Mandy Eve-Barnett's Blog for Readers & Writers

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Author Interview – Nina Munteanu

October 10, 2020
mandyevebarnett


  1. When did you first start writing?

Not until I was a teenager when I wrote my first complete novel (“Caged-In World”—which later served as a very rough draft for my first published novel, “Darwin’s Paradox”). My first published work was my non-fiction article “Environmental Citizenship” which appeared in Shared Vision Magazine in 1995. My first fiction work was a short story entitled “Arc of Time”, which was published in Armchair Aesthete in 2002. However, I told stories long before I wrote them and long before any of them was published. I told stories in the form of cartoons. Since I was a small child, I wanted to be a cartoonist and write graphic novels (back then I knew them as comics). I created several strips with crazy characters that I drew, blending my love for drawing with my love for storytelling.

  • What made you decide on science fiction as a genre?

That goes back to my love for comics. I wasn’t much of a reader as a kid. While my older brother and sister devoured The Hardy Boys and Nancy Drew series, I secreted myself in the back corner of Williams General store and read Superman and Superboy, Supergirl, Batman, The Fantastic Four, Flash, Magnus Robot Fighter and Green Lantern. I was obviously enamoured with the fantastic. When I earnestly started to read things other than comics, I came across the SF classics: Huxley, Orwell, Heinlein, Clarke, Silverberg and Asimov to name a few. Bradbury sent me over the moon and his “Martian Chronicles” made me cry. I wanted to write like him and move readers like he’d done with me.

The reason I continue to write in this genre is because of its ability to encompass the creative imagination and application of metaphor to story. Given its wide range of possibilities in creating a believable reality of the fantastic, science fiction provides a compelling platform for metaphoric storytelling. Possibilities for powerful archetypes abound. Where else can you make water an actual character?   

  • Was the ecological aspect of your stories a gradual realization or your primary objective?

My primary objective was always to tell a compelling and meaningful story and hopefully to move readers. The ecological aspects slid in unannounced like a shadow character. It made sense: the environment and how we treat it (and ourselves by extension) has always been something important to me since I was a child. So, while I was writing science fiction, it was also eco-fiction. When the brand became more known, I realised that this was the kind of science fiction I was writing most of the time. 

  • Do you prefer writing novels or short stories?

I love writing both forms. Each form challenges in a different way and each lends itself to a different kind of story. Since I was a child, I had wanted to write novels. But as I got older and became familiar with the publishing industry, I learned that one of the best ways to get exposure and credentials to successfully publish a first novel was to get known as a published short story writer. So, I started writing short stories. I didn’t write them very well at first; they read like novel-wannabies. And that’s exactly the feedback I got from the magazines I submitted to. Then I figured it all out and I started to sell my short stories. Lots of them. And reprints too. They’ve even won some awards! When I published my first novel in 2007, I didn’t stop writing short. While my love for the novel drives my writing (I have published nine novels so far), I love the short form for its challenges and need for discipline and its powerful platform of “short.”  I am particularly proud of my two latest shorts: “Alien Landscape” in The Group of Seven Reimagined (2019); and “Out of the Silence” in subTerrain Magazine, Issue 85 (2020).

  • Does your teaching aid your writing or the other way around?

Both. I teach writing skills to scientists, medical students and engineers. I also teach creatives who are learning to write long and short fiction. What I find is that my writing and publishing experiences—both the successes and the failures—help me share more practical lessons with my students. Experiences with my students also help my writing. In fact, my latest non-fiction book—the third book of my Alien Guidebook Series on place as character (“The Ecology of Story: World as Character”)—came largely from my experiences with my students.

  • Do you prefer writing fiction or non-fiction?

I love both forms for different reasons. If I had to pick one from passion, I’d pick fiction and its expression of my imagination; if I had to pick one from utility and general satisfaction, I’d pick non-fiction for how it responds to and communicates reality. Having said that, they are more like each other than many readers realize. Both tell stories. Both use compelling narrative with a tease or hook and final conclusion. Both require research. Both must create a believable “reality” and both dispense truth—in non-fiction truth is literal and in fiction it is metaphoric. But then there are hybrids out there such as creative non-fiction and diaries or journals. And finally my latest piece of fiction—“A Diary in the Age of Water”—that reports on real events and real people.

