Mandy Eve-Barnett's Official Blog

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ASK A QUESTION THURSDAY

January 10, 2019
mandyevebarnett


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Continuing the discussion for this month’s topic. See 3rd January for main post.

Should you pick the genre before beginning your story or figure out what genre it is after you have written it?

Last week’s responses were:

Konn Lavery 

Genre tends to come second for my process. The genre of choice comes up naturally as the plot, characters and conflict unfold. Sometimes I’m not sure what the genre is, but did get a handy booklet called Genre A Short Reference Guide and Dictionary by R. L. Bennett that has descriptions for each genre.
Once the first draft is done I look up in the booklet, then research about the genre and revise the manuscript.

Karen Probert

I never consider genre at all. I’m not even sure there is a genre name for my style of writing – maybe ‘realism’ would fit as my characters act and speak as normal people and there are no situations in my stories that could not happen to real people or be a part of normal day-to-day living in our society.

Gerri Bowen

Many of my stories tend to be paranormal, but I go where the characters take me.

Lisa de Nikolas

My genre preference is noir suspense thriller murder mystery! But my writing is more literary than genre and that makes it problematic when it comes to sales and marketing because promotion departments and bookstores like to have a simple, clear-cut definition.

I’m often asked for current, similar examples in bookstores of my books, and that’s very hard to do! I’d love to reply: “I set out to write good story, something readers can sink their teeth into, it’s fiction, that’s what it is!” But booksellers want something less complicated. I’ve described my work as Little House on the Prairie meets Pulp Fiction and what genre would that be?.

I didn’t set out to write this way, in fact, I’ve tried really hard to write formulaic genre mystery but it’s just not my style. Sometimes you’ve got to go with what you’ve been given! Thanks Mandy!

Kathie Sutherland

Life writing is my genre. The forms vary: journal writing, personal essays, poems, short stories,and autobiographical narratives. These forms end up in collections. I want the pieces to be realistic. I find fiction difficult to write. I have a novel in first draft and autobiographical fiction pieces and even they are life writing. The writing comes first, and then the genre follows.

Mary Cooney-Glazer 

I write second chance love stories with the primary characters age 45 and over. I chose the main genre because I wanted to portray mid-life women as resilient, attractive, productive people still fully engaged in life and capable of enjoying romantic adventures. Their men treat them well and respect their talents. I do like to include a little goofiness on both sides when it comes to figuring out relationships. Although the main genre is romance, there are elements of women’s fiction and rom-com. So, I guess I do choose the overall genre first, but the blending elements appear as the characters and plot develops.

Mike Deregowski

I generally have some sort of idea of what genre I am writing in, I don’t pick it though, it all depends on what will fit the story that wants to be told. Same goes for style I use. I believe there are no bad writing ideas, just not the right format or style.

Mandy Eve-Barnett

I have always written free flow so never think what the genre might be as I write the narrative. That comes later once the story has completed the first draft and I read it through, making revisions and getting to know the theme of the narrative. Sometimes the characters define the genre and other times it is the story structure and theme.

 

over to you
So is this the general consensus regarding genre? Do you agree or disagree?
If we are writing without a clear genre in mind does this make the process easier or more difficult?
There are certain well known ‘formats’ for certain genre’s, complete with cheat sheets. Are these a great writer’s tool or apt to make one a ‘lazy’ writer?
Let’s see where this topic takes us shall we? Over to you and your thoughts. Please leave your comments in the section below.

ASK A QUESTION THURSDAY

January 3, 2019
mandyevebarnett


Hello,

Here is the first question for my new monthly blog topic for writers and authors. Please join in the discussion.

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Should you pick the genre before beginning your story or figure out what genre it is after you have written it?

We can ask, answer and give our opinions in the comments on this post or subsequent Thursdays in January. Let’s make it as interactive as possible.

What is your genre preference?

How do you decide on the genre?

Would picking the genre first make it more difficult to write the story or not?

Do you merge genres to match your story?

Now-a-days there are many merged genres so it is easy to combined a couple (or more) to make your narrative ‘fit’ but is that okay or not?

More discussion on Thursday 10th, 17th, 24th and 31st January. We may go off topic slightly, reveal writing styles, publishing house experiences, agent advice or …

Let each other know about you!

