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Author Interview – Laurel Deedrick-Mayne

August 31, 2018
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  1. Does writing energize or exhaust you? Sometimes it’s like pulling teeth to get started but once ‘in’ the time flies. I leave this world and am immersed in the work. I love that feeling when the heart starts to race a little; there’s a fullness to the breath; a hum in the muscles.
  1. What is your writing Kryptonite? Procrastination in all its wily disguises.
  1. Did you ever consider writing under a pseudonym? I have enough challenges figuring out who I am on any given day with the names I DO have. I generally go by Laurel Deedrick-Mayne. How can you tell I got married in the eighties when everyone was double-barrelling their names? A pseudonym would only confuse the issue.
  1. What other authors are you friends with, and how do they help you become a better writer? I’m friends with a number of other authors and I am always simultaneously inspired, intimidated and encouraged by them. Some have such tremendous self-discipline. Others are such Smarty Pants I whither in their presence. But all of them remind me of the endlessly vast stories that are worthy of being told.
  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? I definitely want each book to stand alone. A Wake For The Dreamland was Canadian Historical Fiction spanning 1939-1979 and somewhat male-centric, taking place during WWII and the aftermath. The new project is about an intrepid nurse in the Yukon from 1949-1958.  There is some crossover in time period and sexual orientation of protagonists. Ironically, the published memoir of said nurse was titled: No Man Stands Alone.

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  1. What was the best money you ever spent as a writer? Every penny I’ve spent has been worth it but the highlight greatest honour was touring the battlefields of Sicily and Italy with very elderly Veterans who were paying homage to their fallen friends, comrades and their own youth.
  1. What was an early experience where you learned that language had power? In the 60’s when I was very young the Jello company changed all their boxes to the same colour with the differing flavours merely spelled out on the box but no associated colour; ie: No yellow on the lemon, purple on the grape etc. My mother fired off a letter to the company and in no time flat we received a great parcel of – you guessed it – JELLO – in ALL the appropriate colours. But seriously, the power of words was bred in my bones: my forebears being great correspondents, my grandfather- a broadcaster and journalist. I grew up to the tap of the typewriter and texture of imprint on the page.
  1. What’s your favorite under-appreciated novel? I don’t actually have one.
  1. As a writer, what would you choose as your mascot/avatar/spirit animal? I spent a considerable amount of time writing at the Banff Centre in the Rocky Mountains and would often be visited by deer outside my studio window. They would stand stock still, always listening, alert, responsive, agile and swift. I took cues from them. As a writer I watch, listen carefully and when struck with an idea, run with it.
  1. How many unpublished and half-finished books do you have? There are three on the stove but only one on the burner.
  1. What does literary success look like to you? Touching, connecting with readers. For example, at one of over 50 book clubs, a woman said she’d always had a problematic relationship with her father and not much sympathy or respect or even love for him but she knew he had been in the Italian campaign during WWII. While reading my book she felt like she began to understand what he had gone through, and she felt more compassion. She cried as she told this story because he had passed away and she could never tell him. That’s pretty powerful stuff. The book seems to inspire people to think about that generation which has largely passed on now and share their own stories. I’d call that success. Of course being 67 times on Edmonton’s Best Seller List means people are still buying and reading and talking about the book and that is hugely satisfying. Winning the Alberta Readers Choice Award and being a Finalist for the Whistler Independent Book Prize are both great honours, but somehow it still feels like I just got lucky. Many people want to write but never do. Success is in the process and completing the project to the best of one’s ability. Anyone who has climbed that mountain and finished a book has already achieved something extraordinary and should be celebrated. Literary success is probably subjective and certainly fleeting and hardly the most important thing in life.
  1. What kind of research do you do, and how long do you spend researching before beginning a book? My method was to write the heart of each scene and honour the story first and foremost, at least in early drafts. I conduct my research concurrently, strengthening and supporting the story as I delve deeper into the well and wormholes of research. Some authors get so excited about what they have learned that they wear their research on their sleeve and it can get in the way of the story. It’s easy to fall into that trap because the learning is tremendously rewarding and exciting and we kind of want to shout our discoveries from the rooftops. I have read every page of the Regimental diary, hordes of newspapers (British, Canadian and Local) from the war years, dozens of books, listened to audio recordings and read countless diaries and letters and collected hours of interviews BUT that should not be blatantly evident to a reader. I have read books where all the clever and obvious research overshadowed the characters and their drama. I have followed in the footsteps of the Canadians in Sicily and Italy with Veterans who were revisiting. I have to know all those gory details and all of that research is the bedrock of the book but what appears on the page must be more lively and transparent and leave some room for the reader to connect and use their own imagination.
  1. How many hours a day/week do you write? I still only have one designated day but much of my life revolved around child and elder care with my last book. My mother died the week my book went to press and my father 444 days later and I have been working through the process of grieving, settling estates, etc. etc. Life can get in the way and that isn’t a ‘the dog ate my homework’ excuse. It is the way the world turns. I should soon be able to add at least one more day/week.
  1. How do you select the names of your characters? Oh, I know it sounds corny but they kind of introduced themselves to me. I made a couple subtle changes as I went along. Part of my editing process includes reading aloud and recording and if a name (or anything for that matter) doesn’t sound right, then it isn’t right and needs to be tweaked a little.
  1. What was your hardest scene to write? Some of the war scenes nearly broke my heart but were also the most satisfying. It wasn’t a technical challenge but an emotional one. Some of the love scenes had me in hysterics and gave me a whole new appreciation for writers who can pull them off.
  1. Why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them? Writing is like being an explorer and it is great fun for me to try different genres on for size: Goldie Locks-ing my way around the story finding what feels right, challenging myself, flexing my writing muscles. Even if I trip and fall, success is the quality of the journey. Quick! Call the Cliché Police.
  1. How long have you been writing? Since I could hold a pencil
  1. What inspires you?  Oh—simply this crazy thing called life.
  1. How do you find or make time to write? It’s my biggest challenge. And fear. Because I think there is so much to write about I’m afraid I’d never stop. But there’s a great deal of living to do as well and I don’t want to miss that.
  1. What projects are you working on at the present? The work-in-progress is looking like a combustible and controversial biography. It’s about Amy Wilson, a Nurse In the Yukon. You can even Google her. It’s scary as hell, for many cultural and political reasons.
  1. What do your plans for future projects include? There’s a Prisoner of War, WWI era play (or maybe musical) on a back burner. It’s not as ridiculous as that sounds.
  1. Share a link to your author website. awakeforthedreamland.com

