Plantation tradition is a genre of literature based in the southern states of the United States. The genre generally sets the era as occurring or existing before the American Civil War.
Before the American Civil War several works idealized the plantation, such as John Pendleton Kennedy’s 1832 The Swallow Barn. However, plantation tradition became more popular in the late-nineteenth century, due to the reaction against slave narratives like those of Frederick Douglass, and abolitionist novels like Uncle Tom’s Cabin.
Prominent writers in the plantation tradition include Thomas Nelson Page (1853-1922) and Harry Stillwell Edwards (1855-1938). Other writers, especially African-American writers, soon satirized the genre: Charles W. Chesnutt’s The Conjure Woman (1899), for example, “consciously evoked the conventions of the plantation novel only to subvert them”.
The earlier novels do not have a place in modern society but there are still novels and movies set during the era. The most famous one, of course is Gone with the Wind (1939). Although, I did not read the book, I watched Twelve Years A Slave, which horrified me. It is a 1853 memoir of Solomon Northup, who was a New York State-born free African-American kidnapped in Washington, D.C. by two conmen in 1841 and sold into slavery.
There are romanticized novels of plantations but also narratives of the inhumanity and brutality of slavery.
Does writing energize or exhaust you? Sometimes it’s like pulling teeth to get started but once ‘in’ the time flies. I leave this world and am immersed in the work. I love that feeling when the heart starts to race a little; there’s a fullness to the breath; a hum in the muscles.
What is your writing Kryptonite? Procrastination in all its wily disguises.
Did you ever consider writing under a pseudonym? I have enough challenges figuring out who I am on any given day with the names I DO have. I generally go by Laurel Deedrick-Mayne. How can you tell I got married in the eighties when everyone was double-barrelling their names? A pseudonym would only confuse the issue.
What other authors are you friends with, and how do they help you become a better writer? I’m friends with a number of other authors and I am always simultaneously inspired, intimidated and encouraged by them. Some have such tremendous self-discipline. Others are such Smarty Pants I whither in their presence. But all of them remind me of the endlessly vast stories that are worthy of being told.
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? I definitely want each book to stand alone. A Wake For The Dreamland was Canadian Historical Fiction spanning 1939-1979 and somewhat male-centric, taking place during WWII and the aftermath. The new project is about an intrepid nurse in the Yukon from 1949-1958. There is some crossover in time period and sexual orientation of protagonists. Ironically, the published memoir of said nurse was titled: No Man Stands Alone.
What was the best money you ever spent as a writer? Every penny I’ve spent has been worth it but the highlight greatest honour was touring the battlefields of Sicily and Italy with very elderly Veterans who were paying homage to their fallen friends, comrades and their own youth.
What was an early experience where you learned that language had power? In the 60’s when I was very young the Jello company changed all their boxes to the same colour with the differing flavours merely spelled out on the box but no associated colour; ie: No yellow on the lemon, purple on the grape etc. My mother fired off a letter to the company and in no time flat we received a great parcel of – you guessed it – JELLO – in ALL the appropriate colours. But seriously, the power of words was bred in my bones: my forebears being great correspondents, my grandfather- a broadcaster and journalist. I grew up to the tap of the typewriter and texture of imprint on the page.
What’s your favorite under-appreciated novel? I don’t actually have one.
As a writer, what would you choose as your mascot/avatar/spirit animal? I spent a considerable amount of time writing at the Banff Centre in the Rocky Mountains and would often be visited by deer outside my studio window. They would stand stock still, always listening, alert, responsive, agile and swift. I took cues from them. As a writer I watch, listen carefully and when struck with an idea, run with it.
How many unpublished and half-finished books do you have? There are three on the stove but only one on the burner.
What does literary success look like to you? Touching, connecting with readers. For example, at one of over 50 book clubs, a woman said she’d always had a problematic relationship with her father and not much sympathy or respect or even love for him but she knew he had been in the Italian campaign during WWII. While reading my book she felt like she began to understand what he had gone through, and she felt more compassion. She cried as she told this story because he had passed away and she could never tell him. That’s pretty powerful stuff. The book seems to inspire people to think about that generation which has largely passed on now and share their own stories. I’d call that success. Of course being 67 times on Edmonton’s Best Seller List means people are still buying and reading and talking about the book and that is hugely satisfying. Winning the Alberta Readers Choice Award and being a Finalist for the Whistler Independent Book Prize are both great honours, but somehow it still feels like I just got lucky. Many people want to write but never do. Success is in the process and completing the project to the best of one’s ability. Anyone who has climbed that mountain and finished a book has already achieved something extraordinary and should be celebrated. Literary success is probably subjective and certainly fleeting and hardly the most important thing in life.
