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Author Interview – Axel Howerton


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Axel

  1. Does writing energize or exhaust you?

I get very energized during the initial stages – planning, researching, outlining – and during the actual writing in extended bursts where I’ll write for six or eight hours a day for a week or more… then I tend to burn out and fizzle for a few days until I recharge. I find it’s the same through the editing process, go-go-go and then crawl back up out of the dirt.

  1. What is your writing Kryptonite?

Day job nonsense. Netflix. I get obsessive about new shows I like, and I’ll be locked out of doing almost anything else if I start a show and don’t finish the story. I’ll binge 3 or 4 seasons in a week. My kids, because there’s nothing I’d rather do than hang out with them.

  1. Did you ever consider writing under a pseudonym?

I have, actually. In a few cases where anthologies needed additional stories and I already had one placed, or I’d had a story printed somewhere and they didn’t want to have me show up in multiple issues too close to each other. Grady Cole, that’s me. There’s been a few others. I also try to use those alternate identities to explore other writing styles and genres. The last thing I’d want is for a Grady Cole story to read exactly like an Axel Howerton story. It’s old hat for me, though. When I was an entertainment journalist, I had a secret identity as the masked luchador Ramone, who would write nonsensical columns on z-movies and film weird short films that morphed into DVD reviews.

  1. What other authors are you friends with, and how do they help you become a better writer?

Some of my very best friends are other writers. At this point, I don’t have many friends or acquaintances that aren’t part of the writing community. Scott S. Phillips is practically my brother, even though we’ve never met face-to-face. It was immensely helpful to both of us, struggling through the indie forests. He had been a screenwriter and filmmaker, whereas I had been a journalist. We have very similar interests and backgrounds and tastes, and our work tends to be pretty complimentary, so we can tip each other off to opportunities that would suit us. It also makes it really easy to work together. One of the first collections either of us were published in was dreamed up by the two of us complaining about our awful day jobs. Scott took it to one of our mentors – the legendary Bob Vardeman – and ended up co-editing the book. Later on, I ended up including Scott in my anthologies Tall Tales of the Weird West and It’s a Weird Winter Wonderland. We’ve also been very supportive of each other’s work – sharing and promoting – as well as tossing ideas around. The other most influential is probably Robert Bose, my partner in Coffin Hop Press. Rob and I met through the local writing community, attending the same conferences, etc. and eventually, Rob had submitted to one of my anthologies. I really liked his story and his style, and in the process of editing his story, and working on promotion for the book, I found out about his short story collection, which I also loved. I ended up publishing Fishing with the Devil, and in the process of working on that book, Rob proved to have a lot of insights and great ideas for the press. I liked his ideas so much, in fact, that we partnered up, and in the months since, Coffin Hop Press has grown by leaps and bounds.

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  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

I do sometimes play with the idea of crossing over stories and novels, trying to tie everything together a’ la Stephen King. All of my novels up to now have been conceived and written as individual tales, but after they came out people began asking about “the next one”. My first novel Hot Sinatra, the publisher was angling for additional books to improve the salability, despite the tidy ending I’d designed. I kind of rankled at that, but at the same time, I’ve written 5 or 6 spin-off short stories in that universe that were published in various places, so now I have a couple of additional novels planned. That’s what a lot of readers want and expect now, serial storytelling. I think it’s both because of things like Netflix and the “Golden Age” of television storytelling, and because, with the current glut of ebook product and the rising cost of print books, people want to invest in something that’s going to give them a prolonged bang for their precious buck. I don’t blame them a bit. Fortunately, my second novel Furr lent itself more to the idea of a continuing story, and the publisher wanted to explore a couple of the secondary characters that they really liked. That idea turned into a new series that kicks off with my next novel Demon Days. So now I actually am planning out an extensive extended universe with connections to the previous book and at least three books scheduled in the series, probably four or five.

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  1. What was the best money you ever spent as a writer?

Going to the local writing convention, When Words Collide. I made more connections, met more fellow writers, learned more, and opened my mind to so many more avenues in the writing world, than I have at any other time in my career, and it usually costs about $50 for three days.