  • Can you tell us about your newest book “A Diary in the Age of Water”?

The book is essentially a journey of four generations of women, who have a unique relationship with water, during climate change and water shortage. The book spans over forty years (from the 2020s to the 2060s) and into the far future, mostly through the diary of a limnologist (someone who studies freshwater), which is found by a future water-being. During the diarist’s lifetime, all things to do with water are overseen and controlled by the international giant water utility CanadaCorp—with powers to arrest and detain anyone. This is a world in which China owns America and America, in turn, owns Canada. The limnologist witnesses and suffers through severe water taxes and imposed restrictions, dark intrigue through neighbourhood water betrayals, corporate spying and espionage, and repression of her scientific freedoms. Some people die. Others disappear…

  • How did you come up with the concept for the book?

It started with a short story I was invited to write in 2015 about water and politics in Canada.  I had long been thinking of potential ironies in Canada’s water-rich heritage. The premise I wanted to explore was the irony of people in a water-rich nation experiencing water scarcity: living under a government-imposed daily water quota of 5 litres as water bottling and utility companies took it all. I named the story “The Way of Water.” It was about a young woman (Hilda) in near-future Toronto who has run out of water credits for the public wTap; by this time houses no longer have potable water and their water taps have been cemented shut; the only way to get water is through the public wTaps—at great cost. She’s standing two metres from water—in a line of people waiting to use the tap—and dying of thirst.

The Way of Water” captures a vision that explores the nuances of corporate and government corruption and deceit together with global resource warfare. In this near-future, Canada is mined of all its water by thirsty Chinese and US multinationals—leaving nothing for the Canadians. Rain has not fallen on Canadian soil in years due to advances in geoengineering and weather manipulation that prevent rain clouds from going anywhere north of the Canada-US border. If you’re wondering if this is possible, it’s already happening in China and surrounding countries.

  • Is there anything else you would like to mention or advise your readers?

I’m often also asked why I chose to write the fiction book as mostly a diary. I was writing about both the far and the near future and much of it was based—like Margaret Atwood and her books—on real events and even real people. I wanted personal relevance to what was going on, particularly with climate change. I also wanted to achieve a gritty realism of “the mundane” and a diary felt right. Lynna—the diarist—is also a reclusive inexpressive character, so I thought a personal diary would help bring out her thoughts and feelings more. There’s nothing like eves-dropping to make the mundane exciting. The diary-aspect of the book characterizes it as “mundane science fiction” by presenting an “ordinary” setting for characters to play out. The tension arises more from insidious cumulative events and circumstances that slowly grow into something incendiary. 

  1. Where can readers find your work?

In the usual places: in the local libraries or book stores, on Amazon, Kobo, Barnes & Noble and through the publisher. You can also go to my writing / coaching website www.ninamunteanu.me where I keep an updated publication list and a bookstore window to other bookselling outlets. Most of my books are available in several formats: print, ebook, audiobook.

Bio:

Nina Munteanu is a Canadian ecologist / limnologist and award-winning novelist and short story writer. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Nina’s non-fiction book “Water Is…” by Pixl Press was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. “A Diary in the Age of Water” is her thirteenth book.

Find Nina’s books here: http://www.ninamunteanu.ca/bookstore/

Website:http://www.ninamunteanu.me

Find Nina on FacebookTwitterLinkedInTumblr and Pinterest

https://www.amazon.ca/s?i=stripbooks&rh=p_27%3ANina+Munteanu&s=relevancerank&text=Nina+Munteanu&ref=dp_byline_sr_book_1

Author Toolbox Blog Hop- Character Building

August 13, 2020
mandyevebarnett


character-cube

Whether you spend time intricately plotting and creating your story line or let the story flow unbidden, one facet of all stories that must be created and created well are its characters. Your protagonist, antagonist and all the supporting characters have a ‘job’ to do. They must give our readers an insight into their personalities, their struggles, ambitions and fears. Characters build the ‘world’ you have set your characters within by showing it through their eyes, their thoughts and actions.