Experience

My experience:

I have always written free flow so never think what the genre might be as I write the narrative. That comes later once the story has completed the first draft and I read it through, making revisions and getting to know the theme of the narrative. Sometimes the characters define the genre and other times it is the story structure and theme.

I have children’s books, YA novellas and several adult novels, so am a multi-genre author. I am led by the story initially, which can be sparked from an overheard conversation, a life event, a prompt/photo or an experience on a road trip.

What about you?

 

 

Genres of Literature – Multiple Genres. How to Promote?

October 22, 2018
mandyevebarnett


fantasysubgenres_reduced

Today’s post is more personal as I am a multi-genre author. I would welcome your comments on how you brand, promote and market when writing multi-genres.

The definition of ‘writer’ is
1. a person who has written a particular text.
2. a person who writes books, stories, or articles as a job or regular occupation.
3. a person who writes in a specified way.

As you can see the definition predisposes that a writer will create narratives in a specific way or genre. However, what if a writer wants to write the ‘story’ not the genre?

As many of you know, I am a multi-genre author, where the story is the motivator not the genre. However, there are some obstacles to this due to the ‘business’ side of writing. Mainly, how to promote myself as opposed to the genre I have written?

Author-Branding-Book-Marketing-Plan-Author-Platform

I have read many ‘book promotion and marketing’ articles, all of which target specific audiences for genre. You can easily target one genre, such as romance, thriller, and mystery but how do you cross genre lines in promotion?

One answer is to link your name to an organic and dynamic brand that’s based on you and arouses a positive, emotional experience for your targeted readership – regardless of genre. So in essence you will need to develop a strategy to create a hybrid solution of your own.

Another option is to write a book that will appeal to the fans of your new genre and not the fans you already have. The plot, cover, and blurb should all be consistent with the genre you want to write in. This can be accomplished by adding your own flourishes to the genre.

You have the ability to create your own style, and unique voice by combining recurrent themes, character types, settings, and ideas that make up the familiar elements characteristic to your writing. You can tie a common thread between all the genres you choose to write.

It is much less about genre, and more about what readers have come to expect in your books/writing. It’s in the way you do it–as well as how it’s perceived and interpreted by your audience.
Let’s take a look at how writing in more than one genre is a benefit:
• It requires different strengths and allows you to push your limits and abilities–learn, test, experiment, polish.
• It lets you explore your wider interests without limitation.
• It allows new writers especially to explore various genres before determining the right “fit” for their style, voice and passions.
• It is often not a conscious decision–many writers are compelled to follow the Muse.

So what are the Pros and Cons?
Pros:
1. Writing what you want
It is wonderfully fulfilling to explore new ideas and create something new that challenges you in unique and exciting ways.
2. Wider audience
Writing a new genre may attract new readers, who wouldn’t have found your work otherwise. And hopefully they will check out your previous works thus cultivating a broader, wider readership.
3. Versatility
Being versatile will sharpen your skills as a writer and may attract a publisher in that genre or other new opportunities. Your ability to handle a variety of genres is always a plus.
4. Broader community
While writing in new genres and categories, you will get to know other writers in that genre and extend your writing community in the process.
Cons:
1. Losing readers
This is obviously the biggest con of switching genres. Your current readership may not pick up your new book at all as they consider you a writer in a particular genre and may be more discerning about picking up a title of yours in the future.
2. More juggling
Writing in multiple genres requires more juggling with your marketing and promotion as you need to change from one single cohesive marketing plan into two or more. And if you’re working on multiple projects at once, you’ll have to handle multiple publishing deadlines, contracts, etc.
3. Multiple brands
The worst case scenario is having to start a completely new brand for the ‘other’ genre. You may need to write under a pen-name and devote time to building that platform. It could be you start from scratch in your branding, or utilize your platform in a broader form. To do this you need to find the common ‘theme’. (Not an easy task I might add!)
4. Writing confusion
The other challenge is juggling multiple genres from a writing perspective and requires a lot of hard work and skill to accomplish successfully. Each genre has its own conventions you need to establish and refine using vastly different voices traits and tones, while meeting readers’ expectations.

