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Special Author Interview – Autumn Lindsey

March 9, 2019
mandyevebarnett


AuthorInterview

Autumn

-What inspired your latest novel?

Before Remaining Aileen was, Remaining Aileen the novel, she was an idea I had for a screenplay. A few years back, around 2014 I had this super vivid vision of a young mom, who was on a plane that was falling from the sky. All hope is lost. Her thoughts revolve around never seeing her children, or husband again, and the devastating reality that she is going to die. Until she wakes up, alive, completely unharmed- or so it appears.

This scene became the inciting incident that would propel Aileen along her journey, as well as what started me down my path of becoming a writer.

At the suggestion of my amazing husband, Aileen became a novel instead of a screenplay, and now she is about to be released into the world and I truly still, cannot believe it. Fun fact, my very first title idea was Vampire Mom, and it was going to be this light-hearted story of a mom who becomes a vampire, until I realized just how HARD it would be to actually try and be a mom and a vampire. While I do keep some light-heartedness in the story, it did end up taking a bit of a darker/ more emotional turn (which I am so excited about) than I originally was planning. But if there is one thing I have learned about writing stories, is that they seem to tell you what they want to be regardless of your original intentions. It’s best to just see where it takes you sometimes!

How did you come up with the title?

My first idea for a title for this book was Vampire Mom, but as the story unfolded it just didn’t fit anymore. My main character Aileen really struggles with her new “life” as a vampire and does all she can to try and make her new life fit back with in her old one. So Remaining Aileen felt a little more descriptive of her goal and struggle within the story. 

How much of the book is realistic?

In many ways Aileen’s story into motherhood is based on my own inner struggles I went through while learning how to be a mom, but overall, this being a vampire story, it’s not exactly realistic.  

Are your characters based on someone you know, or events in your own life?

I think my characters are all inspired in some way by either people I know, have known, or maybe would like to know! But no one character is based on anyone specific.

Where can readers find you on social media and do you have a blog?

You can find me on Twitter: www.twitter.com/heylindseys Instagram: www.instagram.com/heylindseys Facebook: www.facebook.com/heylindseys

My website is www.autumnlindsey.com

Goodreads: https://www.goodreads.com/author/show/18940081.Autumn_Lindsey 

Do you have plans or ideas for your next book? Is it a sequel or a stand alone?

I do have plans for a sequel for Remaining Aileen, Aileen still has a way to go in her story and I’m excited to share the rest of it when the time comes!

Of the characters you have created or envisioned, which is your favorite & why?

One of favorite character’s ended up being Ana, Aileen’s Mother-in-Law. There is just something about her bulldog “don’t mess with me or my family” attitude that I deeply admire. Ana would do anything for the ones she loves.

Do you favor one type of genre or do you dabble in more than one?

I really enjoy writing within the speculative/paranormal realm of things. While Remaining Aileen is Women’s Fiction I prefer to add a speculative twist to it rather than normal/real-life type things.

Do you plan your stories, or are you a seat of the pants style writer?

I plan my stories. I need to have a clear vision for what my beginning, middle, and end will be before I dive in and write.

aileen

What is your best marketing tip?

I am so new to the world of marketing, so far, I don’t have enough experience to give any tips but if I end up with any I will gladly share!  

-Do you find social media a great tool or a hindrance?

I find social media to be more of a tool than a hindrance for me. It’s where I have found my support network for my writing, as well as a place I can connect with readers. I have made some really amazing writer friends through my social media platforms.   

OPTIONAL QUESTIONS

What do you enjoy most about writing?

What I enjoy most about writing is when you get that initial idea. The spark. That single immeasurable moment where what did not exist now exists and it’s such a great feeling. My next favorite moment is writing the words “The End”. I’ve never felt more accomplished then writing those two words at the end of my first finished draft.  

What age did you start writing stories/poems?

I was 28.

Where is your favorite writing space?

