We all read books that resonate with us in one way or another. Some of us have a favourite genre, others more eclectic tastes jumping from one genre to another (me included). As many of my followers will attest, I love a novel called Ferny by James Long. It is essentially a love story, but across time and has a reincarnation theme, much like my own homage to this book, The Twesome Loop. Similar to the novels, The Time Travelers Wife or My Names is Memory or Mariana.
In all stories there are plots that propel the characters on a journey. Some are easy to follow, others trick us into one way of thinking only to shock us with an unexpected outcome. There are novels whose plots cause sensations in their creativity, this list includes many, although you (and I) may have our own favourites.
Gone Girl by Gilliam Flynn
Shutter Island by Dennis Lehane
The Notebook by Nicholas Sparks
The Shadow of the Wind by Carlos Ruiz Zafon
Lost Ground by Ulla Jordan
Great Expectations by Charles Dickens
The Girl on the Train by Paula Hawkins
Rebecca by Daphne du Maurier
The Girl with the Dragon Tattoo by Stieg Larsson
The Catcher in the Rye by J.D. Salinger
1984 by George Orwell
To Kill a Mockingbird by Harper Lee
The Great Gatsby by F Scott Fitzgerald
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
Of course, many of these novels we have heard of, and indeed read, they are great literature from our youth and others more modern. We became involved with the characters and their plight and their essence remains with us, months, sometimes years after we’ve read the book. That is the true test of a great story.
Which plot resonated the most with youand why?
For me, Ferney, put into a story context a fascination I have in reincarnation. It is a topic I have researched and been interested in for decades, ever since working as a nurse. But not only that, it is the finding of their soulmate after years of searching – one with the certainty of prior knowledge, the other from an unknown soul deep longing.
What inspired you to write this collection of paranormal and science fiction stories? (Into the Night)
My mother was a strong influence on me growing up, and she encouraged us to consider the “what ifs” of the universe. We watched Twilight Zone, Night Gallery, and Kolchak: The Night Stalker and enjoyed talking about the possibilities of aliens, ghosts, and other things that go bump in the night. It’s a genre I’ve been drawn to my entire life.
After writing three hard-hitting nonfiction books, I needed a break. I still wanted to be creative, but I didn’t want to go through the emotional meat grinder of another true crime/criminal justice book. I was drained, so I decided to write science fiction and paranormal stories for fun. It has been a nice change of pace to create the monsters instead of writing about the real ones.
Henry was another strong influence on me as a child. I enjoy stories with a twist, and I incorporate a twist into nearly every fiction piece I write whether it is science fiction, paranormal, or general fiction. I like taking readers by surprise, and I like to make them look at items we take for granted in new ways.
Did you have these stories filed away for a while, or did you write them specifically for the collection?
Since I hadn’t decided to start writing short stories until I was needing a break from my nonfiction books, these stories are new material I wrote for the collection. I hadn’t written short stories prior to writing my books, so there were none to pull out of storage.
Do you have a favorite story in the collection, and if so, why?
Different stories appeal to me for different reasons. I incorporate a piece of myself and my life experiences into each one. Charcoal Drawings haunted me to some degree because, as a teacher, I pictured myself as the main character, Mylah Kennedy. I didn’t finish this story until 1:30 in the morning, and when I ended it and looked out at my pitch-black bedroom, it gave me the “heeby-geebies.”
4. What is your writing schedule like?
Unlike some writers, I don’t have a set schedule, nor do I believe I have to write every day in order to be a “real” writer. I’m busy with my teaching job, a long commute, my farm, and family obligations. If I don’t feel like writing, I don’t. If a story idea needs more time to develop in my mind, I let it rest until it’s ready to come out. At other times, when I have the writing bug, so to speak, I’ll write two stories in a weekend. I need to be in the right frame of mind. I know some writers feel as though they must write “x” amount of words per day, but that sounds too much like drudgery to me. I write because I enjoy the creative process, and my creative process doesn’t work well under artificial constraints like a required word count. To answer the question: I have no writing schedule
5. How do you research for your books?
My three nonfiction books deal with the criminal justice system. Bank Notes: The True Story of the Boonie Hat Bandit and Inside the Death Fences: Memoir of a Whistleblower are the real-life experiences of my husband and myself, so research wasn’t necessary. For Guilty Hearts: The World of Prison Romance, I interviewed other women who have incarcerated loved ones and their family members.
