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Creative Edge – Author Interview – Kathrin Hutson

May 28, 2020
mandyevebarnett


Author Photo 2

What attracted you to write Fantasy/Sci-fi? Did you choose it or the other way around?

I’ve always had a soft spot for Fantasy and Sci-fi, because that’s what I grew up reading, for the most part. I still read a little bit of almost everything, but these two genres captured my heart even more when I started writing in them. I’m not sure which one of us did the choosing, but I’d say we make a pretty great pair when all things are said and done.

My favorite part about writing Fantasy is the fact that I can take what I like from reality, get rid of everything else (within sub-genre tropes, of course), and replace it with something completely new, magical, dark, mysterious, and complicated enough that it provides a rich world yet simple enough that I can keep it all straight in my head. Sci-fi is a bit harder. For me, it requires a lot more research too, which I really just don’t enjoy. But it’s not enough of a pain to keep me from writing it. And that’s the part I like about it—plus the fact that I can change a few things (particularly with Dystopian Sci-Fi) about reality and augment them, so to speak, to create the types of stories that reflect what’s happening in the world while putting my own special spin on it.

What inspires you to write your stories? Where does inspiration come from?

Literally everything. Sometimes I get a spark from a dream or a movie clip, a song, a conversation with my kid. Sometimes I read a book that touches on an idea and then I start thinking about how I could expand upon it and make it my own. Sometimes, when I’m at the crossroads of taking a story down one road or the other, I’ll pick one, and the other one gets turned into a different story. Sometimes I keep writing without any inspiration at all, and the story inspires itself.

Do you prefer to write a series rather than a stand-a-lone novel?

All of my series so far were originally intended to be standalone novels. Until I got to what I thought was the end and realized I just wasn’t finished. The Blue Helix series, though, is the only series where each book can be read on its own without having read the previous books in the series. But I think they’re better if they’re read in order 😉

Right now, I’m almost finished with the first book in an actually planned series of five and a quarter of the way through another planned trilogy. That’s definitely a different process, and I’m excited to see how the results of planning series ahead of time differ from… well, not planning it at all.

Are you a plotter or a panster?

I’m a plantser—I do both. I used to be all pantser all the way until I started ghostwriting fiction in addition to writing my own stories. Then I started writing up beats for contracted novels, and I discovered that there’s definition something to be said for writing a loose “summary” of 5-10k words (depending on books length) before I dive into the writing the actual story. I don’t get stuck with where I’m headed, and that helps me write a lot faster. Somehow, though, I’ve never quite been able to stomach chapter-by-chapter outlines or intense character sketches before writing the book. In my mind, there is such a thing as doing too much work before the fun begins. If my plotting gets any more detailed than a few thousand words of beats, I lose interest. 80% of the fun is surprising myself with how to fill in all the blank space after finishing the beats. It’s like a giant puzzle that I get to create and fit together at the same time.

Can you tell us about your newest book? The characters and their journey.

static

My newest book, Sleepwater Static, is the second book in my LGBTQ Dystopian Sci-Fi Blue Helix series. This was a monster of a book to write and tackle, just like its prequel, because there was so much I wanted to say through the characters’ journey and the continuing storyline in general. And there was much potential for saying the right thing in the wrong way that I really had to pay attention to how I was writing the story and especially how I was representing different minority groups and marginalized communities through this huge cast of characters.

Beat

Sleepwater Beat focused on Leo Tieffler as the main character, and Sleepwater Static focuses on Bernadette Manney—a seventy-one-year-old white woman from South Carolina who fits a sort of “tough and uncrackable matriarch” role within the group of people called Sleepwater with the storytelling ability of “spinning a beat”. Bernadette really fascinated me in the first book, and she was the perfect character to dive into for the second in order to approach the other sociopolitical topics I wanted to explore while still making this a fantastic story with characters readers had already come to love and a whole cast of new ones.

