It took some time to decide whether I would participate in NaNoWriMo this year. I have participated ten times in all and each time have created novel or novella length manuscripts. Most have been revised and edited over the following year or so to become published books. Some quicker than others it must be said. My very first NaNo in 2009 resulted in a work not published until last September! Yep 9 years. This was due to it being my first full length manuscript, my novice writing and self doubt that it was worthy of publishing. I revised and edited almost every year until I took the plunge, finally satisfied it was finalized.
However, in regard to this year’s NaNo, my first stumbling block was the two draft novels I have pending, which are previous year’s NaNoWriMo manuscripts. Again I know they need revisions and editing prior to submission to a publisher. My struggle was should I work on these manuscripts rather than create another one?
Secondly, I have several events to attend during November, which will take me away from the vital writing time needed for NaNo. As we all know every minute counts during November. Will I have enough time to succeed?
Thirdly, although I browsed the multitude of saved short stories in my laptop folders, I was not convinced any of them were novel length material. Or maybe it was my Muse not being excited enough about them – who knows? So I pondered what ‘new’ story I could write. Nothing I thought of seemed the elusive ‘it’ until just as I was drifting off to sleep an idea burst into my mind. It gave me a rough timeline, one character and the inkling of a plot. Knowing that relying on memory is a writer’s mistake when ideas pop up, I got up and wrote it all down. Subsequently, I have managed to decide on my two main characters, their location, some backstory and a timeline.
So I am as ready as I can be for 1st November. If you would like to connect on the NaNoWriMo site I’m MandyB.
Normal programming will continue with an author interview. Slight hiccup with the interview being completed. In the meantime I am re-posting this. It is rather apt as I am currently in the midst of editing a sequel myself and also involved with a small NaNoWriMo editing group where five authors and I are going through each other’s manuscripts. Several chapters a month works well for our process.
As writers we love to be immersed in our own creations -weaving plots, planning and following story arcs, creating character profiles as well as their trials and tribulations. Our minds are full of questions : What happens next? How would my character react? Is that plausible or believable? Can I improve on that scene? Have I shown not told? Is there too much exposition? Would the reader have enough description to envisage the scene?
Graph – speedofcreativity.com
All these questions need to be answered but not when we are writing the first draft. This initial phase is the most enjoyable part of creating a story. Remember to give your inner editor time off enabling you to create freely and get the basic story line written. Once you have finished, the ‘real’ work starts. Continuity, grammar, spelling, character development, revisions to scenes etc. the list is long and sometimes overwhelming. Where should you start?
Once the story is complete put it to one side and go onto new projects. Leave it for a month or more (I’ve left two projects for nearly 6 months). When you go back to re-read you have fresh eyes giving you new insights. Your revision process may be to correct everything above as you read each page or you could concentrate on one item at a time, re-reading each time giving you a particular focus. This second method does lean itself to sharpening the process as you are not trying to ‘spot’ numerous revision types at the same time. With your editing done let your favored readers have it. Take note of their suggestions and correct any errors they may find. No matter how many times you or your beta readers go through the manuscript there will always be a word missed, mis-spelt or a continuity slip up. How do you make your manuscript as good as it can be?
A professional editor – if you can afford one – is a good investment. However, one trick that may work for you in finding those elusive errors is to read the book from back to front page by page. Another is to read it out aloud to yourself or a understanding friend (a glass or two of wine helps with this one!) A missed word is very obvious with this technique.
When editing there may be sentences or even whole paragraphs that you know need to be revised or even omitted from the manuscript to help with the flow of the story line or scene. Deleting these is hard – it is your creation and your words were written through hard work. There are different opinions on what to do with these revisions but I think they should be saved in a separate document until you are absolutely sure you do want to delete them and even then you may keep them as a record of how the scene developed. They are a writer’s jetsam so to speak, which is my link to today’s calendar word. I had to squeeze it in somewhere!
These ejected words from our ‘ship’ may float on our hard drives or become washed up in a document folder but wherever they end up they are part of our creative soul and never truly lost. We may pick them up from the shore in the future to use in another piece of writing or they may stay hidden in the depths of our files. No matter which scenario occurs, they are born of you and precious all the same.
As writers we endeavor to produce the very best manuscript or article we can and that is why we endure the editing process. Without this method of correcting and improving, our creations will not be polished and worthy of reading and that is the one thing we all want – our work to be read and enjoyed.
I wish you fortitude in your process to make your work excel and delight your readers.
Mostly it exhausts me, both emotionally and physically. But so does playing the piano and doing art. If I was doing those things to relax, then it would be like a colouring page or writing a diary entry. But when I’m truly working on my art (writing) then I’m exhausted afterwards because it takes a part of my very self, when I’m truly creating.
What is your writing Kryptonite?
Did you ever consider writing under a pseudonym?