Bio:

Once an Arts Administrator, Laurel Deedrick-Mayne has been a dance publicist, concert promoter, ad copywriter and box office bunny. She has served on multiple arts boards while maintaining her ‘day job’ as a massage therapist. Her independently published debut novel, A Wake For The Dreamland won the Alberta Readers’ Choice Award in 2016 and has been on Edmonton’s Best Seller List for 67 weeks. She has been a guest at over 60 book clubs and other book-related events. A late bloomer to publishing but a life-long third generation letter and story writer, Laurel celebrates the ‘love that dared not speak it’s name’ while paying tribute to the generation who took the time to hang on to family letters, clippings, stories and poetry — all those ‘treasures’ that inspired A Wake For The Dreamland.

 

CORVIDAE BLOG TOUR – Rhonda Parrish…

July 23, 2015
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As part of a blog tour, I am interviewing the authors and the editor/anthologist involved in the project anthology, Corvidae. Published through World Weaver Press. This will post as I am on vacation….Today I launch with the Pulbisher: Rhonda Parrish.

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A flock of shiny stories!

Associated with life and death, disease and luck, corvids have long captured mankind’s attention, showing up in mythology as the companions or manifestations of deities, and starring in stories from Aesop to Poe and beyond.

In Corvidae birds are born of blood and pain, trickster ravens live up to their names, magpies take human form, blue jays battle evil forces, and choughs become prisoners of war. These stories will take you to the Great War, research facilities, frozen mountaintops, steam-powered worlds, remote forest homes, and deep into fairy tales. One thing is for certain, after reading this anthology, you’ll never look the same way at the corvid outside your window.