More recently, many alternative genres have been created, which combine genres into a sub-genres. For example, romance readers would never go to the horror section first but if the description was something like – romantic suspense – then maybe they would pick up your book. This has enabled authors to promote their books in one or more genres.
I have investigated what my ‘brand’ or ‘theme’ is in my writing and after quite some time realized it is a basic theme of love – be it romantic, parental, friendship or some other kind – so in essence I can use that title within the more traditional genre headings.
It is a matter of looking at your story and defining the main theme, even if it is an underlining thread throughout the narrative. My novel, Life in Slake Patch is an alternative world order but basically has a young man trying to change the ‘laws’ so he can be with the woman he loves. It can be described as speculative fiction but romantic speculative fiction is better.

 

My novel, The Twesome Loop is also romance but has an added reincarnation element as well as set in England and Italy, so is it romance alone or do I possibly create a sub-genre: suspense romance? As I am writing, I realized another sub-genre would fit my fantasy, The Rython Kingdom, which is set in medieval England, has a romance and a master plot by a vengeful witch so maybe it is fantasy romance?

Do you write multiple genres?

How do you promote them? Separately or within a broader brand under your name?

 

Author Interview – C. A. Asbrey

October 19, 2018
mandyevebarnett


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CA Asbrey

Does writing energize or exhaust you?

It definitely lights a fire under me when I have a tale which wants to come out. I can sometime stay up until 3-4am if I have to finish a scene. At other times I can agonize over a phrase or sentence and before I know it the day has gone and I’ve only written a paragraph. I miss it when I can’t write.  

What is your writing Kryptonite

Emotional upset for sure. My last book took me a year to write as I was distracted by my husband being injured in an accident and my mother-in-law passing away from a long illness. I was very lucky to have a lovely mother-in-law. She is sorely missed.

Did you ever consider writing under a pseudonym?

I kinda do. I write under my married name and feature on social media under my maiden name for social interactions. I also write under initials. I don’t hide my gender, but it’s not immediately obvious when you look at the book cover.

The Innocents

What other authors are you friends with, and how do they help you become a better writer?

I’ve met many wonderful people on this journey and I’ve found them to be an incredibly generous and open community. I’d really encourage new writers to reach out and make contact. Not only will you find that they share resources, but you’ll probably make all kinds of new friends too. There are too many to mention but Kit Prate and Joanie Chevalier deserve a special mention. Both have been so supportive and inspiring to a brand new writer and have gone the extra mile in helping me cross over so many barriers. Kit introduced me to her publisher after reading my work, and helped me out of the slush pile. Joanie helped to point me towards the various groups which help a new writer with marketing and publicity. Not only that but she actually made up some advertising material and told me to ‘get my swag on.’ I was being far too Scottish—reticent and unwilling to look like I was bragging by saying my book was good. Both ladies have been incredible and I can’t thank them enough. Read their books and you’ll soon see how lucky I was to be assisted by them.

Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

‘The Innocents’ is definitely meant to be part of a larger body of work. It’s the first of a trilogy, but if people like them there’s plenty of scope to keep them going. I would still continue with each book being a self-contained mystery with the larger universe of the characters providing an over-arching connection between the books. The third book is written and at editing stage, but there are plenty of trials I can still put the characters through yet. 

What was the best money you ever spent as a writer?

So far it’s been on editing. I’ve learned so much from every bit of feedback given to me and I they all go towards making me better writer. That said there’s been free advice from other writers. As a newcomer to the writing community I have found great generosity of spirit and so many people have shared some of their valuable time to help me. I’ll be very happy to pay that forward. On another note I have just spent some money on publicity. I’ve yet to see how that will work. That may be my new enthusiasm if it really pays off.   

What was an early experience where you learned that language had power?

That would be in my work as a young police officer. I learned that talking people down from spiraling emotions is a powerful tool in keeping people safe, and more potent than violence. I also learned that listening to detail is vital too. Noting the small things helped to push cases along in gathering evidence. I also learned the complex and intricate ways people use language to put you down and grab power in a situation. Understanding that really helps you stay in control of a situation. It’s useful for a writer to grasp that and be able to shift the dynamics in a scene through clever use of words.

What’s your favorite under-appreciated novel?