My favorite place to write is my white oak desk my husband crafted for me. We hand selected each board that went into it together, and the fact he made it for me makes it so special.

-Do you belong to a writing group? If so which one?

I started my own writing group of sorts called Writer Moms Inc., a support group for mom writers on Facebook/Twitter/Instagram. While Writer Moms Inc. mostly holds an online presence, I do try my best to meet up with my local writer mom friends and chat about all things writing and mom life, as well as encourage the members of WMI to do the same where they live!   

-If you could meet one favorite author, who would it be and why?

I have two authors actually I would love to meet, share a cup of tea with and chat about writing and life. The first is Anne Rice, because well, she’s Anne Rice! I really feel like her vampire stories were the precursor to many of the vampire fiction/movies/TV I love to watch.

I would also love to meet Stephanie Meyer. My whole inspiration for becoming a writer was because of reading Twilight, so I would love to have the chance to meet her in person and gush all about how amazing she is and how grateful I am that she put her stories out into the world.  

-If you could live anywhere in the world – where would it be?

I actually quite love where I currently live, in the mountains of the Sierra Nevada range, however, I really love the Pacific North West so if I could live anywhere I might head up north!

-Do you see writing as a career? 

I would really like being a published author to become my career. After Remaining Aileen, I will have her sequel to write, and then I have a few other novel ideas floating around I’d love to develop and publish.

-Do you nibble as you write? If so what’s your favorite snack food?

I don’t tend to eat while writing, but coffee or tea is a must!

-What reward do you give yourself for making a deadline?

Usually, my rewards for reaching deadlines, or completing drafts is to stay up at late as I want catching up on all the Netflix I missed while writing!

Here is a link to preorders!https://www.amazon.com/dp/B07PFMSGDK/ref=sr_1_fkmrnull_1?keywords=remaining+Aileen&qid=1551971606&s=gateway&sr=8-1-fkmrnull

 

aileen

Ask A Question Thursday

January 17, 2019
mandyevebarnett


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The initial question was: Should you pick the genre before beginning your story or figure out what genre it is after you have written it?

(Look at the bottom of this post for the continuing query – Are genre formulas a myth?)

Last week’s responses:

I always have a vague idea of what the genre is going to be before I start a piece but if the inspiration takes me somewhere else then I don’t try and steer back because the characters lead the story.

Kristen Lamb 

Genre is essential for those who want to write professionally, for an income and for a living. For those who are having fun simply writing? No, doesn’t matter. For those who are new and learning? Not as huge of a deal but starting to be important. Those who want to be experimental and maybe want to win awards? Meh.

Yet, for anyone who want to be PAID for their books (code for product), genre is our lighthouse to keep us from smashing on the rocks.

The entire point of genre is so the author can locate and cultivate fans who will BUY his/her books…which they (readers) will also be able to locate because they will know where the book is shelved or what genre it’s listed under.

If no one has any idea WTH a book is, where to shelve it, or how to describe it? That’s bad.

If the book gets into a bookstore, then where do they put it? “General Fiction.” Okay. Sucky but okay.

But, since most people discover and buy books online, what keywords would you attach? Genre will matter BIG.

What other product/service/ business would be so indeterminate and hope to have any commercial success?

“You know, I am going to open a restaurant and just cook what I feel like and the ingredients just tell me what to do.” Um, have fun storming the castle. Rock on!

But marketing and advertising will now be a total nightmare. Good luck finding those who will eat a place no one can accurately describe.

Same with books.

Not impossible but adds a TON of unnecessary work when authors already have a ton to do as is.

I think a MAJOR misconception is genre somehow locks us into formulaic writing, which is patently false.

First of all, yes there are formulaic genres. Write a category sweet romance and there is a strict formula because these publishers know their readers and what they want.

And, since romance brings in BILLIONS and makes up over 70% of all books sold? Probably a good idea to listen to the guidelines.

Beyond that, genres can be melded and we (as writers) can get creative much like musicians who create fusions of sound, juxtaposing different types of music for a wholly unique sound (I.e. old gospel hymns influencing heavy metal).

