Mandy Eve-Barnett's Blog for Readers & Writers

My Book News & Advocate for the Writing Community ©

Wordsmith’s Collective Thursday – Road Trip Companion and Essentials

June 10, 2021
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I am lucky to have fellow writer/author and best friend, Linda, who loves road trips as much as I do. This friendship has led to numerous road trips over the last twelve years or so, giving us the opportunity to explore my new homeland and Linda’s home. We have several essential items that we pack or insist upon in our accommodation, a companionable routine for the driving and exploring, as well as the writing, editing and reading portions of our trips.

We do not ride the highways but back roads, trails and secondary highways giving us time to stop and watch wildlife, take in the scenery and explore hamlets and ghost towns. We have been inspired on multiple occasions to create but also to decompress and relax. We have encountered numerous animals, witnessed fabulous scenery and found little known corners of Alberta, Saskatoon and British Columbia.

For the driving portion of our trips, we leave early knowing we will be taking the long way to our destination. This has culminated in more hours added to a trip than maybe we should admit to! (Case in point our last ‘day road trip’ took fifteen hours.)

Our in-car essentials are:

My road trip book to write down the road numbers, towns and counties we travel through and Linda’s map book to mark out the roads we travel. A bird identification book, blankets, emergency kit, shovel, trolley, chargers, camera, sunglasses. Also a bag for trash and water bottles.

Our accommodation requirements are:

A desk (or two) and two comfortable chairs, a nice view, and a kettle! (I need my tea). Comfortable beds, ample lighting, space to spread out our things and a good shower.

Our trip essentials are:

Lap tables, laptops, notebooks, pens, current writing projects, reading material, chargers, extension cord and power-bar (there are never enough power points), cell phones, camera, back-up drives.

Comfortable clothes (layering is essential), warm socks, jackets, walking shoes/boots, slippers. These change dependent on the time of year of course. Eye glasses and ear plugs, a bottle of wine & snacks, easy meals and tea bags (Okay I’m English teabags are a must!)

Neither of us needs noise so silence reigns unless we are discussing our day or writing projects.

Over the years our routine has evolved into a well oiled machine. We are comfortable in silence and respect each others creativity and time to just create and enjoy the wonders we encounter.

Having time to let our writing Muse gather and cultivate new ideas, allows us to start, progress, or even finish writing projects.

What road trip essentials do you need?

When was your last road trip/ Where did you go? What did you do?

Wordsmith’s Collective Thursday – Toolkit to Create a Writing Retreat at Home

May 27, 2021
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Photo by Monstera on Pexels.com

Without the luxury of travel during COVID, regular writing retreats have been cancelled, but it is not all bad news. We can create our own mini retreat at home. There will be some necessary arrangements to be made, which relate to your personal circumstances but it can be done. If you have a full household ask if it is possible for your partner to take your children out for an extended walk or to a play ground or even outside yard activities? Set times that you want to write without interruptions. This may be early morning or late evening, a time of day that you can set aside for writing. If staying in the home is too difficult, maybe drive to a secluded spot and write in a notebook to type up later. There is always somewhere you can find to accommodate writing time.

The length of time you have for your retreat will, of course, depend on what is possible for you. You may have two hours a day over a couple of days or a day or two. Before creating your retreat think about the following:

Why do you need a retreat? This might seem like a silly question but take the time to decide if the retreat has a direct purpose for your writing.

What is your goal? Again ask yourself, what can this retreat help you accomplish. Is it to begin or finish a project, a full edit, or a final read through?

Once you have identified these two points, you can plan by initially setting targets with measurable realistic goals, don’t overwhelm yourself. Depending on the time allotted for your retreat, create a daily writing plan. What are your objectives for each day? This can be writing or editing a certain number of pages, sequencing chapter content or revising scenes.

It is important to eliminate distractions as much as possible allowing you to concentrate. This should include switching off your cell phone, setting specific times for social media interactions, or even setting a timer!

The more you organize before hand the better your experience will be. Let’s look at some essentials.

