At the start of each year, some of us decide on goals for the year. These range from the most common ones, such as weight loss, fitness, and stopping smoking, the ‘healthy ones’ in other words. But, what of the other goals, the practical ones, so to speak? For authors this would be improving our brand, more sales, promotional opportunities, presentations or speaking engagements and more. As writers, we want to increase our word count, the number of projects completed, or receiving publicity or publishing deals.
Obviously, many of these goals go by the wayside pretty quickly, while others make it to mid-year, or possibly later. The question that arises is – why make goals in the first place? Are we swept along with the possibilities of a fresh start? Do we think we can achieve them, and stay committed to our self-inflicted goals? The excitement of a whole new year ahead of us is a powerful momentum for change. I think that is the key to our initial thinking, when it comes to annual goal making.
As we all know that momentum gets harder to maintain as the months roll by. We get off-track.
There are time constraints, health issues, family matters, work events, vacations, seasonal holidays – the list goes on. Each scenario affects how we feel, our ‘free’ time, and what we are able to accomplish. There is always some ‘distraction’ pulling us away from that initial elation of new year possibilities.
So, what is the answer? This is a difficult question to answer, as we are all experiencing life in a multitude of ways. No one person is the same as another. I think the first step is to be totally honest with yourself, when it comes to setting goals in the first place. Too many goals, too loftier a goal and the ‘good grief’ goals should be shelved before they even get ‘out the box’.
Making a goal is a very personal thing. You need to look at what your time will allow and also your personality trait. Do you have a week to week, or month to month planner or do you hope for the best? Or something in-between? Having too many goals sets you up for failure and that isn’t good for anyone. Remember we don’t have to do ALL the goals in one year – pace yourself. Put the most ‘important’ one first, then plan accordingly and stick to it. Put less pressure on yourself and accomplish one or two instead.
You can even make a ‘goal’ under the umbrella of a wider spectrum, such as ‘improvement’, whether for your health or for your writing career. Many of you saw my 2021 goal board link – it is the best board I have made in many years and I don’t think I will be changing it very much for 2022. I have goals I want to reach in the next few years and the board reflects that for me.
Realistically, a goal can take longer than a year. Accept that and work towards it at your own pace. Time constraints and deadlines are not applicable here. We all ‘work’ at different paces, make that work for you.
1. How old were you when you wrote your first writing project? What genre was it?
That’s hard to say. I was writing short stories and designing cover art when I was in second grade. I was writing screenplays and making movies in middle school. I published poetry in college. I started writing my first novel, A Year Since the Rain, when I was in my late twenties, I guess. It was a magical realism novel, and it took a few years for me to finish it.
2. Do you have a favorite genre? What draws you to it?
I like contemporary fantasy/ magical realism because I think these genres allow for an interesting exploration of human experience. I appreciate the ways that realistic characters and settings are allowed to bump up against elements of magic.
3. How does your expression differ from your poetry to short stories to novels?
I look for poetic language in everything, so I try to find something poetic in narrative work as well. Obviously, it’s harder to keep this up for 70,000 words than it is in a page of poetry, but I still look for ways to elevate the diction of my prose with poetic language. With poetry, we’re talking about a stricter economy of language—more limitations based on form and so forth. As a rule, though, my poetry plays with narrative and my prose plays with poetry. I like to explore the marriage of different forms.
4. Magic plays a vital part in your stories – is it a fascination for you?
Like I said before, I think the incorporation of magic in otherwise real settings allows for an interesting exploration of human nature and human experience. If most of the setting and characters feel somewhat familiar, I think readers can buy in a little more. Also, I think the world is full of magic, right? We all experience wonderful and terrible things that we can’t explain. These inexplicable moments are a very human kind of magical experience. That’s how I see it, at any rate.
5.How did you create the characters in your World of Muses Universe?
A lot of my characters are just conflations of real-life people. There are no direct translations of real people, but I definitely mine real life experience for characters.
6. Are there messages in your stories for your readers? What are they?
Absolutely. These messages vary, but I think that mostly I want readers to consider their relationship with the world, with other people, with creativity, and with their own experience. I’m not prescriptive in my messaging. I just want a reader to think.
7.You combine music with poetry/stories – how did this idea/collaboration begin?
I wanted to write a story that would explore creativity and the different goals artists might strive toward. I settled on musicians and visual artists (because, again, I don’t want to write things that are too close to home). When I decided to write about musicians, I started teaching myself to play guitar. I wanted to understand what I was writing, and I wanted to be able to describe it in an organic way that would provide the narrative with a realistic texture. In the long run, I fell in love with the guitar and started writing songs. I even wrote some of the songs from that novel. It’s a cool experience to play these songs at live readings. I think it lends an air of legitimacy to the story.
8.Has your teaching influenced your writing?
I’m not sure that teaching has had a direct influence on my writing. I’ve never written about a teacher or even students. I actively try to avoid writing stories that would hit too close to home in that way. So, I guess in my attempts to write stories from outside of my experience as a teacher, teaching has indirectly influenced my writing.
On another level, though, I do teach literature courses. Reading these classics with my students offers me a great refresher in these stories. I think reading and analysis of stories is incredibly important to a writer, so the fact that this is my job gives me ample opportunity to dive back into those stories from time to time.
I think that my writing has probably influenced my teaching, but that feels like a whole other conversation.
9.Has your MFA course in Creative Writing changed how you write?
