gone through, and she felt more compassion. She cried as she told this story because he had passed away and she could never tell him. That’s pretty powerful stuff. The book seems to inspire people to think about that generation which has largely passed on now and share their own stories. I’d call that success. Of course being 67 times on Edmonton’s Best Seller List means people are still buying and reading and talking about the book and that is hugely satisfying. Winning the Alberta Readers Choice Award and being a Finalist for the Whistler Independent Book Prize are both great honours, but somehow it still feels like I just got lucky. Many people want to write but never do. Success is in the process and completing the project to the best of one’s ability. Anyone who has climbed that mountain and finished a book has already achieved something extraordinary and should be celebrated. Literary success is probably subjective and certainly fleeting and hardly the most important thing in life.
  1. What kind of research do you do, and how long do you spend researching before beginning a book? My method was to write the heart of each scene and honour the story first and foremost, at least in early drafts. I conduct my research concurrently, strengthening and supporting the story as I delve deeper into the well and wormholes of research. Some authors get so excited about what they have learned that they wear their research on their sleeve and it can get in the way of the story. It’s easy to fall into that trap because the learning is tremendously rewarding and exciting and we kind of want to shout our discoveries from the rooftops. I have read every page of the Regimental diary, hordes of newspapers (British, Canadian and Local) from the war years, dozens of books, listened to audio recordings and read countless diaries and letters and collected hours of interviews BUT that should not be blatantly evident to a reader. I have read books where all the clever and obvious research overshadowed the characters and their drama. I have followed in the footsteps of the Canadians in Sicily and Italy with Veterans who were revisiting. I have to know all those gory details and all of that research is the bedrock of the book but what appears on the page must be more lively and transparent and leave some room for the reader to connect and use their own imagination.
  1. How many hours a day/week do you write? I still only have one designated day but much of my life revolved around child and elder care with my last book. My mother died the week my book went to press and my father 444 days later and I have been working through the process of grieving, settling estates, etc. etc. Life can get in the way and that isn’t a ‘the dog ate my homework’ excuse. It is the way the world turns. I should soon be able to add at least one more day/week.
  1. How do you select the names of your characters? Oh, I know it sounds corny but they kind of introduced themselves to me. I made a couple subtle changes as I went along. Part of my editing process includes reading aloud and recording and if a name (or anything for that matter) doesn’t sound right, then it isn’t right and needs to be tweaked a little.
  1. What was your hardest scene to write? Some of the war scenes nearly broke my heart but were also the most satisfying. It wasn’t a technical challenge but an emotional one. Some of the love scenes had me in hysterics and gave me a whole new appreciation for writers who can pull them off.
  1. Why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them? Writing is like being an explorer and it is great fun for me to try different genres on for size: Goldie Locks-ing my way around the story finding what feels right, challenging myself, flexing my writing muscles. Even if I trip and fall, success is the quality of the journey. Quick! Call the Cliché Police.
  1. How long have you been writing? Since I could hold a pencil
  1. What inspires you?  Oh—simply this crazy thing called life.
  1. How do you find or make time to write? It’s my biggest challenge. And fear. Because I think there is so much to write about I’m afraid I’d never stop. But there’s a great deal of living to do as well and I don’t want to miss that.
  1. What projects are you working on at the present? The work-in-progress is looking like a combustible and controversial biography. It’s about Amy Wilson, a Nurse In the Yukon. You can even Google her. It’s scary as hell, for many cultural and political reasons.
  1. What do your plans for future projects include? There’s a Prisoner of War, WWI era play (or maybe musical) on a back burner. It’s not as ridiculous as that sounds.
  1. Share a link to your author website. awakeforthedreamland.com

Bio:

Once an Arts Administrator, Laurel Deedrick-Mayne has been a dance publicist, concert promoter, ad copywriter and box office bunny. She has served on multiple arts boards while maintaining her ‘day job’ as a massage therapist. Her independently published debut novel, A Wake For The Dreamland won the Alberta Readers’ Choice Award in 2016 and has been on Edmonton’s Best Seller List for 67 weeks. She has been a guest at over 60 book clubs and other book-related events. A late bloomer to publishing but a life-long third generation letter and story writer, Laurel celebrates the ‘love that dared not speak it’s name’ while paying tribute to the generation who took the time to hang on to family letters, clippings, stories and poetry — all those ‘treasures’ that inspired A Wake For The Dreamland.