Bernadette grew up in the South, found her independence and her freedom through standing up for what she believed in, created a family with the man she loved despite racial tensions and facing discrimination from her own family and so many others within her home state. In this book, we learn about who she was before Sleepwater was formed, how and why Sleepwater was formed, and the ways in which she’s been trying for twenty years to redeem herself after an unforgivable yet inevitable mistake drove her away from her past, her partner, and her child. This book is meant as a sort of “breath of fresh air” on the surface, where the characters stop to go into hiding and regroup (plus one Sleepwater member needs somewhere to give birth to her child that isn’t in the back of a van), and they all end up learning more about the past while trying to fight for the future. I can’t wait to hear what people think of this book, and I’m so excited to start diving into Book 3 when the time comes.

What age did you start writing?

I started writing on my tenth birthday. When I discovered that I could create a story, a situation, a relationship, or an outcome to be absolutely whatever I wanted to be, I just couldn’t stop.

Where do you write? Can you describe your writing space?

I write in my home office. I’ve had four home offices in four different homes since I started my Indie career in 2015. It’s a requirement for every new house we move into (obviously, there have been many), and it will continue to be that way for as long as I’m living in a house with an ability to keep writing.

I have a standing desk and a heavy-duty “sit in my chair all day” cushion for my office chair. Bookshelves stuffed to the brim to the point that they’ve spilled into piles on the floor, my desk, and on and in my cabinets. My office is actually the only room in the house that’s been fully “decorated”, because my husband and I have intersecting tastes, but everything he doesn’t like, I put in my office! It’s also the only room in the house where no one else but the author is allowed to enter. No dogs, no three-year-old, no husband. Okay, fictional characters may make an appearance, but I draw the line with physical bodies. I like bright colors and clashing patterns and hanging art on the wall (my own or created by friends). More often than not, it’s a complete mess, but at least I know where everything is.

What has been the highlight of your writing career so far?

I’d say the highlight so far has been writing the Blue Helix series. Sleepwater Beat got such a phenomenal response, and it really blew me away. It made me an international bestselling author, got me on live television, has been the topic of more radio-show and podcast and blog interviews than I can count, and was both an award-winning Sci-Fi Finalist in the 2019 International Book Awards and a Literary Titan Gold Award Winner this last April.

Sleepwater Static is heading very much in the same direction, and I have really high hopes for the second book in the Blue Helix series too.

Who is your favorite author and why?

It’s not just one (is it ever just one?). My list includes: Stephen King, Jacqueline Carey, George R. R. Martin, Diana Gabaldon, Neil Gaiman, Cormac McCarthy, William Gibson, and John Irving. With these favorites, I get to cover a wide range of brilliance in so many different elements of good storytelling—characterization, world-building, rich plots, expansive landscapes and history, phenomenal relationships, twists and turns, grit, beauty, humor, surreal parallels to reality… this second list goes on and on. Overall, I love these authors because even when I haven’t read them for quite some time, I find myself thinking about their books, characters, and worlds with a nostalgic longing to return. That, to me, is what makes great fiction.

Who is your most loyal supporter?

Hands down that’s my husband. Without this guy, I wouldn’t be doing what I’m with my writing right now—which is writing 60+ hours a week and absolutely loving every minute of it. And there’s the added bonus that my work as a full-time writer of fiction supports our family of three with a single income. It’s pretty much a dream come true.

He hasn’t actually read any of my books all the way through. But he knows how much I love what I do and has facilitated my ability to keep writing since the very beginning, all the way up to the point where he was able to stop working so he could be a stay-at-home dad and do more of what he wants to do during the day. So yes, it’s been a win-win for everyone. And he never misses an opportunity to tell people what I do for a living and give them my card (yes, I have business cards) with a well-timed, “Check out her books. You’ll love them.”

Where can we find you on social media?

I’m most active on my Facebook page: http://facebook.com/kathrinhutsonfiction

And you can also find me here: http://instagram.com/kathrinhutsonfiction; http://twitter.com/exquisitelydark

Do you have a blog/website?

