Today I am sharing the first paragraph of a ‘on the back burner’ work in progress. It is the result of a National Novel Writing Month challenge, a couple of years ago. I am unsure if it will ever become a fully fledged novel, time will tell. I would welcome any feedback on this excerpt.
Do you ‘see’ Jess?
Do you get an idea of her background, her personality?
What genre do you think it is?
Would you read more?
Coming to University – Part One
Jess sat hugging the hot coffee mug in her hands, she may have looked relaxed and happy, but inside she was in turmoil. Her eyes scanned the many pedestrians walking back and forth on the sidewalk outside the coffee shop. Willing him – the one -to appear out of the crowd. Tall, blonde and athletic her first real crush, well as she called it – a grown up infatuation – not like the silly childish crushes, when she was at school back home. Here at university it was so different. She had independence from a worrywart doormat of a mother, who pushed her towards any ‘suitable’ young boy. “Make the right choice now, Jessie, and you will be happy. Don’t make my mistake and go for the ‘cool guy’. Her mother always whispered this advice least her distant and unemotional father heard. Jess tried to elicit more information from her mother on the subject, but it was always brushed aside.
The thought of the three of them eating in silence every evening meal at the dining table made her cringe. Jess once ventured to ask to eat in her room, mainly to escape the uncomfortable atmosphere; it was met with a horrified look on her mother’s face and a rage exploding from her father, which so terrified Jess she vomited there and then. This, of course, made the matter a hundred times worse. Her father stormed out of the room; slamming his study door so hard it propelled two pictures off the hallway wall. Her mother visibly shaking went into clean up mode immediately, running to the kitchen and filling a bowl of hot water and grabbing several rags to ‘save’ the carpet. Jess stood frozen in place, the vomit drying on her dress and chin as tears ran unbidden down her cheeks. It wasn’t until her mother pushed at her leg to reach a splash of vomit that either realized the other’s presence. “Get in the bath, Jessie and put that dress in the sink.” Having an instruction gave her body permission to move. She climbed the stairs, stripped and sat in the bath as it filled with water. Deep inside a switch turned, she needed to escape this house and find real love, someplace where people loved each other and were happy. At the time, at the tender age of eleven, she could only dream and secretly plan, but as the weeks and months passed, her escape route gradually formed. Her art teacher told her she had a real gift and after several conversations between them, they managed to find a grant-funded course for Jess in a university several hundred miles away. For Jess the distance was heaven sent almost as much as her teacher’s ability to get the grant on her behalf. With no costs to pay, her parents could not refuse Jess attending.
She announced her entrance into the university over another silent dinner table the day of graduation. Her mother looked at her wide-eyed, but Jess could see relief there too. Her father paused putting a mouthful of food in his mouth, looked directly at Jess and said, “Make the most of the opportunity.” He then continued eating, no good luck, and no congratulations – nothing. Later, her mother came into her bedroom and hugged her. “You will find someone wonderful Jessie, I am so happy for you.” Even then, her mother did not divulge any information on love and life or relationships, leaving Jess with a hope nurtured in her chest that she would indeed find love, a true love. Someone who made her happy, talked to her, listened to her, and gave her a wonderful life.
Thank you for participating.Your comments will be helpful.
Your novels tend to have unexpected protagonists/settings. Was this a conscious decision or the spark of an idea that evolved? My ideas hit me just as unexpected. It is not like I want to come up with this or that like a contract writer where an idea is developed and catered to a market, I am on the other end of that spectrum. I am not in control of my ideas, and there are plenty, and many I can’t even tackle, most of them I won’t finish in my life time. The once that make it are pressing, have an immediate impact on me and when they linger over weeks I know I have to sit down and deal with them. What brings us to …
Do you plan an outline or free flow write? … this question, and yes I do. For the longest time I had to keep up a job to buy myself time to write (and food and the other trivialities), so I couldn’t just write into the blue and hope the novel turns out well somehow. I had to be sure. I could not waste any time. Early on I developed my outline technique where I work only on 1 letter sized piece of paper, which I could take anywhere (jobs etc.) at all times. Everything is on that 1 page, the entire outline, like “They steal the car”, that’s a beat, at that time I don’t know where they do this for example. Only when I see these beats work and I understand my protagonists, hear them, feel them, know them, and I clearly hear the narrating voice I start the novel. This planning phase takes between 2 and 15 years before I start writing, but then the 1st draft is the novel.