Yet, the musicians KNOW music before playing around and reinventing new sounds.

Similarly, we should know and understand genre expectations. They exist for a reason.

Genres help us identify who is most likely to buy our book (which in the new paradigm we need to know no matter which way we publish).

Secondly, genres have rules and we break the rules at our own peril.

Breaking rules is fine. I do it all the time. But I know the rules BEFORE I break them.

For instance, there used to be a rule that one couldn’t mix POVs. If you began in first you had to stay there. If you began in third, you stayed there.

But WHY did the rule exist? Namely to stave off confusion. YET, Jefferson Parker (genius he is) wanted the audience to gain a closer psychic distance with the antagonist to make them more attached and thus more conflicted about him being apprehended/stopped.

So he wrote the antagonist in close first and the MC protagonist in third to make the reader psychologically struggle at a whole new level. Jeff knew genre, the rules, the constraints, THEN he bent them to do something never done.

Thirdly, genre is primarily for readers. It helps them find what they are looking for. When we don’t want to put a genre on our work because it ‘limits the muse’ or whatever, it is like asking our audience to go grocery shopping and buy canned goods with no labels and just trust it will be yummy.

Genres help readers have SOME idea of what they are getting. If we mislabel, there can be consequences.

Years ago, I had a client who believed she had a romance (but obviously hadn’t studied genre rules/expectations).

She self-published and got SLAYED in reviews, and panicked and sobbing, hired me to help. I took one look and knew the problem.

Yes, her writing was good and so was the story, but in her book…guy and gal didn’t end up together in the end.

In romance, (back then) you needed an HEA (Happily Ever After) which has loosened up to an HFN (Happily For Now) but the couple still has to end up together.

Without that? NOT a romance. She had a Women’s Fiction. She got a new cover, relaunched, slated in the correct genre and BOOM. Sales and great reviews.

In this instance, we had a case of completely different audience with different expectations.

When we slot a book in the wrong genre it’s like serving someone Tofurkey and trying to tell them it’s actually turkey. They are going to HATE it because the basis for comparison is TURKEY not vegan meat substitutes.

It’s like a bad bait-and-switch that ticks off readers.

Then, genre is going to give guideposts to word count. How LONG is the book roughly supposed to be?

Audiences in certain genres have preferences. Epic high fantasy readers give no figs about reading a 180,000 word book. Someone who likes cozy mysteries? No. Like 65K. Sure, feel free to write a 180,000 word cozy mystery but no one who loves that genre is likely to buy.

As far as considering genre ahead of time? I don’t understand how an author can’t do this, at least loosely. Stories are for the audience, not us. Unless we only want to sell a book to ourselves.

And this isn’t me saying “write for the market’ because that sort of “writing for the market” is when you, say, love writing Jane Austen historical romances and decide, instead, to write a techno-thriller because the genre is hot at the moment…and yet you can’t use your printer without tech support and are so bored by military fiction you want to kill yourself…but you write it because it is HOT.

Just no.

But beyond that, looking at genre is a FANTASTIC resource to understand our readers, who they are, what they want and not only give them what they want…but also slip in something they never knew they wanted until they read your book!

***This is why agents need to know genre. They have to have ammo to SELL our manuscript for the most BANK. If they can’t articulate what it IS, who is going to buy it? No one. Bye, Felicia.

Back to process. To me, failing to even roughly determine genre ahead of time is madness. I’ve done it (when I was a n00b) and it sucks and I have the scars to prove how dumb this was (for me).

My time is valuable. Without determining some broad strokes regarding genre, that is a formula for revision HELL. To be retro-fitting the Space Station for a hot tub.

It will make SEO and keywords a BEAST. Ultimately, it’s just a recipe for heavy drinking and ugly crying.

Just because we choose a genre in the beginning doesn’t mean we can’t get creative and blend or even veer at an angle toward a kissing-cousin genre (I.e. suspense can become a thriller).