I sure do! I just had my website completely revamped and am in love with what it’s become. This was very recent, and I wasn’t much of a blogger on my author site, but I’ve written a few things on this new site that are more “reflections of life as a writer” and are not, in fact, fiction. But I’ll be building on that. You can find almost everything else about me and my books on my site: http://kathrinhutsonfiction.com

Bio:

International Bestselling Author Kathrin Hutson has been writing Dark Fantasy, Sci-Fi, and LGBTQ Speculative Fiction since 2000. With her wildly messed-up heroes, excruciating circumstances, impossible decisions, and Happily Never Afters, she’s a firm believer in piling on the intense action, showing a little character skin, and never skimping on violent means to bloody ends.

In addition to writing her own dark and enchanting fiction, Kathrin spends the other half of her time as a fiction ghostwriter of almost every genre, as Fiction Co-Editor for Burlington’s Mud Season Review, and as Director of TopShelf Interviews for TopShelf Magazine. She is a member of both the Science Fiction and Fantasy Writers of America and the Horror Writers Association. Kathrin lives in Vermont with her husband, their young daughter, and their two dogs, Sadie and Brucewillis.

For updates on new releases, exclusive deals, and dark surprises you won’t find anywhere else, sign up to Kathrin’s newsletter at kathrinhutsonfiction.com/subscribe.

Author@kathrinhutsonfiction.com

kathrinhutsonfiction.com

Facebook.com/kathrinhutsonfiction

Twitter: @ExquisitelyDark

Instagram: @KathrinHutsonFiction

 

Creative Edge

Author Interview – J.E. McKnight – New Book Launch – Virtual Age

May 16, 2020
mandyevebarnett


Joe photo

1. Please tell us about your new YA novel – Virtual Age

A- Virtual Age takes place in a distant future. Our world is no longer able to support life so, in preparation for this, indoor cities were built where air and water is purified. The technology of virtual reality was adapted so people can work, play, travel, and enjoy a version of the outside world within the system. When you live your lives within a computer, you become susceptible to hacking – which could drain you of all your money as all money is accessed through computers – and your whole world could be altered and flipped upside down.

My main character is a thirteen year-old boy by the name of Aiden Murphy. He enjoyed the simple life of a teen – going to birthday parties, occasionally standing up to the school bully, and going with his family on vacations or trips to the beach. It was on one of these outings where Aiden finds himself trapped in the system, lost and all alone; unable to get home. He doesn’t know who to trust. He doesn’t know where to go. He doesn’t know what he is going to encounter within someone else’s program. He will be tested every step of the way.

Virtual Age

2. How did you come up with the idea?

A- I’ve always been fascinated with the idea of virtual reality and wanted to come up with a story centres around that concept. Actually, I remember when I came up with the idea and some points within the plot while at work. I was working for a commercial insulating company a few years ago. One day I was sent to a job and there was no material there for me to do any work so I spent 3 hours waiting around for the material and while I did, I came up with the concept and title of my book.

  1. Did you decide on writing a YA from the start?

A- I have had ideas for YA novels that I still want to write, however, this wasn’t one of them. I started it off as any of my other novels but then realized as I was writing that it was better suited as a YA.

  1. Of the characters you have created or envisioned, which is your favorite & why?

A- There are so many but one that stands out is Dimlyn – an inhabitant of the planet Seledania – she is strong, determined, stubbourn, kind, and generous. Her loyalty to her society is put to the test when she encounters a visitor from beyond the stars –a human – who is feared and hated by the whole of the society besides Dimlyn. She is willing to overlook his outer appearance despite the backlash she receives from the rest of the society. She was probably the most fun to write because she isn’t human.    

Arrival

  1. When did you write the manuscript?

A- I wrote the manuscript in November of 2018. I participate in NaNoWriMo every year. November is National Novel Writing Month and authors who sign up are challenged with writing 50,000 words of a novel in 30 days. 

  1. How many books have you written?

A- I have published 8 books so far. Book #9 is in editing and book #10 is ready to be edited.

  1. Which genre interests you the most?

A- I mostly write in the sci-fi/supernatural genres.

  1. Have you written more than one genre?

A- Aside from sci-fi/supernatural I have also written a psychological thriller, a superhero story and a collection of Christmas stories.