6. Where is your favorite place to write?
I like to be comfortable when I write, so I prefer to write in bed, especially at night. There are few distractions and my ideas flow more easily at night when I’m relaxed. If an idea hits me, and I’m able to jot it down, however, I’ll write anywhere.
7. When did you start writing?
I’m a high school English teacher, but I never wrote anything other than work-related items until I began my first book, Bank Notes. Over the years, people told me I should write, but I never had a purpose for writing until the story of my husband’s experiences needed to be told.
8. Do you have a blog, website, or social media links you can share?
My WordPress blog site is carolinegiammanco writes. My Twitter account is @GiammancoBook. I’m on Facebook at Caroline Giammanco Author and at Caroline Giammanco Author Fans
9. Your other books cover some controversial and powerful subjects. Can you let us know how they came about and why you chose to write them
a) Bank Notes: The True Story of the Boonie Hat Bandit:
In July 2011, I began teaching the GED program at the South Central Correctional Center in Licking, Missouri. That is a maximum-security men’s prison, and working in a prison was never on my bucket list. The Great Recession caused my school district, and many others, to cut positions, and I found myself needing a job, so I applied.
In late March 2012, I hired Donald Keith Giammanco to work as a tutor in my classroom. Each of the ten classrooms had two tutors who assisted the teachers. I didn’t realize that Keith was The Boonie Hat Bandit for a few weeks after I’d hired him, but he had been upfront at the interview and told me he had robbed banks in the St. Louis area using notes. Keith and my other tutor were enrolled in a college business class at the time, and I would proofread their papers. Keith is intelligent, but spelling isn’t his strong suit, so I told him one day that if he ever wrote a book or screenplay, he might want to have me edit it first. We laughed, but it was an idea we stuck with. Over time, it went from me editing his story to helping him write it. Together we collaborated to let the world know what the criminal justice system looks like as experienced by a middle-class adult who went down the wrong path. It’s a world most citizens don’t see, and the corruption we witnessed each day needed to be brought to light.
b) Guilty Hearts: The World of Prison Romance:
After I wrote Bank Notes, I took part in dozens of Barnes and Noble book signings around the country. Each time, I was met with people who were incredulous that I was involved with an inmate. “You don’t look like someone who would marry an inmate” was a common thread. After talking with me for a while, or after they read my book, they would change their mind and say something along the lines of, “Well, you and Keith are okay, but those other women…”
By this time, I knew several families with incarcerated loved ones, and they weren’t the stereotype at all. They were hard-working, middle-class, upstanding people who happened to love someone who made mistakes. I felt it was important to share their stories in hopes some of the stigma could be taken away. I chose Guilty Hearts for the name of the book because too often anyone who is related to or loves an inmate is painted with the same guilt as the incarcerated person. We are not second-class citizens
c) Inside the Death Fences: Memoir of a Whistleblower:
Now that I had told my husband’s story, and the stories of a dozen other families, I decided the time was right to tell my own experiences working inside the Missouri prison system, including what I saw, the death threats, and my activism to change a terribly flawed system that leaves none of us any safer.
10. As a teacher, do you encourage your students to write their stories?
I believe it is important to help students find their voices. Every class I teach has a writing component, and I teach a course called Creative Writing.
11. Do you prefer fiction or nonfiction when you read and why?
Ever since I was a young child, I prefer nonfiction. Real people and real places have always fascinated me. I enjoy good fiction works, but nonfiction is a mainstay for me.