EXCERPTS:

See additional document in the PRESS KIT folder.

CONTENTS:

Edited by Rhonda Parrish

“Introduction” by Rhonda Parrish

“A Murder of Crows” by Jane Yolen

“Whistles and Trills” by Kat Otis

“The Valravn” by Megan Fennell

“A Mischief of Seven” by Leslie Van Zwol

“Visiting Hours” by Michael S. Pack

“The Rookery of Sainte-Mère-Église” by Tim Deal

“The Cruelest Team Will Win” by Mike Allen

“What Is Owed” by C.S.E. Cooney

“Raven No More” by Adria Laycraft

“The Tell-Tale Heart of Existence” by Michael M. Rader

“Sanctuary” by Laura VanArendonk Baugh

“Knife Collection, Blood Museum, Birds (Scarecrow Remix)” by Sara Puls

“Flying the Coop” by M.L.D. Curelas

“Postcards from the Abyss” by Jane Yolen

“Bazyli Conjures a Blackbird” by Mark Rapacz

“Seven for a Secret” by Megan Engelhardt

“Flight” by Angela Slatter

BOOK LISTING DETAILS

SERIES:

Rhonda Parrish’s Magical Menageries

ISBNs

Trade Paperback:

ISBN-13: 978-0692430217

ISBN-10: 0692430210

Official page:
https://www.worldweaverpress.com/corvidae.html

ANTHOLOGIST BIO:

Rhonda parrish

Rhonda Parrish is driven by a desire to do All The Things. She has been the publisher and editor-in-chief of Niteblade Magazine for nearly eight years now (which is like forever in internet time) and is the editor of several anthologies including Fae and B is for Broken. In addition, Rhonda is a writer whose work has been in dozens of publications like Tesseracts 17: Speculating Canada from Coast to Coast, Imaginarium: The Best Canadian Speculative Writing (2012) and Mythic Delirium. Her website, updated weekly, is at rhondaparrish.com.

What do you enjoy most about writing?

Sharing stories. I really like creating characters and scenarios and worlds and then sharing them with other people. It’s even better when the people I’m sharing with enjoy the story as much as I did and tell me so–I am not without an ego LOL

What do you enjoy most about editing?

I love coming up with a theme and then seeing all the amazing ways writers explore that theme. They always, always, always come up with things I never would have ever dreamed of. I also really enjoy working with writers to help make their amazing stories even stronger. It’s incredibly fulfilling to have someone trust you with their work and walk away feeling as though you not only justified that trust, but helped them make the story better. I will never get tired of that.

Is there one subject you would never write about as an author? What is it?

Um. No. I don’t think so.

What book are you reading now?

I just finished At the Water’s Edge: A Novel by Sara Gruen which was well-written and kept me up late turning the pages, and began reading The Toyminator by Robert Rankin. The Toyminator is the sequel to The Hollow Chocolate Bunnies of the Apocalypse which I really liked so I have high expectations for it J

Do you see writing as a career? 

Absolutely. Writing and editing both, actually. Happily for me they work very well together and each feeds the other. What I mean is being an editor has definitely improved my writing, and being a writer has helped me as an editor. Win/win. If only I could turn off my inner editor while I’m writing first drafts…

Do you nibble as you write? If so what’s your favorite snack food?

Mostly I drink, and not what you’re thinking either LOL While I’m happy to indulge in an alcoholic drink or three sometimes in the evening I never drink alcohol when I’m writing. I don’t have a moral objection to it or anything, mostly the timelines don’t line up. Alcohol is an ‘in the evening’ thing and writing is a ‘during the day’ thing. However, when I’m writing there’s usually a Diet Dr. Pepper within reach or, if my focus has been especially lacking, sometimes a Red Bull.

Where do you see yourself in ten years?

Probably right here… though hopefully with a few more titles on my ego shelf LOL I don’t know if I’ll still be editing Rhonda Parrish’s Magical Menageries anthology series ten years from now (though you never know LOL) but I’d definitely still like to be both writing and editing. Bonus marks for myself if I’ve got a couple/few novels out as well J

Is there anything you find particularly challenging in your writing? 

