It is always exciting, as an author, to announce a book launch, an event or a new narrative idea. Today, I can elude to upcoming changes to my current novels.
There will be a new cover for Life in Slake Patch – watch this space for the reveal or subscribe to my newsletter for a special early reveal.
Also, all my current novels will have (if not present already) BOOK CLUB questions added. If you need copies of the questions for your book club, please message me and I am happy to send them to you. I am also available for virtual book club interviews via Zoom or in person locally. I can organize a giveaway to coincide with the event too. Let’s connect – message me on the contact form.
My narratives include feisty heroine’s, as well as great world building, romance, mystery and adventure. Immerse yourself in a time and place of my imagination – you will love it.
Your novels tend to have unexpected protagonists/settings. Was this a conscious decision or the spark of an idea that evolved? My ideas hit me just as unexpected. It is not like I want to come up with this or that like a contract writer where an idea is developed and catered to a market, I am on the other end of that spectrum. I am not in control of my ideas, and there are plenty, and many I can’t even tackle, most of them I won’t finish in my life time. The once that make it are pressing, have an immediate impact on me and when they linger over weeks I know I have to sit down and deal with them. What brings us to …
Do you plan an outline or free flow write? … this question, and yes I do. For the longest time I had to keep up a job to buy myself time to write (and food and the other trivialities), so I couldn’t just write into the blue and hope the novel turns out well somehow. I had to be sure. I could not waste any time. Early on I developed my outline technique where I work only on 1 letter sized piece of paper, which I could take anywhere (jobs etc.) at all times. Everything is on that 1 page, the entire outline, like “They steal the car”, that’s a beat, at that time I don’t know where they do this for example. Only when I see these beats work and I understand my protagonists, hear them, feel them, know them, and I clearly hear the narrating voice I start the novel. This planning phase takes between 2 and 15 years before I start writing, but then the 1st draft is the novel.
Can you explain how the process of writing with a fellow author works? Is it a chapter each or a combination of thought and writing? I did this more than once, but always we agreed one of us writes a quick first version and the other expands on that. This way the voice of the novel is not flopping back and forth – except there are 2 distinct views or narrators, then this would make sense.
What differences are there from writing a novel to a film script to a song? A song or a poem is the entire opposite to a novel to me. These happen in an instance, a spontaneous outburst in under an hour, unplanned, unmanaged, quasi anarchic in character. A film script (as well as a radio play or a theatre play) is planned like the novel, but the writing is a fraction of it. I love film scripts, I wish more people would read them and they’d become an own literary genre.
Does your music affect your writing or the other way around? All the different media I am working in influence each other, ideas bleed from one form into another (example my song “Joyride Sky” was inspired by my novel “For a Spin”, I invented a band that pops up in a number of my novels, and for the dystopian novel “2112” (working title) I am currently working on I recorded an entire album you can listen to on Bandcamp, the band is called JENNY HAS TRAFFIC. It is fun and adds to the characters.
You have been prolific in the number of publications. Are the ideas still coming as quickly? Do you have a folder of ideas pending? Oh yes, ideas come constantly, I have to dodge them, write them down and put them in the folder. That folder is full with ideas, no way I can write all of them.
What challenges do you face with language? English is my 2nd language. The biggest challenge for me as a writer is not so much the spelling, grammar, vocabulary (you can work on that), but the fact I did not grow up in the English culture, I miss out on most childhood references, sport and political events, etc. I have to live with that, there is no way I can catch up with that.
When you write songs what influences you? My mood. My mood dictates the feeling of a song. Many lyrics come from darker places, I am not a musical comedian although I wrote many funny novels and had the pleasure to experience their impact first hand during my readings in schools between Denmark and Italy.
What propelled you to start you podcast? I was the kid (14 years old) that stayed up late to listen to radio shows at midnight. I always loved the medium, for music and word. I worked for radio in Germany, and as a volunteer I had an own 4 hour show at CJSW at the University of Calgary called PolterZeitGeist where I mixed words and music. Since technology evolved digitally I was able to get the equipment and do it myself.
Can you tell us about your latest project? I received this year the Literary Arts Individual Project Grant by the Alberta Foundation for the Arts to write the dystopian novel “2112”, and I document this process on my homepage in words, photos, audio and video until February 2022.
Is there a message you would like to share with your readers? Don’t judge a book by its cover, please read the first page. Even with my novels, because the narrating voice changes.
Thorsten Nesch is a German author who lives in Lethbridge, Alberta, Canada. 2008 Nesch’s first novel Joyride Ost was nominated for Oldenburger Kinder- und Jugendbuchpreis and the Landshuter Jugendbuchpreis. 2012 the book won the Hans-im-Glück Award
Why did you make the decision to write about your life?
I decided to share my life journey so far to give hope and inspiration to others and let them know they are not alone.
What do you believe readers gain from your experience?