Plan Your Retreat Time– use your preference – a simple sheet with goals for each day/hour, or a whiteboard with retreat objectives or notes in a day planner.

Tools – these can include a notebook, laptop, post-its, record cards, mood board, a print out of your manuscript, reference books or research sites bookmarked on your search engine. Everything that you need to successfully accomplish your goal.

Snacks & Water– the brain needs to be fed and watered as you delve into your project. Have plenty of water and easy nibbles handy.

Space – designate a space where you will work, where you and your tools will not be disturbed.

Rewards – how will you reward yourself for accomplishing your set goals? Decide how, it can be going for a walk, or thirty minutes on social media, or relaxing reading a book.

Remember this time is ultimately for you and your writing, a time to invest in your craft.

I’d love to hear your experiences with a home writing retreat. How did you achieve it?

Author Interview – Barbara Black

May 20, 2021
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  • How important are the arts and your creativity to you?

Life is nothing without the arts. Think of what we do to relax: listen to music, watch movies, read books, go dancing. And yet, when it comes down to a budget crisis, these seem to be the things that are cut because they’re considered somehow “non-essential.” I beg to differ. They’re life-affirming and allow us to share the human experience through the eyes and imagination of others. You can’t put a price on that. As for my own creativity, it’s present in almost everything I do.

  • How did you come up with the idea of the title, Music from a Strange Planet?

The book title for my short story collection is from one of my stories. In that story, “Music from a Strange Planet,” a talented and precocious girl wins an award for her composition called “Music from a Strange Planet,” a contemporary orchestral piece based on the convergence of cricket choruses. I, too, was a little girl who loved insects and nature (still do). There’s an undercurrent of insect references in the collection and small references to music throughout, so I thought giving the book this title would convey a sense of wonder and suggest to readers that they’ll be entering the particular, idiosyncratic worlds of a variety of characters in a particular moment in their lives. The “strangeness,” to me, is not so much weirdness, but points to a sense of mystery.

  • What drew you to write short stories rather than longer narratives?

In writing, in both poetry and fiction, I’ve always been a minimalist. I like writing and reading works that are succinct, compressed and convey a distinct mood in a few words or pages. I do read novels, but because I’m so attuned to concision, I find them wordy, even if they aren’t! I’m a writer whose problem is not wordiness but a tendency toward spareness. That, however, is why I love to write and read short stories. They’re a leap into a crucial point in a character’s life.  We usually meet the character at a turning point and sometimes at the end there’s a sense of closure or development and sometime there isn’t. Some readers dislike short stories for that reason. That’s why I love them.

  • Where do you find your inspiration?

In many art forms! When writing’s going slowly, or when I’m not writing, I turn to the writing, music, art, dance of others. Or I slip into the garden and merge with the plants. I read critical works or essays about writing, I pore through literary journals. I subscribe to art and décor magazines, and garden design magazines, so I get a dose of creative ideas and people from all angles. A lot of my friends are also musicians, poets and visual artists so they inspire me with their own creations.

  • What exactly is a short story?

First of all, I wish we had a different term for the short story. These two words sound a bit dismissive to me. Not that long ago, the short story was denigrated as the shorter, lesser cousin of the novel. But rather than saying what it isn’t, here’s my take on what a short story is. It’s compact, it implies, it suggests. It contains subtext that requires the reader to work a little harder to unlock its meaning. Every detail in the story works hard to point the reader to the underlying context: setting, back story, character history, tone, imagery. It’s brief and intense and often does not give the reader  closure. A novel is expansive, its narrative, plot and cast ever-widening. A short story goes in the opposite direction: inward and compressed. It doesn’t explain. It allows the reader to experience an intense event in a character’s life which often ends in a moment of awareness.

  • Your stories and poems deal with deep inner perspectives and emotions – what draws you to these topics/themes?

It’s characters themselves who draw me toward their stories and so unknowingly to certain themes or emotions that are operating in my subconscious.

  • Does your music influence your writing or vice a versa (or is it a symbolic relationship)?

Yes, it does! I’ve written several flash and poetry pieces that were inspired by musical recordings. And I’m a musician (voice and piano).

