Bizarro fiction is a contemporary literary genre, which aims to be both strange and entertaining, containing hefty doses of absurdism, satire, and the grotesque along with pop-surrealism and genre-fiction staples, thus creating subversive, weird, and entertaining works. The term was adopted in 2005 by the independent publishing companies Eraserhead Press, Raw Dog Screaming Perss and Afterbirth Books.
The first Bizarro Starter Kit described Bizarro as “literature’s equivalent to the cult section at the video store” and a genre that “strives not only to be strange, but fascinating, thought-provoking, and, above all, fun to read.”
In general however, Bizarro has more in common with speculative fiction, such as science-fiction, horror and fantasy than with avant-garde movements (such as Dadaism and surrealism, which readers and critics often associate it with.
It seems to be a small niche genre and one that appeals to a select audience. However, I think it would be a fun exercise to write a story in this genre.
How about you? Have you written this genre? Or read any books in it?
I do most of my writing in the morning, but after a shower. I get up just after 5 am and get an early start at the day. It energizes me, and gets my brain and body going. I find that by doing this, I can go to my day job and be extremely productive. If I’m on a push, or am doing NaNoWriMo (writing 50K words in a month) I’ll write right after work as well, before dinner. I am not a late-night writer.
What is your writing Kryptonite?
I don’t get writers block. I have very specific projects, and for the most part they are outlined, at least as bullet points, with the tighter plot in my head. I made writing part of my daily routine last summer, and when you do that, you get trained to need that time. But if I have to choose something, I’ll say golfing. In the summer I love to go golfing once or twice a week, and that can end up taking out some desk time.
Did you ever consider writing under a pseudonym?
My novels are all currently under my real name, but I do have a series coming out late this year that will be using a pen name. It’s a collaborative project, and it works out better that way.
What other authors are you friends with, and how do they help you become a better writer?
I’ve been lucky enough to make a really close-knit group of author friends that I talk to on a daily basis. Without them I wouldn’t be the same writer today. I also interact with a wide net of amazing indie science fiction authors. Being able to bounce ideas off them, whether its marketing or cover ideas is priceless. They are all virtual friends, but I’m heading to a 20bookstoVegas event this November where I’m going to meet a bunch of them.
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?
I’ve written two stand alone’s so far. Sleepy Grove is a supernatural thriller about a woman who works at a cemetery and see spirits. It was a great experience but I don’t think it will see the light of day. Red Creek is out May 18th, and is a hometown horror. It may be my best novel to date (according to me) and I had such a great time writing it.
That leads to what I’ve done with my Sci-Fi series, The Survivors. It starts with The Event, and so far it’s a three book series with the first two out, and book three out May 29th.
They say splitting genres isn’t ideal, but I have so many stories to tell, that I will break conventions to get them out there if necessary.
What was the best money you ever spent as a writer?
Covers and editing. A book needs professional editing, and when I was publishing my first Explorations anthology, I found the artist many of the top selling SF authors were using and had him custom make the cover. I’ve used him for nearly all of my Woodbridge books, and all 4 of my own novels. Tom Edwards is amazing!
What was an early experience where you learned that language had power?
I was a reader from a young age. My mom claims to have taught me to read when I was 3, and I loved to read. I remember winning the book award in grade one, which was basically a construction paper bird travelling around the room on a scale of books read. I still have little stories from grade 3-4 I wrote.
What’s your favorite under-appreciated novel?
I read a lot of books, mostly fantasy and science fiction. I also have read a ton of indie stuff, so I could name far too many that are under-appreciated.
As a writer, what would you choose as your mascot/avatar/spirit animal?
I’d be a duck. Calm on the surface, but flailing around under the water.
How many unpublished and half-finished books do you have?
I have Sleepy Grove sitting there, and me and my writing partner are working on a 3 book series to release this fall. Book one is done, and I’m currently writing book 2.
What does literary success look like to you?
I’ve never wanted to write that masterpiece high school students read in a hundred years. I want to write books people can enjoy, and move on to the next one. My first book only came out two months ago, and I still have a best-seller tag on Amazon, so I’ve already surpassed any life-time goals on that front.