Can you explain how the process of writing with a fellow author works? Is it a chapter each or a combination of thought and writing? I did this more than once, but always we agreed one of us writes a quick first version and the other expands on that. This way the voice of the novel is not flopping back and forth – except there are 2 distinct views or narrators, then this would make sense.
What differences are there from writing a novel to a film script to a song? A song or a poem is the entire opposite to a novel to me. These happen in an instance, a spontaneous outburst in under an hour, unplanned, unmanaged, quasi anarchic in character. A film script (as well as a radio play or a theatre play) is planned like the novel, but the writing is a fraction of it. I love film scripts, I wish more people would read them and they’d become an own literary genre.
Does your music affect your writing or the other way around? All the different media I am working in influence each other, ideas bleed from one form into another (example my song “Joyride Sky” was inspired by my novel “For a Spin”, I invented a band that pops up in a number of my novels, and for the dystopian novel “2112” (working title) I am currently working on I recorded an entire album you can listen to on Bandcamp, the band is called JENNY HAS TRAFFIC. It is fun and adds to the characters.
You have been prolific in the number of publications. Are the ideas still coming as quickly? Do you have a folder of ideas pending? Oh yes, ideas come constantly, I have to dodge them, write them down and put them in the folder. That folder is full with ideas, no way I can write all of them.
What challenges do you face with language? English is my 2nd language. The biggest challenge for me as a writer is not so much the spelling, grammar, vocabulary (you can work on that), but the fact I did not grow up in the English culture, I miss out on most childhood references, sport and political events, etc. I have to live with that, there is no way I can catch up with that.
When you write songs what influences you? My mood. My mood dictates the feeling of a song. Many lyrics come from darker places, I am not a musical comedian although I wrote many funny novels and had the pleasure to experience their impact first hand during my readings in schools between Denmark and Italy.
What propelled you to start you podcast? I was the kid (14 years old) that stayed up late to listen to radio shows at midnight. I always loved the medium, for music and word. I worked for radio in Germany, and as a volunteer I had an own 4 hour show at CJSW at the University of Calgary called PolterZeitGeist where I mixed words and music. Since technology evolved digitally I was able to get the equipment and do it myself.
Can you tell us about your latest project? I received this year the Literary Arts Individual Project Grant by the Alberta Foundation for the Arts to write the dystopian novel “2112”, and I document this process on my homepage in words, photos, audio and video until February 2022.
Is there a message you would like to share with your readers? Don’t judge a book by its cover, please read the first page. Even with my novels, because the narrating voice changes.
Thorsten Nesch is a German author who lives in Lethbridge, Alberta, Canada. 2008 Nesch’s first novel Joyride Ost was nominated for Oldenburger Kinder- und Jugendbuchpreis and the Landshuter Jugendbuchpreis. 2012 the book won the Hans-im-Glück Award
This is a character interview with Evan from my speculative fiction novel, Life in Slake Patch.
1. Tell me a little about yourself (where you live, who you are, what you look like.)My name is Evan and I live in the male compound, Slake Patch, on the prairie plain. I am a Second, as my eldest brother is the First. As such I am bound to compound duties only, rather than tending to the livestock on the plain. I am twenty-two years old, muscular, blonde with blue eyes and my fellow Slake inhabitants look up to me as a champion wrestler within the patch.
2. What do you like to do in your spare time?I love wrestling and spending time with my best friend, Greg. He and I came to the compound together at the age of six, as is the custom to live with our fathers and other men.We attended lessons together and were paired for chores for some time.Is there something more you would like to do?I would love to escape the compound to ride across the plain, but currently it is not allowed. Our only trip outside the patch is to the central food store in a horse drawn cart.