I believe by reading my story readers gain hope, inspiration, an honest birds eye view of New Zealand, a reminder never to give up, it makes one think and is informative, entertaining, a means to draw strength from and can even save lives.
Did you think The New Zealand Dream idea would grow into a series?
Originally I planned to release The New Zealand Dream as one book, I may still do this later. The idea of releasing the books as a series is a way for me to give my readers something to read while I am still completing the series.
How has your life experience impacted your writing?
Writing has been my therapist and brought me healing. My life experiences made me realize people need to hear my story, so many go through similar experiences isolated and alone, by sharing my story one can know they are not alone and you can heal and come through. I wanted to give readers the bare truth, no sugar coating, keeping it real and honest as this is what people need to hear, by doing my story is relatable.
Do you have a favourite place to write?
Somewhere quite, usually my lounge room or outside in amongst nature.
How do you juggle home life and writing?
When I was working as a nurse full time and bringing up two children, one with special needs. I would write in the evenings and early mornings. My health dictated I change careers, I know write fulltime, my books, short stories and my blog. I also help others to share and write their story and collaborate with other writers and authors. I am very blessed that I now have a loving husband who supports me in this.
What factors made you choose a pen name?
I chose a pen name and to use made up names for the characters and places in my book to protect myself from any law suits and respect the privacy of the characters who are real life people and some are still alive.
When writing fiction and non-fiction what differences in your demeanor occur?
When I write fiction my imagination really shines through and I can take the reader into another world. When I write non fiction I write simply and to the point as though I am sharing a lesson or revelation.
I offer one on one mentoring services where I can coach you through finishing your writing project. Sessions are done by email in hourly slots.
This is for anyone struggling with a writing project fiction or nonfiction or who would like to share their story and discover how writing can help you heal.
My name is Elise Brooke, I grew up in Hawkes Bay NZ. My parents moved to NZ from England and South Africa, to create their New Zealand Dream, this quickly turned into my New Zealand nightmare. Writing is a very powerful healing tool, sharing your story can save lives. I have written and published two autobiographies in my book series “The New Zealand Dream,” by Sheila my pen name, I wrote this book to inspire and give hope to others.
My passion is creative writing, I’ve been writing for 24 years in fiction and poetry and content. I have published many articles and guest post and conduct interviews on my website I built from scratch. I am a writing coach/mentor I mentor people who would like to write and share their own stories.
A book cover is an intrinsic part of any book. It is the initial draw for a reader to pick up the book before reading the blurb and deciding if the narrative appeals or not. For any of the best seller author’s you may pick the book in the knowledge you know their writing style and genre. However, have you ever wondered why there are differences in the actual book cover depending on where you live in the world.
Take a couple of Stephen King books for instance. (You all know I love him!) I have the UK and USA versions of two of his books below. The images relate to the narratives but are very different in atheistic.
So why the differences?
Publishers buy the text of a book, not the cover as the cover is the property of the initial publisher. So this means international publishers have a choice:
Negotiate a license for the initial cover or,
Make their own cover.
Publishers generally choose the second option, as it gives them the opportunity to make their own creative choices. This is dependent on their market and the position the book. There may also be factors, such as the size of the market. The UK has a smaller marketplace as opposed to the US, which is a larger geographic area. The book cover may need to be more specific in a larger marketplace. Each editor has their own vision for the book and a good sense of their market, so will use a cover that best serves that genre’s (and author’s) readers. In most cases, publishers are only buying rights to the book for a single country or language, so can tailor make the cover to suit.
The other reason for a change in a book cover is to update it to current atheistic and tastes. A book cover published in the 1970’s would look outdated and tired, so a new look can attract younger readers.
For example: The Stand. As you can see the 1978 original is dark & light fighters, then the TV movie tie-in cover and also an array of other covers. It gives you an idea of the development of a cover for the same narrative.
Do you have older versions of books on your shelf? Care to share?
I did actually change one of my covers. The first one, I created myself (and it looks it to be honest!) The second I hired a designer. I love the imagery.
Then when I wrote the sequel, my designer created a complimentary cover.
1. How old were you when you wrote your first writing project? What genre was it?
That’s hard to say. I was writing short stories and designing cover art when I was in second grade. I was writing screenplays and making movies in middle school. I published poetry in college. I started writing my first novel, A Year Since the Rain, when I was in my late twenties, I guess. It was a magical realism novel, and it took a few years for me to finish it.
2. Do you have a favorite genre? What draws you to it?
I like contemporary fantasy/ magical realism because I think these genres allow for an interesting exploration of human experience. I appreciate the ways that realistic characters and settings are allowed to bump up against elements of magic.