Every writer has his or her own methods, when it comes to the creation of a character.

  1. Name,
  2. Physical attributes
  3. Personality traits.
  4. Setting.

For example, Setting: an alien being trapped in a spacecraft, a monster hunting its prey or specific behavior traits for period pieces.

Physical features: This primarily gives our readers an image but more importantly an idea of their personality. A thin, acne-faced teenager will not automatically give our readers the idea of a ‘superman’ kind of personality but a muscle bound, athletic type could.

Name: a good starting point for our creation, but it is also a minefield. Research into real persons, living or dead should be foremost, unless of course you are writing about that particular person.

Accent: a character’s voice says a lot about their location and background.

Real people or not: We can base characters on people we know or a combination of several or from people watching – an author’s favorite pastime. As writers situations, overheard conversation and life in general is a constant source of inspiration.

character-development (1)

There are numerous ‘character development work sheets’ available on the Internet and it can be useful to fill them in for your main characters, if you have no clear ‘picture’ of them to begin with.

I tend to write the story letting my characters dictate how their story will unfold. In so doing the characters develop creating their own story. This tends to change the narrative from my initial perception.  In this way they may develop characteristics I had not considered or react quite differently to a situation from my preconceived idea. This method may seem harder than having a detailed description of each pivotal character, their backstory and emotional compass, but it is my method.

We ‘live’ with our characters for a long time and they become ‘real’ to us. This enables us to write the story with ‘insider knowledge’ of our characters backstory, their emotional compass and their ultimate goal. This knowledge becomes paramount during the subsequent drafts and editing process, giving us a well-rounded character and a believable one for our readers. In truth, the initial draft is the testing ground for our characters, and revisions make them well rounded and ‘believable’.

Character profile

How do you create your characters?

Recognize these characters? Remember how irate poor Wile E Coyote would become with Road Runner? No matter what he did he never succeeded in catching his ‘dinner’. Beep, beep would ring out as yet another ACME kit damaged the coyote instead of the bird. It was truly a lesson in perseverance. No matter how many times the speedy bird escaped the coyote he would try, try, try again. I actually went past a road sign to Acme on my way to Canmore one time and wished I could have made a detour just for the fun of it.

wile-e-coyote-roadrunner

The art of creating such lovable and memorable characters is what every author strives for. We hope our creations will stay in our readers minds long after the last page has turned. Character profiles and back story play a large part in ensuring our characters are well rounded and believable. We delve into their personality type seeking out traits and habits to make them react to their crisis situations in an authentic way.

Do you make up scenarios for people you observe? Have any made it in to a manuscript?

 

Without characters our stories would have no real impact on our readers. We write to engage and intrigue them and hopefully make our protagonist the character our reader cares about. If your experience is anything like mine, there is usually one, or possibly two characters, that make their presence known in no uncertain terms. They want the starring role in our narrative. These characters are usually more defined in our minds and are ‘easier’ to relate to, whether because of a personality trait or that they are more fun to write. When creating the protagonist and antagonist in our stories, we give each opposing views and/or values. This is the basis of the conflict that carries our readers along their journey. Each character, whether major or minor, needs to have flaws and redeeming features, motivations, expectations, loyalties and deterrents.

With such a guideline our characters become clearer. A lot of the details will never reach the pages of our manuscript but knowing our characters well makes for a more believable personality as they struggle through the trials and tribulations, we subject them to. As most of you know I am a ‘free flow’ writer so everything is by the seat of my pants until the editing starts. This is where I find character flaws or great character traits that I can correct or build upon. My characters live with me during the writing process and usually lead me in directions I had never considered – I’m sure many of you can relate to that. As these personalities gain strength they become more ‘real’ and that is the moment their true selves appear.