STOCKING

  1. Do your books have a specific message for your readers?

A- I don’t often think in terms of messages within the story but when I thought about my stories I began to realize most of them did carry a similar message- that being of tolerance. We need to treat each other with the love and compassion we want for ourselves. And don’t be too quick to judge.

  1. How many other writing projects do you have in progress?

A- Like I said I have two books in various stages of the editing process as well I have a prequel for my first novel – Time’s Hostage – I’m working on.

hostage

  1. Where can readers connect with you?

A- They can connect with me on my Facebook page: J E McKnight – author

Twitter: @jemcknight1975

And they can check out all my books on my website: jemcknight.com

E-books available on all sites.

ebook-sites

Bio:

Joe McKnight was born in Fort Saskatchewan and raised in the small Alberta farming community of Partridge Hill. He started his schooling in Ardrossan, where he developed a love of story-telling. His love of writing continued to grow throughout his school years. In 2004, while upgrading his English 30, Joe’s passion increased. It was during that same year he stumbled upon a writer’s circle (offered by the Writers Foundation of Strathcona County) that provided the support and encouragement he needed. He continues to grow in his writing and looks forward to many future literary ventures.

Joe has published several books: Time’s Hostage, Fly on the Wall, The Arrival, Powerless, The Other Secret, Stocking Stuffers, Unnatural Selection, and Virtual Age. He is currently working on a new manuscript.

Joe is also an accomplished artist and his artwork also appears on the cover of From a Solitary Drop – he was commissioned to design the illustration featured on the cover. 

Solitary Drop

VIRTUAL

New Book

Wordsmith’s Collective Thursday – #AuthorToolboxBlogHop – Define a Genre for Your Narrative

February 20, 2020
mandyevebarnett


genre-picture-2Being aware of your genre can help you contextualize your story but remember—just because you may have been writing towards a certain kind of genre, it may not mean that’s what your story actually is.

Common Genres include:

