It feels good to be back in the writing saddle again after a break after National Novel Writing Month and the Christmas & New Year’s celebrations. Leaving a manuscript for a while helps refresh our brains (and Muse). Obviously, we do not need to return to the frantic writing style of November, thank goodness! With a sizable word count from the challenge, we can now relax back into the story.
There are a couple of options we can take. Firstly, to continue where we left off or to go back to read the text and make changes or plunge into editing. We all have a specific target for our NaNoWriMo manuscripts. Some will be filed way for another time, others completed before the editing process, while others may be subject to a full revision. Whichever, method you use, it is always a personal choice once we see the work of November.
My second book in my detective trilogy – The Tainted Search, took an unexpected twist during November, so I am keen to follow the story line to see where it takes me and my characters. I did know one of the characters was the cause of the procedural mistake, but until NaNoWriMo not the method of how he was found out and by whom. It has created an unlikely alliance.
What are you doing with your NaNoWriMo manuscript?
As writers we are constantly second guessing our writing. Is it descriptive enough without too much exposition? Is that character’s personality clear? Does my action scene work? Are my character’s developing? There are many and varied queries as we write. To enable us to grow as writers, we need constructive critique from people we trust.
Here is a list of who you should ask:
Experienced editors and writers.
2. A writer in your niche.
3. Someone who has read your work before.
4. Your writing group.
When asking for feedback be specific in what you are asking, rather than say “let me know what you think.”
Here are a couple of examples of questions to ask:
Do you get a clear idea of the genre?
Can you relate to the characters?
Do you understand their motivations?
Does it have a good beginning/ending?
With specific scenes name it and then ask a question in relation to it.
Does the story flow?
Were the characters reactions to situations believable?
Was the story predicable?
What surprised you?
Which part was your favorite?
Remember feedback should be taken as constructive critique. You may not agree on their viewpoint, but use it to see your work in a different light/perspective. It is your work and you tell it the way you want.
As you well know I write in multiple genres, so how do you choose which one to read? There are several options on where you can research a book and decide if it will engage you.
Local Bookstore Staff Picks
Friends and Family Recommendations
Purchase sites – compare reviews in the genre sections
As a last resort you can try:
Best Sellers, Prize Winners or Best Books Ever Lists – just remember these can merely succeed on an authors name, or through a massive advertising campaign. I know I was extremely disappointed in one ‘famous author’ book, which was badly edited because it was rushed into production.
Here are a few other things to think about. It maybe that there are certain writing styles that appeal to you or you find more enjoyable to read. These can be due to:
Pacing: How quickly does the narrative move? Is it a page-turner or is it a slow burn?
Characterization: Do you become engaged with the characters?
Story line: What is the orientation of the plot – character-driven, action-oriented, complex, fantastical or inspirational?
Frame and Tone: What is the mood of the book – heartwarming, thrilling, quirky, or dark?
Style: What is the author’s writing style – descriptive, expository, persuasive, narrative, technical or poetic.
How do you choose a book to read?
Do you have a ‘favorite’ genre?What draws you to it?
A good editor is worth their weight in gold. They not only fix your grammar and find and correct major and minor errors , but also improve your book’s content and structure in a way that preserves your style. There are two main processes a manuscript has to go through prior to publication. Both require a systematic approach.
Use these as a guideline to edit and proofread your manuscript before sending it to an editor. Expect a red-lined manuscript back and learn from the experience.
This process concentrates on:
Paragraph structure and clear transitions between paragraphs.There is a flow of the story – whether character development or plot.
Highlighting any repetition of words, sentence structure, and the correct use of any technical, historical or factual elements.
Helps to condense and improve the efficiency of your writing.
Questions your flow of the narrative.
A more focused approach to find common errors and the ones missed during editing. Here are a couple of tips to help you:
Read the manuscript out loud or divide it into sections. TIP Read from last chapter to first.
Rewrite structure if required, such as plot, story line, consistency and continuity. TIP Create a general outline 1 – 3 pages maximum to track the story line.
Scene outline. Read each scene to determine if they require editing or deletion TIP Do they push the story forward? If not delete them. TIP Create a check list for each step of proofreading. Then concentrate on that particular one at a time.
Print out your manuscript – it may seem odd to do this in the computer age but we perceive information differently between screen and paper. TIP Read it out loud. On hearing the flow of the language you will understand your strong and weak points.
TIP from the King!
We can be too wordy in our writing, Stephen King learned: “2nd Draft = 1st draft – 10%”. An average manuscript requires at least three rounds of editing and at each round try to shorten your draft for 10% of its original length.
Linear Edit. This is the point you deal with the minor issues such as rewriting sentences, exchanging with words, and fix grammar, punctuation, proofread for misspellings and typos.
Do you have a particular system or tip you use while editing & proofreading?
I have read about one author who prints the manuscript on different coloured paper for each step but this seems a bit excessive!
This week’s question: Do you incorporate politics and/or religion into your stories? What is the reason?
I have used a matriarchal society in my novel, Life in Slake Patch as the background to a young man’s life in that regime. It was interesting to write about the influences and attitudes of a different society. In contrast my novel, The Twesome Loop, which covers two time periods, shows the patriarchal suppression in the 1800’s.
Last week’s question: How did you find your particular writing style? A creative writing class, a teacher, a format or something else? Do you write differently for different genres?
Well, your recent research is certainly more unique and interesting than mine. I think my writing style, whatever that may be,remains the same no matter what I write. However, my “voice” changes with each work, depending on the era, location, and age of my characters. The personality of my twenty-something Italian protagonist in my WW2 novel is a far cry from the thirty-something American artist in my current WIP.
I have researched medieval physician’s healing techniques, the circumstances of how a body can dry out and become a husk, natural substances that prevent pregnancy or induce sterility.