When creating characters we must remember to ensure that each character acts and responds true to their given personality. Character profiles are a good way of ‘getting to know’ our characters. For example this sheet.

character

Author Toolbox Blog Hop – Creating A Writing Session

July 16, 2020
mandyevebarnett


Nano Blog and Social Media Hop2

We all want the time and space to write more. Life gets in the way a lot of the time, but if you make some ‘writing’ time within our normal life, it can be done.

person writing on notebook

Photo by Julia M Cameron on Pexels.com

Firstly, it seems obvious but set a goal for your writing session. Do you know what your objective is? Are you brainstorming, creating a character description, outlining a plot, starting a new project or completing one?

Secondly, prepare for what you will be writing, do your homework for locations, period etc. Brainstorm ideas before you start, make notes. Create a inspiration list and find images for your story’s setting and characters. Make up a board, either physical or digital that you can have in front of you as you write.

TIP: Don’t be too ridge, let the story flow – it doesn’t always go to plan! But that’s the joy of writing.

 Thirdly, gauge how committed you are to this piece of writing? Are you excited to start or is it feeling like a chore? If the latter, try something new or another project.

TIP: Use word or picture prompts to ignite your Muse to get you started and in a writing mood.

Also make sure you are in a good writing spot. Have you minimized distractions? Do you need quiet or music, a cafe or library setting. Or is your home space best for you or will there be too many interruptions?

Decide on how long you will write for. Don’t make the session too long or it will dampen your enthusiasm. Ensure you have breaks for refreshments, to stretch or even go for a walk.

Once you have these elements in place check your clock and set the timer. Don’t look at it constantly – just write. Lose yourself in the narrative. Enjoy the process. Don’t edit as you write – let the process flow. Let your imagination expand.

TIP: Don’t edit or revise – just write.

I like to sit in my living room with my laptop on a little table – in the warmer months, I can look out at the lawn and watch the birds & bunnies and in the cold months, I enjoy the fireplace. When we go on road trips, I usually sit at the desk or on the bed with my little table.

 Where is your ‘go to’ writing spot?

What are you working on currently?

Wordsmith’s Collective Thursday – #AuthorToolboxBlogHop – Define a Genre for Your Narrative

February 20, 2020
mandyevebarnett


genre-picture-2Being aware of your genre can help you contextualize your story but remember—just because you may have been writing towards a certain kind of genre, it may not mean that’s what your story actually is.

Common Genres include:

