Tag Archives: perspective.

Excitement and Anticipation Tempered…


A good friend excitedly messaged me just over a week ago advising me that ‘you’ve done it, girl!’ My name was in the November edition of the Reader’s Digest. Puzzled, I asked what had she read, which by the way, was by pure fluke while waiting at the doctor’s office. You’re in the edition, was the reply.

Now as I had no recollection or note of submitting any editorial to the Reader’s Digest and I had not received an email confirmation, you can understand my puzzlement. I emailed the editorial department there and then and awaited the reply.

I received an apologetic reply:

Thank you for writing and sorry to hear no one notified you. If you email me back with your complete address, I will gladly send you a copy of the November issue. Best Regards, Vanda Cianfaglia.

Then I waited for the copy to arrive in the mail. So this is the cover

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And the entry? This small snippet in response to a question! Yes, it is funny how anticipation can alter our perspective. However, it is a nice keepsake if nothing else. As it is not clear, this is what I wrote in answer to the question: I will never get too old to…

…try new things. I immigrated from the United Kingdom late in life and found a new home, new friends and new hobbies.

RD snippet

My motto is actually New Opportunities – I even made a desk banner to remind me to pursue new things.

New Opportunities banner

Has an anticipation been tempered for you?

Which POV Should You Use in Your Narrative..?


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When we create a narrative, our first priority is to decide on which point of view we want to use, the narrative perspective or mode. First person, second or third. Each has it’s own guidelines and enables us to manipulate the reader into the mindset of the character or characters we wish them to sympathize with. As the author we are the omnipresent voice, the one who directs the action and reveals the plot. Whose thoughts, feelings and decisions we reveal to our readers can make a great deal of difference in how the story flows and if you want more mystery to the outcome or highlight your characters internal struggle.

Nathan Bransford wrote about the comparison between the third person omniscient versus third person limited here: http://blog.nathanbransford.com/2012/11/third-person-omniscient-vs-third-person.html

Another good link, which assists with choosing your narrative style is here: http://www.thewriteturn.com/whats-your-point-of-view-how-to-choose-the-right-narrative-perspective-for-your-fiction/

And this link has some great worksheets – https://www.ereadingworksheets.com/point-of-view/

No matter which mode you use, you decide on the direction of the tale and what to reveal and what to hide throughout the story.

Which mode do you use or prefer to use?

Have you tried all narrative modes?

Flow Chart

 

 

Engage Your Reader With A ‘What If’..?


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In a normal social environment going beyond acceptable limits is either frowned upon or punished depending on the situation. However, its not such a bad thing for a writer to push the limits. Our imaginations make anything possible. We can even set our own limits in our created worlds. A being with no emotion, such as a vulcan would not think twice about the slaying of another being – as long as it was the logical action in that situation. In the mind of a twisted villian they would view their actions as sanctioned or required within their madness.  While a victim could act violently in self defense and be seen as a hero. Both characters have killed but we view the acts differently. In short, it is ur perspective that colours our view in any situation we come across, experience, watch or read about.

The first time I was consciously aware of the strength of perspective was when I re-read Cujo by  Stephen King. The first time I was a ‘live life to the fullest’ single woman and I felt sorry for the poor dog. The second read, I was a mother and sympathised with the sheer desperation of the woman and her child. Two opposing views for the exact same story.

Which brings me to ponder when we are creating characters and situations should we endeavor to tailor-make the story so it appeals to more than one demographic? 

For example my novel, Life in Slake Patch, is from the viewpoint of a young man perfectly comfortable with a way of life unchanged for generations, until his naive, single young man perspective is changed once he falls in love.

The narrative relays how the all female hierarchy ordered the particular way of life they live under in order to safe guard against another world war. Evan’s perspective changes drastically when he realizes the impact of only visiting his new bride once a week and that he has to continue to live in the male only compound for his lifetime.

Life in Slake

As writers we want our readers to engage in our characters struggles and form a ‘relationship’ with them. Even as a female reader, we can relate to Evan’s predicament – who would want to live separately from the one we loved?

How do you engage your readers?

 

Duality in Your Stories..?


Transgress – definition: 1) to go beyond the limits set by law : violate 2) to pass beyond or go over a limit or boundary; 3) to violate a command or law

In a normal social  environment going beyond acceptable limits is either frowned upon or punished depending on the situation. However, its not such a bad thing for a writer to push the limits. Our imaginations make anything possible. We can even set our own limits in our created worlds. A being with no emotion, such as a vulcan would not think twice about the slaying of another being – as long as it was the logical action in that situation. In the mind of a twisted villian they would view their actions as sanctioned or required within their madness.  While a victim could act violently in self defense and be seen as a hero. Both characters have killed but we view the acts differently.

As always it is a question of perspective. Something I have pressed upon my children. When I was told ‘but I was alright Mum’ – my counter comment is ‘from your point of view, yes you were fine but from mine I imagined you dead in a ditch’. It seemed to do the trick as they are both very good at texting me to let me know where they are and how they are. Yes I admit I have a ‘worse case scenario’ mindset, maybe it’s the writer in me or just the normal motherly instincts for her cubs.

The first time I was consciously aware of the strength of perspective was when I re-read Cujo by Stephen King. The first time I was a ‘live life to the fullest’ single and felt sorry for the poor dog. The second read, I was a mother and sympathised with the poor woman and child. Two opposing views for the exact same story.

Which brings me to ponder when we are creating characters and situations should we endeavor to tailor make the story to appeal to more than one demographic?  For example my novel, Life in Slake Patch is from the viewpoint of a young man realising the way of life unchanged for generations could be a great deal better from his perspective. However, it also shows the hierarchy and why that way of life was structured in the first place. In essence, Evan wants more than only one day to visit his new bride and not to live in a male only compound, while the all female hierarchy has made those exact laws to safe guard from another world war.

LifeinSlakePatch 001character-developmentPyramid from: Profesorbaker’s Blog.

When you study your stories can you identify this type of duality?