We have all felt disheartened as writers. It can manifest itself in a variety of forms. Lack of impetus, illness, stress, unrealistic comparisons, self expectations or stumbling over a particular section in a writing project. Some call it writers block. In truth it is just life.
Firstly, don’t beat yourself up, you are not alone. Every writer, whether novice or any of the top 100 authors, have doubts about what they are writing. We question ourselves – is it good enough, over and over. This can only spiral us downward into self-doubt. There are ways to give yourself a pick you up. I hope these help.
1. Focus on enjoying telling your stories. Do it to the best of your ability.
2. Remember you are building an inventory of your writing but also learning your craft.
3. Lessen your expectations, don’t be so hard on yourself. Yes, we all want a certain quality to our work, but with patience it will come. There is no quick fix.
4. Don’t compare another writer’s finished work against your in process drafts. You have no idea how many changes they made.
5. Remember you get to rule over your own creative process. You choose, shape, mold, and create whatever you want.
6, Your words will, in time, sway minds, move hearts, and touch the lives of dozens of people you will never meet in person.
7. Your words, your stories are your legacy.
8. Do not take rejection personally. Think of it as a learning tool.
9. Take a long-term view of your writing career – no-one is ever an overnight success.
10. Participate in supportive writer groups. Share your work with encouraging friends.
What have you found works for you when you are feeling disheartened?
In my research for my new detective series, I read a novel by M.J. Arlidge entitled Eeny Meeny. The premises of the narrative becomes all too clear and links to the title all too well as you read. You can find my review on my Goodreads page but just in case, here it is: Absolutely riveting! I didn’t see the culprit coming. Well written and structured. A fast paced, who done it. A real page turner.
I will endeavor to ensure my own narrative has the same tension and surprise culprit. M.J. Arlidge uses the same detective for his novels, using various scenarios for each narrative. My detective series has a different structure, covering three detectives and three different cities but the same antagonist.
I have been asked to explain the reason I chose the title of my series as The Delphic Murders. I wanted a word that meant obscure, as my antagonist is just that. So I delved into my knowledge of Greek literature and found Delphic. It means deliberately obscure or ambiguous.
What books have you recently read? What was your review on them?
As you can see winter arrived here in Alberta. So I have decamped from my writing desk into the living room, where there is a huge window. This gives me welcome daylight but also a cozy writing space beside the fireplace.
The first book in my series, The Delphic Murders is well under way, with over 36,000 words. As with any first draft, I am just writing where the characters take me. Early next year, I will begin revisions and editing and making notes for book two.
I am so pleased my steampunk novel has proven so popular, with online and in person purchases. Thank you all for continuing you enjoy the stories I create. All my books are here: https://amazon.com/-/e/B01MDUAS0V
Please leave a review it would mean the world to me.
We all need to refresh our writing Muse, so this past Thanksgiving long weekend, I enjoyed two day road trips to Miquelon Lake Provincial Park. The first was on Saturday and then again on Monday. Both trips were a discovery of back roads and nature. It was chilly and breezy but glorious colours of the season were enjoyed.
There was plenty of wildfowl, a friendly squirrel, a couple of muskrats and evidence of a busy beaver too.
Although, I did some research for my detective book series and compiled a file folder of research, I did not write. We all need downtime.
However, I may write a short story on the unusual sight of a beaver lodge with a satellite dish! It’s too good not to.
Inspiration does come from anywhere and everywhere.
Both my series actually started as stand-alones! Most of my projects begin as single novels and then I realize the story either has much more to be told (in the case of Nel Bently) or it needs a lot more room (Blood of Titans). I love slow-burn, complex stories, both when reading and writing, so I think I naturally gravitate toward characters and tales that won’t let me go easily.
You have two genres – sci-fi and fantasy. re both equally important to you? If so why.
My writing process and the pacing between the two genres vary wildly and I’m usually working on one tale in each genre at any given point. I don’t really have a favourite, though I think writing fantasy might come easier, as that’s where I started professionally writing. Science fiction, for me, is about hope and road-maps to those futures (even if they’re a bit dark too) and I need that to balance out the drama and scope of my fantasy worlds. Writing any genre, though, is about finding the truth of that particular story.
Where do you get your inspiration?
For Nel, a lot of the inspiration understandably comes from my day job as an archaeologist, though Nel started on academic sites and I do contract work. So many of the unique places I end up and the wonderful and bizarre people I meet inspire my settings and characters. I’m also a huge “what if” person and enjoy lots of solitude and instrumental music to rattle around in my mental card catalogue.
How long does it take you to write your first draft of an idea?
Since my process differs from genre to genre, it really depends on the project! With sci-fi it’s about four months and fantasy eight–the first half I spend dawdling and the second racing my deadline and speed writing. When not on deadline, though, I like to languish in my worlds. I’ll spend over a year fiddling with ideas outside of my main project. Once those ideas are promoted I usually have about 20% of what will be the final book (and many, many typos!).
How much plotting do you do for each series?