  • Thriller –built around the fast-paced pursuit of a life-or-death goal.
  • Fantasy – typified by fantastic aspects, such as magic.
  • Sci-fi – Sometimes called ‘speculative’ fiction. Fiction typified by scientific aspects, such as nonexistent technology or alternative realities.
  • Horror – instilling dread or fear in the reader. Sometimes but not always featuring supernatural aspects.
  • Mystery – solving of a mysterious set of circumstances.
  • Crime – typified by a focus on criminal activities.
  • Historical – set within a defined time period but drawing context from the cultural understanding of that time.
  • Western – typified by aspects of the American frontier.
  • Romance –focuses on a romantic relationship as the source of its drama.
  • Erotica – primarily intended to instill arousal in the reader.
  • Literary – focuses on realistic, weighty issues, typified by character-focused writing and a lack of other genre features.
  • Adventure Story
    A genre of fiction in which action is the key element, overshadowing characters, theme and setting. … The conflict in an adventure story is often man against nature. A secondary plot that reinforces this kind of conflict is sometimes included.
  • Biographical Novel
    A life story documented in history and transformed into fiction through the insight and imagination of the writer. This type of novel melds the elements of biographical research and historical truth into the framework of a novel, complete with dialogue, drama and mood. A biographical novel resembles historical fiction, save for one aspect: Characters in a historical novel may be fabricated and then placed into an authentic setting; characters in a biographical novel have actually lived.
  • Ethnic Fiction
    Stories and novels whose central characters are black, Native American, Italian American, Jewish, Appalachian or members of some other specific cultural group. Ethnic fiction usually deals with a protagonist caught between two conflicting ways of life: mainstream American culture and his ethnic heritage.
  • Fictional Biography
    The biography of a real person that goes beyond the events of a person’s life by being fleshed out with imagined scenes and dialogue. The writer of fictional biographies strives to make it clear that the story is, indeed, fiction and not history.
  • Gothic
    This type of category fiction dates back to the late eighteenth and early nineteenth centuries. Contemporary gothic novels are characterized by atmospheric, historical settings and feature young, beautiful women who win the favor of handsome, brooding heroes—simultaneously dealing successfully with some life-threatening menace, either natural or supernatural. Gothics rely on mystery, peril, romantic relationships and a sense of foreboding for their strong, emotional effect on the reader.
  • Historical Fiction – story set in a recognizable period of history. As well as telling the stories of ordinary people’s lives, historical fiction may involve political or social events of the time.
  • Horror – includes certain atmospheric breathless and unexplainable dread of outer, unknown forces.
  • Juvenile – intended for an audience usually between the ages of two and sixteen. The language must be appropriate for the age of the reader, the subject matter must be of interest to the target age group, the opening of the work must be vivid enough to capture the reader’s attention and the writing throughout must be action-oriented enough to keep it with the use of suspense and the interplay of human relationships. Categories are usually divided in this way: (1) picture and storybooks (ages two to nine)… ; (2) easy-to-read books (ages seven to nine)… ; (3) “middle-age” [also called “middle grade”] children’s books (ages eight to twelve)… ; (4) young adult books (ages twelve to sixteen.
  • Literary Fiction vs. Commercial Fiction
    Literary, or serious, fiction, style and technique are often as important as subject matter. Commercial fiction is written with the intent of reaching as wide an audience as possible. It is sometimes called genre fiction because books of this type often fall into categories, such as western, gothic, romance, historical, mystery and horror.
  • Mainstream Fiction – transcends popular novel categories—mystery, romance or science fiction, [etc.] and is called mainstream fiction. Using conventional methods, this kind of fiction tells stories about people and their conflicts but with greater depth of characterization, background, etc. than the more narrowly focused genre novels.
  • Nonfiction Novel – real events and people are written [about] in novel form but are not camouflaged and written in a novelistic structure.
  • Popular Fiction
    Generally, a synonym for category or genre fiction; i.e., fiction intended to appeal to audiences for certain kinds of novels. … Popular, or category, fiction is defined as such primarily for the convenience of publishers, editors, reviewers and booksellers who must identify novels of different areas of interest for potential readers.
  • Psychological Novel
    A narrative that emphasizes the mental and emotional aspects of its characters, focusing on motivations and mental activities rather than on exterior events.
  • Roman a Clef
    The French term for “novel with a key.” This type of novel incorporates real people and events into the story under the guise of fiction.
  • Romance Novel – the romance novel is a type of category fiction in which the love relationship between a man and a woman pervades the plot.
  • Romantic Suspense Novel – romantic suspense novel is a modern emergence of early gothic writing and differs from traditional suspense novels because it moves more slowly and has more character interplay and psychological conflict than the fast-paced violence of [most] suspense thrillers.
  • Science Fiction [vs. Fantasy]
    Science fiction can be defined as literature involving elements of science and technology as a basis for conflict, or as the setting for a story.
  • Techno-Thriller – utilizes many of the same elements as the thriller, with one major difference. In techno-thrillers, technology becomes a major character.
  • Thriller – intended to arouse feelings of excitement or suspense focusing on illegal activities, international espionage, sex and violence.
  • Young Adult – refers to books published for young people between the ages of twelve and seventeen.

Do real research, describe aesthetic/tone/vibe over content, and be open to adjusting your decision down the line as you grow more accustomed to working with genres.

genre

Genre is different from age group

Genre isn’t the age group you’re writing for.  Age group and genre are often said together, so it’s easy to think they’re the same, but they’re not. For example: Young adult is the age group – Spy and thriller are the genres.