12. Does your location inspire you to write and how?
I grew up on an eighty-acre farm in the Missouri Ozark Mountains, and the love of the country has never left me. After I graduated high school, I moved to Tucson, Arizona to attend the University of Arizona. I ended up living in Arizona and New Mexico for over twenty years before returning to rural southern Missouri in 2006.
Each place I have lived has left an imprint on me, and I draw from those places whenever I write. In addition to science fiction, paranormal, and general fiction, I also write westerns that are heavily influenced by my time out West.
Caroline Giammanco is an author and high school English teacher. She grew up in Douglas County, Missouri and moved to Arizona to attend the University of Arizona where she earned a Bachelor of Arts degree in Political Science with an English minor. She lives on her sixty-acre farm in southern Missouri. Caroline is married to the love of her life, Keith Giammanco.
Caroline’s previous published works are nonfiction and deal with the criminal justice system: Bank Notes: The True Story of the Boonie Hat Bandit; Guilty Hearts: The World of Prison Romances; and Inside the Death Fences: Memoir of a Whistleblower.
1)Where do you find inspiration? Does place or observation, or both influence your writing?
Ideas come to me from everywhere, both from external and internal sources. It’s a ceaseless flood of ideas really that I experience, evoked by a wide range of random stimuli such as: images that I come across by chance on the internet; things I see on TV; things that I read in books; even snatches of conversations overheard when passing people in a street.
Dreams are also an important source of inspiration for me and many of my stories have had their origins in dreams. Dreams give me the initial idea for or the outline of a story and I then work further to turn those ideas into complete stories.
Most of all, ideas come to me through the process of spontaneous generation, i.e. they arise out of nothing in my mind.
Given this unceasing deluge of new ideas, it is very rare for me to have to struggle to think up of something to write. In fact, the very act of sitting down at the desk, picking up a pen and opening a notebook transports me to a zone in which a conduit is established to a world populated by eternal truths and infinite beauty, and ideas flow effortlessly as long as I am in that zone.
2) You write short stories and poetry – what are your processes for each discipline?
The first step of the process involves getting the initial idea. I jot down these ideas in small notebooks that I use for noting down ideas that have the potential to be expanded further or that require further work on them. At this stage, the idea usually consists of a sentence or a paragraph.
At the next stage of the process, I explore the initial ideas in detail and or turn them into drafts for stories and poems. This is done in a larger sizednotebook. Because of the flood of ideas discussed in the previous answer, the length of time between having the initial idea and getting around to exploring it in detail could be as long as a decade. As a result I have a backlog of about ten years of ideas that I haven’t had the chance to work on as yet and to expand into finished stories and poems.
The final stage of the process involves transferring the drafts from my notebooks into a computer. I then work further on those drafts, editing and re-editing them, until I am happy with the final result.
So, getting the initial idea comes more from intuition and inspiration, and the later editing and re-editing of drafts requires more method and logic, while the intermediate steps of the writing process are a combination of both intuition and logic.
3)How does your creative brain balance with your critical one? In particular, your mathematical proofs.
The balancing of the creative and critical brains is not really a conscious decision that I have to make, for it is something that just happens naturally. ie If I am working on my writings, then I employ the creative side of the brain. And when I am working on scientific and mathematical topics, my brain just switches automatically into another mode. In fact, sometimes it may happen that while I am working on my writings, I might have a mathematical idea and so I instantaneously turn to working on that idea and then go back to working on my writings, and it really doesn’t take any effort at all to switch between the two modes of thinking.
4)Is creative writing your only creativity?
Firstly, please let me clarify that stories and poems are not the only things that I write.
I also write (among other things) non-fiction, philosophy, psychology, spiritual pieces, vignettes, micro-fiction (including 6 word stories), humorous articles, surrealism, aphorisms, parables, fables, travel writing, ekphrastic writings and song parodies.