In the end, writers can do whatever works for them and sells a lot of books. Yet—after fifteen years in this business professionally—I’ve found that, more often than not, writers who eschew genre rarely finish the book.

Or, if they do, revisions are like a trip to the fifth circle of hell which is why it takes FOREVER for them to ‘finish.’ Often, they can’t get traditionally published and so they self-pub and the books don’t sell (and there are reasons for that).

Look at authors making bank, traditionally and nontraditionally published. They KNOW their genre and audience and they WRITE FOR THEM…even the literary folks (*nod to Fredrik Backman*).

Anyway, long response but there ya go. My two cents…okay twenty bucks. Best of luck to everyone.

I’d say knowing at least a basic genre before you start writing is important. Maybe you know you want to write a romance, but figure out as you’re going along it’ll be an erotic romance. Okay, fine. But you can’t just start spewing words without knowing your characters, the plot, what genre, etc. You can’t sit down and just start typing without knowing some form of topic of what you’re writing. It’ll just turn into a mess that way.

over to you

So let’s look at this from a slightly different angle.

If you are writing in a particular genre do you ‘conform’ to the preconceived format of that genre? If romance – fall in love, difficulties arise, opposing feeling, loss of love, surprise event, and falling back into deep everlasting love? OR Sci-fi – the hero has to fight an enemy, the struggle is real and looks overwhelming, battles and fights, a glimpse of hope and the final defeat?

Do you want to conform to formula writing? Would you rather break the mold? Is it a myth that genres have formulas?

With a specific genre there is a better chance your book will be put into the genre bookshelf as opposed to a general fiction slot as Kristen mentioned.

Is this good marketing?

Does it restrict your creativity?

 

ASK A QUESTION THURSDAY

January 10, 2019
mandyevebarnett


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Continuing the discussion for this month’s topic. See 3rd January for main post.

Should you pick the genre before beginning your story or figure out what genre it is after you have written it?

Last week’s responses were:

Konn Lavery 

Genre tends to come second for my process. The genre of choice comes up naturally as the plot, characters and conflict unfold. Sometimes I’m not sure what the genre is, but did get a handy booklet called Genre A Short Reference Guide and Dictionary by R. L. Bennett that has descriptions for each genre.
Once the first draft is done I look up in the booklet, then research about the genre and revise the manuscript.

Karen Probert

I never consider genre at all. I’m not even sure there is a genre name for my style of writing – maybe ‘realism’ would fit as my characters act and speak as normal people and there are no situations in my stories that could not happen to real people or be a part of normal day-to-day living in our society.

Gerri Bowen

Many of my stories tend to be paranormal, but I go where the characters take me.

Lisa de Nikolas

My genre preference is noir suspense thriller murder mystery! But my writing is more literary than genre and that makes it problematic when it comes to sales and marketing because promotion departments and bookstores like to have a simple, clear-cut definition.

I’m often asked for current, similar examples in bookstores of my books, and that’s very hard to do! I’d love to reply: “I set out to write good story, something readers can sink their teeth into, it’s fiction, that’s what it is!” But booksellers want something less complicated. I’ve described my work as Little House on the Prairie meets Pulp Fiction and what genre would that be?.

I didn’t set out to write this way, in fact, I’ve tried really hard to write formulaic genre mystery but it’s just not my style. Sometimes you’ve got to go with what you’ve been given! Thanks Mandy!

Kathie Sutherland

Life writing is my genre. The forms vary: journal writing, personal essays, poems, short stories,and autobiographical narratives. These forms end up in collections. I want the pieces to be realistic. I find fiction difficult to write. I have a novel in first draft and autobiographical fiction pieces and even they are life writing. The writing comes first, and then the genre follows.