3. Do you have afavorite color and why?We do not have much color in our lives apart from the designated one for our bunkhouses to identify each working group. I am not particular about colours to be honest, although I love Kate’s long auburn hair.
4. What is your favorite food? Why is it your favorite?A thick piece of steak between two large slices of fresh cornbread is perfect. The softness of the bread soaks up the steak juices.The meat helps build my muscles and strength.
5. What would you say is your biggest quirk? I’m unsure what to say about this,if you ask around you might find the other men find it odd I spend a lot of time with an elder named Jacob.He is my mentor, friend, discoverer of information and more of a father figure than my own.
6. What is it about the antagonist in the novel that irks you the most, and why?Aiden and his Tribe use violence as a way of trying to change our way of life, the order and laws of our society. There is always a more diplomatic means to resolve conflicts. He and his follows also berate young women, which I find abhorrent. Women are to be obeyed and cherished.
7. What or who means the most to you in your life? What, if anything, would you do to keep him/her/it in your life?I am deeply in love with my tryst, Kate, and would lay down my life for her. If it was in my power I would change the once a week visiting rule to spend more time with her.
8. What one thing would you like readers to know about you that may not be spelled out in the book in which you inhabit?That I am open to new ideas as long as they do not harm others. I believe the matriarchy is right to rule the way they do.
9. If you could tell your writer (creator) anything about yourself that might turn the direction of the plot, what would it be?In truth, I altered the plot several times during the creating of my narrative. Some twists to the original were by my suggestions.
10. Do you feel you accomplished what you wanted?Yes, I do. I managed to find solutions to changes that improved our way of life.
Do you have a question you would like to ask Evan?Put it in the comments.
1. How old were you when you wrote your first writing project? What genre was it?
That’s hard to say. I was writing short stories and designing cover art when I was in second grade. I was writing screenplays and making movies in middle school. I published poetry in college. I started writing my first novel, A Year Since the Rain, when I was in my late twenties, I guess. It was a magical realism novel, and it took a few years for me to finish it.
2. Do you have a favorite genre? What draws you to it?
I like contemporary fantasy/ magical realism because I think these genres allow for an interesting exploration of human experience. I appreciate the ways that realistic characters and settings are allowed to bump up against elements of magic.
3. How does your expression differ from your poetry to short stories to novels?
I look for poetic language in everything, so I try to find something poetic in narrative work as well. Obviously, it’s harder to keep this up for 70,000 words than it is in a page of poetry, but I still look for ways to elevate the diction of my prose with poetic language. With poetry, we’re talking about a stricter economy of language—more limitations based on form and so forth. As a rule, though, my poetry plays with narrative and my prose plays with poetry. I like to explore the marriage of different forms.
4. Magic plays a vital part in your stories – is it a fascination for you?
Like I said before, I think the incorporation of magic in otherwise real settings allows for an interesting exploration of human nature and human experience. If most of the setting and characters feel somewhat familiar, I think readers can buy in a little more. Also, I think the world is full of magic, right? We all experience wonderful and terrible things that we can’t explain. These inexplicable moments are a very human kind of magical experience. That’s how I see it, at any rate.
5.How did you create the characters in your World of Muses Universe?
A lot of my characters are just conflations of real-life people. There are no direct translations of real people, but I definitely mine real life experience for characters.
6. Are there messages in your stories for your readers? What are they?
Absolutely. These messages vary, but I think that mostly I want readers to consider their relationship with the world, with other people, with creativity, and with their own experience. I’m not prescriptive in my messaging. I just want a reader to think.
7.You combine music with poetry/stories – how did this idea/collaboration begin?
I wanted to write a story that would explore creativity and the different goals artists might strive toward. I settled on musicians and visual artists (because, again, I don’t want to write things that are too close to home). When I decided to write about musicians, I started teaching myself to play guitar. I wanted to understand what I was writing, and I wanted to be able to describe it in an organic way that would provide the narrative with a realistic texture. In the long run, I fell in love with the guitar and started writing songs. I even wrote some of the songs from that novel. It’s a cool experience to play these songs at live readings. I think it lends an air of legitimacy to the story.