  • Thriller –built around the fast-paced pursuit of a life-or-death goal.
  • Fantasy – typified by fantastic aspects, such as magic.
  • Sci-fi – Sometimes called ‘speculative’ fiction. Fiction typified by scientific aspects, such as nonexistent technology or alternative realities.
  • Horror – instilling dread or fear in the reader. Sometimes but not always featuring supernatural aspects.
  • Mystery – solving of a mysterious set of circumstances.
  • Crime – typified by a focus on criminal activities.
  • Historical – set within a defined time period but drawing context from the cultural understanding of that time.
  • Western – typified by aspects of the American frontier.
  • Romance –focuses on a romantic relationship as the source of its drama.
  • Erotica – primarily intended to instill arousal in the reader.
  • Literary – focuses on realistic, weighty issues, typified by character-focused writing and a lack of other genre features.
  • Adventure Story
    A genre of fiction in which action is the key element, overshadowing characters, theme and setting. … The conflict in an adventure story is often man against nature. A secondary plot that reinforces this kind of conflict is sometimes included.
  • Biographical Novel
    A life story documented in history and transformed into fiction through the insight and imagination of the writer. This type of novel melds the elements of biographical research and historical truth into the framework of a novel, complete with dialogue, drama and mood. A biographical novel resembles historical fiction, save for one aspect: Characters in a historical novel may be fabricated and then placed into an authentic setting; characters in a biographical novel have actually lived.
  • Ethnic Fiction
    Stories and novels whose central characters are black, Native American, Italian American, Jewish, Appalachian or members of some other specific cultural group. Ethnic fiction usually deals with a protagonist caught between two conflicting ways of life: mainstream American culture and his ethnic heritage.
  • Fictional Biography
    The biography of a real person that goes beyond the events of a person’s life by being fleshed out with imagined scenes and dialogue. The writer of fictional biographies strives to make it clear that the story is, indeed, fiction and not history.
  • Gothic
    This type of category fiction dates back to the late eighteenth and early nineteenth centuries. Contemporary gothic novels are characterized by atmospheric, historical settings and feature young, beautiful women who win the favor of handsome, brooding heroes—simultaneously dealing successfully with some life-threatening menace, either natural or supernatural. Gothics rely on mystery, peril, romantic relationships and a sense of foreboding for their strong, emotional effect on the reader.
  • Historical Fiction – story set in a recognizable period of history. As well as telling the stories of ordinary people’s lives, historical fiction may involve political or social events of the time.
  • Horror – includes certain atmospheric breathless and unexplainable dread of outer, unknown forces.
  • Juvenile – intended for an audience usually between the ages of two and sixteen. The language must be appropriate for the age of the reader, the subject matter must be of interest to the target age group, the opening of the work must be vivid enough to capture the reader’s attention and the writing throughout must be action-oriented enough to keep it with the use of suspense and the interplay of human relationships. Categories are usually divided in this way: (1) picture and storybooks (ages two to nine)… ; (2) easy-to-read books (ages seven to nine)… ; (3) “middle-age” [also called “middle grade”] children’s books (ages eight to twelve)… ; (4) young adult books (ages twelve to sixteen.
  • Literary Fiction vs. Commercial Fiction
    Literary, or serious, fiction, style and technique are often as important as subject matter. Commercial fiction is written with the intent of reaching as wide an audience as possible. It is sometimes called genre fiction because books of this type often fall into categories, such as western, gothic, romance, historical, mystery and horror.
  • Mainstream Fiction – transcends popular novel categories—mystery, romance or science fiction, [etc.] and is called mainstream fiction. Using conventional methods, this kind of fiction tells stories about people and their conflicts but with greater depth of characterization, background, etc. than the more narrowly focused genre novels.
  • Nonfiction Novel – real events and people are written [about] in novel form but are not camouflaged and written in a novelistic structure.
  • Popular Fiction
    Generally, a synonym for category or genre fiction; i.e., fiction intended to appeal to audiences for certain kinds of novels. … Popular, or category, fiction is defined as such primarily for the convenience of publishers, editors, reviewers and booksellers who must identify novels of different areas of interest for potential readers.
  • Psychological Novel
    A narrative that emphasizes the mental and emotional aspects of its characters, focusing on motivations and mental activities rather than on exterior events.
  • Roman a Clef
    The French term for “novel with a key.” This type of novel incorporates real people and events into the story under the guise of fiction.
  • Romance Novel – the romance novel is a type of category fiction in which the love relationship between a man and a woman pervades the plot.
  • Romantic Suspense Novel – romantic suspense novel is a modern emergence of early gothic writing and differs from traditional suspense novels because it moves more slowly and has more character interplay and psychological conflict than the fast-paced violence of [most] suspense thrillers.
  • Science Fiction [vs. Fantasy]
    Science fiction can be defined as literature involving elements of science and technology as a basis for conflict, or as the setting for a story.
  • Techno-Thriller – utilizes many of the same elements as the thriller, with one major difference. In techno-thrillers, technology becomes a major character.
  • Thriller – intended to arouse feelings of excitement or suspense focusing on illegal activities, international espionage, sex and violence.
  • Young Adult – refers to books published for young people between the ages of twelve and seventeen.

Do real research, describe aesthetic/tone/vibe over content, and be open to adjusting your decision down the line as you grow more accustomed to working with genres.

genre

Genre is different from age group

Genre isn’t the age group you’re writing for.  Age group and genre are often said together, so it’s easy to think they’re the same, but they’re not. For example: Young adult is the age group – Spy and thriller are the genres.

The primary age groups are:

– Board books: Newborn to age 3
– Picture books: Ages 3–8
– Colouring and activity books: Ages 3–8
– Novelty books: Ages 3 and up, depending on content
– Early, levelled readers: Ages 5–9
– First chapter books: Ages 6–9 or 7–10
– Middle-grade books: Ages 8–12
– Young adult (YA) novels: Ages 12 and up or 14 and up

Choose a primary genre

When you pick your primary genre, you’re identifying the most prominent elements of your book. Ask the following questions.