Mary Cooney-Glazer 

I write second chance love stories with the primary characters age 45 and over. I chose the main genre because I wanted to portray mid-life women as resilient, attractive, productive people still fully engaged in life and capable of enjoying romantic adventures. Their men treat them well and respect their talents. I do like to include a little goofiness on both sides when it comes to figuring out relationships. Although the main genre is romance, there are elements of women’s fiction and rom-com. So, I guess I do choose the overall genre first, but the blending elements appear as the characters and plot develops.

Mike Deregowski

I generally have some sort of idea of what genre I am writing in, I don’t pick it though, it all depends on what will fit the story that wants to be told. Same goes for style I use. I believe there are no bad writing ideas, just not the right format or style.

Mandy Eve-Barnett

I have always written free flow so never think what the genre might be as I write the narrative. That comes later once the story has completed the first draft and I read it through, making revisions and getting to know the theme of the narrative. Sometimes the characters define the genre and other times it is the story structure and theme.

 

over to you
So is this the general consensus regarding genre? Do you agree or disagree?
If we are writing without a clear genre in mind does this make the process easier or more difficult?
There are certain well known ‘formats’ for certain genre’s, complete with cheat sheets. Are these a great writer’s tool or apt to make one a ‘lazy’ writer?
Let’s see where this topic takes us shall we? Over to you and your thoughts. Please leave your comments in the section below.

ASK A QUESTION THURSDAY

January 3, 2019
mandyevebarnett


Hello,

Here is the first question for my new monthly blog topic for writers and authors. Please join in the discussion.

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Should you pick the genre before beginning your story or figure out what genre it is after you have written it?

We can ask, answer and give our opinions in the comments on this post or subsequent Thursdays in January. Let’s make it as interactive as possible.

What is your genre preference?

How do you decide on the genre?

Would picking the genre first make it more difficult to write the story or not?

Do you merge genres to match your story?

Now-a-days there are many merged genres so it is easy to combined a couple (or more) to make your narrative ‘fit’ but is that okay or not?

More discussion on Thursday 10th, 17th, 24th and 31st January. We may go off topic slightly, reveal writing styles, publishing house experiences, agent advice or …

Let each other know about you!

Experience

My experience:

I have always written free flow so never think what the genre might be as I write the narrative. That comes later once the story has completed the first draft and I read it through, making revisions and getting to know the theme of the narrative. Sometimes the characters define the genre and other times it is the story structure and theme.

I have children’s books, YA novellas and several adult novels, so am a multi-genre author. I am led by the story initially, which can be sparked from an overheard conversation, a life event, a prompt/photo or an experience on a road trip.

What about you?

 

 

Author Interview – Axel Howerton

August 17, 2018
mandyevebarnett


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Axel

  1. Does writing energize or exhaust you?

I get very energized during the initial stages – planning, researching, outlining – and during the actual writing in extended bursts where I’ll write for six or eight hours a day for a week or more… then I tend to burn out and fizzle for a few days until I recharge. I find it’s the same through the editing process, go-go-go and then crawl back up out of the dirt.

  1. What is your writing Kryptonite?

Day job nonsense. Netflix. I get obsessive about new shows I like, and I’ll be locked out of doing almost anything else if I start a show and don’t finish the story. I’ll binge 3 or 4 seasons in a week. My kids, because there’s nothing I’d rather do than hang out with them.

  1. Did you ever consider writing under a pseudonym?

I have, actually. In a few cases where anthologies needed additional stories and I already had one placed, or I’d had a story printed somewhere and they didn’t want to have me show up in multiple issues too close to each other. Grady Cole, that’s me. There’s been a few others. I also try to use those alternate identities to explore other writing styles and genres. The last thing I’d want is for a Grady Cole story to read exactly like an Axel Howerton story. It’s old hat for me, though. When I was an entertainment journalist, I had a secret identity as the masked luchador Ramone, who would write nonsensical columns on z-movies and film weird short films that morphed into DVD reviews.

