As readers we enjoy a well written and absorbing story and know only too well the agony of finishing a good book – the book hangover. The character’s can remain with us for days, weeks or even months afterwards. If we are lucky to know there will be sequel’s, we must be patient and wait for the next installment but sometimes the tale is a one off, leaving the characters to remain in the ether and our minds.
There is one request all author’s ask and it is for a review. Now for some reader’s this simple request brings with it a strong nervousness or even stress. They ask themselves – Where do I write a review? Well, there are numerous options: Amazon, Smashwords, Goodreads or even directly to the author via their social media or blog. No matter which avenue you choose, the author will be forever grateful, knowing you enjoyed their narrative and the many hours, weeks, months and years they toiled to bring you that story were not in vain.
The next question is the one that makes many readers despair and decide not to leave a review. How do I write a review? Many think a review needs to be a long, lengthy in-depth summary of the book and that is certainly not the case. A simple one line sentence saying you enjoyed the narrative, the characters, the location or that it moved you in some way is all that is required.
Now for the question that is even more tricky. What if I didn’t like the book? Obviously, we can’t love every single book we read but we don’t have to be mean about reviewing it either. If a book doesn’t please you then maybe just a short sentence telling the author this particular book of theirs didn’t move you but always find something nice to say. Maybe the location was well described, one character remained you of a relative or friend, you enjoyed the plot idea, anything to show the author their worth. We authors are a sensitive bunch.
Would you make a pledge to review every book you read this year along with me?
Firstly, apologies for not getting a post up sooner – as you can imagine with full time work and writing my NaNo novel it’s been a bit hectic along with the usual life stuff.
Having said that I am, as of Thursday 14th November only a couple thousand off my target of 50,000 words so a celebration is imminent. I was late to NaNo this year as I only just completed publishing the sequel to The Rython Kingdom. After numerous reader requests for a sequel I used last year’s NaNo to write one and as we all know that is only the start of the journey to getting a book published. Rython Legacy has been favorably received – whew!
I did dither about actually participating in NaNo this year, I have two manuscripts lying in wait from other year’s and couldn’t decide whether to tackle them or create a whole new story. Then there was the problem of what story to write. As with most writers there is a lot to choose from – part stories, pages of story ideas and everything left on the back burner. As it happened a new story formed out of no where and that’s what I have been busily typing. It is a love story of sorts set in a university. This gave me my first problem I have never been to university so research has been a huge part of this challenge. However, my daughter and future daughter-in-law have been so I have utilized their experiences into the narrative.
Of course any NaNo novel is the first draft and the manuscript will go through many changes, revisions and editing before it is ready for publication. For now I am fully immersed in my characters, their setting and where the story is going.
Good luck to my fellow NaNoWriMo writers – word power is our thing.
It took some time to decide whether I would participate in NaNoWriMo this year. I have participated ten times in all and each time have created novel or novella length manuscripts. Most have been revised and edited over the following year or so to become published books. Some quicker than others it must be said. My very first NaNo in 2009 resulted in a work not published until last September! Yep 9 years. This was due to it being my first full length manuscript, my novice writing and self doubt that it was worthy of publishing. I revised and edited almost every year until I took the plunge, finally satisfied it was finalized.
However, in regard to this year’s NaNo, my first stumbling block was the two draft novels I have pending, which are previous year’s NaNoWriMo manuscripts. Again I know they need revisions and editing prior to submission to a publisher. My struggle was should I work on these manuscripts rather than create another one?
Secondly, I have several events to attend during November, which will take me away from the vital writing time needed for NaNo. As we all know every minute counts during November. Will I have enough time to succeed?
Thirdly, although I browsed the multitude of saved short stories in my laptop folders, I was not convinced any of them were novel length material. Or maybe it was my Muse not being excited enough about them – who knows? So I pondered what ‘new’ story I could write. Nothing I thought of seemed the elusive ‘it’ until just as I was drifting off to sleep an idea burst into my mind. It gave me a rough timeline, one character and the inkling of a plot. Knowing that relying on memory is a writer’s mistake when ideas pop up, I got up and wrote it all down. Subsequently, I have managed to decide on my two main characters, their location, some backstory and a timeline.
So I am as ready as I can be for 1st November. If you would like to connect on the NaNoWriMo site I’m MandyB.
It may seem like an easy to answer question but for most writer’s it is a multi faceted one. I have answered with:
Word or picture prompts
Overheard snippets of conversation
An idea popped into my head randomly
A personal interest
A topic of conversation
A couple of examples:
My children’s picture book, Rumble’s First Scare was a Halloween prompt, which I turned upside down. It is the monster’s point of view of Halloween and his first scare adventure with his Mum.
The Rython Kingdom began as a series of prompts that gelled together to form a story by pure chance.
It is not so clear cut as these to be honest but it helps a non-writer understand the creativity side of our brains a little easier.
I presented a workshop on how to formulate an idea into a novel at the WFSC writer’s conference in the spring. From that initial spark to compiling a story line/arc, creating a plot arc, introducing characters, and finding the correct conclusion for the genre. It was a fun experience.