What kind of research do you do, and how long do you spend researching before beginning a book? My method was to write the heart of each scene and honour the story first and foremost, at least in early drafts. I conduct my research concurrently, strengthening and supporting the story as I delve deeper into the well and wormholes of research. Some authors get so excited about what they have learned that they wear their research on their sleeve and it can get in the way of the story. It’s easy to fall into that trap because the learning is tremendously rewarding and exciting and we kind of want to shout our discoveries from the rooftops. I have read every page of the Regimental diary, hordes of newspapers (British, Canadian and Local) from the war years, dozens of books, listened to audio recordings and read countless diaries and letters and collected hours of interviews BUT that should not be blatantly evident to a reader. I have read books where all the clever and obvious research overshadowed the characters and their drama. I have followed in the footsteps of the Canadians in Sicily and Italy with Veterans who were revisiting. I have to know all those gory details and all of that research is the bedrock of the book but what appears on the page must be more lively and transparent and leave some room for the reader to connect and use their own imagination.
How many hours a day/week do you write? I still only have one designated day but much of my life revolved around child and elder care with my last book. My mother died the week my book went to press and my father 444 days later and I have been working through the process of grieving, settling estates, etc. etc. Life can get in the way and that isn’t a ‘the dog ate my homework’ excuse. It is the way the world turns. I should soon be able to add at least one more day/week.
How do you select the names of your characters? Oh, I know it sounds corny but they kind of introduced themselves to me. I made a couple subtle changes as I went along. Part of my editing process includes reading aloud and recording and if a name (or anything for that matter) doesn’t sound right, then it isn’t right and needs to be tweaked a little.
What was your hardest scene to write? Some of the war scenes nearly broke my heart but were also the most satisfying. It wasn’t a technical challenge but an emotional one. Some of the love scenes had me in hysterics and gave me a whole new appreciation for writers who can pull them off.
Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them? Writing is like being an explorer and it is great fun for me to try different genres on for size: Goldie Locks-ing my way around the story finding what feels right, challenging myself, flexing my writing muscles. Even if I trip and fall, success is the quality of the journey. Quick! Call the Cliché Police.
How long have you been writing? Since I could hold a pencil
What inspires you? Oh—simply this crazy thing called life.
How do you find or make time to write? It’s my biggest challenge. And fear. Because I think there is so much to write about I’m afraid I’d never stop. But there’s a great deal of living to do as well and I don’t want to miss that.
What projects are you working on at the present? The work-in-progress is looking like a combustible and controversial biography. It’s about Amy Wilson, a Nurse In the Yukon. You can even Google her. It’s scary as hell, for many cultural and political reasons.
What do your plans for future projects include? There’s a Prisoner of War, WWI era play (or maybe musical) on a back burner. It’s not as ridiculous as that sounds.
Once an Arts Administrator, Laurel Deedrick-Mayne has been a dance publicist, concert promoter, ad copywriter and box office bunny. She has served on multiple arts boards while maintaining her ‘day job’ as a massage therapist. Her independently published debut novel, A Wake For The Dreamland won the Alberta Readers’ Choice Award in 2016 and has been on Edmonton’s Best Seller List for 67 weeks. She has been a guest at over 60 book clubs and other book-related events. A late bloomer to publishing but a life-long third generation letter and story writer, Laurel celebrates the ‘love that dared not speak it’s name’ while paying tribute to the generation who took the time to hang on to family letters, clippings, stories and poetry — all those ‘treasures’ that inspired A Wake For The Dreamland.
1. Does writing energize or exhaust you? It depends on how I feel before I start writing. If I have been having problems writing anything for a couple of days, I’m apprehensive to sit and write. On those days, if I can actually get something out, I feel energized and go for hours. Then there are days where I’m full of energy and ready to write and come out a few hours later exhausted and having to put on wrist braces because the carpal tunnel sets in.
2.What is your writing Kryptonite? Like a topic I won’t touch? Harming little children and elderly. Something that kills my writing would be Netflix. I get sucked into the black hole that is Asian TV/movies and it will be days before I write anything because I’m watching.