That would have to be ‘The Moonstone’ by Wilkie Collins. Not only is it considered the first proper detective novel in the English language, it also shows working class females as rounded characters instead of foils for male attention. It also is the first to introduce many of the elements we take for granted in mysteries such as red herrings, false suspects, the skilled investigator, and a final twist. Collins was actually vastly more popular than Dickens in his day, but is now largely forgotten in comparison

As a writer, what would you choose as your mascot/avatar/spirit animal? 

Lol, maybe a giant sloth? Or one of those dogs or cats which go viral for bumping into glass doors or falling off things.

Innocent-As-Sin-CAAsbrey-Web

How many unpublished and half-finished books do you have?

‘The Innocents’ has been written and re-written to death. It’s probably in about its tenth incarnation. The second book in the trilogy was launched on 26th July and the third is at the editing stage before being submitted for publication. I have numerous other mysteries plotted. It all depends on public demand on whether or not I continue the series or write them as standalone mysteries.

What does literary success look like to you?

 To have people read and enjoy my stories. I make no pretence at literary genius or at writing anything worthy. I write stories which I hope people will enjoy.

What kind of research do you do, and how long do you spend researching before beginning a book? 

Copious amounts. ‘The Innocents’ has taken years of research into the work of the early Pinkertons, especially the female agents and the kind of work they did, including their methodologies. I research everything, even the stationary which was in use and the correct codes for the telegraph stations mentioned in the books. The forensics are fascinating to dig into too. You name it I researched it. Everything which influences every aspect of the stories. Abigail’s ability to disguise herself and alter her accent is taken directly from reports on the skills of the original female Pinkerton, Kate Warne. The theatrical make up and wigs were also true to the period. Stage make up had been primitive earlier in the century, but better stage lighting revealed a need for far better make up techniques, products, and prosthetics. Greasepaint was invented in the 1860s by Ludwig Leichner, building on the work of Karl Freidrich Baudius (1796–1860) in the 1850s. Lighting also improved costumes and acting techniques. It drove a desire for more natural representations in every area, simply because people could see the stage more clearly. Crepe hair went out and quality wigs came in. Colors were mixed to mimic skin tones and classes in their application were popular in the acting profession. Latex wasn’t invented until 1920, but prior to that rubber was moulded or even applied to a light fabric backing. When it was the right shape it was expertly painted to look exactly like a nose, dewlap, bald cap, or any other body part. I even researched whether someone with as much hair as the average Victorian woman could wear a short wig. The answer came from a young woman who enjoys cosplay – and she explains online how to pleat her long thick hair and coil it flat under the cap before putting the short wig on. It absolutely IS possible. I was really surprised to find how many really strange crimes and mass murders from the past seem to have been forgotten by all but a few. The past is littered with remarkable characters; honest and dishonest. There are cross-dressers, madmen, greedy people, selfish people, arrogant people, and clever people on both sides of the law. I was also conscious of how often history repeats itself and how themes come up time and time again as history stratifies the same issues and concerns time and time again. I was also impressed by the dedication of a few clever people who worked to catch criminals and close down their attempts to cover their tracks.

How many hours a day/week do you write? 

I have no set timetable. I wish I was that organised. Some days I write into the wee small hours, other times I can be researching and go down the rabbit hole following some amazing character or story. In the end all of it is productive and results in a story though. The actual process of writing is only the end of a longer mechanism. The invention has to come first.

How do you select the names of your characters?

As I write 19th century characters I try to keep them in period and maintain a sense of place. I’ll research popular or unusual names as well as using names of people I know if they’re appropriate. I’ve also been known to add really unusual names to my note as I come across them. Some are too good not to use.

What was your hardest scene to write?

The interrogation scene. I had to inject a sense of menace into it to make it work. I know it’s not usual to make your hero do bad things, but he’s a professional criminal and he has to find out who this mysterious woman is and how much danger the heroine poses to him. It disturbed people who initially saw this as a straight romance, which it isn’t. 

Why did you choose to write in your particular field or genre?

