I hope you will be able to enjoy my latest podcast interview with Randy Lacy at Between The Lines. Here: I had a fun time talking story inspiration, books, hobbies, reincarnation and writing. As always I am open to questions, just drop me a line.
Once again thanks to Creative Edge Publicity for arranging this opportunity.
I have been avoiding another edit of book one of my detective trilogy, An Elusive Trail, for a month now. This is not because I have lost interest in it, but so I can ‘distance’ myself from the story a little. This will enable me to process the next editing/revision task better, allowing me to ‘see’ the narrative with fresh eyes. I have been through the draft three times already, but as we all know, there are always some things that are missed. This weekend I will use these ‘fresh eyes’ to do a thorough read through, while on a writing retreat. Unfortunately, this may be one the last retreats of the year – BOO! It all depends on the Albertan weather. So, I will take advantage of the time to write, edit, read and explore new places with Sammie.
I have upcoming Interview dates of 18th October and 6th November – so watch this space!
What are you working on?What is the genre?
Do you have a book launch you would like to share?
Last week, I was rather popular with two podcast interviews. The first with A Hot Take on Thursday with Jenna Greene and Miranda Oh and then another with Alive After Reading with Tim Niederriter You can find the links here:
I think I am a romantic at heart, but also I love the idea of relationships because I truly believe that these are the essence of humanity. How people react to each other is like dancing, and the twirling of the steps can be hypnotic. I want to create worlds and lives that reflect these beautiful steps.
2. Which comes first – character or plot?
Sometimes its just the concept or idea, sometimes I can envisage a face or the feeling of a character. For me, the process doesn’t always start logically, but it pulls out and unravels like threads of silk. From there I weave it into a fine thread and make it into a story.
3. Are you a plotter or a panster?
Pantser – 100%! I have tried to plot, but I find it more difficult than just letting the words reveal themselves to me. Obviously with a trilogy I have a base concept of where the story is heading, but even them, the plot can change as the story develops.
4. How does the terrain, history and unique characters of Australia affect your writing?
There is a lush and yet arid beauty in Australia. As if when it was created, multiple worlds fought over the same space and so you have long stretches of sparsely filled desert like sands and plants, followed by fields of wheat, green fields and forests, and then long golden coasts. Its such a pleasure to discover new places and spaces that feel untouched by anyone else.
5. Can you tell us about the Eyre Writers Festival?
The festival was formed a few years ago as a way of engaging local writers and authors with the greater community. Not only do they offer some amazing guest authors and workshops, but they support local writers to engage in various forms of writing through their sessions. For me, its been an absolute joy to be surrounded by such talent and meet some best selling authors and learn their secrets.
6. Did you find anything surprising when writing the magical stories?
Always! The beauty of magic is that there are no limitations or hindrances. If you can imagine it, then magic can make it happen. How wonderful!
7. How was writing the paranormal romance different from your other narratives?
There is definitely a greater freedom in paranormal romance, because what you write can include elements of the ‘unreal’. You can have magic and other world abilities, that realistically are not possible in a general romance. So I have greatly enjoyed paranormal romance, and have many ideas and plans for more characters and worlds in this genre going forward.
8. How do you come up with your novel titles?
I would like to say there is a methodical process to it, but there isn’t. Sometimes I focus on the plot line to generate ideas, but largely I rely on general concepts. For more than one book, I already have the name of the book I just haven’t uncovered all the plot yet!
9. Where do you love to write?
Anywhere and everywhere. Coffee shops can create fabulous characters as you absorb the hum of the visitors around you, but a library brings forward fabulous ideas and worlds. So I try and move around and write in lots of different places, because I think they all bring their own benefits. If I had to pick just one, it would be a special writers retreat location that I go to with other author friends as often as time allows. I think the collective imagination takes hold and brings forward beautiful writing.
10. Can you tell us about your newest novel?
My next novel is The Heart of Nowhere, which is due out in October. Its the second book of a trilogy and brings the next part of the story forward. A Town Called Nowhere was the starting point, which introduced my two key were-panther characters – Dru, a famous race car driver escaping his notoriety and Nicci, a lone were-panther running from her past. They form a new pack in Nowhere, an abandoned town in remote Australia. But they soon find that they cant outrun their history or their destiny. For the second book, there are lots of action scenes which I hope will keep the readers on the edge of their seats!
I just want to thank my readership for their active and avid support. They are what keep me writing!