3.Did you ever consider writing under a pseudonym? Actually I have a book in the works that will be under a pseudonym because it contains a lot of personal information that my family probably wouldn’t appreciate me putting out there, but I feel like I need to write it and have others read it. Then there is another work in progress that I’m thinking about using a pseudonym for but not quite sure if I will or not.
4.What other authors are you friends with, and how do they help you become a better writer? I have many on Facebook through different writing groups, but Zoe Ambler has been the most influential and active in my writing. We just talk about our writings and give different points of view on different aspects of the work. Although recently I’m hoping to expand my tiny writing circle through a group I’m putting together where authors help each other out more than just posting advertisements. I’m trying to help authors that don’t necessarily have the money to pay an editor or don’t have any support and help them in a sort of exchange thing.
5.Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? Most of my currently published are stand alones, but there are two that are part of a trilogy and one is becoming part of an unintentional series. For the most part, I just let the stories take me where they want to go and if that leads to a standalone or a series, I just go with it.
6.What was the best money you ever spent as a writer? I broke down and spent some money on two book covers. Until then I have always made my own and wanted to try having them professionally done. I think those are the best two book covers I have right now.
7.What was an early experience where you learned that language had power? Since I was born my great-grandma read stories to me, then she taught me how to read at the age of three because while I was living with my great-grandparents and my mom, great-grandma thought I needed to be quiet. I’m not sure if I ever had that brilliant “A-ha” moment because it has always been there for me.
8.What’s your favorite under-appreciated novel? Flowers for Algernon by Daniel Keyes. It is a sci-fi novel about a mentally challenged man and a mouse that undergo surgery to make them smarter. The surgery is a success and Charlie eventually surpasses the intelligence of the doctors that created and performed the procedure. As he became smarter, Charlie’s friendships break off because of his major attitude changes and eventually all he has left is his mouse. He finds a flaw in the research, and the result is Algernon, the mouse, goes back to his original state and dies. Knowing he will lose his mind, he tries to reconnect with friends and family, but decides to live at a state-sponsored institution where no one knows about his former intelligence. I loved the book because it shows a harsh reality of how people treat others that are different from themselves. Then it flips the coin and you can see how the change can twist a person into a shadow of their former selves. I think this is the first book that made me cry and really feel for the characters.
9.As a writer, what would you choose as your mascot/avatar/spirit animal? A Pokémon called Ditto. Over the years I have felt my spirit animal change because of what is going on in my life at the time and how it effects my writing. With Ditto, it can change into any animal with the same characteristics but always revert back to a pink blob of potential.
10.How many unpublished and half-finished books do you have? *Laughs manically in a corner wearing a strait jacket* The last time I counted, it was at 47. However I have added more to that list, and put a couple in an “I’m not sure if I really want to do this but I’ll keep it just in case” pile. I’m crazy I know.
11.What does literary success look like to you? I’m a simple girl when it comes to my idea of literary success. While it would be nice to be a big name like Stephen King or J.K. Rowling, I am happy with reviews from customers who enjoyed my books. I write because I have to get the words out, but nothing makes me feel like a big real world writer than when I read how much a person loved one of my books.
12.What kind of research do you do, and how long do you spend researching before beginning a book? Aside from reading other stories inside the genre that are similar to what I’m working on, I do not do much research. I might look up how things work or certain types of devices I want to use or non-stereotypical attributes for characters to ensure I don’t make a mistake but mostly I write about what I know or invent in my imagination. That said, one of my favorite current works in progress is involving a lot of research into Japanese culture and history. I am looking on websites that are educational reference worthy, reading books about the culture and history, watching movies to figure out how their stories differ from Americans. I have even started to attempt learning to read/write Japanese and the Kanji.
13.How many hours a day/week do you write? I try to write a little bit every day and have set up spreadsheets to keep track of daily/weekly/monthly/yearly goals. Daily, this month, I’m just trying for 540 words a day. I have been trying to climb out of a slump and find smaller goals work better for me when this happens. Come July I would like to be back up to at least 2000 a day so I can feel confident going into Camp NaNoWriMo. Other than the goals, I do not mark how long I write daily because sometimes I don’t have the ability to sit and write for so long or I am sick and don’t feel like writing. Other days I can sit and write for four or five hours at a time.