A dream. Most of my ideas start with dreams. I am a vivid dreamer. I tweak them to make sense. My current work involves steampunk pirates and I’m collaborating with my 16-year-old daughter. She invented one of the characters so she decides what they say and do. It makes for an adventure we can share together and twists in the plot that even I didn’t see coming.
How did you come up with the title?
First it was called Evelyn of the Sea because I wanted to write about a woman disguised as a man on a sailing vessel. I want a female hero who isn’t judged because of her gender. However, I soon realized that I couldn’t write a historical novel so I made it steampunk, put Evelyn in an airship, and called it Evelyn of the Air instead. I also set the story on a different planet so I could mess around with technology, laws of physics and mythos. Airships don’t work very well on earth and I didn’t want to be limited. The best way to break rules is either off planet or magic. I do both.
Is there a message in your novel that you want readers to grasp?
I want readers to find validation, sympathy and inclusion. I want to shine a light to people underrepresented, marginalized or odd in any way. We are all a family and we should fight for our place in the world. But I don’t want to preach.
How much of the book is realistic?
My goals are to escape and entertain. I don’t want them burdened with the same problems they face in real life. I want my readers to work with their imagination. Get those brain cogs turning. Of course, the mystery of the human condition is very real. Just because the obstacles are fantastic, our reactions, emotions and instincts are still the same. So, I sneak in some sympathetic elements while battling monsters and hope the parallels and symbols are subtle but noticeable.
Are your characters based on someone you know, or events in your own life?
Authors can’t help but draw on their own experience but I try to keep my own words out of my characters minds. I ask myself what I would do in the situation and is it the same thing my character would do? If it is, I run the risk of having all my characters sound the same. I do want my characters to get into worlds I could never visit or adventures I wish I could have. So, would I want to be a pirate on an airship? Of course!
Where can readers find you on social media and do you have a blog?
Do you have plans or ideas for your next book? Is it a sequel or a stand alone?
I really enjoy writing short stories for anthologies. I like themes on monsters. Maybe soon I’ll have enough monster stories to make my own collection. I am also an artist so I want to do an art book but I need a grant for that project. I also want to write a play. I want to see my characters interpreted by others.
Of the characters you have created or envisioned, which is your favorite & why?
I am a feminist so I really push the female hero who is smart, invaluable and saves the day. I also have male characters who are sensitive and respectful.
Do you favor one type of genre or do you dabble in more than one?
I can’t sit still so I am always starting new projects. I want to try everything. Monsters and ghosts are my favourite in horror, fantasy or sci-fi. Sometimes those monsters are the good guys or even the love interest.
Do you plan your stories, or are you a seat of the pants style writer?
I totally understand the advantage to planning and plotting but I cannot force it out. And I’m too impatient. If a scene is rattling around in my brain, I have to put it on paper. And it morphs as I go, so I deviate from any plan I had. If I get stuck, I leave it for a few days and let my subconscious mull it over until the idea snaps into focus.
What is your best marketing tip?
Be friendly. Go to your readers for book signings, school visits and conferences. The people you associate with will be your best promoters and collaborators.
Do you find social media a great tool or a hindrance?
Social media is a two-edged sword. It can kind of work, but usually it slows me down. It’s best for keeping in contact with associates and hearing about submission calls. I don’t spam people, I invite them to book signings then talk to them in person.
Do you read for pleasure or research or both?
Reading anything is always research. It can’t not be. Even if I’m just researching an author to see if I like their style to determine if I want to read more. If it’s not a good fit, I’ll stop reading. It’s simple. Everything I read gets stored away for future reference.
Do you see writing as a career?
No. It is a lifestyle. If I wanted it to be a career, I would have got my bachelors of English or journalism and applied myself to these professional labels, deadlines and salaries. A writing career involves writing for other people. I haven’t done that since school assignments. I want to let my creative side out when it suites me without worrying about paying the rent with my words. Depending on a writer’s income is hazardous. I won’t quit my day job but I will write during my lunchbreak.
Do you nibble as you write? If so what’s your favorite snack food?
No. I realized early on that I binge and it’s not healthy so I stopped. I will only drink water or tea. Some of my binge worthy treats are praline trail mix, and popcorn. I try and save those things for parties.
What reward do you give yourself for making a deadline?
Netflix! It’s time to purge the brain. Maybe cheesecake.
Halli Lilburn was born in Edmonton, Alberta. Her first story at age nine was about unicorns and fairies. Over the years she has explored other genres including poetry, science fiction, paranormal and horror. She has works published with Tesseracts 18: Wrestling with Gods, Spirited by Leap Books, Carte Blanche, Vine Leaves, Renaissance Press and many others. She teaches workshops on creative writing and art journaling. She is a certified structural editor with essentialedits.ca and is an editor for The Dame Was Trouble, with Coffin Hop Press. Her education includes Library Operations, Art History, Creative Writing, Music and Fashion Design. She is a librarian, artist and mother of three.