With regard to poetry, music does subtly influence my writing. Lots of people have remarked that my poetry is “very musical,” but by that they don’t mean it’s “rhymey.” I simply have an inherent and ingrained sense of melody, rhythm, pacing, and it shows up when I write. In prose, for example, I’m very particular about how a sentence reads and sounds, how it unfolds, whether it needs to race ahead or proceed slowly, how it reflects the character’s voice or emotions. Every sentence, in that respect, is like a tiny musical score that can influence the reader.

  • You designed the cover of your book.  How did this come about?

A few years ago a social media whiz friend of mine told me that as a writer I should be on Instagram. Since I don’t have a cute dog or a photogenic cat, I wondered what I could post about.  Because Instagram’s mostly a visual medium, I came up with the idea of collaging my writing. Except that I didn’t know how to collage! So the self-imposed crash course began, and I really started to enjoy dealing with visuals for a change. It was fascinating to choose a very short excerpt from a poem, flash or short story and illustrate it in paper. I continue to challenge myself to try different approaches and now have a small following, which is both surprising and pretty delightful. When my Caitlin Press publisher Vici Johnstone learned about my collages, she asked me if I would be interested in collaging my own book cover! I said yes, and after five or six trials, arrived at the illustration of a woman transforming into a caribou, which seems to intrigue people. It’s also based on a character in one of my stories.

  • Where do you write?

When cafes were open before the pandemic, I often went for a coffee, took my teeny-tiny Moleskin  writing journal with me and found inspiration among the hubbub of chatter and clatter. I always write first drafts by hand and never, ever, at a desk. I prefer to slump on my small sofa in the living room or go out to my back garden studio and write from a low-slung chair while the birds twitter outside.

  • Just how tiny is your writing journal and why?

There’s a story to this! A few years ago I attended the Disquiet International Literary Program in Lisbon. On the first day, we each got a gift bag from the organizers which contained, among other things, a very compact writing journal. At the time I always wrote in a lined 8 X 11-inch coiled workbook. I scoffed that I would never use such a tiny journal. Off I went that afternoon to a café to write, except that I had forgotten my usual workbook. I wrote in that tiny, unlined book. I loved it. I have now filled over 40 of the compact Moleskin journals. In fact, all the short stories in Music from a Strange Planet were composed in them!

  • Where can readers find you on social media?

Facebook: @barbarablackwriter
Instagram: @bblackwrites
Website: www.barbarablack.ca

  • What message would you like to send your readers?

A writer’s not a writer without readers. Thank you, readers, for making my book come to life in your own imagination. And many thanks for the interview, Mandy.

BIO

Barbara Black writes fiction, flash fiction and poetry. Her work has been published in Canadian and international magazines and anthologies including the 2020 Bath Flash Fiction Award anthology, The Cincinnati Review, The New Quarterly, CV2, Geist and Prairie Fire. She was recently a finalist in the 2020 National Magazine Awards, nominated for the 2019 Writers’ Trust/McClelland & Stewart Journey Prize and won the 2017 Writers’ Union of Canada Short Fiction Award. She lives in Victoria, BC, Canada. http://www.barbarablack.ca, @barbarablackwriter and @bblackwrites.

Creative Edge Author Interview – Kristine Raymond

May 13, 2021
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. You have written several different genres. Do you decide on the genre before writing or decide which one it fits after writing?

Both!  For most of my books, I knew the genre going in.  The Hidden Springs series – historical western romance.  The Celebration series and Seasons of Love – contemporary romance.  Tempted – erotic drama.  But with Finn-agled, my cozy mystery, I’d intended to write a thriller.  However, the moment Finn Bartusiak took shape, I knew her antics were way too humorous for anything other than a cozy.

  • What draws you to the genres you write?

I wish I had an easy answer to this one.  For the historical westerns, it’s because I love that time period.  The other stories just came about on their own.  When I wrote By Dawn’s Early Light, the first in the Celebration series, I knew it would be contemporary romance for no other reason than I needed a break from historical.

  • Do you plot your series’ book by book or as a series arc?