  1. What other authors are you friends with, and how do they help you become a better writer?

Some of my very best friends are other writers. At this point, I don’t have many friends or acquaintances that aren’t part of the writing community. Scott S. Phillips is practically my brother, even though we’ve never met face-to-face. It was immensely helpful to both of us, struggling through the indie forests. He had been a screenwriter and filmmaker, whereas I had been a journalist. We have very similar interests and backgrounds and tastes, and our work tends to be pretty complimentary, so we can tip each other off to opportunities that would suit us. It also makes it really easy to work together. One of the first collections either of us were published in was dreamed up by the two of us complaining about our awful day jobs. Scott took it to one of our mentors – the legendary Bob Vardeman – and ended up co-editing the book. Later on, I ended up including Scott in my anthologies Tall Tales of the Weird West and It’s a Weird Winter Wonderland. We’ve also been very supportive of each other’s work – sharing and promoting – as well as tossing ideas around. The other most influential is probably Robert Bose, my partner in Coffin Hop Press. Rob and I met through the local writing community, attending the same conferences, etc. and eventually, Rob had submitted to one of my anthologies. I really liked his story and his style, and in the process of editing his story, and working on promotion for the book, I found out about his short story collection, which I also loved. I ended up publishing Fishing with the Devil, and in the process of working on that book, Rob proved to have a lot of insights and great ideas for the press. I liked his ideas so much, in fact, that we partnered up, and in the months since, Coffin Hop Press has grown by leaps and bounds.

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  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

I do sometimes play with the idea of crossing over stories and novels, trying to tie everything together a’ la Stephen King. All of my novels up to now have been conceived and written as individual tales, but after they came out people began asking about “the next one”. My first novel Hot Sinatra, the publisher was angling for additional books to improve the salability, despite the tidy ending I’d designed. I kind of rankled at that, but at the same time, I’ve written 5 or 6 spin-off short stories in that universe that were published in various places, so now I have a couple of additional novels planned. That’s what a lot of readers want and expect now, serial storytelling. I think it’s both because of things like Netflix and the “Golden Age” of television storytelling, and because, with the current glut of ebook product and the rising cost of print books, people want to invest in something that’s going to give them a prolonged bang for their precious buck. I don’t blame them a bit. Fortunately, my second novel Furr lent itself more to the idea of a continuing story, and the publisher wanted to explore a couple of the secondary characters that they really liked. That idea turned into a new series that kicks off with my next novel Demon Days. So now I actually am planning out an extensive extended universe with connections to the previous book and at least three books scheduled in the series, probably four or five.

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  1. What was the best money you ever spent as a writer?

Going to the local writing convention, When Words Collide. I made more connections, met more fellow writers, learned more, and opened my mind to so many more avenues in the writing world, than I have at any other time in my career, and it usually costs about $50 for three days.

  1. What was an early experience where you learned that language had power?

When I was very young, I would spend my weeks with my elderly grandparents, while my parents worked. They had all of these musty old books in the basement, and all of these odd piecemeal books upstairs next to their matching recliners. I don’t remember seeing them read them, but I was always endlessly fascinated by them, forever picking them up and leafing through them. There was just something about words on a page. My grandma always told people that I taught myself to read at the age of three with those books, which I’m sure is a hearty exaggeration, but I do remember being able to read before I started kindergarten, and sitting in the middle of their living room, cross-legged on the carpet, flipping through these massive tomes on Jacques Cousteau, or Strange Stories, Amazing Facts. I would read Emily Dickinson and Robert Service and try to remember the poems so I could tell them to myself later, as if I was telling the story to someone else. I was a weird kid, I guess.

