When I initially, made the decision to branch out into freelance writing after a couple of paid gigs, I had no idea how it would affect my writing style. Obviously, it was interesting, but also gave it me another avenue to learn my writing skill.
When I write creatively, I am in control of what happens, where the story leads when I write and ultimately when I finish. However, with freelance projects I quickly learned to accommodate another person’s viewpoint, requirements and adhere to a deadline. Fulfilling another person’s vision for their project is about asking questions – lots of questions and then reiterating them to ensure you are both on the same wavelength. Among my past projects, I have written new bio’s, edited manuscripts, created blog and social media posts, written articles and information leaflets, mentoring and ghost written a hybrid marketing book to name a few.
Through this business I have gain experience and knowledge from each project, which allows me to hone my skill. I have also gained valuable insights into other styles of writing, which in turn have assisted me in my creative writing. You may think that cannot be the case, but all writing teaches us something. It can be as simple as writing to a deadline or writing to a specific style or tone to align with current literature or media. It also gives me great backstories for future characters, who work in environments I am writing and learning about so a win-win situation.
Have you broaden your writing into freelance? What has your experience been like?
You can find my freelance website, testimonials etc. here:
Both at times, as strange as that may sound. When the words are flowing I seem to gain energy as I go along. But there are times, usually when I am pushing to make a hard deadline, when I feel like I’m dragging about five tons of brick around on my shoulders and it is difficult to write the next sentence.
What is your writing Kryptonite?
The Internet. It is just too easy to hop on to check my email “really quick” and get distracted by something and three hours later suddenly remember I was supposed to be writing. The house hound also tries his best to distract, usually when I am really on a roll.
Did you ever consider writing under a pseudonym?
Briefly. But I was writing for newspapers for so long that it just seemed natural to continue to do so when I transitioned to fiction writing. Plus, I really dislike posting in online forums under fake screen names as I feel that leads to bad behavior by folks who feel they can get away with anything without any accountability. So I have always made it a point to put my real name behind everything I write, online or off.
What other authors are you friends with, and how do they help you become a better writer?
I know so many of them that if I tried to list them all here we’d break the internet. Not to mention I’d probably forget some of them and then have to spend the rest of the year apologizing. But in their own ways they have all helped me become a better writer. Sometimes it is from just reading their work and seeing how they develop a character or lay out a scene. Sometimes it comes from the way they market their books or deal with unfair criticism.
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?
Almost all of them are stand alone, although I have readers asking me when the sequel to Escaping Infinity is coming out. I do have one trilogy though, the Jack Del Rio political thriller series. Writing in so many different genres as I do I very much doubt there a way for me ever to be able to connect them. All I really hope for is that they are all enjoyable stories that readers continue to want to read.
What was the best money you ever spent as a writer?
The $20 that I spent on three Himekami CDs many years ago (pre-MP3 era). Listening to the beautifully enchanting synthesized music produced by this group from Japan seems to put me into the perfect state of mind to write.
What was an early experience where you learned that language had power?
When I sat down one day at the age of 4 and heard a man say that he hoped for a world where his children would be judged by the content of their character and not by the color of their skin. It took a few more years for me to fully understand the concept, but those words made perfect sense to 4-year-old me. It wasn’t what a person looked like that mattered, it is what they said and did that was all that counted. I’ve always strived to keep that lesson in my heart in the half-century that has passed since I first heard them and am reminded of that day every time I read those words again.
What’s your favorite under-appreciated novel?
Time Traveller’s Never Die by Jack McDevitt. I loved the way Jack (I get to call him that because we’ve worked together on a Sherlock Holmes anthology and corresponded a few times since) dealt with the paradox of time travelling and it was this book, and discovering Jack’s path to becoming a writer at a later age, that inspired me to try to give fiction writing another try at the age of 46.
As a writer, what would you choose as your mascot/avatar/spirit animal?
Polar Bear. Because they are patiently relentless in their pursuit of their goal. For them it is their next meal but for me it is getting the current novel finished so I can begin working on the next one.
How many unpublished and half-finished books do you have?
About 30 in various states of started but not finished to just outline-only.
What does literary success look like to you?
When I have finished a book and it is available to be purchased on Amazon or in a bookstore. That means another story of mine – another world or universe of my creation – is available to be read and, hopefully, enjoyed.
What kind of research do you do, and how long do you spend researching before beginning a book?
With my two non-fiction books I spent years going through newspaper microfilms, online searching and interviews before I sat down and started writing them. It probably worked out to two years each from starting research to writing completed and the book released.
With my fiction works I’d say I research for about a week before I start writing. Even then I find I will pause writing at points to do additional research when something does not sound right or if I make a change in the original outline along the way.
How many hours a day/week do you write?
At least 30 hours a week and sometimes as many as 60 depending on other things going on in my life.
How do you select the names of your characters?
I have a couple of ways. Usually the names seem to come to me and I go with them if they “feel” right. But I discovered a website that generates first and last names based on several factors of race, ethnicity, gender and genre. I’ll scroll through a few randomly generated names until I find a combination I like.
What was your hardest scene to write?
In Reservations which was the first Jack Del Rio novel. I had decided to kill off one of the major characters and when I got to the chapter when the death was to occur I found it harder to write with each passing word. I kept going back and forth on whether or not to kill the character or not. It took me 14 hours to write that chapter and I recall finishing it, saving it and then walking away from my desk in tears when I finished writing the death scene that ended the chapter. It felt like I had murdered a loved one. But the response I have received from readers has convinced me that I made the correct decision.
Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?
My early books were sports non-fiction, which were easy to do coming off 20 years as a sportswriter, and then my initial fiction works were political mystery-thrillers. But my first love as a young reader was science fiction and that is the genre I will be doing most of my writing in for the foreseeable future.
How long have you been writing?
Since 1983 when I started as a freelance writer. Aside from being the lead writer for two issues of a comic book series in 1986, I started as a full-time novelist in 2011 after I retired as a newspaper writer/editor in 2010.
What inspires you?
My family. I want to leave a legacy in my writings that my children and grandchildren and their grandchildren can be proud of long after I am gone.
How do you find or make time to write?
I am fortunate in that this is my full-time job so I have a nice routine that allows me to write on a regular schedule. Having worked for 20 years in newspapers where I was expected to write 2-3,000 words a day has made it something of a habit now, one that seems as natural to me as breathing.
What projects are you working on at the present?
Many. I am helping finish the final book written by my friend Gibson Michaels, who passed away last year before he could finish it. It would have been his fourth book and we want to make sure his readers get to read it. I am co-writing a western novel with Jim Christina, with whom I co-host an online show about writers and the craft of writing – The Writer’s Block on LA Talk Radio. I’m editing one of the 11 books in the Planetary Anthology series (and have stories in several of the others) and I am helping start up a new organization for professional creators in science fiction and fantasy, the Science Fiction & Fantasy Creators Guild ( www.sffcguild.com) .
What do your plans for future projects include?
I have three science-fiction/fantasy projects lined up I want to finish by the end of 2018 – When the Gods Fell, Cursed Firstborn and Seadragon.