To date, book by book.  Usually, the storyline in one leads me to the next.  The exception to this is the thriller series I’ve planned.  I can’t go into details, but as it stands now, it’ll be a trilogy with the main character’s background as the series arc.  Of course, that’s what I say today.  By the time I get around to writing those books, I’ll have changed my mind a dozen times.

  • Do you decide on a theme/topic for your series before writing book one?

Only in the most general sense.  I know how the story will begin – more specifically, the opening paragraph or two, a vague sense of the plotline, and how I want it to end, although it rarely happens the way I think it will.  Once my characters take hold, they author their own destinies.  I’m merely their transcriptionist.

  • How did you come up with the idea of your side stories?

Side Stories came about after a discussion with a guest on my podcast, Word Play with Kristine Raymond.  Aside from writing books, he’s also a college professor and told me that he encourages his students to explore the stories that happen off the page.  Between the chapters, so to speak.  I thought it was an intriguing concept and added it as a feature on my website, though, to date, I’ve only written one.

  • When and why did you start your The Felonious Scribe podcast?

The Felonious Scribe was a collaboration with author Dawn Hosmer, who writes the most amazing psychological thrillers!  We thought it would be fun to answer questions from readers pertaining to murder, mystery, and mayhem – eh em, on the page, of course. 

We recorded five episodes of the show, which can be found on YouTube, and then moved on to different projects.  Dawn currently hosts a podcast called Unravel the Binding with her daughter, Jesi, while I’m working on my next book.

  • Who has influenced your writing the most?

This will sound like a copout answer, but every book I’ve ever read has influenced my writing in some way.  How an author tells a story – their voice – is the determining factor in whether or not I choose a particular book, and I believe that has a direct bearing on how I tell my stories.

  • Do you have an author hero?

All those who took the chance to send their stories out into the world for readers to enjoy – and critique.  Because one doesn’t happen without the other, and criticism can be soul-crushing.  And, that’s what authors’ stories are, including mine.  A piece of our souls.

  • Where is your writing space? Can you describe it?

I have one room in our house that is furbaby-free (I type sardonically while looking at the cat who jumped over the baby gate before falling asleep in my lap).  It’s a combo room – part office/part library/part craft room/part whatever else I can stuff in here.  Personally, I think the hubs is afraid to step foot in it which is how it became my space.  Lol.

My desktop sits atop a messy desk covered with scrawled notes, pens, and notebooks.  It’s a wonder I can find my keyboard.

  1. Where can readers find your books?

Links to all of my books can be found on my website – www.kristineraymond.com.  They’re available on all major platforms (and a few minor ones, as well).

  1. Do you have a current release? Can you share what it is about?

My most recent release is Finn-agled, the first book in the Finn’s Finds cozy mystery series.

Running an antique store in the fictional seaside town of Port New, Finn Bartusiak is quite happy with how her life is going – until both a coded message and her high school crush figuratively fall into her lap on the same day.  With murder, intrigue, and pierogis – what’s not to love?

This was such a fun story to write, and I’m currently working on the second in the series, Finn-icky Eaters.

  1. Is there anything you would like your readers to know?

Thanks to my readers, both new and existing, for taking a chance on my books.  I hope you enjoy them.  And thanks, Mandy, for hosting me today.  This has been fun!

Bio:

It wasn’t until later in life that Kristine Raymond figured out what she wanted to be when she grew up, an epiphany that occurred in 2013 when she sat down and began writing her first novel.  Over a dozen books in multiple genres later, there are a multitude of ideas floating around in her head thus assuring she’ll never be idle.

When a spare moment does present itself, she fills it by navigating the publishing and promotional side of the business.  When not doing that, she spends time with her husband and furbabies (not necessarily in that order) at their home in south-central Kentucky, gardens, reads, or binge-watches Netflix.

To find out more, please visit her website at www.kristineraymond.com and follow her on Facebook, Instagram, Twitter, and BookBub.