14.How do you select the names of your characters? I love looking for new names. Sometimes the names just pop into my head and other times I search baby name websites and apps looking for the right name. Any time I find a name I like I write it down and add it to a running list on Excel for when I need help.
15.What was your hardest scene to write? The hardest scene I have written involves the book I plan to use a pseudonym for. It involves a taboo sexual experience between two characters and one does not know what they feel. They don’t know how they should feel about it because in one way the other person wasn’t supposed to do that to them, but they felt it was the only way to gain that person’s love. If they tell someone else it could either cause legal problems or mental issues because they wouldn’t be believed. This scene is based on a true event and because I’m still unsure how to feel it makes it hard to put it down on paper.
16.Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them? In the broad sense I write in the romance genre. It is just the one I latched on to based on the sheer number of them that I read. Inside that I write paranormal, LGBTQ, historical and I guess contemporary romance sub-genres. I try to write in the fields that I like, but at the same time those are the types of stories that just come to me. I kind of just write the book and figure out where it fits in the market afterwards.
17.How long have you been writing? Publication wise five years. I have been writing stories since I was like ten, but have lost many of those manuscripts through the multiple moves I made growing up.
18.What inspires you? Everything. I know it sounds like a copout, but I could be reading or watching a movie and get an idea. Watching my family interact with each other. Talking with friends or just watching people walking down the street and coming up with the type of life I think they live.
19.How do you find or make time to write? I mostly write in the middle of the night. Aside from always have been a night owl, I live with my aunt and her two adult children. She works night shift and in the past year or so her youngest (21 or 22) has started having seizures in his sleep. So to keep me awake on the nights she works, I stay up writing and listening for him. I can’t really watch TV or listen to music because I need to be able to hear if my cousin has a seizure I need to be able to hear him so I can go help him. Plus it is one less thing to worry about if I have to call for an ambulance. On the days that she has off, I wake up in the afternoon and it is part of my wake up routine. I try to write a few hundred words before joining the rest of the family. Then I’m usually up most of the night and write more. Other than that I come up with ideas in the shower and write them down when I get out. Same while I’m driving and doing dishes. When I am doing something that can be done on “auto-pilot” my mind composes and I write it down soon after I’m done. I use a note app on my phone when I’m not near my computer.
20.What projects are you working on at the present? 2 Werewolf projects, a Japanese project, a Mermaid and a couple contemporary romance are a few of the most prominent.
21.What do your plans for future projects include? Because I am neck deep in works in progress, my future lies with whichever book idea comes to mind next.
Courtney M. Wendleton is a nation traveler, covering mostly the Midwest. She has lived in Alaska and currently resides in Hawaii, after graduating from high school in Missouri. Since a child of 10, Courtney has wanted to travel and write stories. She has been traveling her whole life, and writing since childhood but only two years ago did she publish her first book.
Touchdown Interruption is her first short story, and has paved the way for six other books currently on the market with more in the works. Courtney toils through her day reading, writing, and striving to be a better author.
A near death experience during her time in Alaska proved to her that life is short and she needs to spend her time doing something she loves. It took three years for her to build up the courage, but she published her first book and started going to school again. Now she happily lives in Hawaii with family, still hoping to inspire her readers to chase their dreams.
Does writing energize or exhaust you? Writing energizes me. I love discovering things about my characters! Editing exhausts, me.
What is your writing Kryptonite? Distractions from my children! If I could just sit alone in a bubble I’d get a lot more done! Hahahahahaha.
Did you ever consider writing under a pseudonym? I did consider it. I write both poetry and Romance and put a great deal of time and thought into whether I should write them as a separate artist. In the end, I felt that like all woman I am complex and diverse and I shouldn’t be afraid that my different styles of writing reflect that.
What other authors are you friends with, and how do they help you become a better writer? I’m friends with many authors who are new and extremely experienced. They write poetry, memoir, romance, CanLit and on and on. The biggest thing I take away from these relationships is a network of support. Whether my experienced writer friends are supporting me and offering mentorship or I’m doing the same for a newer writer. None of us make it without a community.
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? My romance books are a series – The Guardian Series.
What was the best money you ever spent as a writer? Having an editor or writing consultant look over every book has been the best money I ever spent. You simply can’t skimp on editing. And even then, I find mistakes but imagine if I’d never had an editor!