  1. What was an early experience where you learned that language had power?

When I was very young, I would spend my weeks with my elderly grandparents, while my parents worked. They had all of these musty old books in the basement, and all of these odd piecemeal books upstairs next to their matching recliners. I don’t remember seeing them read them, but I was always endlessly fascinated by them, forever picking them up and leafing through them. There was just something about words on a page. My grandma always told people that I taught myself to read at the age of three with those books, which I’m sure is a hearty exaggeration, but I do remember being able to read before I started kindergarten, and sitting in the middle of their living room, cross-legged on the carpet, flipping through these massive tomes on Jacques Cousteau, or Strange Stories, Amazing Facts. I would read Emily Dickinson and Robert Service and try to remember the poems so I could tell them to myself later, as if I was telling the story to someone else. I was a weird kid, I guess.

  1. What’s your favorite under-appreciated novel?

One of them is Sock, by Penn Jillette. Yes, that Penn Jillette, of Penn & Teller. I came across it in the bookstore and just thought it was a cool cover, so I picked it up. The idea of a cop talking to his sock monkey made me buy it. It was so damned good, and so unlike anything else I’d been reading. Later on, one of my first writer friends, a guy named Scott Duran, turned out to also be a fan. He worked in a bookstore in Las Vegas and had some sketchy dude come in to sell an autographed copy. We started out conjecturing about the sketchy dude, and then we both wrote stories about it – just for fun. He ended up sending me that copy, and then another. So, now I have two autographed copies, and my original dog-eared copy. I still almost never come across anybody who has heard of, or remembers that book, which is a shame. I’d like to imagine that it doesn’t bother Penn too much that his literary career didn’t take off, but I know it would have hurt if it was me. I hope I meet the man someday, just to let him know how much it influenced a couple of schlubs like us.

  1. As a writer, what would you choose as your mascot/avatar/spirit animal?

This is the second interview lately that’s asked this, which is cool. I’ll stick to the same answer: David Blowynch, it’s like a Chimera of David Bowie and Lynch. A Chimera with outstanding hair. The patron God of subtext and style.

  1. How many unpublished and half-finished books do you have?

At least four. Nine, if you count the ones I’m actively in planning stages/various levels of completion on.

  1. What does literary success look like to you?

Enough money coming in to write full-time. Praise enough to feel confident in that next idea. At best? A based-on show with an after-show show hosted by Chris Hardwick.

12. What kind of research do you do, and how long do you spend researching before beginning a book?

Depends on the subject matter and the concepts behind the book. I don’t waste a lot of time with mundane research on details like gun makes and models, or the correct flight path for a 747 arriving at LaGuardia at 3:07 am on a Wednesday in October with high winds and a low-pressure system. If I’m doing research, it’s because I’m trying to stay true to concepts and history that may matter to certain groups. If I’m using an ancient religion, or a small local indigenous group, like the Ktunaxa (Kootenay) tribe I mention in Furr, I tend to spend a lot more energy making sure I get things right. That being said, when I do research on cultures and history and more esoteric and occult topics, I tend to get sucked way way down the rabbit hole. I may spend months accumulating references and seeking out obscure books, and then have all of that lead to one bloody sentence in the finished book. It’s more about me understanding the way the world I’m creating was influenced by humanity, than fact-checking, really.

  1. How many hours a day/week do you write?

When I’m in the thick of it, if I’m lucky enough to get the time, I write in blocks of 8 or 10 hours a day on weekends, maybe an hour or two every day through the week. Like most non-King/Patterson/etc writers, I have a day job. I have a wife, and kids, and all the usual accoutrements of adulthood. I also run a publishing press in there too, so time is at a premium, but I’ll lock myself away when needs be.

  1. How do you select the names of your characters?

It depends on the project. Sometimes there’s meaning behind them, sometimes there’s just a name I like, like Jules. Sometimes it’s attached to some awful joke I can’t let go of. The Ktunaxa character in Furr is named Bob Dylan, entirely so I could have a conversation where someone asks him about it, and he calmly retorts that “maybe he’s named after me. I’ve been Bob Dylan longer than him. His name’s Zimmerman.” The hired thugs/sex performers in Hot Sinatra and the accompanying stories are named Manlove and Kickerdick, names I stole from Scott Phillips on a dare, since he couldn’t figure out where to use them. Most of the time it’s one of the more entertaining parts of the process, other times you have to change that name five times because everything that sounds right as a first name with “Montrose” ends up too close to the other character names.