8.Has your teaching influenced your writing?
I’m not sure that teaching has had a direct influence on my writing. I’ve never written about a teacher or even students. I actively try to avoid writing stories that would hit too close to home in that way. So, I guess in my attempts to write stories from outside of my experience as a teacher, teaching has indirectly influenced my writing.
On another level, though, I do teach literature courses. Reading these classics with my students offers me a great refresher in these stories. I think reading and analysis of stories is incredibly important to a writer, so the fact that this is my job gives me ample opportunity to dive back into those stories from time to time.
I think that my writing has probably influenced my teaching, but that feels like a whole other conversation.
9.Has your MFA course in Creative Writing changed how you write?
I think the most important thing I’ve learned from the MFA is how to better discipline my writing. I have a better sense of how planning and outlining can help streamline a project. The MFA program also forced me to read and work in genres I was less comfortable with, and I think all of that experimentation is good for the process. We could all do with a little more of that experience with discomfort.
10.Do you have a message for your readers?
This is an interesting question. I’m not sure that I’ve ever considered the prospect of speaking directly to the people who read my books. I’ve long considered the writing to be the final word in my part of the conversation. Once a reader has read my book, I’m interested in what that reader has taken from that experience. So, I suppose if I could say anything to the people who read my books it’s this: Thanks! I hope you found something to enjoy.
12. Do you have a blog? Where are you on social media?
I don’t really have a blog that I keep up with consistently at the moment, but people can always catch up with me on social media. I’m @ThatShaneWilson just about anywhere you might care to look.
Shane Wilson is an award-winning author of magical realism and low fantasy. His two novels, A Year Since the Rain and The Smoke in His Eyes are available through all major retailers. He has also published short fiction, creative nonfiction, and poetry. He maintains a blog that focuses on a variety of topics including topics in publication.
Shane has a Master’s degree in English from Valdosta State University and has taught English at community colleges in Georgia and North Carolina. He has been te
Shane Wilson is a storyteller. No matter the medium, the emphasis of his work is on the magical act of the story, and how the stories we tell immortalize us and give voice to the abstractions of human experience. His first two contemporary fantasy novels as well as a stage play, set in his World of Muses universe, are currently available.
Born in Alabama and raised in Georgia, Shane is a child of the southeastern United States where he feels simultaneously at-home and out-of-place. He graduated from Valdosta State University in South Georgia with a Masters in English. He taught college English in Georgia for four years before moving to North Carolina in 2013.
Shane plays guitar and writes songs with his two-man-band, Sequoia Rising. He writes songs as he writes stories–with an emphasis on the magic of human experience. He tends to chase the day with a whiskey (Wild Turkey 101) and a re-run of The Office.
Shane’s novels are A Year Since the Rain (Snow Leopard Publishing, 2016) and The Smoke in His Eyes (GenZ Publishing, 2018). Shane’s short story, “The Boy Who Kissed the Rain” was the 2017 Rilla Askew Short Fiction Prize winner and was nominated for a 2018 Pushcart Prize. An adaptation of that story for the stage was selected for the Independence Theater Reading Series in Fayetteville, NC. More information about Shane can be found at: Shane Wilson Author
I attended the WinterFest event with Ethan Hawke on Sunday and was so impressed with his honesty, passion and openness to the interviewer’s questions. I count myself lucky that he answered one of my questions out of a multitude! He said that the media create illusions of celebrities and their lives. I totally agree. When you can see two magazines side by side on the rack at the check out and they have polar opposite stories of the same personality – you know it can’t be true. It is the same a click bait – they need you to pick up and buy the magazine regardless of the truthfulness of the story. It is a sad and damaging side to journalism (if you can call it that). People’s lives can be destroyed and they have no come back. Anyway, that is my rant for today. On to other things.
If you get a chance I would recommend you read this book, it is extremely good.
I took a couple of days off work last week, to do spring cleaning, relax, write, take a couple of drives out and get my paperwork together for the dreaded tax return. My current manuscript gained a sizable additional word count and revision and a surprising twist occurred.