What kind of research do you do, and how long do you spend researching before beginning a book?
Depends on the project. I use google maps a lot, and to be honest, I try to write what I know. You’ll see a lot of New York in my writing, and that’s because I’ve been there on vacation four times, and love the place. I find that life experience is the best research for writing you can find.
How many hours a day/week do you write?
I write almost every day of the week, and would say I spend at least 20 hours on book stuff a week. (Plus the time thinking about it…)
How do you select the names of your characters?
Some of the names are nuggets for people I know, and some are random. I try to fit a name with the vibe of the character or location. Not a lot of science to it for me.
What was your hardest scene to write?
I’ve written some heavy scenes. The Event has a particularly emotional one. The main character’s wife died a few years before the book, and I have a few flashbacks of them together at the start of the book, which are relevant to the plot of the series. Here’s an excerpt:
Janine was in bed sleeping soundly when I stepped into the room. The hot soup cup was burning my hands, and I just stood there with the pain. I felt like I needed the distraction, like the burning would make my other pain go away somehow. Even though we were in our own house, the smell of the hospital still stuck in my nostrils, and I wasn’t sure if the chemical scent would ever be gone.
It was time, and Janine demanded to come home for the end. How could I deny that beautiful woman’s wishes when she was so small and frail, her life slipping away in hours and minutes instead of decades and years like someone her age should have left?
I put the soup down, sat at the foot of the bed, and just watched her breathe. The sounds lulled me, and I felt my own eyes getting droopy. I lay down and curled up beside my wife like I always did when we went to bed. Even if it was too warm, I needed to feel her body next to mine to fall asleep. I’d become dependent on her in so many ways, and I had no idea what I was going to do when she was gone. As I closed my eyes, I thought about dying and wondered if we would be together in some sort of afterlife if I ended my own life when she was gone. My last thoughts were of a bottle of whiskey and a vial of pills before sleep took over my exhausted body.
I woke to her touch. A soft kiss on my lips; her hair cascading down on my face. I cried and felt shame in my pain. She was the one dying and I was the one crying about it like a baby constantly. The worst part was, it seemed like she was okay with having a husband who couldn’t stop blubbering.
“Janny, I love you so much. I’m so sorry this happened,” I blurted between sobs.
She looked me in the eyes, and for the first time in weeks, I saw her own eyes well up. A single tear fell slowly and splashed on my cheek. It mingled with my own, and somehow, I felt better for it.
Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?
I love science fiction, and always have. It was natural for me to write there. I also have a long-time love of horror, and needed to write in that genre too. My main focus will be in Sci-fi now that I’ve found success there, but hope to still do some passion projects.
How long have you been writing?
I used to dabble, but really only for the last 4 years. I started to write, and the floodgates opened up inside me. There was no turning back.
What inspires you?
A lot of things. The outdoors, trees, green grass, the smell of autumn, the energy of a big city…so many things inspire my thought process, and I take them all and use it in my writing.
How do you find or make time to write?
Routine. I get up early to do it. No excuses.
What projects are you working on at the present?
I’m working on my final final final proof read of Red Creek, and about to send New World (Survivors book 3) to my formatter.
What do your plans for future projects include?
I’m going to be releasing a 3 book pen name series this fall, as well as book 4 of The Survivors. From there, I have many plans for 2019!
Share a link to your author website.
You can follow along at www.nathanhystad.com I haven’t been around it to blog much lately, but you can follow my newsletter from there, and see what I’m up to. I also run www.scifiexplorations.com with some friends where we promote the best indie authors and their deals and new releases. Follow along there for some amazing promotions.
Nathan Hystad is an author from outside of Edmonton, Alberta, Canada. He lives there with his wife, dog and piles of books. He runs Woodbridge Press, and is the series editor and creator of the Explorations series of anthologies.