Having said that, I must add that science had always been my first love and I have been creative in the mathematics and physics fields since my teenage years. Until relatively recently, mathematics/physics/science fields were my first interest and it is to them that I devoted most of my time and creative energy, and writing was a distant second interest.
5) Have your degrees influenced your creative work in any way?
Firstly, just to explain, I have an Arts degree in Philosophy/Linguistics and a Science degree in Mathematics/Physics.
I think that the influence of philosophy on my writings is clearly evident to anyone who takes a look at them, as a lot of my writings concern themselves with philosophical issues.
The influence of linguistics is a bit more subtle and probably manifests itself in the games that I like play with words and their meanings in my stories and poems.
I think this influence of science shows itself in a number of ways in my work. On a more overt level, the subject matter and the themes of my stories and poems often have allusions to mathematics and physics. On a more subtle level, I think that my scientific background does influence my thinking process and the way that I go about creating the plot and development of a story. In fact, some readers have remarked that my stories have a mathematical structure and that they flow almost like a logical argument.
6)Can you enlighten us about your involvement in the spiritual community?
I was involved with a spiritual community in Melbourne on and off for about 5 years. At the time, it helped me with finding my path in life.
The guru of this community gave me my first big break with my writing career when he started reading out my non-fictional spiritual and philosophical pieces, as well as some of my fictional pieces in the public programs in front of hundreds of people.
His reading of my work and the responses that my writings received from the audience gave me the confidence to start sharing my writings with others, as until then my writings have always been a secret part of my private world and I never shared them with anyone. In fact, I used to think that I would never share my writings and that they would always remain a secret part of my private world. But things have turned out to be rather different!
7) What did you learn from your script writing venture?
I contributed some of the dialogue to a short film titled “Six Steps to Eternal Death”. I attended several days of filming to see for myself how it all works and was pretty intrigued by how written words are turned into the visual medium. It was also interesting to see how a script is developed over time, and how much is altered and deleted until the final form is reached.
Yes, I am working on a book titled “Anti-Labyrinths” which will be a collection of my stories, poems, fables, flash fiction, aphorisms etc.
“Anti-Labyrinths” is a word and a concept that I came up with. As labyrinths are places where you get lost, anti-labyrinths are places where you find yourself. A labyrinth has only one entry, and its secret can only be discovered at one point – its center. An anti-labyrinth, on the other hand, can be entered and exited at any point and at every point of an anti-labyrinth, secrets and mysteries are revealed.
My book “Anti-Labyrinths” will itself function as a kind of an anti-labyrinth, revealing truths and secrets at every point of the book, and helping the reader to find themselves. And, just like an anti-labyrinth, “Anti-Labyrinths” can be entered or exited at any point; you don’t have to start reading it at the beginning or finish reading it at the end.
BORIS GLIKMAN is a writer, poet and philosopher from Melbourne, Australia. His stories, poems and non-fiction articles have been published in various online and print publications, as well as being featured on national radio and other radio programs. He says: “Writing for me is a spiritual activity of the highest degree. Writing gives me the conduit to a world that is unreachable by any other means, a world that is populated by Eternal Truths, Ineffable Questions and Infinite Beauty. It is my hope that these stories of mine will allow the reader to also catch a glimpse of this universe.”
When I unpublished these books, it was because I was embarrassed of the quality. But when I looked through them again, I realized my embarrassment had nothing to do with the quality of my work. It had to do with the fact that I wrote these books while I was still raw from my mothers passing. It had two years when she passed away when I started working on book 1. I had never written a novel before. I was a screenwriter at the time. I wanted to write stories without dealing with the competition. So, even though I thought writing a novel would be much harder, I switched to novels. Over time it became the format I loved.
As for why I decided to republish, it’s because I’m proud of every step I’ve taken to get where I am now and am excited for what the future holds for me.
Can you us tell about the stories and how the ideas came about for Unforgiven and All in the Family?