  1. What’s your favorite under-appreciated novel?

One of them is Sock, by Penn Jillette. Yes, that Penn Jillette, of Penn & Teller. I came across it in the bookstore and just thought it was a cool cover, so I picked it up. The idea of a cop talking to his sock monkey made me buy it. It was so damned good, and so unlike anything else I’d been reading. Later on, one of my first writer friends, a guy named Scott Duran, turned out to also be a fan. He worked in a bookstore in Las Vegas and had some sketchy dude come in to sell an autographed copy. We started out conjecturing about the sketchy dude, and then we both wrote stories about it – just for fun. He ended up sending me that copy, and then another. So, now I have two autographed copies, and my original dog-eared copy. I still almost never come across anybody who has heard of, or remembers that book, which is a shame. I’d like to imagine that it doesn’t bother Penn too much that his literary career didn’t take off, but I know it would have hurt if it was me. I hope I meet the man someday, just to let him know how much it influenced a couple of schlubs like us.

  1. As a writer, what would you choose as your mascot/avatar/spirit animal?

This is the second interview lately that’s asked this, which is cool. I’ll stick to the same answer: David Blowynch, it’s like a Chimera of David Bowie and Lynch. A Chimera with outstanding hair. The patron God of subtext and style.

  1. How many unpublished and half-finished books do you have?

At least four. Nine, if you count the ones I’m actively in planning stages/various levels of completion on.

  1. What does literary success look like to you?

Enough money coming in to write full-time. Praise enough to feel confident in that next idea. At best? A based-on show with an after-show show hosted by Chris Hardwick.

12. What kind of research do you do, and how long do you spend researching before beginning a book?

Depends on the subject matter and the concepts behind the book. I don’t waste a lot of time with mundane research on details like gun makes and models, or the correct flight path for a 747 arriving at LaGuardia at 3:07 am on a Wednesday in October with high winds and a low-pressure system. If I’m doing research, it’s because I’m trying to stay true to concepts and history that may matter to certain groups. If I’m using an ancient religion, or a small local indigenous group, like the Ktunaxa (Kootenay) tribe I mention in Furr, I tend to spend a lot more energy making sure I get things right. That being said, when I do research on cultures and history and more esoteric and occult topics, I tend to get sucked way way down the rabbit hole. I may spend months accumulating references and seeking out obscure books, and then have all of that lead to one bloody sentence in the finished book. It’s more about me understanding the way the world I’m creating was influenced by humanity, than fact-checking, really.

  1. How many hours a day/week do you write?

When I’m in the thick of it, if I’m lucky enough to get the time, I write in blocks of 8 or 10 hours a day on weekends, maybe an hour or two every day through the week. Like most non-King/Patterson/etc writers, I have a day job. I have a wife, and kids, and all the usual accoutrements of adulthood. I also run a publishing press in there too, so time is at a premium, but I’ll lock myself away when needs be.

  1. How do you select the names of your characters?

It depends on the project. Sometimes there’s meaning behind them, sometimes there’s just a name I like, like Jules. Sometimes it’s attached to some awful joke I can’t let go of. The Ktunaxa character in Furr is named Bob Dylan, entirely so I could have a conversation where someone asks him about it, and he calmly retorts that “maybe he’s named after me. I’ve been Bob Dylan longer than him. His name’s Zimmerman.” The hired thugs/sex performers in Hot Sinatra and the accompanying stories are named Manlove and Kickerdick, names I stole from Scott Phillips on a dare, since he couldn’t figure out where to use them. Most of the time it’s one of the more entertaining parts of the process, other times you have to change that name five times because everything that sounds right as a first name with “Montrose” ends up too close to the other character names.

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  1. What was your hardest scene to write?

I don’t know that I could single one out. There have been a lot of them that were hard to write because I may not have quite had a handle on the emotion of the scene, or where it fit in the grander scheme of the story. There were certainly ones that were emotionally draining. My last novel, Con Morte, is a good example of that. Writing such a dark and troubled character from a first person pov tends to get to me, especially over an intense period of writing for eight or nine hours. Consequently, the end of that book took a lot out of me, because it was a struggle to bring that character back up into the light and try to find some kind of redemption after being lost in such a dark mind for so long.