1. Does writing energize or exhaust you? A bit of both, honestly. I feel energized while I’m actually doing the writing, however if I get into it for any more than about an hour then my brain doesn’t like resetting itself and I spend the rest of a day in an exhaustive haze, as if I’d been napping, and I hate naps!
2. What is your writing Kryptonite?
Time, or the lack thereof. I have very little personal time to write, embrace whatever I can get. I don’t have enough, and what I get can be taken away from me so easily.
3. Did you ever consider writing under a pseudonym? I flirt with it from time to time, but only because there’s already a Marc Watson author (who is a really great guy who is a thrill ride engineer from Florida), as well as one who is a British comedian, and another is the Content Lead for everything Minecraft. All industries I’m involved in. Hmm… maybe I do need one. If I did, it would likely be just adding my middle initials or something simple. I like my name.
4. What other authors are you friends with, and how do they help you become a better writer? Seeing as I’m relatively new to this world, my list of writer friends is sparse at best. I’ve met a few times with Edmonton horror writer Konn Lavery. I’m currently teamed up with an old friend Patrick Yokan Persaud, who is the lead writer at Hardmode Games. Konn has been great as he lives nearby and sees a similar world to what I see, books and sales-wise, and Patrick and I grew up together, so if something plays well with him then I know it works for me and the audience I’m trying to reach.
5. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? Why not both? I’ve written an interconnected universe with my ‘Ryukyu’ series which will start in March with ‘Catching Hell Pt. 1’, plus I have other stories that loosely tie into it such as my debut novel ‘Death Dresses Poorly’ which makes vague references to the ‘Ryuujin’ world, and then I have works in progress like ’12:13’ that completely stand alone. I don’t think there’s any reason why I can’t be known for stand-alone works as well as my epic fantasy world.
6. What was the best money you ever spent as a writer? Certainly the cost of attending my first When Words Collide writer’s conference. I only began taking writing seriously on February 29th, 2016. When WWC hit in August, that was my first exposure to a collection of other writers, agents, and like-minded individuals. The experiences and connections I took away from that weekend still resonate with me today.
7. What was an early experience where you learned that language had power? My ‘words have power’ moment really didn’t come until I was in my late teens. I’d been an avid reader all of my life up to that point, but in a grade 13 English class (reminder I grew up in Ontario, so that’s not weird) we were assigned ‘The Shipping News’ by E. Annie Proulx. The book remains my favorite of all time. I read that book three times during that few weeks of study. However, while I was getting my mind transformed by this heartbreaking and utterly beautiful story, many in the class admitted repeatedly to not understanding it, not reading it, and generally not caring about it at all. I was simply baffled because I was so engrossed and moved to the point of tears, and all these other kids my age just let it pass them by. It was there that I saw the real power of words: that they mean different things to different people and they always will.
8. What’s your favorite under-appreciated novel? Well I could say ’The Shipping News’ and I’d stand by it, but it won a Pulitzer Prize so I guess no level of recognition will be enough for me. So I’d have to say that ‘Wizard and Glass: The Dark Tower 4’ by Stephen King would fit the bill. As a middle part of a monstrously over-arching Dark Tower story, it can be so easily overlooked, but the individual story of a young Roland and his friends encountering the true evil in Roland’s life from that point forward face to face, while also being a beautiful and realistic story of young forbidden love. I just love it. It’s very tight, while offering massive expositional dumps into the mind of such an iconic and enigmatic protagonist.
9. As a writer, what would you choose as your mascot/avatar/spirit animal? A great question, and a popular one so I’m ready for it! I really have two, and it completely depends on what I’m working on. For my epic fantasy works, I’m very much a house cat. Lazy, slow, methodical, with random fits and starts of energy when I write the action pieces. When writing something like ‘Death Dresses Poorly’, which I smashed out in a tight six weeks, it’s a squirrel: high-energy, fast paced, with no time to slow down.
10. How many unpublished and half-finished books do you have? Too many… I’m sporadic when it comes to my writing, so I have no issues dropping something for another project I want get into. On the up side, I never ever suffer from writer’s block! My ‘Ryuujin’ stories in various stages of completion number eight. Side stories are another three. My standalone stories are at two right now, so doing the math I have thirteen actual and legitimate works in progress. Not just ideas on a napkin. I’m talking works with real words on a page.