At the time the idea stemmed from my grieving process of my mother’s passing. Feeling as if my emotional state and process was quite different from my family. There is a scene in book one where the truth of why the family split up and kept Henry (main character) in the dark of the truth. My perspective of my family was rather negative and dark. Which is why I originally unpublished my work. It felt like I was using an outlet to deal with my frustration, anger, and morose state.
Somehow, as time went on, I saw these books as a much needed and healthy part of my past. That I dealt with my emotions in a creative and human way. Sure, the ideas came from a creative place, but at its core, it came from a tormented and lonesome place.
I believe our fears can create beauty.
On a more literal standpoint, Unforgiven is about Henry reuniting with his family. While questioning his life choices and how he will get himself and his family out of this chaotic mess. As for what the family business is, I will let that be a surprise.
Which genre do you enjoy writing the most?
Mystery. When I wrote book 1 of Boone and Jacque, I found joy in creating layers around the central characters.
Where did the idea come from to writer this fantasy series?
I wouldn’t consider this a fantasy series. It’s more of a thriller and suspense duology.
Do you have other books published?
Yes. My Urban Fantasy/Fiction series, Boone and Jacque. Book 1, Saddleton’s Secret, Book 2, The Brothers’ Odyssey are available on Amazon in paperback and kindle format. Book 3, Saddleton Haunting, will be out in Kindle format in early August. For paperback, sometime in September.
What is your writing background?
I did my Bachelor’s in Creative Writing at Kwantlen Polytechnic University. Besides books, I’ve written several poems, short stories, and research articles.
Do you belong to a writing group?
On Facebook: Author Nation, World Poetry Café; Author/Publisher/Editor/Book Readers, Start in Screen – Canada, BC Writers, Authors and Editors, and countless others.
Has the pandemic affected your writing/promotion? If so how?
Not at all. Overtime I’ve certainly evolved as a writer and adapted to change in life. But how often I write and put my work out there hasn’t changed.
However, the pandemic did make me let go of certain fears. One being fantasizing about things I want to do. For example, acting. Starting in August, I’ll be doing a three monthacting program. I don’t know where it will take me, but I’m excited about it.
Which authors influence you?
Good question. It changes over time. Right now it’s Leigh Bardugo, whom wrote the Grishaverse. She is the first fantasy writer to envelope me in the universe she created since I read Harry Potter. I’m not sure why, but something about her style is quite inviting.
I still look up to Stephen King, J.K. Rowling, Cormac McCarthy and Daniel Handler, but I’m expanding my horizons.
You have experienced a multitude of jobs – have these experiences given you insights for the characters in your stories, within your book Rage and other writing?
Yes and no.
Yes in that I have based characters on past jobs for some of my writing. For example, two stories which appear in Rage are about archaeologists (“Deposition” and “The Edmore Snyders”) and I did work as a salvage archaeologist for about six years. Consequently, both of these stories carry elements which are very much true to life.
However, most of my stories are not based on past employment. To keep looking at the stories in Rage, I’ve never been a mountain climber, a priest, or a teenage girl (and probably never will be). To look at some of my other past jobs, I’ve never published a story about writers, software developers, or graphic designers–in fact, I find most of my past employment doesn’t excite me enough to craft share-worthy fiction from it. It’s the experiences I’ve had (which may or may not have come tangentially from those jobs) which inspire me, shock me, give me joy, disgust me, scare me, or piss me off so much I find myself mining for my fiction.
I’ll wrap this up by saying I am a strong proponent of thorough research and writers getting their facts as correct as possible. If I can use a past job to get my facts right, I’ll do it. If I need to interview people who’ve experienced the things I’m writing about, I’ll talk to them. I find story elements which don’t ring true to life (or at least my experience of it) can bring me out of a story faster than anything else–and I try very hard to never do that to my readers.