VK Tritschler is a native New Zealander/Canadian, who is now residing in Port Lincoln, South Australia. She had been a member of Eyre Writers (an established author and writers group) since 2010 and has been an active writer since youth. The Secret Life of Sarah Meads (Chic-Lit) was her first published book and utilized her background as a mother, woman, and degree in Psychology. Her novels include Magic and Mischief – Vital Impetus (Paranormal Anthology), The Risky Business of Romance (Romantic Suspense), and Trade Secrets (Rom-Com) and A Town Called Nowhere was released in April 2021.
Your novels tend to have unexpected protagonists/settings. Was this a conscious decision or the spark of an idea that evolved? My ideas hit me just as unexpected. It is not like I want to come up with this or that like a contract writer where an idea is developed and catered to a market, I am on the other end of that spectrum. I am not in control of my ideas, and there are plenty, and many I can’t even tackle, most of them I won’t finish in my life time. The once that make it are pressing, have an immediate impact on me and when they linger over weeks I know I have to sit down and deal with them. What brings us to …
Do you plan an outline or free flow write? … this question, and yes I do. For the longest time I had to keep up a job to buy myself time to write (and food and the other trivialities), so I couldn’t just write into the blue and hope the novel turns out well somehow. I had to be sure. I could not waste any time. Early on I developed my outline technique where I work only on 1 letter sized piece of paper, which I could take anywhere (jobs etc.) at all times. Everything is on that 1 page, the entire outline, like “They steal the car”, that’s a beat, at that time I don’t know where they do this for example. Only when I see these beats work and I understand my protagonists, hear them, feel them, know them, and I clearly hear the narrating voice I start the novel. This planning phase takes between 2 and 15 years before I start writing, but then the 1st draft is the novel.
Can you explain how the process of writing with a fellow author works? Is it a chapter each or a combination of thought and writing? I did this more than once, but always we agreed one of us writes a quick first version and the other expands on that. This way the voice of the novel is not flopping back and forth – except there are 2 distinct views or narrators, then this would make sense.
What differences are there from writing a novel to a film script to a song? A song or a poem is the entire opposite to a novel to me. These happen in an instance, a spontaneous outburst in under an hour, unplanned, unmanaged, quasi anarchic in character. A film script (as well as a radio play or a theatre play) is planned like the novel, but the writing is a fraction of it. I love film scripts, I wish more people would read them and they’d become an own literary genre.
Does your music affect your writing or the other way around? All the different media I am working in influence each other, ideas bleed from one form into another (example my song “Joyride Sky” was inspired by my novel “For a Spin”, I invented a band that pops up in a number of my novels, and for the dystopian novel “2112” (working title) I am currently working on I recorded an entire album you can listen to on Bandcamp, the band is called JENNY HAS TRAFFIC. It is fun and adds to the characters.
You have been prolific in the number of publications. Are the ideas still coming as quickly? Do you have a folder of ideas pending? Oh yes, ideas come constantly, I have to dodge them, write them down and put them in the folder. That folder is full with ideas, no way I can write all of them.
What challenges do you face with language? English is my 2nd language. The biggest challenge for me as a writer is not so much the spelling, grammar, vocabulary (you can work on that), but the fact I did not grow up in the English culture, I miss out on most childhood references, sport and political events, etc. I have to live with that, there is no way I can catch up with that.
When you write songs what influences you? My mood. My mood dictates the feeling of a song. Many lyrics come from darker places, I am not a musical comedian although I wrote many funny novels and had the pleasure to experience their impact first hand during my readings in schools between Denmark and Italy.
What propelled you to start you podcast? I was the kid (14 years old) that stayed up late to listen to radio shows at midnight. I always loved the medium, for music and word. I worked for radio in Germany, and as a volunteer I had an own 4 hour show at CJSW at the University of Calgary called PolterZeitGeist where I mixed words and music. Since technology evolved digitally I was able to get the equipment and do it myself.
Can you tell us about your latest project? I received this year the Literary Arts Individual Project Grant by the Alberta Foundation for the Arts to write the dystopian novel “2112”, and I document this process on my homepage in words, photos, audio and video until February 2022.
Is there a message you would like to share with your readers? Don’t judge a book by its cover, please read the first page. Even with my novels, because the narrating voice changes.
Thorsten Nesch is a German author who lives in Lethbridge, Alberta, Canada. 2008 Nesch’s first novel Joyride Ost was nominated for Oldenburger Kinder- und Jugendbuchpreis and the Landshuter Jugendbuchpreis. 2012 the book won the Hans-im-Glück Award