A huge amount. I tend to be a very organized writer, in part to make order of my disorganized internal world. When I’m doing in depth revisions on a novel, I have the outline of the next book or series overview open and I’ll jot down key things that need to be paid off, or little cameos I want to include. Many main series events or character arcs are laid out by the time I’ve finished the first book in a series, even if I don’t know exactly how we’ll get there yet. That said, I re-outline at the mid point in my drafting and again at the end, so while I have to have it organized, the content itself is subject to change!
Where is your favourite place to write?
While traveling! I enjoy writing on planes and trains and ferries! Movement helps me think, and a lot of my plot knots are worked out on my long commutes to project areas (don’t worry, I use voice-to-text to keep track while driving!) But honestly, nothing really beats my own desk in the early morning. It’s such a sanctuary for me.
If you were one of your characters, which one would you choose and why?
This is tough–mostly because I know what they’ll have to endure! But I think I’d choose to be Firas (Blood of Titans: Restored), the fun-loving bartender from the slums and love interest for the nation’s mercurial, not-quite-human king. I love his bar and sense of community, not to mention his dancing skills are fantastic! I also adore Azimir, but honestly, I’d just like to have him as a best friend. Everyone needs an Azimir in their life.
You are an advocate for disabled and queer representation in your work. May we ask what prefaced that decision?
Short answer is, of course, why wouldn’t I? I wanted to write characters, who are like myself–I’m gender queer, pansexual, and disabled. Growing up, especially as a teen, it was really hard to find books with characters, who loved and felt the way I do. Queer representation is something that is necessary for our communities and so much of it is tragic or stereotypes, or written for the straight, cis gaze. I wanted to actually write our stories from within. Then, five years ago I discovered that my “aches and pains” were actually a degenerative autoimmune condition that attacks my connective tissue. My way of navigating the world has changed drastically since then, but nothing sparks the imagination like being limited. I aim to write worlds and characters to show all we can do, rather than fall back on harmful tropes. Fiction, especially SFF, is a perfect medium for exploring how we want our world to look and how to make it more accessible and accepting.
Tell us about your new releases.
My newest release is Blood and Mercy, the final book in Blood of Titans: Restored. It follows two main characters: Rih, a Deaf former soldier plotting rebellion and Keplan a queer, teenaged god. Both face a political marriage and the aftermath of a divine war. He hopes the world ends, she prays it doesn’t.
My next sci-fi release is this October, Covid-willing, and will be the fourth Nel Bently book, Heretics. Nel and her space-girlfriend, Lin, embark on a global mission of connect-the-dots searching for the victims of a deadly radio transmission. Without answers, Nel’s own mother–and the few communities clinging to life–will be next.
How can readers contact you?
You can check out my website, www.vsholmes.com, and grab a free sci-fi or fantasy short to see if you like my work, read my FAQ, and send me an email. Plus, if you become an Explorer you’ll get exclusive updates, free books, and more. Of course, I’m also on various social media.
What social media sites are you on?
I’m most active and candid on Twitter and Instagram @VS_Holmes (if you don’t mind the occasional picture of bugs and bones.) I’m also on Facebook, Bookbub, and Goodreads.
Do you have a message for your readers?
I hope you enjoy reading my worlds and characters as much as I enjoy creating them, and I hope you’ve found someone in my work who speaks to you, or a tiny dream and the strength to hold fast.
V.S. Holmes is an international bestselling author. They created the REFORGED series and the NEL BENTLY BOOKS. Smoke and Rain, the first book in their fantasy quartet, won New Apple Literary’s Excellence in Independent Publishing Award in 2015 and a Literary Titan Gold Award in 2020.
When not writing, they work as a contract archaeologist throughout the northeastern U.S. They live in a Tiny House with their spouse, a fellow archaeologist, their not-so-tiny dog, and own too many books for such a small abode. As a disabled and queer human, they work as an advocate and educator for representation in SFF worlds.
I have submitted five submissions for an anthology to be released in the fall. It is a second volume to be published by The Writers Foundation of Strathcona County. This second book is also full of prompts to inspire our creativity. Each prompt has a few responses from other writers to give the reader an idea of the variety of stories and poems that can be inspired by the same picture prompt. It is a great exercise book for writers of any skill level.
I did submit a drawing for the first book (see here) and have created another for the second book. Drawing and painting were my first creative outlet, so to practice again on the odd occasion is enjoyable.
After sending my illustration, I began to think of images, I have commissioned for my children’s and YA books. Each has been tailored made for that particular age group and style, I envisaged for my children’s and YA books. I am lucky to have access for several artists, who use different mediums.
Then I thought, why is it adult novels are so rarely illustrated? I recently interviewed Ann Charles, who has beautiful illustrations for her novels drawn by her brother. I feel they enhance the stories as does Ann.
So what is the main pitfall for including illustrations? You may have guessed it – money! The bottom line is printing drawings involves more ink thus more expense. So are there any illustrated adult novels out there?
I managed to find these links – so the answer is yes.