Your path into writing was the result of an unusual message, please tell us about it and if now you are convinced or otherwise to the validity of that message?
I’m not sure if the message you’re referring to was actually my path into writing (I’ve been making stuff up for almost as long as I can remember), but that message was most certainly the catalyst which finally got my ass in gear and helped me focus on my dream of becoming an author.
The message was this: you’re on a path for destruction and unless you change your ways, you are going to die. The deliverer of that message was a tarot reader I’d met at a party in New Orleans, and when she told me this, it scared the shit out of me. At the time I was a rather unhappy software developer and I chose to interpret her message to mean I should abandon my career in information technology and give writing a real, honest, both-feet-in effort (I also remember hoping this was not a medical thing).
As a result, I completely refocused my life. I enrolled in some continuing education classes in creative writing and for the first time in a long while felt truly happy (like I was where I was supposed to be). My instructors were encouraging, my classmates were invested, and everyone took the writing thing seriously. I learned a lot. When I got enough decent material together for a portfolio, I applied to Simon Fraser University’s year-long program, The Writer’s Studio. Coincidentally enough, that was the time I got downsized from my software development job, so I was given the luxury of being able to focus on my studies full time. At SFU, I got involved in the local literary community, met many interesting people, and learned even more. Then, I took my biggest leap and applied to the Master of Fine Arts in Creative Writing program at the University of British Columbia. I’ve got to say when I got my acceptance letter from UBC, I did the biggest happy dance of my life. UBC was a fantastic experience for me, where I met even more interesting people, got involved in teaching creative writing, and learned an awful lot more.
In the end, whether or not I’m convinced of the validity of that message doesn’t really matter–I acted on that message, destroyed my old life, and created a new one I’m very happy with.
In teaching creative writing is it an advantage or a disadvantage to your own creativity?
Advantageous in that I get to meet many people with creative ideas so very different from my own. As a writer I don’t get out much, and talking to other writers about stories and other creative things is something I both enjoy and constantly learn from.
The downside for my creativity I experience from teaching is that I let it pull me away from my writing time. When I’m teaching a class, I feel it’s only fair to give my students my full attention, so whether I’m critiquing homework assignments or preparing lesson plans, I find I’m not writing as much of my own material as I’d like (in fact, I find I don’t write at all while I’ve got a course in session).
What writing process is the most comfortable for you – pantser or planner?
I’d like to be able to say I’m a planner, but that’s not entirely the truth. While I outline meticulously (not only do I take comfort in an outline, I’ve also discovered outlining saves me from having to write at least a full draft or two), I almost always deviate from my outline and end up pantsing to some degree as I go along. Now that could mean I’m further refining within the scope of my outline, but it could also mean I’ve got to throw away my current outline when I come up with something better (which happens often). As I’ve discovered my own writing process, I’ve realized my first drafts don’t look very much like my second drafts, and my final drafts are very different from what I first envisioned for my story (that’s not to say I only write three drafts–my current work in progress is on draft 10.7). So, um, yeah, I’m a bit of a hybrid.
How do you find inspiration and time to write?
As for time, I’m very lucky in that aside from the occasional teaching gig, all I do professionally is write (I’m also very lucky to have an extremely patient and generously supportive wife). As for inspiration, that’s been a bit trickier for me these past two years (as I suspect it has for a lot of people). I usually find my inspiration (whether it’s from things which shock me, give me joy, disgust me, scare me, or piss me off) from meeting new people, going to new places, and doing new things. As those stimuli have been somewhat curtailed lately, being inspired has become a bit of a challenge. I’m currently relying on memory and my outlines to carry me through my work.
What determines which genre/style your write in? (Short story, play, or poetry)
I haven’t been writing for the stage lately, and I’m not doing much short fiction or poetry, either. What I’ve been focusing on is longer fiction (the word count of the latest complete draft of my current WIP is about 120,000 words).
