Mandy Eve-Barnett's Blog for Readers & Writers

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Creative Edge Author Interview – Shane Wilson

April 8, 2021
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1. How old were you when you wrote your first writing project? What genre was it?

That’s hard to say. I was writing short stories and designing cover art when I was in second grade. I was writing screenplays and making movies in middle school. I published poetry in college. I started writing my first novel, A Year Since the Rain, when I was in my late twenties, I guess. It was a magical realism novel, and it took a few years for me to finish it.

2. Do you have a favorite genre? What draws you to it?

I like contemporary fantasy/ magical realism because I think these genres allow for an interesting exploration of human experience. I appreciate the ways that realistic characters and settings are allowed to bump up against elements of magic.

3. How does your expression differ from your poetry to short stories to novels?

I look for poetic language in everything, so I try to find something poetic in narrative work as well. Obviously, it’s harder to keep this up for 70,000 words than it is in a page of poetry, but I still look for ways to elevate the diction of my prose with poetic language. With poetry, we’re talking about a stricter economy of language—more limitations based on form and so forth. As a rule, though, my poetry plays with narrative and my prose plays with poetry. I like to explore the marriage of different forms.

4. Magic plays a vital part in your stories – is it a fascination for you?

Like I said before, I think the incorporation of magic in otherwise real settings allows for an interesting exploration of human nature and human experience. If most of the setting and characters feel somewhat familiar, I think readers can buy in a little more. Also, I think the world is full of magic, right? We all experience wonderful and terrible things that we can’t explain. These inexplicable moments are a very human kind of magical experience. That’s how I see it, at any rate.

5. How did you create the characters in your World of Muses Universe?

A lot of my characters are just conflations of real-life people. There are no direct translations of real people, but I definitely mine real life experience for characters.

6.  Are there messages in your stories for your readers? What are they?

Absolutely. These messages vary, but I think that mostly I want readers to consider their relationship with the world, with other people, with creativity, and with their own experience. I’m not prescriptive in my messaging. I just want a reader to think.

7.  You combine music with poetry/stories – how did this idea/collaboration begin?

I wanted to write a story that would explore creativity and the different goals artists might strive toward. I settled on musicians and visual artists (because, again, I don’t want to write things that are too close to home). When I decided to write about musicians, I started teaching myself to play guitar. I wanted to understand what I was writing, and I wanted to be able to describe it in an organic way that would provide the narrative with a realistic texture. In the long run, I fell in love with the guitar and started writing songs. I even wrote some of the songs from that novel. It’s a cool experience to play these songs at live readings. I think it lends an air of legitimacy to the story.

8. Has your teaching influenced your writing?

I’m not sure that teaching has had a direct influence on my writing. I’ve never written about a teacher or even students. I actively try to avoid writing stories that would hit too close to home in that way. So, I guess in my attempts to write stories from outside of my experience as a teacher, teaching has indirectly influenced my writing.

On another level, though, I do teach literature courses. Reading these classics with my students offers me a great refresher in these stories. I think reading and analysis of stories is incredibly important to a writer, so the fact that this is my job gives me ample opportunity to dive back into those stories from time to time.

I think that my writing has probably influenced my teaching, but that feels like a whole other conversation.

9. Has your MFA course in Creative Writing changed how you write?

I think the most important thing I’ve learned from the MFA is how to better discipline my writing. I have a better sense of how planning and outlining can help streamline a project. The MFA program also forced me to read and work in genres I was less comfortable with, and I think all of that experimentation is good for the process. We could all do with a little more of that experience with discomfort.

10.  Do you have a message for your readers?

This is an interesting question. I’m not sure that I’ve ever considered the prospect of speaking directly to the people who read my books. I’ve long considered the writing to be the final word in my part of the conversation. Once a reader has read my book, I’m interested in what that reader has taken from that experience. So, I suppose if I could say anything to the people who read my books it’s this: Thanks! I hope you found something to enjoy.

11.  Where can readers find your books?

My books are available from all major retailers, but the easiest way to find my work is on my website, http://www.shanewilsonauthor.com

12. Do you have a blog? Where are you on social media?

I don’t really have a blog that I keep up with consistently at the moment, but people can always catch up with me on social media. I’m @ThatShaneWilson just about anywhere you might care to look.

Bio

Shane Wilson is an award-winning author of magical realism and low fantasy. His two novels,  A Year Since the Rain and The Smoke in His Eyes are available through all major retailers. He has also published short fiction, creative nonfiction, and poetry. He maintains a blog that focuses on a variety of topics including topics in publication.

Shane has a Master’s degree in English from Valdosta State University and has taught English at community colleges in Georgia and North Carolina. He has been te

 Shane Wilson is a storyteller. No matter the medium, the emphasis of his work is on the magical act of the story, and how the stories we tell immortalize us and give voice to the abstractions of human experience. His first two contemporary fantasy novels as well as a stage play, set in his World of Muses universe, are currently available.

 Born in Alabama and raised in Georgia, Shane is a child of the southeastern United States where he feels simultaneously at-home and out-of-place. He graduated from Valdosta State University in South Georgia with a Masters in English. He taught college English in Georgia for four years before moving to North Carolina in 2013.

 Shane plays guitar and writes songs with his two-man-band, Sequoia Rising. He writes songs as he writes stories–with an emphasis on the magic of human experience. He tends to chase the day with a whiskey (Wild Turkey 101) and a re-run of The Office.