I think the most important thing I’ve learned from the MFA is how to better discipline my writing. I have a better sense of how planning and outlining can help streamline a project. The MFA program also forced me to read and work in genres I was less comfortable with, and I think all of that experimentation is good for the process. We could all do with a little more of that experience with discomfort.
10.Do you have a message for your readers?
This is an interesting question. I’m not sure that I’ve ever considered the prospect of speaking directly to the people who read my books. I’ve long considered the writing to be the final word in my part of the conversation. Once a reader has read my book, I’m interested in what that reader has taken from that experience. So, I suppose if I could say anything to the people who read my books it’s this: Thanks! I hope you found something to enjoy.
12. Do you have a blog? Where are you on social media?
I don’t really have a blog that I keep up with consistently at the moment, but people can always catch up with me on social media. I’m @ThatShaneWilson just about anywhere you might care to look.
Shane Wilson is an award-winning author of magical realism and low fantasy. His two novels, A Year Since the Rain and The Smoke in His Eyes are available through all major retailers. He has also published short fiction, creative nonfiction, and poetry. He maintains a blog that focuses on a variety of topics including topics in publication.
Shane has a Master’s degree in English from Valdosta State University and has taught English at community colleges in Georgia and North Carolina. He has been te
Shane Wilson is a storyteller. No matter the medium, the emphasis of his work is on the magical act of the story, and how the stories we tell immortalize us and give voice to the abstractions of human experience. His first two contemporary fantasy novels as well as a stage play, set in his World of Muses universe, are currently available.
Born in Alabama and raised in Georgia, Shane is a child of the southeastern United States where he feels simultaneously at-home and out-of-place. He graduated from Valdosta State University in South Georgia with a Masters in English. He taught college English in Georgia for four years before moving to North Carolina in 2013.
Shane plays guitar and writes songs with his two-man-band, Sequoia Rising. He writes songs as he writes stories–with an emphasis on the magic of human experience. He tends to chase the day with a whiskey (Wild Turkey 101) and a re-run of The Office.
Shane’s novels are A Year Since the Rain (Snow Leopard Publishing, 2016) and The Smoke in His Eyes (GenZ Publishing, 2018). Shane’s short story, “The Boy Who Kissed the Rain” was the 2017 Rilla Askew Short Fiction Prize winner and was nominated for a 2018 Pushcart Prize. An adaptation of that story for the stage was selected for the Independence Theater Reading Series in Fayetteville, NC. More information about Shane can be found at: Shane Wilson Author
Yes, it is NaNoWriMo month and there is the usual flurry of activity. Pre-planning, devising ideas, questioning if you should do it or not and the encouragement of the writing community. As I said before this year’s NaNo, for me, has me delving into an unknown genre and the start of a trilogy.
I have booked every Monday off work in November to allow myself extra time to write. This doesn’t normally happen but without the option of taking vacations, this year due to COVID19, I thought my best use of my days would be short writing retreats and extra time in November.
My first writing day, Sunday, was a super day. I had the house to myself, apart from the dogs, so indulged in writing for most of the day. Apart from several dog walks, and the occasional snack! My total for the day was 14,558. And at the time, I was super happy with that.
However, the next day doubts began to creep in. Had I given too many clues or sited too many suspects within those 14K words? This halted my writing. Should I re-start or continue? As we all know NaNo writing is just the first draft of a manuscript, so I shook off the doubts and returned to the story. Last night’s total was 16,951.
I may have to dissect this novel in the New Year, but for now I will enjoy the journey my characters are taking me on.
Are your participating in NaNoWriMo? What is your project?
When I was struggling to find a concept for NaNoWriMo this year, out of the blue an idea came to mind. Now this, in itself, is not unusual because we all know it happens. However, it was not only the genre that surprised me but the fact the idea formulated as a three book series!
The genre is a detective/crime, something I have not tackled before. Although, I have written in various genres, it is normal for the story to come first and then the genre becomes apparent as I write. This is the complete opposite and makes it an exciting prospect. The idea formulated around three main characters and a common adversary across three books.
The other surprise was that I easily began planning each book – another first for me the self proclaimed free flow writer. I am not sure why this change in technique came about but it will certainly play a big part in this new project.
Whether we plan in detail or go with the flow, there is no right or wrong way to write – we all do it differently, which results in the uniqueness of our narratives.
Firstly, a Happy New Year to you all. I hope the writing gods are kind to you in 2020 and inspire you to write many new stories.
It is customary to make goals or resolutions with the arrival of a new year, some will be accomplished others not, but no matter what, we can help ourselves by planning. There are several way to do this, such as:
Making a goal board
Using a planner
Writing out each goal on your calendar so you have a deadline
Work with a group of friends to encourage each other to stay on track
Or even a mixture of some or all of the above!
As you can see from the image, I have four different ‘planning’ tools – I always use the same fridge calendar, where dates are entered for all my ‘writing’ related items such as conferences, meetings and events etc. This year I am attending a new event, When Words Collide and traveling to new parts of Alberta and British Columbia on writing road trips.
The weekly notepad with the lovely floral background now has my facebook/twitter group schedule so we all post the same subject each day enabling us to share and comment. The smaller notebook has freelance projects listed in it with details, contact information and deadlines. I also have a new ‘word of the day’ desk calendar, which I will use to inspire my Muse.
What do you use to keep yourself on track with your writing life?