You may have a handful of these elements in your book but when picking a primary genre focus on the most dominant aspects of your novel.

Is there magic?

If the answer is yes, then your book is most likely a fantasy. Is it set it in a fictional world that you created from scratch (like Lord of the Rings)? Then you probably have a high fantasy. Or is it built into our own world? If so it is most likely an urban fantasy.

Is it a fairy tale or a fairy tale retelling then you might want to classify your book as such.

Are there paranormal creatures (such as vampires, zombies, etc.)?

If there are, then it could be a fantasy, or it could be a supernatural/paranormal. Fantasy and paranormal are closely related and share some overlap, so it comes down to what is the more dominant element. If the magic is the more dominant element, then you have a fantasy. If the creatures are the more dominant element, then it’s supernatural.

When is it set?

If it’s set in the past, it’s probably a historical fiction. If it’s set in the present, you’ve got a contemporary and if it’s set in the future, it’s probably science fiction.

Where is it set?

If it’s set in this world, it might be a historical or contemporary. If it’s set in a world you made up, it might be some kind of fantasy or science fiction.

Is there manipulated science/technology?

If you are using significant manipulation of the science, we know today it’s likely to be science fiction. If you have time travel, then you could consider it science fiction.

Is there an element of mystery/crime to solve?

If the main purpose of your plot is mystery, then this is the genre you will use.

Is it laugh-out-loud funny?

If it is, then you’ve got a comedy

Is it a tear-jerker or a book with a lot of interpersonal conflicts?

Then it’s probably some form of drama.

Is there a romance?

Use the romance genre when the central plot of the book is a romantic relationship.

Is it intended to scare?

Then you’ve got a horror.

Is it “literary”?

If it’s a deep book, rich with symbolism and deeper meaning that’s meant to be dissected an analyzed than you most likely have written a work of literary fiction.

Is it action packed?

If your book is littered with action scenes like fights and car chases, then you have an action or thriller on your hands.

Is it about a terrible version of this world?

Then you’re looking at a dystopian.

Now decide which elements you think are the strongest/most prominent. That’s your primary genre.

Do your research

Make sure you do your research and have a good understanding of genre conventions. Readers of each genre have certain expectations. While you can most definitely take some liberties, you want to make sure you’re giving your readers what they’re looking for.

Note*** I did a series of posts throughout 2018 detailing every genre if you want to scroll through put ‘genres’ in the search box.***

#AuthorToolboxBlogHop

 

Author Interview – Craig DiLouie

August 13, 2019
mandyevebarnett


AuthorInterview

craig dilouie Headshot

What inspired your latest novel?

Published in hardcover, eBook, and audio book by Orbit and released August 20, 2019, OUR WAR is about the consequences of political tribalism as told in a story about a second American civil war. This story is about a brother and sister forced to fight as child soldiers on opposite sides, and the people whose lives they touch: a UN worker who wants to stop the use of child soldiers, a journalist seeking to expose it, and a rebel militia sergeant who begins to see the humanity in those he hates.

The novel has several influences. The first is the rise of violence and polarization in American politics. Another is the Bosnian War of the 1990s; if a second civil war occurred in America, it would far more likely be between city and country than between states. And the last is American exceptionalism, the idea America is superior to broken countries like Syria, but should war ever break out inside our borders, the country will suffer like any other, producing refugees, atrocities, and even child soldiers. This brutal world provides the backdrop for a story about love, sacrifice, and the meaning of patriotism.

OUR WAR final cover                                                                                                                  

How did you come up with the title?

The title speaks to the personal nature of a war that divides communities and even families.

Is there a message in your novel that you want readers to grasp?

The message is simple. If Americans cannot agree on a common set of unifying ideas, then it is just another multi-ethnic empire. Aside from that, there are many minor themes.

How much of the book is realistic?

All of it—that’s the intent, anyway! As I said, I took a great deal of inspiration for what a war in America would look like from the Bosnian War of the 1990s. This was a war between conservative and liberal, between ethnicities, between urban and rural. Most of the combatants were average people motivated to fight either out of resentment and demonization of their countrymen, or out of desperate self defense. In a war like this, everybody fights, and nobody wins.