11. What does literary success look like to you? Buying my family a dinner from the profits of my works. Since ‘Death Dresses Poorly’ just came out, and ‘Catching Hell Pt. 1’ is still more than a month away, the checks aren’t rolling in yet so I’m not there. Whether it’s a lot or a little, when I take my beautiful wife and kids out for a meal (be it Wendy’s or the best steakhouse in town) I’ll feel complete. The goal will be achieved. Not very exciting, is it? I like to say I’m the anti-author. I’m not planning my movie trilogies or bigger houses. I don’t have time for that kind of thing. I need to walk the path of reality, and reality says I’m a 38 year old man with responsibilities and a job to do every minute of the day. The day I provide for my family based solely on the profits of my brain musings, how glorious will that be!
12. What kind of research do you do, and how long do you spend researching before beginning a book? None! The great thing about being a fantasy writer with a penchant for massive global extinction is that I get to start fresh with ‘facts’ all the time! In truth, I’ll do a bit when dealing with realistic place like in ‘Death Dresses Poorly’, which takes place in the Seattle area (which I’m admittedly not terribly familiar with). I want to make sure I get place names correct, or travel times between locations. Mundane stuff like that.
13. How many hours a day/week do you write? Four or five, usually. My lunch hours at work are the extent of most of my writing time, and sometimes I need to use those for things like this! Not that I’m complaining. I’m thankful for the chance, but it’s taken me two lunch hours to answers your questions. Once I get home, it’s kids kids kids, and I’ve never been good at writing in silence after they go to bed. I’m not complaining. ‘Catching Hell’ was original 225k words, written over lunch hours for a year. Anything is possible with patience, especially if it’s a story you really want to tell.
14. How do you select the names of your characters? Unlike most authors I speak with, naming things, be it people, places, or things, is one of my favorite things to do! When I was asked to create a huge list of names and places for my work with Hardmode Games, I practically wet myself in joy! Much of it I simply can’t answer. I find names I like, do an ounce of research to make sure I didn’t inadvertently recreate a famous Nazi death camp general or something, and go from there. Some I’ve known forever like Aryu, one of my protagonists in ‘Catching Hell’, and others I just threw in like Ethan from ‘Death Dresses Poorly’. Fun fact: Ethan originally had my oldest son’s name, but after some conversations with my wife, we agreed we perhaps didn’t want to stigmatize the kid with the same handle as this unenviable character I’d written, so I changed it. I can’t live without Ethan now.
15. What was your hardest scene to write? Well I’ll avoid spoilers as much as possible, but the ending of ‘Catching Hell Pt. 2’ wins for sure. From the beginning I wanted to write a scene I’d envisioned for as long as I can remember. Something different. Something that discards the fiction clichés and tropes we’re all familiar with, while also making it believable and earned. When the conclusion is reached, the reader says “That’s realistic. That’s what should happen.” I like to think I did that, but only time will tell.
16. Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them? I’m a man awash in fantasy. From a young age I gravitated to fantasy stories and imaginative science fiction. I absolutely have a hyperactive imagination and these genres fill that brain-hole so perfectly. When I entered into my formative writing years, anime and manga became a huge part of my life. The Japanese were telling stories with such heart and depth and unbridled creativity that I couldn’t help but get wrapped up in them. In the end, the answer to your question is a terribly simple one: I write what I know.
17. How long have you been writing? Although I like to think I’ve always been creative in my writings, the commitment really took hold when I was 15 and 16 years old. I had this mental vision of a long, epic fantasy story and I just started writing it down with a pen and paper. It consumed me so much that I wrote a trilogy entirely by hand, which became the basis of my ‘Ryuujin’ world. I still have the dent in my finger from the pen to this day. When I pulled my head up from the binders, I’d almost flunked out of high school. After some hard work and creativity, along with the help of a teacher or two that I was lucky to have, I pulled through, but the fuse was lit.