Yes. I wanted to publish a mid-grade book, which would be too far separated from my adult romance. I wouldn’t want the mid-graders to pick up the adult romance, so I considered writing the younger genre under a pseudonym.
What other authors are you friends with, and how do they help you become a better writer?
I’m part of a writer’s group, where we write together and share our work. My best friend is also a writer, who writes romance and we talk about writing all the time. I am lucky to also have a couple friends who work at the local library and who like to write and read, not to mention writers I’ve met and become friends with through conferences, book fairs and author readings from Calgary, Edmonton and Medicine Hat. It really is a big community once you get involved. They help me become a better writer because we share insights and advice and things we’ve learned or discovered, from anything from writing style to book advertising options.
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?
Currently I’m working on a three book series. The first two definitely go together, originally written as one long novel split into two. The third book could be a stand alone and is the prequel to the first two. The series is a Young Adult Sci-Fi Fantasy based on a fanfiction novel I wrote two years ago. The first book has been published and is called ‘The Gift Stone’, book one of the Gifted Series ( https://www.amazon.ca/Gift-Stone-Bianca-Rowena/dp/0994851332/ref=cm_cr_arp_d_product_top?ie=UTF8 ).
Book two will be released in the summer of 2018, and will be titled ‘Takano Rynn’, the name of the main male character in the series. Book three will hopefully follow soon after that.
What was an early experience where you learned that language had power?
I was born in Romania and we were Hungarian speaking. So when I came to Canada I was five years old and put into Kindergarten. I remember being forced to go to these English language sessions in the office, where they would hold up a photocard of a boot and say ‘boot’ over and over again. It didn’t take me very long to learn English, and it was WAY before anyone realized I understood it. So I had the power to know what everyone was saying around me and about me, without them knowing that I understood them. Understanding English came quickly at age five, but speaking it back, took a bit longer.
Also, whenever my parents needed to tell us something that they didn’t want anyone else to overhear, they’d tell us in Hungarian. And when they wanted to discuss something that they didn’t want my sister and I to hear, they’d discuss it in Romanian (we were too young to have learned Romanian in school, before coming to Canada). So I recognized at an early age that language held the power of communication, either to make it possible or to close it off and leave you completely clueless, depending on which language was being spoken at the time.
What’s your favorite under-appreciated novel?
‘Swim the Fly’ by Don Calame
As a writer, what would you choose as your mascot/avatar/spirit animal?
How many unpublished and half-finished books do you have?
I’ve got five unpublished but completed novels and one half finished novel, as well as 4 full length screenplays and many, many, many stories I started.
What does literary success look like to you?
A movie made based on your book.
What kind of research do you do, and how long do you spend researching before beginning a book?
For my fan-fiction I spend a lot of time researching the details. Otherwise my novels are more character based so I don’t get into details, even in my sci-fi/fantasy novels, of the technicality of things. I sort of avoid too much research. As for character research I watch a lot of movies, read a lot of books in the genre I write and observe everyone around me. That too is research!
How many hours a day/week do you write?
The last three months I’d been writing at least 3-5 hours daily, mostly for posting fanfiction chapters daily ( www.wattpad.com/biancawatson ). But when I’m not deep in my fanfiction I spend most of my time editing. I’ll write a novel in a month or two, non-stop, about 6 hours a day. Then I’ll stop and do edits at a slower pace. I’m not a planner, so when ideas hit me I write them as fast as I can (like my personal Nanowrimo), then I plan and edit and work hard on the rewrites, but at a slower pace, a few hours a day. It’s not a consistent thing for me, writing. It’s on a project by project basis, so the times fluctuate per month.
How do you select the names of your characters?
I like short, simple names. Usually I can just sense that the name is right for the character or if it is wrong.
Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?
I write YA because everything I write comes out sounding YA, whether I intend it to or not. My first novel, The Virgin Diaries, was a contemporary adult romance. Yet anyone who has read it would tell you it ‘reads’ like a YA. I’m naturally drawn to writing in a more simple, easy to read, style and my understanding of the world around me seems to be naturally very young minded. So I stick with what I write best!
What projects are you working on at the present?
I was working on my Star Wars fanfiction right after the new movie came out, doing a sequel to it. Now I’m focusing on my next novel in the Gifted Series, Takano Rynn, which comes out this Summer. I also want to write some new material for future work, and I’m editing (alongside book two) book three of the Gifted Series, which may need a rewrite for the ending. I also write in a journal when I can.
As a winning participant in NaNoWriMo, we are offered the opportunity of creating proof copies of our November novel. Part of this process is of course deciding on a cover for the book. I created one for my latest narrative, The Giving Thief. I liked the basic design and inserted a photo of a forest cabin. It will give me a good starting point when I design the final cover as I would like more texture in the final image. Once the narrative has been edited and revised I will be able to create a cover to intrigue my readers.
How did you decide on your proof copy cover?
Was it a generic one or did you design your own?
I found these links, which are really cool. Can you pick one or two?