Where can readers find you on social media and do you have a blog?

I’m on Facebook and Twitter, and I have a blog at www.CraigDiLouie.com. At my blog, I review a lot of interesting books, movies, and TV shows.

Do you have plans or ideas for your next book? Is it a sequel or a stand alone?

OUR WAR is a standalone novel, though of course there is potential to continue the story, if enough readers want to read it.

My next novel is about a group of people who grew up in an apocalyptic cult and survived its horrific last days, and who reunite to confront the past and the entity that appeared on the final night. This novel is about trauma, memory, belonging, and faith.

Of the characters you have created or envisioned, which is your favorite & why?

I grew to love all the characters in OUR WAR, but my favorite is Hannah, a girl who joins a local militia after everything has been taken from her. Forced to grow up fast, she accepts her new cause and family and fights for them. In the end, she must learn to fight for herself if she wants to survive the war’s aftermath. Her story is heart-wrenching, relatable, and hopeful.

Do you favor one type of genre or do you dabble in more than one?

For me, genre is what the story needs, not what I need. My job as the author is to tell a good story. That being said, some genres allow you to do more interesting things. OUR WAR is a straight-up literary thriller. Otherwise, I’ve written sci-fi, fantasy, and horror, which allow me to play with a fantastic element. Horror is particularly fun because you can really push boundaries and entice the reader to consider uncomfortable truths.

Do you plan your stories, or are you a seat of the pants style writer?

Both, in that I outline the major plot points so I always know where I’m going. During writing, there is a process of discovery between the plot points, where the story and characters tell me what they want to do.

What is your best marketing tip?

Write the absolute best book you can write. Nothing sells a book better than a good book that resonates.

Do you find social media a great tool or a hindrance?

I use social media primarily to network with other writers. It’s been invaluable for that. I also connect with fans. I think it’s very hard to get new readers on social media these days unless you dedicate a lot of time and energy to developing a certain persona and flogging it. I’d rather my books speak for themselves, while remaining accessible and responsive as an author.

Bio:

Craig DiLouie is an acclaimed American-Canadian author of literary dark fantasy and other fiction. Formerly a magazine editor and advertising executive, he also works as a journalist and educator covering the North American lighting industry. His fiction has been nominated for major awards, optioned for screen, and published in multiple languages. He is a member of the Imaginative Fiction Writers Association, International Thriller Writers, and the Horror Writers Association. He lives in Calgary, Canada with his two wonderful children.

Please check out Craig’s Amazon link: https://www.amazon.com/Craig-DiLouie/e/B001JS1SCQ

Author Interview – Alison Neuman

November 23, 2018
mandyevebarnett


Author-Interview-Button

Alison Neuman Picture

  1. Does writing energize or exhaust you?

Writing is one activity which energizes me. The process of creating characters and the stories in which they interact is an exercise for my imagination.

  1. What is your writing Kryptonite?

Editing is my Kryptonite because as much as I want to start reviewing the characters motivations and the grammar, giving in to the urge in the early stages of my writing process stifles the creativity and overall potential of the final product.

  1. Did you ever consider writing under a pseudonym?

Yes I have considered writing under a pseudonym but as I write in the YA and nonfiction genres,  I didn’t feel a need to have distance or different identity, or anonymity associated between myself and my work.

Ice Rose Cover

  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

As I experience a disability, it was important that my books always have a character experiencing a disability in them. The disabled characters can be secondary characters but must not represent incorrect disability beliefs and stereotypes.

  1. What was the best money you ever spent as a writer?

The best money I have spent as a writer has been for any books or classes in which have helped me to build my writer’s skill toolkit. There are so many facets to the success of creating and marketing as a writer, that any money spent learning is returned with each completed project.

Searching for Normal A Memoir Cover

  1. How many unpublished and half-finished books do you have?

I currently have one book in which I’m finish the third draft, two which are finished the first draft, one children’s picture book and one YA sequel which are waiting to be written.