18. What inspires you? Life. Life is the greatest inspiration of all. I have a favorite saying that I unashamedly admit I came up with: I don’t like good books, I like good stories. The medium is not important. When I look at the struggles of my loved ones, or the triumphs of strangers on the other side of the world, I see so many stories that give me a reason to keep talking. They’re not all victories. There are enough tragedies to remind ourselves that there’s bad with the good, but that’s the cost of living. I see my kids do things that move me to tears with their bravery, so I better get to telling what stories I can in order to help show them the things I’ve seen and how I see them.
19. How do you find or make time to write? I don’t. I just take the time when I get it. I don’t believe in forcing myself to write by setting daily goals. Challenges like NaNoWriMo are great for some, but for me it can go walk off a cliff. My best writing comes when I don’t pressure myself to actually write. I just need to accept that I may have to go for days or weeks without writing, and I’m ok with that.
20. What projects are you working on at the present? Right now I’m helping market ‘Death Dresses Poorly ’alongside publisher Fluky Fiction, I’m getting ‘Catching Hell Pt. 1’ ready with its publisher Double Dragon Press for the March launch, and I’m doing a decent amount of writing work with the Hardmode team on their original IP, which is a secret but hopefully you’ll see the results of that work later this year.
21. What do your plans for future projects include? Well the biggest one is ‘Catching Hell Pt. 2’, since just having the first part of a duology is no fun for anyone. It’s a finished work (I wrote it all at one time, but it was too big so I had to split it up) but it hasn’t been edited and prepped to my liking, so I want to get that done and hopefully find it a home before people forget my name.
Marc is the author of genre fiction (primarily Fantasy and Science Fiction of all lengths). He began writing at the age of 15 with a pen and paper, and never really stopped, even though until recently it was more of a background to him than my defining trait. He has been published on flash fiction site www.101words.org, as well as comedy site www.thecorrectness.com. Marc has been a student of the excellent writing classes at Athabasca University for a number of years.
He lives in Calgary, Alberta, and was spawned out of the depths of Southern Ontario. Marc is a husband, proud father of two, and can be sometimes found at an actual job. An avid outdoors-man, martial artist of some high repute, baseball player of very little repute, and lover of all Mexican foods. One day ‘World Famous Poutine Aficionado’ will be on his business cards.
You can also find Marc on Facebook at www.facebook.com/marcwroteabook, and on twitter at @writewatson. For public appearances and interviews, he is proudly represented by Creative Edge Publicity.
Does writing energize or exhaust you? Both. To not write, dismays and distracts me. Writing is like lancing a wound. It’s painful but with writing, comes release. And relief! I often worry there’s no story there at all, so once I realize there is, I feel a great deal of relief!
What is your writing Kryptonite? I use too many he said, she said’s. I also have to completely rewrite every single thing I write, at least three times. It would be so much easier if I could just get it right the first (or second!) time. But then again, most of writing is rewriting anyway, isn’t that so? And when you sculpt a sentence or an image, it’s wonderfully satisfying! Sometimes I’ll read a first draft of a thing and think that it’s utterly awful writing – who on earth can even write that badly? But at that time, the only thing was to get the story down and I always say that – just get the story down, you can fix the writing later. If I edited as I went along, I’d get nothing done.
Did you ever consider writing under a pseudonym? Actually yes! I am thinking of branching out into some really weird noir and I’m considering these names: Kingston Lee, Mansel Williams, Lee Digby, Lee Hunt.
What other authors are you friends with, and how do they help you become a better writer? Terri Favro, Carole Giangrande, Brenda Clews, Catherine Graham, Grace O’ Connell, all my pals at the Mesdames of Mayhem, D.J. McIntosh and Dawn Promislow are just a few. I love their work so much – their direct, beautiful prose, their descriptions. And I am blessed to be part of a very strong writing community, so that list is really very brief, there are many more names. We are all, across Canada, linked in our love of literature and I find the Canadian literary community to be extremely supportive and encouraging. I know that if I hadn’t come to Canada, the chances of me publishing a book would have been very slender because it was within this community that I learned how to write. And there are SO many fantastic Canadian authors and poets! It’s astounding, really, what a nation of literati we are. And, kind, lovely people!