EVENT:

Find Laurel at Words in the Park, Spark Gallery, Premier Way, Sherwood Park, Alberta on 29th September 2018

Genres of Literature – Comedy


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comic novel is a novel-length work of humorous fiction. Many well-known authors have written comic novels, including P.G. Wodehouse, Henry Fielding, Mark Twain and John Kennedy Toole.

Writing comedy is not an easy task for most of us. You can not rely on the comedian’s use of pause and facial expressions with the written word. It is however a skill to portray a person or situation within a narrative in such a way to make your reader laugh.

Personally I have not tried to write a comedy novel, it is a skill I do not possess unfortunately. This list may help you decide if writing in this genre is for you. (Original link – http://www.writersdigest.com/online-editor/humor-writing-filled-novel)

1. Know your genre well enough to play with it.

The genre of your story can be a rich source of humor writing. Knowing your category will give you endless material to parody and poke fun at. Start by making a list of the conventions, clichés and tropes of your genre so that you can choose which ones to turn on their heads in your story. You can even find ready made lists of clichés on the submission guidelines pages of magazines and publishers where they note things they don’t want to see ever again

2. Surprise your audience.

I am always surprised to find people who are surprised that surprise is the essence of comedy. That’s what a punchline is, a surprise. Surprises can be as simple as an unexpected end to a scene, an action or even a sentence. Think of the Cave of Caerbannog sequence in Monty Python and the Holy Grail. The first surprise is that the deadly beast guarding the cave is just an apparently harmless rabbit, but the bigger surprise is when the bunny savagely kills Sir Bors. Surprises can also be as complex as a major plot twist that changes the entire story. Think about the end of Monty Python and the Holy Grail.

3. Use layers of humor to appeal to a wider fan base in your humor writing.

I’m not suggesting you use humor to appeal to wide people, only that particular kinds of comedy appeal to different people and age groups, so be sure to layer your laughs in multiple ways. Concrete physical humor like slapstick, crazy action and absurdity will amuse almost anyone—including the youngest kids. Slightly more abstract humor including wordplay, farce, punning and other jokes start to appeal to kids around 8-12 years old. Sarcasm, irony, parody and innuendo kick in for audiences around 12-15. After 15, pretty much anything goes, allowing you to set up more complex humor writing like elaborate running gags, self-reflexive jokes, running gags, self-reflexive jokes or even running gags.

4. Use conflict.

Conflict is the engine that makes every story go, even the funny ones, so build your central character around exaggerated, absurd or obtuse struggles. Chase your character up a tree and then set that tree on fire. Use all three of the key sources of conflict—character versus character, character versus environment and character versus itself—as opportunities for humor. Remember that of these three, the character versus itself is the most emotionally engaging. Audiences relate when they see a character pulled in opposite directions by forces everyone experiences. Safety versus freedom is an internal struggle we can all understand because we all want to feel safe but also want to feel free. Take a universal internal conflict like that and amplify it to comic proportions, or make your character ridiculously biased toward one side of the struggle, or split the struggle between two main characters who take their sides to silly extremes.

5. Think the details through thoroughly.

Your novel should contain outrageous, absurd, non-sequitur ideas and jokes, but it shouldn’t be a joke. It has to have its own consistent logic and laws to make it feel real. Your audience has to be able to take it seriously enough to get swept up and want to follow along. Unlike a silly movie or TV show, reading requires a good bit of work from your audience, so you have to put a good bit of work into it. If you’re writing a fantasy, think through the details of how magic works, the history of the world you’ve created and how the various races of elves, men, goblins, or armadillos, relate to each other. Then make that stuff funny. For example, much of the humor of the hilarious Complete Enchanter series by L. Sprague De Camp is built on the characters bumbling their way through the logic underlying the magical systems of various myths, legends and fictional worlds.