3. How does your expression differ from your poetry to short stories to novels?
I look for poetic language in everything, so I try to find something poetic in narrative work as well. Obviously, it’s harder to keep this up for 70,000 words than it is in a page of poetry, but I still look for ways to elevate the diction of my prose with poetic language. With poetry, we’re talking about a stricter economy of language—more limitations based on form and so forth. As a rule, though, my poetry plays with narrative and my prose plays with poetry. I like to explore the marriage of different forms.
4. Magic plays a vital part in your stories – is it a fascination for you?
Like I said before, I think the incorporation of magic in otherwise real settings allows for an interesting exploration of human nature and human experience. If most of the setting and characters feel somewhat familiar, I think readers can buy in a little more. Also, I think the world is full of magic, right? We all experience wonderful and terrible things that we can’t explain. These inexplicable moments are a very human kind of magical experience. That’s how I see it, at any rate.
5.How did you create the characters in your World of Muses Universe?
A lot of my characters are just conflations of real-life people. There are no direct translations of real people, but I definitely mine real life experience for characters.
6. Are there messages in your stories for your readers? What are they?
Absolutely. These messages vary, but I think that mostly I want readers to consider their relationship with the world, with other people, with creativity, and with their own experience. I’m not prescriptive in my messaging. I just want a reader to think.
7.You combine music with poetry/stories – how did this idea/collaboration begin?
I wanted to write a story that would explore creativity and the different goals artists might strive toward. I settled on musicians and visual artists (because, again, I don’t want to write things that are too close to home). When I decided to write about musicians, I started teaching myself to play guitar. I wanted to understand what I was writing, and I wanted to be able to describe it in an organic way that would provide the narrative with a realistic texture. In the long run, I fell in love with the guitar and started writing songs. I even wrote some of the songs from that novel. It’s a cool experience to play these songs at live readings. I think it lends an air of legitimacy to the story.
8.Has your teaching influenced your writing?
I’m not sure that teaching has had a direct influence on my writing. I’ve never written about a teacher or even students. I actively try to avoid writing stories that would hit too close to home in that way. So, I guess in my attempts to write stories from outside of my experience as a teacher, teaching has indirectly influenced my writing.
On another level, though, I do teach literature courses. Reading these classics with my students offers me a great refresher in these stories. I think reading and analysis of stories is incredibly important to a writer, so the fact that this is my job gives me ample opportunity to dive back into those stories from time to time.
I think that my writing has probably influenced my teaching, but that feels like a whole other conversation.
9.Has your MFA course in Creative Writing changed how you write?
I think the most important thing I’ve learned from the MFA is how to better discipline my writing. I have a better sense of how planning and outlining can help streamline a project. The MFA program also forced me to read and work in genres I was less comfortable with, and I think all of that experimentation is good for the process. We could all do with a little more of that experience with discomfort.
10.Do you have a message for your readers?
This is an interesting question. I’m not sure that I’ve ever considered the prospect of speaking directly to the people who read my books. I’ve long considered the writing to be the final word in my part of the conversation. Once a reader has read my book, I’m interested in what that reader has taken from that experience. So, I suppose if I could say anything to the people who read my books it’s this: Thanks! I hope you found something to enjoy.
12. Do you have a blog? Where are you on social media?
I don’t really have a blog that I keep up with consistently at the moment, but people can always catch up with me on social media. I’m @ThatShaneWilson just about anywhere you might care to look.
Shane Wilson is an award-winning author of magical realism and low fantasy. His two novels, A Year Since the Rain and The Smoke in His Eyes are available through all major retailers. He has also published short fiction, creative nonfiction, and poetry. He maintains a blog that focuses on a variety of topics including topics in publication.
Shane has a Master’s degree in English from Valdosta State University and has taught English at community colleges in Georgia and North Carolina. He has been te
Shane Wilson is a storyteller. No matter the medium, the emphasis of his work is on the magical act of the story, and how the stories we tell immortalize us and give voice to the abstractions of human experience. His first two contemporary fantasy novels as well as a stage play, set in his World of Muses universe, are currently available.
Born in Alabama and raised in Georgia, Shane is a child of the southeastern United States where he feels simultaneously at-home and out-of-place. He graduated from Valdosta State University in South Georgia with a Masters in English. He taught college English in Georgia for four years before moving to North Carolina in 2013.
Shane plays guitar and writes songs with his two-man-band, Sequoia Rising. He writes songs as he writes stories–with an emphasis on the magic of human experience. He tends to chase the day with a whiskey (Wild Turkey 101) and a re-run of The Office.
Shane’s novels are A Year Since the Rain (Snow Leopard Publishing, 2016) and The Smoke in His Eyes (GenZ Publishing, 2018). Shane’s short story, “The Boy Who Kissed the Rain” was the 2017 Rilla Askew Short Fiction Prize winner and was nominated for a 2018 Pushcart Prize. An adaptation of that story for the stage was selected for the Independence Theater Reading Series in Fayetteville, NC. More information about Shane can be found at: Shane Wilson Author