Do you want each book to stand alone, or are you trying to build a body of work with connections between each book? They are all definitely standalones! I would be very open to writing books with connections but it doesn’t seem to happen! I just write what I am told to write!
What was the best money you ever spent as a writer? Going to workshops. I love workshops and conferences. Also, buying books about writing and self-editing.
What was an early experience where you learned that language had power? Wow, this is tough one! I can’t say for sure. I remember being part of the debating team at school and it was fascinating to me then, how language is actually a tool of persuasion. I’m sorry to not have a better answer for you.
What’s your favorite under-appreciated novel? The Book of Stolen Tales by D.J. McIntosh. It’s such a masterful, gripping read, filled with fascinating folklore.
As a writer, what would you choose as your mascot/avatar/spirit animal? It changes a lot! I find there is usually one per book. The owl was very strong for a long time. Then the snake. Right now I would say it’s the wolf.
How many unpublished and half-finished books do you have? I have a whole cupboard of them! They include God’s Day Off, The Fables of Foxtrot Four, The Savage Chardonnay Society and a collection of short stories called Cannibals of the Afterlife. None of them is worth a damn and I really want to have a lovely big bonfire and watch them all go up in smoke. I feel like that would be cleansing and cathartic. I wanted to do it last summer but the opportunity never arose. Although, some stories in Cannibals of the Afterlife are fairly recent and have some potential. So I wouldn’t burn those just yet!
What does literary success look like to you? I feel happy and fulfilled when people enjoy my work. My books aren’t always to everyone’s tastes and I understand that so when a new reader gives you a four or five star rating on Goodreads, then I am happy! I think that No Fury Like That is enjoying a lot of literary success which I wasn’t expecting – I thought readers would hate Julia Redner but they really seem to like her! So that’s a huge win!
What kind of research do you do, and how long do you spend researching before beginning a book? That depends on the book. Rotten Peaches is my next book, for 2018 and I did a lot of research on trade fairs, the toxic ingredients that go into cosmetics and also, the history of the Afrikaner in South Africa. I worked out a calendar of trade show events before I began the story, so I would have an accurate timeline for the book. For my 2019 book, The Occult Persuasion and the Anarchist’s Solution, I did a huge amount of research on treatment and methodology in psychiatric institutions in the 50’s and 60’s (very scary stuff) and I read a lot about tarot, casting spells and the like. That was how I discovered the The Occult Shop on Bathurst. Also, you can find a lot of gems about that kind of subject matter in used book shops. I also researched the Sydney Harbour Bridge in a great amount of detail as that is featured in the book too. Sometimes I will write the story and then flesh out the facts later, when I don’t want to lose the momentum of the real writing. The facts can always be tidied up later – something I rue when I get to it! Why didn’t I just look this up at the time? Well, because you were too busy writing! There’s a lot of constant internal dialogue in my head about my writing, the process as well as the stories.
How many hours a day/week do you write? I write every day. At least two hours a day, usually a lot more on weekends.
How do you select the names of your characters? I find it tough! I study movie credits constantly, or names I see in newspapers. I think about people I have met, and do I have any connotations with that name? I prefer a name to not have any connotations at all but just fit the character. I often change the names a few times but Julia Redner was always Julia Redner. The main character names seem to come easier than the secondary ones. The secondary names are perhaps even more important than the protagonists because the names need to bring a volume of information and meaning and description, meanwhile you can take the time to actually describe the protagonist.
What was your hardest scene to write? Banishing the evil spirit in The Occult Persuasion and the Anarchist’s Solution was very tough. As I was writing the scene, I noticed a series of blisters pop up on the inside of my wrist, in the shape of a serpent and I felt quite terrified. Later I realized that I had shingles. I told my husband it was the demon spirit and he said no, it was obviously a hard scene to write and it made it physically clear! In No Fury Like That, it was hard to write the final revenge scene – Julia went to great extremes to exact he revenge and I was concerned it was too much but people have likened it to Kill Bill which I thought was a great compliment! I think I need to work on having more tough scenes to write, it’s a good workout for the brain!
Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them? I started off writing literary fiction but then I wanted to write more of a plotted book. Characterization comes fairly easily to me but plotting is much harder. I love reading crime novels and wondering how they came up with such intricate plots. So I set myself the challenge of writing novels with more layers of plot. I love imagining what could happen next and then, the domino effect that would have and how the characters will interact down the line. My novels have been called cross-genre or genre-bending, so I guess they just are what they are!
How long have you been writing? I feel like I’ve been writing as long as I’ve been reading and I was a very early reader. Ever since I read Enid Blyton (I devoured her books), I tried to imagine myself coming up with stories like that. The Magic Faraway Tree was one of the first books I wish I had written!
What inspires you? Everything. Street art. Graffiti. Other people’s trash. I was recently on holiday in Auckland, New Zealand and I had a fine old time of it, rooting through the trash. I know, that sounds unhygienic and disgusting (and I do get some odd looks) but there are so many stories in what other people throw out. People on the subway or bus inspire me. Fashion inspires me. It’s ridiculous and extremely beautiful. People’s conversations inspire me. Movies, books, poetry, patterns in the clouds, stories in magazines or newspapers (I have cuttings from all over the world, snippets of things that could turn an idea into a character. Travel definitely inspires me.
How do you find or make time to write? I am neglectful of cleaning the house, I eat the same food day after day (quite happily). I wear the same style of clothes. I minimize wasting time on a thing when I could be writing or planning a story. I put writing before meeting friends for a coffee, I shamefully neglect my husband (who thankfully is a sports fan and has his own photographic interests and doesn’t seem to mind!) I am distracted a lot, by whatever story is in my head. I limit my time on social media and miss a lot of what’s going on. I get behind on current affairs and things that are going on in the real world.
What projects are you working on at the present? I am working on self-edits for Rotten Peaches. Those need to be completed by the end of January. Then I want to work on a new idea for a novel that came to me on my trip, Boomerang Beach. I wrote a hundred or so page longhand and I need to input them and see if there is anything there, and then I need to do a completely new second draft of another novel called The WeeGee Doll, after receiving great feedback from a writer friend of mine. Then I have a few short stories I want to sculpt.
What do your plans for future projects include? As you can tell from the answers to 20, there is a lot on the go! And then there is always the promotion of the current book. I have a blog tour for planned for No Fury Like That for all of Feb, with Partners in Crime and I hope your readers will find it to be of interest.
Share a link to your author website. I’d like to share the blog tour link if that’s okay? The blog tour hosts and I have quite the lineup planned! And let me take a moment to thank you for having me as a guest on your wonderful blog today. You and I go way back Dear Mandy, and it is with great joy that I celebrate your many writing successes with you.
Due to a dreadful constant cough my energy has been at a low ebb so writing has taken a back seat as I try to get better. It is the worse possible timing over the festive season. Hopefully as I gradually get better my writing Muse will return.
Books: The men are in Spain and the war is affecting them, as it would. Back home things have changed but stayed the same. Relationships are strained and letters are infrequent. Beautiful writing and character development.
Christmas books have been added to my pile – 300 writing prompts and Sleeping Beauties. Now to consider which King book to read first as I still have 11/22/63 to start. I admit Beauties is calling me.
What books did you get for Christmas?
Holiday’s tend to reek havoc on our writing schedule but there are ways of grabbing writing time.
Keep track of the number of words you write instead of how long you wrote.
Relax your normal rigorous writing timetable – take time to chill and observe.
Make the most of “un-scheduled” time – waiting for a flight, children’s rehearsals, a break for coffee during shopping.
Wake up earlier (or stay up later) than usual to ensure that you spend some time writing.
How do you find time to writing during the holidays?