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  1. What was your hardest scene to write?

I don’t know that I could single one out. There have been a lot of them that were hard to write because I may not have quite had a handle on the emotion of the scene, or where it fit in the grander scheme of the story. There were certainly ones that were emotionally draining. My last novel, Con Morte, is a good example of that. Writing such a dark and troubled character from a first person pov tends to get to me, especially over an intense period of writing for eight or nine hours. Consequently, the end of that book took a lot out of me, because it was a struggle to bring that character back up into the light and try to find some kind of redemption after being lost in such a dark mind for so long.

  1. Why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them?

When I first started writing fiction again, and trying to publish, I naturally trended towards horror, just because that’s what I had been steeped in during my last years as an entertainment journalist. I was the go-to guy for indie genre filmmakers, and spent a lot of time watching b-movie horror – slashers, alien invasions, body horror. At the same time, I was mainlining a lot of vintage crime and hard-boiled detective fiction, especially Raymond Chandler and Dashiel Hammett. So, my short fiction was mostly horror, but my first novel was a crime homage to hard-boiled detectives. Eventually I moved more into the crime arena, just because that’s what I was getting known for after that first book was a finalist for the Arthur Ellis Award (Best First Novel from the Crime Writers of Canada). Despite that, I’ve always continued to experiment with genres. I may be known as “the noir guy” in my own neck of the woods, but I’ve since written sci-fi western, urban fantasy, magical realism, whatever strikes my fancy. To me, it’s all about exploring different ways to tell stories about human beings, and the relationships between them, so I don’t see a huge difference between a hardcore noir thriller, and a romantic fable, so long as the characters are realistic and relatable, and their relationships and struggles are genuine.

  1. How long have you been writing?

Like most of us say, “since I could hold a crayon”. I remember publishing comic books and chapbooks of poetry in grade two or three. Poems like “Life is like a bowlful of Cherry Pez”. My first article was published around age 11 or 12. Since then, I’ve always been at it, in one way or another. I’ve only been seriously writing fiction with the active intent of getting it published since 2011 or 2012. I wasted a lot of years on self-doubt and empty excuses for avoidance.

  1. What inspires you?  

Life. Music. The idea that we can create worlds and explore our own humanity through the interplay of our creations. That we can maybe find answers to the really big questions, and the really important, seemingly minuscule ones, in our own minds – if we dig deep enough.

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  1. How do you find or make time to write?

Like everyone else out there, my time is at a premium. Between the everyday responsibilities: the day job, the kids – just maintaining life – it is sometimes hard to find the time. I’m lucky that I have a supportive family, especially my wife, who is equally creative and driven about her own projects, who trades off with me as much as possible on the day-to-day stuff. That way, when I need to take eight hours a day over the weekend, or get up at 4 am for a few weeks, it takes the edge off and allows me to focus on my work.

  1. What projects are you working on at the present?

Demon Days, the first book in the Furr spin-off series, is in final edits right now. That should be coming out in the next couple of months from Tyche Press. Then I have four or five more of those to finish in the next couple of years. I also have two more Mossimo Cole books to follow up Hot Sinatra, which I’d like to have finished before I get the rights back on the first book. There’s also three other crime novels (maybe novellas), a post-apocalyptic steampunky sci-fi novel I’ve been working on, a literary-satire historical novel about the birth of the Northwest Mounted Police and the whiskey runners in early Canada, and probably three or four other things I’m forgetting.

  1. What do your plans for future projects include?

All of the above, and then some. Hopefully, some small measure of success and a wider audience along with that. I’m also putting a lot of my energy into my publishing company, which I hope will prove to be a success and keep growing over the next few years (and a long-time after *fingers crossed*) and eventually allow me the extra freedom I need to transition from my exciting day job in industrial repair sales to a life that revolves entirely around writing and publishing. In the end, I just really hope this can occupy and provide for me throughout the rest of my life, and maybe leave some small legacy for my kids and grand-kids to be proud of.

  1. Share a link to your author website.

http://www.axelhow.com or search #axelhow on twitter, facebook, etc.

Bio:

Axel Howerton is a former entertainment journalist, and the Arthur Ellis Award nominated author of the detective caper Hot Sinatra; the modern gothic fairytale Furr; the zombie novella Living Dead at Zigfreid & Roy; and the noir fable Con Morte. His forthcoming “Wolf & Devil” urban fantasy series for Tyche Books kicks off with “Demon Days” in February 2018.