6. It’s not enough to be funny, you have to be meaningfully funny.

Even the best one-line jokes are memorable because they seem to suggest a deeper meaning. Meaning is what makes stories feel relevant and valuable rather than just entertaining, so give some serious thought to what you are trying to say with your silly novel. It can lend a lot of clarity to your work to think about how you would describe its meaning if you had to reduce it to a single sentence. Many comedy stories are powerfully affecting because they are more than just hilarious. The Princess Bride by S. Morgenstern (William Goldman) which revisits that old gem, “Love conquers all,” and the fourth Discworld novel Mort that reminds us, “Don’t fear the reaper.” Terry Pratchett once said that Mort was the first Discworld novel he really liked because in the earlier books the plot was just there to support the jokes, whereas in Mort, the jokes were there to support the plot.

7. Write to make yourself laugh (but then have other people check your work).

Comedy is a subjective thing. There’s no formula for what’s funny and no surefire way to predict what will make people laugh. Consequently, the best you can do is write stuff that amuses you. Of course, after you’ve written it, you should definitely check to make sure other people find it funny. Test your material on anyone willing to read it, and make sure that at least a couple of those folks are not your dear friends who will lie to you because they love you. Use the feedback you get to tighten your jokes, reinforce what’s working and eliminate what isn’t. No matter how funny you find something, if other people don’t laugh, it’s probably got to go. Weeding out superfluous jokes and comic bits to leave only the best can be painful, but when you’re done, you might just find yourself with a novel.

 

When writing a novel or a play the vehicles for comedic opportunity are satire and political satire,  using comedy to portray persons or social institutions as ridiculous or corrupt, thus alienating their audience from the object of their humor. Parody on the other hand, subverts popular genres and forms, critiquing those forms without necessarily condemning them.

Other forms of comedy include screwball comedy, which derives its humor largely from bizarre, surprising (and improbable) situations or characters, and black comedy, which is characterized by a form of humor that includes darker aspects of human behavior or human nature. Similarly scatological humor, sexual humor, and race humor create comedy by violating social conventions or taboos in comic ways. However, many of these vehicles are rife with problems in today’s society and not as acceptable now as in the past.

A comedy of manners typically takes as its subject a particular part of society (usually upper class society) and uses humor to parody or satirize the behavior and mannerisms of its members. Romantic comedy is a vastly popular genre that depicts burgeoning romance in humorous terms and focuses on the foibles of those who are falling in love.

Do you write comedy?

Have you enjoyed comedic novels? Which one was your favorite?

Please join in the conversation…

 

Friday Fun for Writers, Authors & Readers…


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Keep your sense of humor in 2018 – make it a laughter filled year with lots of writing!

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Writing Hub -Books, Writing, Tips & more…


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Writing:

Due to a dreadful constant cough my energy has been at a low ebb so writing has taken a back seat as I try to get better. It is the worse possible timing over the festive season. Hopefully as I gradually get better my writing Muse will return.

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Books:  The men are in Spain and the war is affecting them, as it would. Back home things have changed but stayed the same. Relationships are strained and letters are infrequent. Beautiful writing and character development.

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Christmas books have been added to my pile – 300 writing prompts and Sleeping Beauties. Now to consider which King book to read first as I still have 11/22/63 to start. I admit Beauties is calling me.

What books did you get for Christmas?

Writing Tips:

Holiday’s tend to reek havoc on our writing schedule but there are ways of grabbing writing time.

Keep track of the number of words you write instead of how long you wrote.

Relax your normal rigorous writing timetable – take time to chill and observe.

Make the most of “un-scheduled” time – waiting for a flight, children’s rehearsals, a break for coffee during shopping.

Wake up earlier (or stay up later) than usual to ensure that you spend some time writing.

How do you find time to writing during the holidays?

Friday Fun for Writers, Authors & Readers…


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Sadly we’ve all been here!

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“Which is Emily Dickinson’s favorite reindeer? Dasher.”

If only it was that easy!

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“What do you get if you put a Greek classic in the fridge? The Chilliad.”

Enjoy a fabulous Christmas!

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