Don't Eat Family Front Cover

  1. What does literary success look like to you?

Literary success for myself is when I receive reader feedback about how my books have affected them. While it would be wonderful to be on bestseller lists and be financially sustained from writing only, realistically if I have enough success to continue to write and publish books which find audiences, that is success to me.

On Ne Mange Pas La Famille Cover

  1. What kind of research do you do, and how long do you spend researching before beginning a book?

Research is a part of the writing process which I complete at the beginning, during and also when my manuscript is completed. In order to build realistic characters and circumstances in which they negotiate, it is important for me to construct a realistic world. That said, I am working on a science fiction book right now and so while the characters are moving around in the real world, human anatomy, ethics, energy and time are areas which need exploring. As much of the one character comes from the future and the mission needed to be completed to save humanity from their own extinction, as much as I can base the fictitious elements from reality should help build legitimacy for my readers.

  1. How many hours a day/week do you write?

The time I spend greatly varies but I am for an hour and a half a week editing and three hours writing or working on activities to grow the manuscript content.

  1. How do you select the names of your characters?

Sometimes I will hear a name that I really like but usually I look on baby name websites for the names and origins to see if they fit with my characters.

Help

  1. Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?

The genres in which I write are Young Adult, Memoir, and Plays. Usually my writing projects become the one in which draws me to write. I chose YA because I wanted to write the books I was searching for when I was the age of the audience. Memoir was because I had read several and found I had something I wanted to share that was the truth as I remember it. Plays are because I love theatre and found limited opportunities for persons experiencing a disability to act or have a voice in the theatre community. When in the creation process, the genre in which the story can best be told balances which area I write and work in. As for balance, the project which I am most eager and energized to write is the one I select.

  1. How long have you been writing?

I started writing poetry, lyrics and screen plays when I was in my teens. Writing manuscripts with the intention of publishing has been only in the past few years. I still consider myself as an emerging writer as I fell there is so much for me learning to be a lifelong experience.

  1. What inspires you?

Life is my inspiration. Sounds weird but being in the world and interacting with people provides me sparks of interest which act as a jumping board for creation of my stories and characters.

  1. How do you find or make time to write?
    Just like with most activities, I have to schedule in the time to write to ensure that there is a  space and time where I’m able to do so.

 

  1. What projects are you working on at the present?

In the draft stages of my sci-fi book.

  1. What do your plans for future projects include?

My future plans include brainstorming and writing the next children’s picture book in my friends and family series.

  1. Share a link to your author website.

www.alisonneuman.ca

Facebook

https://www.facebook.com/alisonneuman.ca/

Twitter

https://twitter.com/crossingts

Bio

Alison Neuman lives in Alberta, Canada, where she works as a freelance writer. Her debut novel Ice Rose: A Young Adult Spy Novel, a YA book integrating her love of gadgetry with the broad imaginative license afforded by the secret agent genre, features a female protagonist in a wheelchair and was published in 2010 by Fireside Publications.

Alison’s work has appeared in MacEwan Today, Westword, and the Edmonton Journal, and on three tracks of the CD release, Outside the Window.

Alison was honoured in 2011 for her human rights work in advocating for the rights of persons experiencing disabilities and in 2013 she won the Glenrose Courage Award. One of her greatest achievements was the founding of Camp Mission Access, an integrative camp for children from all walks of life—both with and without disabilities. Her memoir, Searching for Normal, was released in 2013, and a musical of the same debuted in the Edmonton International Fringe Theatre Festival in 2014. Don’t Eat Family and Help From Friends, in her children’s Friends and Family series were published through Dream Write Publications.

Her play, The Sunset Syndrome was selected for Walterdale Theatre’s 2016 “From Cradle to Stage New Works Festival” and produced in the Edmonton International Fringe Theatre Festival in 2017. Don’t Eat Family and Help From Friends, in her children’s Friends and Family series were published through Dream Write Publishing.

Alison is currently working towards her Master of Arts in Integrated Studies through Athabasca University.

 

 

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