That being said, I did take a break from my novel and publish a short story in Speculative North last year. It’s about a werewolf desperately trying to keep her shit together while contending with increasing provocations from sources which have no regard for her as a person whatsoever (by the way, there should be an adult content warning if anyone decides they want to read that story–which anyone can for free by following the Free Downloads link on my website [http://www.johnmavin.com/downloads.html]). I knew that story would be short (it’s only about 7,900 words, admittedly long for a short story) as what I wanted to say wouldn’t have filled a novel.
So I guess that’s my answer–it’s what I want to say about a given idea that determines which genre or style I’ll use. My current WIP is too big and has too much world building to be effective in short formats so I’ve gone long. For my stage plays, it was usually the effect on a live audience I was going for (for example, my one-act play Daguerreotype–also available on my Free Downloads page–is an intentionally uncomfortable experience which is different for each person in the audience, depending on when they figure out what is really going on). For my poetry, if what I’m looking for is the emotional equivalent of a quick punch, that’s the genre I’ll choose.
You offer writing courses – what made you decide to do this?
I like to share and I like to teach. Back when I was taking my MFA, my grad advisor looked at my proposed schedule and called me in for a meeting. She said I’d signed up for too many courses and had to limit my choices–specifically, she asked me to choose between a class on teaching creative writing and a class on journal publication. While I was disappointed I couldn’t take both, making that choice was easy (I chose the teaching class).
Do you have a current WIP? Can you tell us about it?
I’m currently working on (and have been for far too long) a dark fantasy trilogy. I’m not yet at the stage where I can publicly say much about it, but I will say it’s set in a secondary world and deals with belief, deceit, and what happens to the soul after death. Oh, and yeah, the cast is very much filled with morally questionable characters (as with most of my writing, no one is truly good and no one is truly evil–they’re all hybrids, which I find true to life, or at least my experience of it).
How important do you feel creativity is – no matter the medium?
Very, very important. I believe humans have an innate need to create in almost all situations. Whether that creativity is expressed through writing short stories, composing music, painting pictures, solving problems, completing work, or even getting dressed is immaterial–everyone is creative. I realize I’m not expressing this very well, but I do know someone who can: his name is Jim Jackson and he has a podcast called Radio Creative, in which he looks at ways to expand people’s natural creativity and tap into it when they want to in their life, work and art. Full disclosure–Jim had me on as a guest a while back–but he’s also interviewed chefs, business consultants, and lawyers besides editors and writers). I recommend giving Radio Creative a listen. [https://anchor.fm/radiocreative/]
Where can readers find you?
The best place to find me online is my website, http://www.johnmavin.com, where I’ve got links to both my Facebook page [www.facebook.com/author.john.mavin] as well as my Goodreads profile [www.goodreads.com/author/show/16623050.John_Mavin].
Do you have a message for your readers?
Um, you mean beyond “hello, thanks for reading my stuff, please read more of my stuff, and I’d really appreciate it if you gave my stuff an honest review on Goodreads and/or Amazon”?
Okay, for something much less self-serving, how about this…I came across a meme on Facebook the other day which struck me as apropos. It went something like this:
List of Books to Read Before You Die
1. Any book you want.
2. Don’t read books you don’t want to read.
3. That’s it. The meme goes on, but at its core, I really liked its message
A chilling collection of stories unraveling the consequences of longing, broken trust, and deceit.
John Mavin is the author of the dark literary collection Rage who’s taught creative writing at Capilano University, Simon Fraser University, the University of British Columbia, with New Shoots (through the Vancouver School Board), and at the Learning Exchange in Vancouver’s Downtown Eastside. He’s a graduate of SFU’s The Writer’s Studio and also holds an MFA in Creative Writing from UBC. A past nominee for both the Aurora Award and the Journey Prize, his work has been translated, studied, and published internationally. He invites you to visit him online at http://www.johnmavin.com or follow him on Facebook at http://www.facebook.com/author.john.mavin.