When he’s not on-duty as a “purveyor of literary badassery” and “hometown anti-hero”, Axel wanders the foothills of Southern Alberta with his two brilliant sons, and a wife that is way out of his league.

 

Author Interview – Marc Watson


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Marc Watson

 1. Does writing energize or exhaust you?
A bit of both, honestly. I feel energized while I’m actually doing the writing, however if I get into it for any more than about an hour then my brain doesn’t like resetting itself and I spend the rest of a day in an exhaustive haze, as if I’d been napping, and I hate naps!

2. What is your writing Kryptonite?

Time, or the lack thereof. I have very little personal time to write, embrace whatever I can get. I don’t have enough, and what I get can be taken away from me so easily.

3. Did you ever consider writing under a pseudonym?
I flirt with it from time to time, but only because there’s already a Marc Watson author (who is a really great guy who is a thrill ride engineer from Florida), as well as one who is a British comedian, and another is the Content Lead for everything Minecraft. All industries I’m involved in. Hmm… maybe I do need one. If I did, it would likely be just adding my middle initials or something simple. I like my name.

4. What other authors are you friends with, and how do they help you become a better writer?
Seeing as I’m relatively new to this world, my list of writer friends is sparse at best. I’ve met a few times with Edmonton horror writer Konn Lavery. I’m currently teamed up with an old friend Patrick Yokan Persaud, who is the lead writer at Hardmode Games.
Konn has been great as he lives nearby and sees a similar world to what I see, books and sales-wise, and Patrick and I grew up together, so if something plays well with him then I know it works for me and the audience I’m trying to reach.

5. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?
Why not both? I’ve written an interconnected universe with my ‘Ryukyu’ series which will start in March with ‘Catching Hell Pt. 1’, plus I have other stories that loosely tie into it such as my debut novel ‘Death Dresses Poorly’ which makes vague references to the ‘Ryuujin’ world, and then I have works in progress like ’12:13’ that completely stand alone. I don’t think there’s any reason why I can’t be known for stand-alone works as well as my epic fantasy world.

6. What was the best money you ever spent as a writer?
Certainly the cost of attending my first When Words Collide writer’s conference. I only began taking writing seriously on February 29th, 2016. When WWC hit in August, that was my first exposure to a collection of other writers, agents, and like-minded individuals. The experiences and connections I took away from that weekend still resonate with me today.

7. What was an early experience where you learned that language had power?
My ‘words have power’ moment really didn’t come until I was in my late teens. I’d been an avid reader all of my life up to that point, but in a grade 13 English class (reminder I grew up in Ontario, so that’s not weird) we were assigned ‘The Shipping News’ by E. Annie Proulx. The book remains my favorite of all time. I read that book three times during that few weeks of study.
However, while I was getting my mind transformed by this heartbreaking and utterly beautiful story, many in the class admitted repeatedly to not understanding it, not reading it, and generally not caring about it at all. I was simply baffled because I was so engrossed and moved to the point of tears, and all these other kids my age just let it pass them by. It was there that I saw the real power of words: that they mean different things to different people and they always will.

8. What’s your favorite under-appreciated novel?
Well I could say ’The Shipping News’ and I’d stand by it, but it won a Pulitzer Prize so I guess no level of recognition will be enough for me.
So I’d have to say that ‘Wizard and Glass: The Dark Tower 4’ by Stephen King would fit the bill. As a middle part of a monstrously over-arching Dark Tower story, it can be so easily overlooked, but the individual story of a young Roland and his friends encountering the true evil in Roland’s life from that point forward face to face, while also being a beautiful and realistic story of young forbidden love. I just love it. It’s very tight, while offering massive expositional dumps into the mind of such an iconic and enigmatic protagonist.

9. As a writer, what would you choose as your mascot/avatar/spirit animal?
A great question, and a popular one so I’m ready for it! I really have two, and it completely depends on what I’m working on. For my epic fantasy works, I’m very much a house cat. Lazy, slow, methodical, with random fits and starts of energy when I write the action pieces. When writing something like ‘Death Dresses Poorly’, which I smashed out in a tight six weeks, it’s a squirrel: high-energy, fast paced, with no time to slow down.