Amazon.com: Seasons of Love: A collection of seasonally-themed short stories 

Amazon.ca: Seasons of Love: A collection of seasonally-themed short stories

Barnes & Noble: Seasons of Love: A collection of seasonally-themed short stories

Joint Author Interview 22April David Ellis & Cendrine Marrouat

April 22, 2021
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Today I welcome a joint interview with Daivd and Cendrine, authors who collaborate to publish a variety of books and a magazine. Welcome to you both.

David Ellis

1.     What drew you to poetry?

I grew up trying to write spoof lyrics for a lot of different songs, inspiration would come out of all sorts of places. When it turned out that my lyrical structures became too big and unwieldy for songs themselves to contain, I started turning to writing poetry because I was drawn into the musicality of playing with words and phrases. I was fascinated by how you could treat words as if they were musical instruments. I began reading lots of poetry written by my peers and in doing so, I gained the ability to write on an emotional level that connected with many different people. This is what forged my love of poetry, being able to communicate with like-minded souls and give them hope, inspiration, passion, courage and kindness in their lives.

2.     You embrace a variety of topics in your poetry. Can you explain your process in choosing a theme?

Theme for me is pretty easy, in that I am most interested in writing things that are inspirational, romantic, funny or all three combined! I’ve always thought that when it comes to choosing a theme or topic, it should be something that you are passionate about. You should actively try to combine multiple elements to give you enough drive and material to visualize a project. For example, you may choose to write about snow but that on its own is not very inspiring. However, if you were to then combine other elements of an emotional nature (a first romance in the snow, playing in the snow as a child/with your own children, etc) then this will give you the means to flesh out your piece. From then on, you can continue to add whatever details you need to give enough colour to your piece of writing to interest others into reading it.

3.     How does writing flash fiction differ from poetry for your writing process?

With Flash Fiction I am usually thinking of a specific scene taking place in my mind. Whilst this can also be true for poetry, stories tend to unfold themselves when I have some characters chatting to each other. Usually my flash fiction pieces consist of dialogue between quirky characters and action unfolding. I would say that a poem can embrace many different angles but a piece of story writing is focused, concise, every word needs to count when it comes to describing the scene/event. With a poem, you can be more vague when it comes to the overall meaning of the lines and still have a deep message that can be conveyed. Whereas with a piece of story writing, it is important to convey to the reader where they are and what is happening (even if the twists, turns and outcomes are a mystery), so that they can quietly imagine being there themselves enjoying the experience.

4.     Who are your writer heroes?

I have tons in different genres! My favourite genre is Fantasy, so I will say that my top two literary heroes are Terry Practchett and Neil Gaiman. Stephen King for horror. For poetry, Edgar Allan Poe, Emily Dickinson & Maya Angelou are also but a very small selection. I could literally spend all day and night naming people in the literary, TV and film world who constantly inspire me on a daily basis!

5.     How did you come up with the title –  “TooFullToWrite – I’ve started so I’ll finish”?

The short answer is that I always thought about the notion how writers and artists start things but struggle to finish them. Maybe they lose their creativity or drive, or some other shiny thing comes along to distract them. My philosophy was born out of wanting to finish things that I start because I am not a fan of loose ends and it is satisfying to complete things (no matter how long they take!) for our own peace of mind.

I actually wrote a humorous origin story about the namesake of my website, so if your readers are interested they can read it here:-

https://toofulltowrite.com/2013/02/12/daily-prompt-all-about-me-the-mostly-true-origin-story-of-toofulltowrite/

6.     You have created workbooks for authors. Can you tell us about them and why you created them?

Cendrine & I created our workbooks series at Auroras & Blossoms because we wanted to inspire artists to create more material, to become more professional and to thrive at what they do best. We focus on a variety of different topics, including writing prompts, inspirational tips/techniques, new poetry and writing forms, social media etiquette, social media marketing, marketing your artwork better and many more. We want to keep expanding and evolving what we offer to be on the cutting edge of what inspires artists to show up and produce the best material of their lives! 🙂

For more information, check out the link here:- https://abpoetryjournal.com/journals-workbooks/

7.     How, why and when did you formulate the partnership with Cendrine Marrouat?

Cendrine goes into deeper detail in her interview segment below. We crossed paths years ago when I was interviewing fellow authors and artists. We have an excellent creative partnership that we have built a strong platform on. We complement each other with our skills sets and are both a creative force to be reckoned with. She is an excellent business partner and extremely talented too!