 Shane’s novels are A Year Since the Rain (Snow Leopard Publishing, 2016) and The Smoke in His Eyes (GenZ Publishing, 2018). Shane’s short story, “The Boy Who Kissed the Rain” was the 2017 Rilla Askew Short Fiction Prize winner and was nominated for a 2018 Pushcart Prize. An adaptation of that story for the stage was selected for the Independence Theater Reading Series in Fayetteville, NC. More information about Shane can be found at: Shane Wilson Author

Bibliophile’s Collective Tuesday – Book Club Offer

March 30, 2021
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I’m putting out a call to all book clubs. Would you like me to join you virtually? I have a wide range of novels that I would be happy to discuss – romance, speculative fiction, steampunk, mystery, fantasy. Ask me how I came up with the concept, where my characters came from, what I am working on now.

I am also happy to attend a virtual school book clubs as I have children’s and YA fiction as well, so let me know if you are interested. I can talk about how to expand on an idea, create a plot arc and make up a character.

You can find all my books on this blog under children’s, YA or adult books. Take your pick(s). I can also offer a gift package for a draw. Let me know if you are interested by commenting below or contacting me via the contact form.

Let’s immerse ourselves in stories. Our imaginations let us escape reality.

Photo by RODNAE Productions on Pexels.com

Bibliophile’s Collective Tuesday – How Do You Choose Which Book To Read Next?

November 24, 2020
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I finished Eeny Meeny in record time, it was one of those books you couldn’t put down. Hence my review:

Absolutely riveting! I didn’t see the culprit coming. Well written and structured. A fast paced, who done it. A real page turner.

I have moved onto another detective book, to continue my detective/crime research. It is The Secret Place by Tana French. Her style is completely different to M.J. Arlidge that’s for sure.

As always I still have a good pile of books on my TBR pile as you can see above. I’m unsure which one I will choose when I finish Tana’s novel.

Do you have a system to your TBR pile? Is it alphabetically, by genre or just what catches your eye first? Or do you lay them out, mixed them up and pick one, making it a surprise?

I would love to know your method.

In the meantime, at the time of writing, I am almost at the NaNoWriMo goal of 50,000 words. As I write this morning, I am at a tantalizing word count of 48352, so today I will reach the goal but certainly not the end of the novel. That will take at least another 20,000 words.

Please feel free to ask me about my novels, my writing process, how I create my imaginary worlds and characters. Or anything regarding the books of mine you have read. I am always happy to answer questions.

Wordsmith’s Collective Thursday – Schedule Writing Time

November 12, 2020
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A lot of us are in the midst of writing new (or completing old) projects for the challenging NaNoWriMo month. Some find it too challenging, others a great way to write to a deadline, while others utilize the month for beginning or finishing a project. No matter why you participate, the structure gives us all a commitment to write at least 1667 words a day.

Obviously, there are other commitments – work, home & family – but making time to write is a bonus. We have the ‘excuse’ that we must write in order to achieve the goal of 50,000 words. Once our family understands your need for this writing time, why not carry it on after November?

With a full month of specified ‘writing time’ becoming the ‘norm’ for those around you, why drop it after November. If the family can accommodate you for one month, why not twelve?

Writing is our passion. We need to write. So make the time to do it. Wake up earlier, go to bed later, write while waiting for children’s activities to finish or write a scene in a small notebook in your purse waiting at appointments. There are always opportunities to allow your Muse to create. You may have to be creative in how we work it out, but it is worth investing in your writing time. It is a writing commitment.

What strange places have you written in?

Do you schedule writing time?

Author Toolbox Blog Hop – Tips on Writing a Book Series

October 22, 2020
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This particular subject is close to my heart as I begin a detective series. As a free flow/panster writer, I always let the characters take charge. However, now, I have to plan a plot arc across three books. So let’s see what is required for a book series.

Firstly, know what makes writing a series different. A series has a multi-novel continuity with longer-term, series wide developments. The ending of one book should also be the hook for the following book and there should be a central conflict and tense that sustains interest. Create a compelling title for the series and each book in the series.

Secondly, there should be subplots that propel each book forward to the larger or main conflict. These subplots create smaller rises and falls in the story tension. This allows each book to have its own self-contained struggle and opportunity for growth of the characters.

You need to create a compelling central conflict for the series but also have secondary obstacles to the main characters path, with additional complications that delay the main resolution. Also move your characters through multiple settings with distinctive interests, surprises and challenges. In short, create a fictional world readers want to return to.

To aid your series ensure you outline the series in advance, enabling you to understand how each book relates to another. Establish your central characters early, however reveal their backstories gradually so your readers become engaged in their lives. Give them faults, show how their environment affects them and decide how they will change from book to book. You can also change the cast of your characters as the series continues.

Make sure you give each book in the series a strong central event. Remember that each book should stand on its own to a degree. A reader should be able to start with book four and not find the story so bewildering that they’re completely lost. To make each novel in your series work well as a standalone work – have a strong central event and image for each book and create a secondary conflict and partial resolution for each novel. This can be by your characters acquiring a skill, conviction or strategy. With the introduction of tension with uncertainty and unknowns the reader will want to know what comes next.

Plan in advance.

Provide a resolution of part of the narrative at the end of each story but carry elements over to the next book.

Maintain an overarching plot and character arcs. Give your characters time to develop over the series.

Maintain consistency with backstories, attributes, settings and plot from the previous books. Keep a record of details and timelines so you can reference it as you write.

Weave reminders into each novel to a lesser degree.

Do you have any tips you can share in regard to writing a book series?

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