10. How many unpublished and half-finished books do you have?
Too many… I’m sporadic when it comes to my writing, so I have no issues dropping something for another project I want get into. On the up side, I never ever suffer from writer’s block!
My ‘Ryuujin’ stories in various stages of completion number eight. Side stories are another three.
My standalone stories are at two right now, so doing the math I have thirteen actual and legitimate works in progress. Not just ideas on a napkin. I’m talking works with real words on a page.

11. What does literary success look like to you?
Buying my family a dinner from the profits of my works. Since ‘Death Dresses Poorly’ just came out, and ‘Catching Hell Pt. 1’ is still more than a month away, the checks aren’t rolling in yet so I’m not there. Whether it’s a lot or a little, when I take my beautiful wife and kids out for a meal (be it Wendy’s or the best steakhouse in town) I’ll feel complete. The goal will be achieved.
Not very exciting, is it? I like to say I’m the anti-author. I’m not planning my movie trilogies or bigger houses. I don’t have time for that kind of thing. I need to walk the path of reality, and reality says I’m a 38 year old man with responsibilities and a job to do every minute of the day. The day I provide for my family based solely on the profits of my brain musings, how glorious will that be!

12. What kind of research do you do, and how long do you spend researching before beginning a book?
None! The great thing about being a fantasy writer with a penchant for massive global extinction is that I get to start fresh with ‘facts’ all the time!
In truth, I’ll do a bit when dealing with realistic place like in ‘Death Dresses Poorly’, which takes place in the Seattle area (which I’m admittedly not terribly familiar with). I want to make sure I get place names correct, or travel times between locations. Mundane stuff like that.

13. How many hours a day/week do you write?
Four or five, usually. My lunch hours at work are the extent of most of my writing time, and sometimes I need to use those for things like this! Not that I’m complaining. I’m thankful for the chance, but it’s taken me two lunch hours to answers your questions.
Once I get home, it’s kids kids kids, and I’ve never been good at writing in silence after they go to bed. I’m not complaining. ‘Catching Hell’ was original 225k words, written over lunch hours for a year. Anything is possible with patience, especially if it’s a story you really want to tell.

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14. How do you select the names of your characters?
Unlike most authors I speak with, naming things, be it people, places, or things, is one of my favorite things to do! When I was asked to create a huge list of names and places for my work with Hardmode Games, I practically wet myself in joy!
Much of it I simply can’t answer. I find names I like, do an ounce of research to make sure I didn’t inadvertently recreate a famous Nazi death camp general or something, and go from there. Some I’ve known forever like Aryu, one of my protagonists in ‘Catching Hell’, and others I just threw in like Ethan from ‘Death Dresses Poorly’. Fun fact: Ethan originally had my oldest son’s name, but after some conversations with my wife, we agreed we perhaps didn’t want to stigmatize the kid with the same handle as this unenviable character I’d written, so I changed it. I can’t live without Ethan now.

15. What was your hardest scene to write?
Well I’ll avoid spoilers as much as possible, but the ending of ‘Catching Hell Pt. 2’ wins for sure. From the beginning I wanted to write a scene I’d envisioned for as long as I can remember. Something different. Something that discards the fiction clichés and tropes we’re all familiar with, while also making it believable and earned. When the conclusion is reached, the reader says “That’s realistic. That’s what should happen.” I like to think I did that, but only time will tell.

16. Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?
I’m a man awash in fantasy. From a young age I gravitated to fantasy stories and imaginative science fiction. I absolutely have a hyperactive imagination and these genres fill that brain-hole so perfectly.
When I entered into my formative writing years, anime and manga became a huge part of my life. The Japanese were telling stories with such heart and depth and unbridled creativity that I couldn’t help but get wrapped up in them. In the end, the answer to your question is a terribly simple one: I write what I know.

17. How long have you been writing?
Although I like to think I’ve always been creative in my writings, the commitment really took hold when I was 15 and 16 years old. I had this mental vision of a long, epic fantasy story and I just started writing it down with a pen and paper. It consumed me so much that I wrote a trilogy entirely by hand, which became the basis of my ‘Ryuujin’ world. I still have the dent in my finger from the pen to this day. When I pulled my head up from the binders, I’d almost flunked out of high school. After some hard work and creativity, along with the help of a teacher or two that I was lucky to have, I pulled through, but the fuse was lit.