8.     You have a wide range of skills, including podcaster, lyricist, humorist – do you feel these are all components of your writer life? How do each of these disciplines aid your writing?

I have never wanted to tie my creativity down to just one single thing. As I learn how to do one creative discipline, I become interested in others by way of association and because of my passion in existing disciplines, this enthusiasm carries over to new things that I try out in the artistic world. I do not feel like they are actually defined by a writer’s life, although to be fair, a writer’s life has led me to all of them and so much more. It’s very true what they say about how being a writer means that you can literally be anything you want to be in life! Being involved in many different artistic outlets gives you a much broader palette to paint from. It is not for everyone, since some people prefer to focus on one thing and get really good at it. I have to focus on many things in my life, otherwise I will get bored doing the same thing over and over – variety is the spice of life!

9.     Does living in England enhance your writing – if so how?

This is an interesting question. I definitely have a British sense of humour and it comes out in my jokes, quips, puns and writing style because that is an integral part of who I am. I feel like it gives me a unique perspective on the world, one that is endearing, comical and entertaining to read. I embrace these aspects of my own personal character in that I have manners, am well behaved and professional (plus a bit old fashioned) but at the same time I do have an extroverted side, like to be playful and let my hair down regularly as well!

10.  Please share your social media sites.

Website: https://toofulltowrite.com

Blog: https://toofulltowrite.com/blog

Books: https://toofulltowrite.com/my-books

Twitter: https://twitter.com/TooFullToWrite

Instagram: https://instagram.com/TooFullToWrite

11.  What would you like to say to your readers?

I want to thank every single one of you for your support and interest in what I do. I hope to inspire you, make you laugh or move you deeply in some kind of profound way that connects with you on an emotional level. We live in tough times right now and I would encourage you to spread as much kindness, help and support that you can. Work hard and bear with your struggles, there will always be better things on the horizon, if you weather the storms.

Cendrine Marrouat

1.     How long have you been writing?

Like many people, I wrote sappy stuff when I was a teenager. However, I only got serious about writing in 2005. So, I’m just counting the last 16 years. 😉

2.     What drew you to combining poetry and photography as artistic expression?

Because both art forms work extremely well together.

Most of us are scared of poetry. In school, we are taught to analyze every word and line of the poems we read to uncover some kind of arcane meaning. The adults we then become cannot pick up a poetry book without over-thinking about the way we should respond to it.

As a former teacher to adults, I know that a majority of people prefer visual cues to written ones. Pairing imagery and poems helps redirect the focus towards enjoyment.

The images I use to complement my poems (all mine) have triggered very positive reactions from people. They realize that poetry can also be very relaxing and fun to read!  

3.     You are the co-founder of Auroras & Blossoms – how did this partnership begin?

A few years ago, I was looking for interview opportunities to promote a new book. I found David Ellis and we instantly connected. I was impressed with his professionalism and personability.

After the interview, we decided to stay in touch. At the beginning of 2019, one of our chats led to sharing our frustrations about the process of submitting work to magazines and journals. We did not like how many of them factored in “who you know” and your number of publishing credits into their acceptance process.

So, on a whim, I suggested we start working on something that would run counter to that status quo. We decided that we would do things differently and give a chance to everyone. And our focus would be on something we did not see enough: positivity, inspiration and family-friendliness.

Within a few days, we had laid the foundations of Auroras & Blossoms. It took us a few months to set everything up properly, and we launched officially in October 2019.

4.     What are the benefits of a collaboration with another artist?

In this day and age of fierce competition for visibility, partnerships are pretty much the only chance for artists to be successful.

Collaborations give you the opportunity to tap into other artists’ platforms, build relationships with like-minded folks, and pool resources together to achieve greater things than you ever could on your own.