  1. Why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them?

When I first started writing fiction again, and trying to publish, I naturally trended towards horror, just because that’s what I had been steeped in during my last years as an entertainment journalist. I was the go-to guy for indie genre filmmakers, and spent a lot of time watching b-movie horror – slashers, alien invasions, body horror. At the same time, I was mainlining a lot of vintage crime and hard-boiled detective fiction, especially Raymond Chandler and Dashiel Hammett. So, my short fiction was mostly horror, but my first novel was a crime homage to hard-boiled detectives. Eventually I moved more into the crime arena, just because that’s what I was getting known for after that first book was a finalist for the Arthur Ellis Award (Best First Novel from the Crime Writers of Canada). Despite that, I’ve always continued to experiment with genres. I may be known as “the noir guy” in my own neck of the woods, but I’ve since written sci-fi western, urban fantasy, magical realism, whatever strikes my fancy. To me, it’s all about exploring different ways to tell stories about human beings, and the relationships between them, so I don’t see a huge difference between a hardcore noir thriller, and a romantic fable, so long as the characters are realistic and relatable, and their relationships and struggles are genuine.

  1. How long have you been writing?

Like most of us say, “since I could hold a crayon”. I remember publishing comic books and chapbooks of poetry in grade two or three. Poems like “Life is like a bowlful of Cherry Pez”. My first article was published around age 11 or 12. Since then, I’ve always been at it, in one way or another. I’ve only been seriously writing fiction with the active intent of getting it published since 2011 or 2012. I wasted a lot of years on self-doubt and empty excuses for avoidance.

  1. What inspires you?  

Life. Music. The idea that we can create worlds and explore our own humanity through the interplay of our creations. That we can maybe find answers to the really big questions, and the really important, seemingly minuscule ones, in our own minds – if we dig deep enough.

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  1. How do you find or make time to write?

Like everyone else out there, my time is at a premium. Between the everyday responsibilities: the day job, the kids – just maintaining life – it is sometimes hard to find the time. I’m lucky that I have a supportive family, especially my wife, who is equally creative and driven about her own projects, who trades off with me as much as possible on the day-to-day stuff. That way, when I need to take eight hours a day over the weekend, or get up at 4 am for a few weeks, it takes the edge off and allows me to focus on my work.

  1. What projects are you working on at the present?

Demon Days, the first book in the Furr spin-off series, is in final edits right now. That should be coming out in the next couple of months from Tyche Press. Then I have four or five more of those to finish in the next couple of years. I also have two more Mossimo Cole books to follow up Hot Sinatra, which I’d like to have finished before I get the rights back on the first book. There’s also three other crime novels (maybe novellas), a post-apocalyptic steampunky sci-fi novel I’ve been working on, a literary-satire historical novel about the birth of the Northwest Mounted Police and the whiskey runners in early Canada, and probably three or four other things I’m forgetting.

  1. What do your plans for future projects include?

All of the above, and then some. Hopefully, some small measure of success and a wider audience along with that. I’m also putting a lot of my energy into my publishing company, which I hope will prove to be a success and keep growing over the next few years (and a long-time after *fingers crossed*) and eventually allow me the extra freedom I need to transition from my exciting day job in industrial repair sales to a life that revolves entirely around writing and publishing. In the end, I just really hope this can occupy and provide for me throughout the rest of my life, and maybe leave some small legacy for my kids and grand-kids to be proud of.

  1. Share a link to your author website.

http://www.axelhow.com or search #axelhow on twitter, facebook, etc.

Bio:

Axel Howerton is a former entertainment journalist, and the Arthur Ellis Award nominated author of the detective caper Hot Sinatra; the modern gothic fairytale Furr; the zombie novella Living Dead at Zigfreid & Roy; and the noir fable Con Morte. His forthcoming “Wolf & Devil” urban fantasy series for Tyche Books kicks off with “Demon Days” in February 2018.

When he’s not on-duty as a “purveyor of literary badassery” and “hometown anti-hero”, Axel wanders the foothills of Southern Alberta with his two brilliant sons, and a wife that is way out of his league.

 

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