18. What inspires you?
Life. Life is the greatest inspiration of all. I have a favorite saying that I unashamedly admit I came up with: I don’t like good books, I like good stories. The medium is not important. When I look at the struggles of my loved ones, or the triumphs of strangers on the other side of the world, I see so many stories that give me a reason to keep talking. They’re not all victories. There are enough tragedies to remind ourselves that there’s bad with the good, but that’s the cost of living. I see my kids do things that move me to tears with their bravery, so I better get to telling what stories I can in order to help show them the things I’ve seen and how I see them.

19. How do you find or make time to write?
I don’t. I just take the time when I get it. I don’t believe in forcing myself to write by setting daily goals. Challenges like NaNoWriMo are great for some, but for me it can go walk off a cliff. My best writing comes when I don’t pressure myself to actually write. I just need to accept that I may have to go for days or weeks without writing, and I’m ok with that.

20. What projects are you working on at the present?
Right now I’m helping market ‘Death Dresses Poorly ’alongside publisher Fluky Fiction, I’m getting ‘Catching Hell Pt. 1’ ready with its publisher Double Dragon Press for the March launch, and I’m doing a decent amount of writing work with the Hardmode team on their original IP, which is a secret but hopefully you’ll see the results of that work later this year.

21. What do your plans for future projects include?
Well the biggest one is ‘Catching Hell Pt. 2’, since just having the first part of a duology is no fun for anyone. It’s a finished work (I wrote it all at one time, but it was too big so I had to split it up) but it hasn’t been edited and prepped to my liking, so I want to get that done and hopefully find it a home before people forget my name.

22. Share a link to your author website.
I can be found at http://www.marcwatson.ca, on Twitter and Instagram at @writewatson, and on Facebook at http://www.facebook.com/marcwroteabook

Bio:

Marc is the author of genre fiction (primarily Fantasy and Science Fiction of all lengths). He began writing at the age of 15 with a pen and paper, and never really stopped, even though until recently it was more of a background to him than my defining trait. He has been published on flash fiction site www.101words.org, as well as comedy site www.thecorrectness.com. Marc has been a student of the excellent writing classes at Athabasca University for a number of years.

He lives in Calgary, Alberta, and was spawned out of the depths of Southern Ontario. Marc is a husband, proud father of two, and can be sometimes found at an actual job. An avid outdoors-man, martial artist of some high repute, baseball player of very little repute, and lover of all Mexican foods. One day ‘World Famous Poutine Aficionado’ will be on his business cards.

You can also find Marc on Facebook at www.facebook.com/marcwroteabook, and on twitter at @writewatson. For public appearances and interviews, he is proudly represented by Creative Edge Publicity.

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Friday Fun for Writers, Authors & Readers…


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Keep your sense of humor in 2018 – make it a laughter filled year with lots of writing!

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Writing Hub -Books, Writing, Tips & more…


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Writing:

Due to a dreadful constant cough my energy has been at a low ebb so writing has taken a back seat as I try to get better. It is the worse possible timing over the festive season. Hopefully as I gradually get better my writing Muse will return.

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Books:  The men are in Spain and the war is affecting them, as it would. Back home things have changed but stayed the same. Relationships are strained and letters are infrequent. Beautiful writing and character development.

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Christmas books have been added to my pile – 300 writing prompts and Sleeping Beauties. Now to consider which King book to read first as I still have 11/22/63 to start. I admit Beauties is calling me.

What books did you get for Christmas?

Writing Tips:

Holiday’s tend to reek havoc on our writing schedule but there are ways of grabbing writing time.

Keep track of the number of words you write instead of how long you wrote.

Relax your normal rigorous writing timetable – take time to chill and observe.

Make the most of “un-scheduled” time – waiting for a flight, children’s rehearsals, a break for coffee during shopping.

Wake up earlier (or stay up later) than usual to ensure that you spend some time writing.

How do you find time to writing during the holidays?

Friday Fun for Writers, Authors & Readers…


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Sadly we’ve all been here!

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“Which is Emily Dickinson’s favorite reindeer? Dasher.”

If only it was that easy!

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“What do you get if you put a Greek classic in the fridge? The Chilliad.”

Enjoy a fabulous Christmas!

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