The key to a great partnership is to find someone who is on the same wavelength as you and shares your values. David and I get along really well because we are both very hard-working, committed to our craft, and professional. We respect each other’s time. Finally, we understand what it takes to build solid projects.

5.     Where do you prefer to write and why?

I always write in my office, with very occasional sessions in my backyard. My office is my private space, nobody bothers me there. So I can fully concentrate.

6.     Can you tell us about why you created Reminigram, Sixku, Flashku and the PoArtMo Collective?

I wanted to challenge myself and increase my creativity. 

The reminigram is a type of digital image that seeks to capture scenes that could have existed in the past. It’s my way to pay homage to early photography (daguerreotypes, tintypes, collodion processes, etc.).

To see some of my reminigrams, visit https://www.cendrinemedia.com/Portfolio-Series/Reminigrams.

Based on the Haiku, my favorite poetry form, the Sixku is a six-word poem inspired by a photograph. It’s a fun poetry form that any person will enjoy reading and writing.

For more info: https://creativeramblings.com/sixku/.

The Flashku is my latest creation; it borrows from the Sixku, Haiku, and Kindku, another poetry form David and I created (along with the Pareiku). I came up with the idea because I love flash fiction but suck at writing descriptions. The goal of a flashku is to write a whole story in 50-100 words inspired by an image, using 7 words taken from another piece. I like to call that poetic prose! 

For more info: https://creativeramblings.com/flashku/.

The PoArtMo Collective was one of my long-time dreams. I wanted to bring a group of artists together to create and release inspirational, positive and uplifting art and artistic projects; the goal being to show that good art goes beyond technical aspects to tell memorable stories.

When it launched in 2019, the collective was called FPoint Collective and focused exclusively on photography. But co-founder Isabel Nolasco and I quickly realized that we needed to be more inclusive. Isabel left us last year to focus on other things and there are now three of us. We have recently released our second project, a book titled Seizing the Bygone Light: A Tribute to Early Photography.

For more information, visit https://abpoetryjournal.com/poartmo-collective/.

Our book: https://abpoetryjournal.com/seizing-bygone-light/.

7.     What is your writing process like?

Quite strange. I always have to start with a title, otherwise, I’ll be stuck. I’m a very slow writer. And I have zero routine.

8.     How have your life experiences affected your work?

Like other artists, I share my life experiences through my writing and photography. That’s why my art is a constant state of flux.

9.     What would you like to share with readers?

Just enjoy poetry on your own terms. Don’t over-analyze. Just embrace the words and let them unleash their meanings over time.

10.  Can you share your social media and blog links?

Website: https://www.cendrinemedia.com

Blog: https://creativeramblings.com

Books: https://creativeramblings.com/books

Facebook: https://www.facebook.com/cendrinephotography

Twitter: https://twitter.com/cendrineartist

YouTube: https://www.youtube.com/user/cendrinemarrouat

Auroras & Blossoms

Website: https://abpoetryjournal.com

Latest submission calls: https://abpoetryjournal.com/submit/

Books: https://abpoetryjournal.com/store

Twitter: https://twitter.com/BlossomsPoetry

Facebook: https://www.facebook.com/abpoetryjournal

YouTube: https://www.youtube.com/channel/UCkAh-EnwcJbd865SEXJQsEw

Bios:-

French-born Canadian Cendrine Marrouat lives in Winnipeg. She is a photographer, poet, multi-genre author, and the co-founder of several artistic projects. She is also the creator of the Sixku, the Reminigram, and the Flashku.

Cendrine started her career in 2003. She has worked in many fields, including education (language instruction), social media coaching and training, content creation and curation, translation, photography, poetry, theatre, art criticism, blogging, and journalism.

David Ellis lives in Tunbridge Wells, Kent in the UK. He is an award-winning poet, author of poetry, humourous fiction and music lyrics.

David’s debut poetry collection (Life, Sex & Death) won an International Award in the Readers’ Favorite Book Awards 2016 for Inspirational Poetry Books.

David is extremely fond of tea, classic and contemporary poetry, cats, and dogs but not snakes. Indiana Jones is his spirit animal.

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