I only write mystery. I loved them right from the start because the reader can play along with the story. There are rules to writing a mystery, and the writer has to keep to them if the reader is to be able to play along. The story has to keep moving, all the clues need to be available and the plot needs to be convincing. The rules were set out in ‘The Detective Club’ which featured members such as Agatha Christie, Dorothy Sayers, G. K. Chesterson, and E. C. Bentley. Not all the rules hold true today – for instance rule 5 states, “No Chinaman must figure in the story.” That I simply a ridiculous premise today. Agatha Christie broke rule 7 “The detective must not himself commit the crime” but they still provide a framework for the modern mystery writer. The method of murdering the victim must be a robust and feasible technique and not invented or spurious. The motive for murder in a whodunit should be personal, and not an act of war or part of a professional hit. That takes the killing into a different genre of writing. Many of the old rules say that a twin or a servant cannot be used as the murderer, but those rules have also been broken in modern writing and shown to be no longer relevant.

How long have you been writing?

I’ve been playing with this story and universe since 2008. It looks like I’m a slow developer. I started writing seriously about two years ago and spent about a year being turned down by everyone. I acted on every bit of feedback and continually got my work reviewed and improved until it was polished enough to be accepted.

What inspires you?

Anything and everything. I can meet someone with an unusual name and I have to note it. I can read news story, read remarkable history, or find some amazing spy gadget. Somehow I piece them all together to form a mystery.  

How do you find or make time to write?

I found myself with enforced leisure after a serious accident.  Like many people I always wanted to write but life and family got in the way. I got hooked and wanted to get good enough to be taken seriously. I’m lucky to be in a position to dedicate time every day to writing. I look in awe at friends with families and job and wonder how they do it.   

What projects are you working on at the present?

I’m editing the third of ‘The Innocents’ trilogy and have outlined some more mysteries I can have my characters solve if they are a success. I also have a completely separate mystery set in 19th century Edinburgh planned which I’m quite excited about starting.

What do your plans for future projects include?

Another mystery. No surprised there. I want to continue with the universe I created in ‘The Innocents’ as I think there are still a lot I can do with the characters. I also have a Gothic 19th century medical mystery set in Edinburgh in mind which is not related to that series.

Share a link to your author website.

Blog which includes things obscure and strange in the Victorian period     http://caasbrey.com/

Twitter  https://twitter.com/CAASBREY

Facebook  https://www.facebook.com/mysteryscrivener/

Facebook group for The Innocents Mystery Series 

 https://www.facebook.com/groups/937572179738970/?ref=br_rs

Link to book https://www.amazon.com/dp/B07BMHFXSJ/ref=cm_sw_r_cp_ep_dp_wTSSAb8J40Q9H

Bio:

Chris Asbrey has lived and worked all over the world in the Police Service, Civil Service, and private industry, working for the safety, legal rights, and security of the public. A life-changing injury meant a change of course into contract law and consumer protection for a department attached to the Home Office.    

In that role she produced magazine and newspaper articles based on consumer law and wrote guides for the Consumer Direct Website. She was Media Trained, by The Rank Organization, and acted as a consultant to the BBC’s One Show and Watchdog. She has also been interviewed on BBC radio answering questions on consumer law to the public.

She lives with her husband and two daft cats in Northamptonshire, England—for now. She’s moving to the beautiful medieval city of York.

 

 

Genres of Literature – Nautical Fiction

September 24, 2018
mandyevebarnett


nautical fiction

Nautical fiction is also known as naval fiction, sea fiction, naval adventure fiction or maritime fiction with the setting of the narrative on or near the sea. The narratives focus on human relationships with the sea, sea voyages and highlights nautical culture in that environment.

Settings vary greatly from various seafaring vessels, such as merchant ships, liners, naval ships, fishing vessels, life boats, to locations such as sea ports and fishing villages. 

It is a distinct genre first pioneered in the 19th century by James Fenimore Cooper (The Pilot 1824), and Fredrick Marryat (Frank Midlmay 1829). The genre evolved to include notable novels such as Herman Melville’s Moby Dick 1851, Joseph Conrad’s Lord Jim (1899-1900) and also popular fiction life C.S. Forester’s Hornblower series (1937-67).

Due to the historical dominance of nautical culture by men, they are generally the central characters, although the exception is ships carrying women passengers. The genre is most often marketed for men and therefore the distinctive themes focus on masculinity, heroism, and the psychological struggles of the individual in the hostile environment of the sea. The emphasis is on adventure, accurate representation of maritime culture, and use of nautical language.

Do you write nautical novels or stories?

Apart from Moby Dick (a story everyone knows), which nautical story is your favorite?

 

 

 

 

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