What was an early experience where you learned that language had power? I think I’ve always felt this way. My mother was an avid reader and we began reading very young. I remember being swept away by the magic of words and on hard stays finding power and beauty in them. There is nothing more magical than a book.
What’s your favorite under-appreciated novel? Probably something by a local author. S.G. Wong writes hard-boiled detective books set in an alternative future with ghosts. Kate Boorman wrote a fantastic YA series. The three in the series are Winterkill, Darkthaw and Heartfire.
As a writer, what would you choose as your mascot/avatar/spirit animal? A Raven. It’s on my logo and Raven’s show up in every book I’ve written including my poetry books.
How many unpublished and half-finished books do you have? Just one J Book 3 in my series is still a work in progress. Though I do have a short story I’ve been working on for years.
What does literary success look like to you? Being a part of the literary community. Having books published and knowing people like them. I may never make a fortune off my books but If I can live and work in the literary world then that is success to me.
What kind of research do you do, and how long do you spend researching before beginning a book? I typically research as I’m writing.
How many hours a day/week do you write? This varies throughout the year. From May through January I try to write daily for 2 to 4 hours a day. During February, March and April my writing is quite sporadic. I run a literary festival and those months are extremely hectic for me. I find I have difficulty focusing and spend more energy on planning or marketing over writing during those months.
How do you select the names of your characters? With great difficulty. Hahahah. Actually, some come to me very quickly and easily and others I research meanings to see if they fit with that character.
What was your hardest scene to write? Fight scenes are hard for me. Especially ones with many characters in it. Keeping everybody’s movements correct and how they are physically and verbally interacting with intensity. I expend a lot of energy writing these.
Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them? I write Poetry and Paranormal Romance. I love them both. I grew up reading Romance so if felt natural to write it. And Poetry is one of my great loves. I love seeing how a truly fine poet can craft language. I think reading poetry makes you a better writer.
How long have you been writing? Professionally for six years.
What inspires you? Nature. Silence, Strong Women.
How do you find or make time to write? Less TV – More = More writing time.
What projects are you working on at the present? I’m currently promoting book two of my series, Magic Born, which launched June 6th! And working on book three of the Guardian Series – Air Born!
What do your plans for future projects include? I’m hoping to produce an anthology of femme prairie writers over the next two years.
Bio: Rayanne Haines is a best selling romance author, published poet, and arts manager.
She writes Paranormal Romance with Kick-Ass Heroines. She believes in magic and legend and all the things we cannot see. Rayanne prefers her alpha males a little gritty and the women who love them, in charge of their own destiny.
“The Guardians” is her debut series with New York publishers, SoulMate publishing. Book One, Fire Born, released September 2017. Book Two, Magic Born releases June 6th! Look for Air Born winter 2018.
Both. For me, writing includes considering various plot ideas and marinating them in my head. I look for incidents that disrupt characters’ lives so they need to change course and deal with the consequences. That’s the exhausting part.
I get energized when the core of a plot develops, and characters materialize to tell the story. For me, that’s when the best part of writing begins.
What is your writing Kryptonite?
Getting myself to forget everyday obligations for a while and sit at the computer. Learning to make writing a priority is still a work in progress. However, I’m getting a lot better now that I have a published novel.
Do you have other author friends and how do they help you become a better writer?
Yes. I’m lucky enough to have a friend who writes in the same genre. It’s wonderful to exchange ideas and share problems and triumphs with a writing buddy who understands the process, helps with the craft, encourages and motivates. We try to meet in person every two weeks, and we email in between. Let’s face it, most people don’t get what it’s like to create and live with imaginary characters who’ve become part of one’s life.
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?
I became attached to the cast of characters in my first book, published last November, and set primarily in a pair of small New England seacoast towns. Readers have let me know they want to know what happens to supporting players in that book. For those reasons, I’m planning to keep the area, as well as threads about the characters in my second novel. I want people to be able to read it as a stand-alone as well if they choose.
What was the best money you spent as a writer?
Two ways. Years ago, I took a summer institute on newspaper writing, publicity, and promotion. It was inexpensive and one of the professors had top newspaper and advertising names as guest instructors. I still use what I learned.
Another worthwhile expenditure was, and still is, buying an overabundance of best-selling novels in varied genres. I study structure, style, and try to analyze elements that make a popular book. The downside is it’s hard for me to read only for pleasure
What was an early experience where you learned that language had power?