The primary age groups are:

– Board books: Newborn to age 3
– Picture books: Ages 3–8
– Colouring and activity books: Ages 3–8
– Novelty books: Ages 3 and up, depending on content
– Early, levelled readers: Ages 5–9
– First chapter books: Ages 6–9 or 7–10
– Middle-grade books: Ages 8–12
– Young adult (YA) novels: Ages 12 and up or 14 and up

Choose a primary genre

When you pick your primary genre, you’re identifying the most prominent elements of your book. Ask the following questions.

You may have a handful of these elements in your book but when picking a primary genre focus on the most dominant aspects of your novel.

Is there magic?

If the answer is yes, then your book is most likely a fantasy. Is it set it in a fictional world that you created from scratch (like Lord of the Rings)? Then you probably have a high fantasy. Or is it built into our own world? If so it is most likely an urban fantasy.

Is it a fairy tale or a fairy tale retelling then you might want to classify your book as such.

Are there paranormal creatures (such as vampires, zombies, etc.)?

If there are, then it could be a fantasy, or it could be a supernatural/paranormal. Fantasy and paranormal are closely related and share some overlap, so it comes down to what is the more dominant element. If the magic is the more dominant element, then you have a fantasy. If the creatures are the more dominant element, then it’s supernatural.

When is it set?

If it’s set in the past, it’s probably a historical fiction. If it’s set in the present, you’ve got a contemporary and if it’s set in the future, it’s probably science fiction.

Where is it set?

If it’s set in this world, it might be a historical or contemporary. If it’s set in a world you made up, it might be some kind of fantasy or science fiction.

Is there manipulated science/technology?

If you are using significant manipulation of the science, we know today it’s likely to be science fiction. If you have time travel, then you could consider it science fiction.

Is there an element of mystery/crime to solve?

If the main purpose of your plot is mystery, then this is the genre you will use.

Is it laugh-out-loud funny?

If it is, then you’ve got a comedy

Is it a tear-jerker or a book with a lot of interpersonal conflicts?

Then it’s probably some form of drama.

Is there a romance?

Use the romance genre when the central plot of the book is a romantic relationship.

Is it intended to scare?

Then you’ve got a horror.

Is it “literary”?

If it’s a deep book, rich with symbolism and deeper meaning that’s meant to be dissected an analyzed than you most likely have written a work of literary fiction.

Is it action packed?

If your book is littered with action scenes like fights and car chases, then you have an action or thriller on your hands.

Is it about a terrible version of this world?

Then you’re looking at a dystopian.

Now decide which elements you think are the strongest/most prominent. That’s your primary genre.

Do your research

Make sure you do your research and have a good understanding of genre conventions. Readers of each genre have certain expectations. While you can most definitely take some liberties, you want to make sure you’re giving your readers what they’re looking for.

Note*** I did a series of posts throughout 2018 detailing every genre if you want to scroll through put ‘genres’ in the search box.***

#AuthorToolboxBlogHop

More Toolbox Blogs here: https://raimeygallant.com/

 

Author Interview – Rick Prashaw

November 26, 2019
mandyevebarnett


AuthorInterview

rick

Soar, Adam, Soar, by Rick Prashaw with Adam Prashaw, (Dundurn Press, 2019)
What inspired Soar, Adam, Soar? I intended to write my own, unusual life story. A Catholic priest married and became Dad to a child identified as a girl, named Rebecca Adam by smart parents (LOL), the kid who took us on a 22-year ride to the “boy in the mirror” he knew he was. His drowning at 22 from a seizure gave the memoir a new twist and urgency.

How did you come up with the title? It’s my final 3 words on a Facebook tribute to him the night he died. The post is Chapter 12 in the book. The phrase popped into my head writing that night about our long ago love of the movie, ​Lion King. Mufasa telling the small Simba that one day he could look to the sky to find his father. Except here, in a cruel tragedy,the old Mufasa lives. I look for my Simba in the stars.