The first draft. Seriously. Oftentimes I get so twisted up in my own head that I become paralyzed and don’t write anything. It’s a serious problem. I’ve found tools for working around it and my strategy is basically ‘Do whatever you need to to get the words on the page’ but still… first drafts kick my butt every time.

What is your favorite book?

My favourite books (this week) are The Last Unicorn by Peter S. Beagle and The Ocean at the End of the Lane by Neil Gaiman but there are so many beautifully-written books and stories out there.

Why an anthology about corvids?

I’ve always loved corvids, their intelligence, beauty, playfulness… Once upon a time I wanted to write a single author collection of corvid stories but as time went on and I realised how many other people shared my love of all things corvidae I thought it would be even cooler to make an anthology.

Why scarecrows?

Scarecrows go with corvids like butter goes with popcorn. How could I not have a companion anthology to go with the corvidae? Besides, I’ve got a great deal of love for scarecrows–they hit exactly the right spot on the uncanny spectrum for me.

What genre is your next project? What is it about?

My next title in this anthology series is going to be Sirens (opening to submissions August 15th). Like the other anthologies in this series it will be speculative fiction, probably leaning closer to fantasy than science fiction given the subject matter, but you never know…

CORVIDAE, praise

“Smart and dark like the corvids themselves, this excellent collection of stories and poems will bring you a murder of chills, a tiding of intrigue, a band of the fantastic, and—most of all—an unkindness of sleepy mornings after you’ve stayed up too late reading it!”

— Karen Dudley, author of Kraken Bake

“Magic and corvids collide in this certain to intrigue anthology.”

— Joshua Klein, hacker and inventor of the crow vending machine

“A creepy, crazy kaleidoscope of corvids, Corvidae is what happens when you bring together ingenious writers and sagacious subjects. It’s nothing short of a thrill ride when this anthology takes flight.”

— Susan G. Friedman, Ph. D., Utah State University; behaviorworks.org.

“As sparkling and varied as a corvid’s hoard of treasures, Corvidae is by turns playful and somber, menacing and mischievous. From fairy tale to steampunk adventure, from field of war to scene of crime, these magical birds will take you to places beyond your wildest imaginings.”

— Jennifer Crow, poet and corvid-by-marriage

Corvidae evokes the majesty and mischief of corvid mythologies worldwide—and beyond our world—in a collection that is fresh and thoroughly enjoyable.”

— Beth Cato, author of The Clockwork Dagger

Praise for the series RHONDA PARRISH’S MAGICAL MENAGERIE

“Delightfully refreshing! I should have known that editor Parrish (who also edits the cutting edge horror zine, Niteblade) would want to offer something quite unique. I found it difficult to stop reading as one story ended and another began – all fantastic work by gifted writers. Not for the faint of heart, by any means.”

— Marge Simon, multiple Bram Stoker® winner

“Stories of magical beings and the humans they encounter will enthrall and enlighten the reader about both the mundane and the otherworldly. I devoured it.”

— Kate Wolford, editor of Beyond the Glass Slipper, editor and publisher of Enchanted Conversation: A Fairy Tale Magazine

“Seventeen tales… range in feel from horror to upbeat tales about homes where things go right, and are set everywhere from the modern day to mythical fantasy pasts. The best of these stories evoke things from real life – loves and values – and show characters making hard choices that reveal who they are and what they’re made of.”

— Tangent

“There’s no Disney-esque flutter and glitter to be found here — but there are chills and thrills aplenty.”

— Mike Allen, author of Unseaming and editor of Clockwork Phoenix

Authors to look out for are:

Laura VanArendonk, Angela Slatter, Mark Rapacz, Michael M. Rader, Sara Puls, Kat Otis, Adria Laycraft, L.D. Curelas, Megan Engelhardt, Tim Deal, C.S.E. Cooney, Mike Allen, Michael S. Pack, Jane Yolen, Megan Fennell, Leslie Van Zwol, Scott Burtness, Kristina Wojtaszek.

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