I learned specifically about written word power in early grade school. Each year, we were required to write an essay about something in nature for a statewide contest. The teachers encouraged vivid similes and metaphors. My ruby leaves and icy moons often won certificates.
As a writer, what would you choose as your mascot?
My writing mascot chose me. Tux is a tolerant black and white cat of a certain age. Among his talents are stretching out on piles of paper without disturbing them and head butting the laptop screen gently when he decides I need a break. Listening is one of his strongest points.
How many unpublished and half-finished books do you have?
No books, but there are many short stories. I didn’t have the confidence to attempt a novel until one of the short stories decided there was a lot more to tell. It took about four years, but eventually, the story became my book.
What does literary success look like to you?
First, I want people to buy and enjoy reading my novel. I’ve written about mid-life characters who get a chance to fall in love again. When readers finish my book….hopefully books….I want them to have a sense of optimism, hope, and confidence that life can be wonderful at any age. Of course, it would be lovely to be widely read as well.
What kind of research do you do, and how long do you spend researching before beginning a book?
Of course, I use the computer for whatever I can. Then, because some settings in the stories are popular tourist spots, I visit them and take notes. Details need to be correct, or the credibility of a book suffers as far as I’m concerned. Angie, the heroine, has an unusual business. She’s a Nurse Concierge. I spent a lot of time researching what that involves. Ben is from England but he now lives in the US. I had to get information on dual citizenship requirements. Then I had to learn about high tech company practices and offers for takeovers of small businesses.
I do some research during the development stage of the book, but it’s ongoing through the first draft at least, sometimes even later in the process.
How many hours a day/week do you write?
In defining the writing process, I include developing the book idea, and the marinating that goes on in my head before actually putting fingers to computer keys. During that phase, my writing is sporadic, maybe two or three days a week for an hour or two. I hide from the work, finding it necessary to iron, throw out old mail, anything but get to the story.
When the story starts to gel, and characters begin chatting, I can write for several hours a day with intense concentration. It wouldn’t be unusual to stay at it for 6 hours or more, letting most everything else in my life slide. I don’t write daily. Because I’m mostly a pantser, I need to think about what I’d like to see happen.
How do you select the names of your characters?
Names come after the characters take shape. I consider their personalities and traits, as well as how they appear physically in my imagination. I also think about what sounds good to my ear. Last names come to my mind randomly. First names might come from an online list, the newspaper, or an old telephone book.
What was your hardest scene to write?
That’s easy. It was my first serious love scene, beyond kissing. Getting the elements of tender romance, mutual longing and participation, enough raciness to make it interesting, and avoiding offensive description was a challenge.
Why did you decide to write in your particular field or genre?
I started writing fiction as a second career. I was an RN for many years. Several friends found second romances in their middle years, and I enjoyed hearing the stories and seeing the happiness their relationships brought. There are not many novels dealing with people forty and over falling in love and successfully merging already full lives. I thought it would be fun to join the emerging field of writing love stories about people with life experience.
What inspires you?
Many things, but mostly watching and listening to people. It could be a couple holding hands on the street; two people laughing softly together; or seeing someone comfort a partner;
There is an incident I remember vividly that will find its way into a story. Two people were sitting across from each other in a coffee shop. Although they never touched, as they talked, their eyes were focused on each other every second. Their smiles were gentle, and I felt the connection as a palpable wave of love.
How do you make or find time to write.
I push down the guilt at not doing other things and just get to it. It’s taken some effort to convince myself that this is not just a hobby now, but a second career. I’ve always been a bit of a workaholic, so thinking of writing as a real job has helped.
What project are you working on at present?
My major effort is promoting my new novel, This Time Forever. I still have so much to learn about methods of attracting an audience, promotion is close to a full time job. The novel is in an emerging genre, sometimes referred to as ‘Seasoned’ or ‘Midlife’ Romance. Angie and Ben, the two main characters are 57 and 60 respectively. I think they show that pursuing love in their phase of life is just as adventuresome, wonderful, and sexy as ever. So far, reviews on Amazon and Goodreads have been favorable, and there’s growing feedback that people enjoy reading about contemporaries.
I’m also working on getting a website and improving my Facebook and Amazon Authors page.
What do your plans for future projects include?
There’s another book in the development/mental marination phase. The New England Seacoast will continue as the setting. It is another Romance, with the main characters in the 50-60 age range.