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Is there a message in your book that you want readers to grasp? Love wins! Diversity is good. “Beauty comes in many colours”, Adam posted once.Freedom is what we do to what happens to us (Jean-Paul Sartre). Despite the tragedy, Adam’s infectious joy, positive spirit and wicked humour infuse the story, especially with his 125-plus social media posts. ​Jan. 20, 2016​, two days before the drowning: “Death is not the greatest loss in life. The greatest loss is what dies in us while we live (Norman Cousins)…”

Where can readers find you on social media and do you have a blog? Everywhere, like my son LOL! Web site, http://www.rickprashaw.com with blogs (book tour, transgender, grieving, organ donor, faith). @RickPrashaw on Instagram, Linkedin and Twitter. There’s a FB Author page here ​https://www.facebook.com/RickPrashaAuthorw/

Do you have plans for your next book? Is it a sequel or a stand alone? 2 books moving forward, simultaneously. ​Father Rick, Roamin’ Catholic, stories from my faith journey that capture my crooked, straight path to heaven’s gate. Adam will show up here. ​Private Dick Prashaw, D-Day Dodger, will be my Dad and Mom’s WW2 love story, a creative non-fiction book I throw myself into as a character to finally get Dad’s war story out of him.s

Do you favor one type of genre or do you dabble in more than one? I read and am writing memoirs, biographies. There will be a few more memoirs drawing on my political and newspaper lives. The creative non-fiction book has me in a sweet place of writer’s terror. And I’m loving short stories falling out of my heart to the screen.

What is your best marketing tip? From my NGO and political work, I knew John McKnight’s community assets mapping. Map all the universes you inhabit — work, play, sports, hobbies, neighbour, school, past lives etc. Identify their social media, meet-ups or gathering places to market the book. Parenting, grieving, Pride and organ donor universes are part of why ​Soar, Adam, Soar ​ is in its 4th printing eight months out.

Do you find social media a great tool or a hindrance?
Both! I love telling Adam’s story but I crave a hermitage right now. Instagram is new and good. Twitter with its trolls and fights is a necessary evil. Facebook works as readers and my friends devour the stories behind the book and from the 32-city (and counting) tour

What do you enjoy most about writing? All my life until now, I wrote for others, e.g. news editors, religious superiors, NGO and political bosses. Now I write to myself. The best book compliments are from people who know me and say your book is exactly as if I am speaking to them. I found my voice.

Do you read for pleasure or research or both? Pleasure, with a heaping side plate of research. I am reading a few war and faith books prepping for my next two memoirs. Waub Rice’s​ Moon over Crusted Snow is my stepping into fiction writing coming soon!

Who is your best supporter/mentor/encourager? My mutt, Dallas, a 7-year-old flat-coated retriever who Adam adopted, stalks me everywhere. Adam’s my agent.

Where is your favorite writing space? I wrote this memoir at my home office, in Adam’s old bedroom. Cereal bowls of coffee, 6 a.m. to 1 p.m. writing, punctuated by two walks with Dallas

Do you belong to a writing group? If so which one? Ottawa Independent Writers Group that meets once a month. Online, the Canadian Authors Association, National Capital Region.

If you could meet one favorite author, who would it be and why? It’s often the book I have just finished. Hmmm, one. Michelle Obama, to soak up her class and energy and thank her for being my book’s guardian angel in the O Biography section, with​ Becoming,
​ a shelf above and over ​Soar, Adam, Soar.

If you could live anywhere in the world – where would it be? 2 answers. (Sorry. I’m bad with rules) Right here in my beautiful Ottawa and back “home” in Northern Ontario (North Bay, Sudbury)

Do you see writing as a career? Well, as an emerging writer at 68, till my last breath….

What reward do you give yourself for making a deadline? Wine, chocolate,​ Peaky Blinders.

Bio:

Rck Prashaw has had a diverse career as a journalist, Catholic priest, executive director of a national NGO, and political staff to members of Parliament. He is a winner of the National Ron Wiebe Restorative Justice Award. Rick lives in Ottawa.

Blog at WordPress.com.